Karen S. Wiesner: SURPRISES IN THE COURSE OF LEARNING TO WRITE A SCIENCE FICTION SERIES (2 of 15)

 Of the Overarching Series and Its Connection to Speculative Fiction

This is the second of fifteen posts dealing with surprising things I learned in the course of writing a science fiction series.

 A timeless universal truth:

No simple solutions, no easy answers, and nothing is ever free…

In last week's post, we talked about why science fiction, especially those in a series, is debatably the most difficult genre to write in. Another reason this type of series is so complicated is because it's part of a rare breed of series that I'm calling the Overarching Series that requires complex and multifaceted character- and world-building as well as necessitating series arc sequel hook endings in all but the final installment. Overarching Series dominate speculative fiction more so than any other category of fiction, though it is possible for one to be in other genres as well.

In the Overarching type of series, none of the books can truly be standalones because the series arc that's introduced in the first book in the series will run through every installment in that series, expanding and intensifying as it goes, only concluding in the final volume of the series. In other words, it's unlikely that the individual titles of the series (except perhaps the first) can be fully understood without the others in that series. Nearly always, they need to be read as a set, in the proper order, to make sense. However, that doesn't necessarily mean that you can't enjoy the stories separately. You'll just miss a lot doing so and ultimately you might end up with a fair amount of confusion.

To be clear about this, a cliffhanger ending is most always referring to when a book ends in the middle of an unbearably intense or emotional bit of danger. Instead of concluding at the place where the scene would reach a natural end, the action is truncated prematurely, leaving the reader hanging when it comes to resolution. Readers have no way of knowing what actually happened unless or until a sequel to address this dangling thread is released and addresses the previous situation satisfactorily (and sometimes the explanation for how the danger was actually averted can be less than gratifying). Frequently, readers consider employing this technique as outright cheating because they've been purposely deprived of the unspoken promise of a proper resolution.

Kind of a downgraded definition of a cliffhanger ending is any thread left dangling. In the case of series arc thread, writers generally provide story arc resolutions within the individual volumes of the series while holding off on resolving series arcs until the final volume. For the purposes of my upcoming writing manual, Writing the Overarching Series, I'm calling these not-quite-a-cliffhanger endings "series arc sequel hooks". While readers maybe shout "But what happened to--?!" upon reaching the end of any series installment, the place each particular volume ends should feel natural and not an affront or trickery employed to avoid genuine resolution. 

The story arcs that are specific to individual titles in an Overarching Series will resolve within their particular book, providing the necessary satisfaction when completing the story, while the series arc almost always produces a less upsetting form of cliffhanger ending called series arc sequel hooks in all volumes other than the final book of that kind of series, where it's finally resolved. The reason for that may be obvious but I'll state it anyway: The series arc can't be resolved until the last book of the series. While authors do need to find a natural, logical place to leave the series arc from one volume to the next so the "to be continued" aspect won't infuriate readers so much as build anticipation for what's to come, keep in mind that each volume needs to be assigned its own piece of the series arc to tell in an Overarching Series. Some well-known Overarching Series book series, TV series, and movies are The Lord of the Rings, Divergent Series, Harry Potter Series, Twilight Series, Supernatural, Grimm, and Star Wars.

Another interesting thing about Overarching Series is that an Overarching miniseries (or more than one) can exist within an existing series of stories that could otherwise be considered series standalones. In literary terms, a miniseries is most accurately referring to a finite set of stories told within an existing series. Both the Star Wars and Star Trek series have quite a few Overarching miniseries along with standalone stories. Star Wars original miniseries included three stories in a trilogy: Star Wars (sometimes also called A New Hope), The Empire Strikes Back, and Return of the Jedi. Rogue One and Solo are individual stories within the series. Star Trek has a host of miniseries within the Overarching Series, including but not limited to The Next Generation, Voyager, and Discovery. In my Woodcutter's Grim Series (fantasy/paranormal/mild horror), I have two miniseries that qualify as Overarching Series within the overall series. One of the Overarching Series is untitled and deals with the Shaussegeny Curse (Books 4-7). Another is called Bridge of Fire, Book 10, which has three separate novel parts. Books 1-3, 8, 9 and The Final Chapter could be considered standalone titles within the series.

Perhaps the most defining factor of an Overarching Series is that the individual volumes could easily and maybe even should be ideally packaged as a single work if cost and reader acceptability weren't factors.

You might have noticed something very specific about all the Overarching Series titles I mentioned above: They could all be included under the Speculative Fiction umbrella. Speculative fiction is particularly well-suited to the Overarching Series structure. While it's certainly not out of the realm of possibility that an Overarching Series could fit in other genres of fiction, they do crop up most often in speculative fiction. All the techniques and strategies I employed in the process of completing my Arrow of Time Chronicles are actually ones that could work just as well for any fiction genre as well as for any type of series.

Let's talk more about the speculative fiction before we get into why these particular genres work so well for an Overarching Series.

There are a lot of different definitions for speculative fiction (or "spec fic" as it's sometimes called). Basically, the definition I'm using here is the one that's most likely to come up if you put the words "speculative fiction" into any search engine: "A genre of fiction that encompasses works in which the setting is other than the real world, involving supernatural, futuristic, or other imagined elements." The spec fic umbrella would cover (but isn't limited to) science fiction, fantasy, superhero fiction, science fantasy, horror, utopian and dystopian fiction, supernatural and futuristic or any combination of these along with other potential offshoots too numerous to mention. The point is, spec fic almost always has enormous requirements when it comes to:

            1) World building. You might need to come up with a variety of environments either all in one location, like a planet, or sprawled across great distances--maybe an entire universe--that you have to figure out how to traverse. Most if not all of these locations have to be unique and complex enough to be believable while still retaining some semblance of realism capable of luring current readers.

            2) Character building. In these genres, not all your characters will be human. In fact, a good portion might be from an alien culture or some kind of supernatural creatures that the author has to construct from the ground up. You're not just describing and personalizing living and breathing, sentient beings. You're figuring out who and what they are, where they came from (their history, present day situation, and the future are yours to formulate!). You'll be required to explain how their family life, culture, government, religions, monetary systems, and countless other structures work in their very individual worlds.

Overarching Series are frequently utilized in genres under the speculative fiction umbrella. However, not all speculative fiction series are Overarching Series. The reason for that is because you can easily have standalone series titles in a speculative fiction series. Trust me, we'll figure this all out in the next few months and it'll make perfect sense when we're done. We'll also talk more in-depth about story and series arcs, types of series, and standalones, and cliffhangers in later posts.

Next week we'll talk about my very first big surprise in writing a science fiction series.

Happy writing!

Based on Writing the Overarching Series (or How I Sent a Clumsy Girl into Outer Space): 3D Fiction Fundamentals Collection: by Karen S. Wiesner (release date TBA)

https://karenwiesner.weebly.com/writing-reference-titles.html

http://www.writers-exchange.com/3d-fiction-fundamentals-series/

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series, including the romantic science fiction series, ARROW OF TIME CHRONICLES

https://www.writers-exchange.com/arrow-of-time-chronicles/

https://karenwiesner.weebly.com/arrow-of-time-chronicles.html

http://www.facebook.com/KarenWiesnerAuthor

Karen S. Wiesner: SURPRISES IN THE COURSE OF LEARNING TO WRITE A SCIENCE FICTION SERIES (1 of 15)

 Introduction: In Which an Old Dog Learns a New Trick

This is the first of fifteen posts dealing with surprising things I learned in the course of writing a science fiction series.

I write (and I'm published) in nearly every genre of fiction you can imagine. Science fiction horror is my favorite genre to read, and I'd always wanted to write in that genre. Though I'd written mild horror and many speculative fiction titles, science fiction was new for me before I decided to embark on what felt like an epic quest when I started the Arrow of Time Chronicles. At that time, I'd been published author for more than 20 years, and this old dog was about to learn quite a few new tricks.

 

 A timeless universal truth:

A timeless universal truth: No simple solutions, no easy answers, and nothing is ever free…

Long before I actually had any specific ideas about potential science fiction plotlines, I was talking to my son and husband about wanting to write something like Star Trek and having my Clumsy Girl Zoë Rossdale (of Clumsy Girl's Guide to Falling in Love and Clumsy Girl's Guide to Having a Baby) onboard the spaceship. My son, especially, thought it was brilliant and encouraged me to make it happen.

Fast-forward a few years and finally I'm getting ideas for a science fiction series. The premise I started with was a sci-fi saga set not too far in the future when mankind has finally begun traveling the stars, mainly in desperate and dire need of finding new homes for the population stranded on Earth following the Great Catastrophe (basically, Climate Change reaching the critical point). What if Humans built orbital habitations for their people not only in their own planet and moon's lagrange points (you can do a search for what these are if you need to) but also in the L-points of other planets and moons all over the galaxy? In the course of constructing these space dwellings suitable for Humans, what if one of the moons and planets they build above is in a nuclear winter and there are actually survivors down on the planet below? What if there are others originally from the planet who'd achieved space travel before the war that destroyed their planet and these hostile Napoleonic aliens return to their homeworld to find Humans "squatting" in their territory?

That catalyst is what led me to writing this series, but another thing that compelled me was the idea of having cultures (what I call the alien races populating my series) spread across the galaxy that, genetically, are so similar, it begs a billion scientific, cosmological, and theological questions.

The horror angle I wanted to develop in this series turned much milder than I intended in the form of phantom energy--an unconscious force of dark energy--dominating and "expanding" like a space-eating tumor throughout the universe. Eventually, its rapid destruction spreads everywhere and threatens all life in the galaxy.

In case you're wondering, yes, my Clumsy Girl Zoë's descendant, Astoria "Tori", is on board the Aero spaceship, klutzing it up in the most endearing way!

Before I started writing my Arrow of Time Chronicles, I believed science fiction had to be the most complicated genre imaginable. Not only do you as an author have to create all types of characters, but most of the time they're part of an alien race that hails from a different part of the galaxy altogether. World building becomes *universe* building. Gulp! And technology…wow, where do I even start? It's no wonder a lot of sci-fi authors are scientists (Isaac Asimov, Arthur C. Clarke, Fred Hoyle) 'cause, frankly, who else can really understand all these things? Intimidation galore!

Of all genres, I think science fiction also has the most opinionated authors. I tease a bit here, but seriously I don't believe in placing too many regulations on writers. If an author can get something to work in a story, then who cares about some long-standing rule that says no, you cannot do that here? How many other genres are you told from the get-go that, as a writer, you absolutely should not dare to change something that's been as established the cardinal rule? Additionally, you're also told that all your science and tech better be legit…despite that…{clearing throat here} you're writing **fiction**.

While I was writing my Arrow of Time Chronicles over about 2, 2 1/2 years, I found out in the process of learning everything I could and in some ways teaching myself how to go about the process of understanding the mechanics of writing in this genre that science fiction was definitely the most complicated genre imaginable. There was so much to absorb, so much to construct, so many ways to go wrong and have it all fall apart.

After I was done writing my sci-fi series, I felt a whole kaleidoscope of emotions about writing science fiction: Triumph, relief, awe, sorrow, complete and utter exhaustion. And, my conclusion was, yeah, science fiction is the most complicated genre imaginable--hands down! There is simply no comparison. Even mysteries, police procedurals, and action-adventures were a walk in the park compared to this genre. I learned so much in the course of writing my sci-fi series. Before I ever started writing Arrow of Time Chronicles, I read every book I could get my hands on about how to write in this genre. Yet I was left with quite a few curve balls that I couldn't have foreseen. I knew I had to overcome these things if I had any hope of accomplishing this epic undertaking that promised to bring about my magnum opus.

The posts in this long series coming to Alien Romances blog are the basis for my writer's manual titled Writing the Overarching Series (or How I Sent a Clumsy Girl into Outer Space), which will be included in my 3D Fiction Fundamentals Collection. In the posts that follow in this series over the next three months, I'll go over the surprises I had in the course of writing my first science fiction series, including the following topics:

·         Of the Overarching Series and Its' Connection to Speculative Fiction

• ·        Surprise #1: Of Not Having to Reinvent the Wheel For Everything

·         Of Research and Developmental Tool Requirements, Part 1: Surprise #2: Research Overwhelm

·         Of Research and Developmental Tool Requirements, Part 2: Surprise #3: Development Tool Underwhelm

·         Surprise #4: Of Deliberately Limiting Story Potential Development

·         Of Arcs and Standalones, Part 1: Story Arcs

·         Of Arcs and Standalones, Part 2: Series Arcs

·         Of Arcs and Standalones, Part 3: Establishing a Series Arc Early in the Writing Process

·         Of Arcs and Standalones, Part 4: Establishing Story Arcs Early in the Writing Process

·         Of Arcs and Standalones, Part 5: Surprise #5--Why Standalone Series Stories May Be Impossible in the Sci-Fi Genre

·         Of Arcs and Standalones, Part 6: Cliffhangers and Conclusions

·         Of Lessons Learned 

·         Of Rewards Earned

·         In Which a Clumsy Girl Goes into Outer Space

Happy writing!

 Writing the Overarching Series (or How I Sent a Clumsy Girl into Outer Space): 3D Fiction Fundamentals Collection by Karen S. Wiesner (release date TBA)

https://karenwiesner.weebly.com/writing-reference-titles.html

http://www.writers-exchange.com/3d-fiction-fundamentals-series/

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series, including the romantic science fiction series, ARROW OF TIME CHRONICLES

https://www.writers-exchange.com/arrow-of-time-chronicles/

https://karenwiesner.weebly.com/arrow-of-time-chronicles.html

http://www.facebook.com/KarenWiesnerAuthor

Forced Transition (Why I Don't Eat Catfish)

Suggested soundtrack: "Eighth Day" by Hazel O'Connor, from the Breaking Glass album and movie.
https://www.youtube.com/watch?v=fBkvcQEGq9k 

One of my earliest childhood memories is of being terrified of the family toilet.  I thought mutant crocodiles might emerge and bite me while I went about my business. Horror from the sewer goes back much further. At least since 1941, spec fic writers have imagined what might arise from polluted waters.

Consider The Penguin, aka Oswald Chesterfield Cobblepot. As they write on Wiki, credits to
https://villains.fandom.com/wiki/Penguin_(Batman_Returns)

"The Penguin is one of the major villains from DC Comics, most notably appearing as one of Batman's oldest and most infamous foes. The Penguin, like most of Batman's foes, relies heavily on gadgets, since he does not have any superpowers."

Batman is science fiction, isn't it? Soft SF?  Speculative fiction? It's the stuff of superheroes and supervillains, and of super-heroines and super-villainesses. In the case of Batman, the goodies and the baddies rely mostly on technology, but also on genetic mutation. They use costumes and secret identities, and usually, if anyone important dies, they are resurrected by supernatural means or supernatural intervention.
https://en.wikipedia.org/wiki/Superhero_fiction

The Penguin is particularly interesting because his problems stem from toxic waste pollution, although, I don't think we are told why his aristocratic parents gave birth to a deformed infant.

What's In Your Sewage? asked a science blog in 2008
https://scienceblogs.com/thepumphandle/2008/02/25/whats-in-your-sewage

Already in 2008 they knew about the feminization of male fish in lakes, and also in coastal parts of the ocean. Some male fish were found to be growing female parts and even laying eggs, and larger predator fish were ingesting sex-changed smaller fish. Lake fish are the worst. Don't eat them.  Similar issues have been found in flatfish in the oceans for instance in plaice, sole, skates... in bottom feeders, one might say.

The 2008 science blog's bottom line is, "Don't flush your drugs."

We cannot help flushing hormone laden urine -- or can we?  Should we?  Those who take Viagra, the contraceptive Pill, vitamin supplements, morphine etc, and those who believe that the safest way to dispose of unwanted or expired pharmaceuticals is to flush them may send surges of unnatural substances into the wild.

With everything Big Tech knows about every individual, and the continued weakening of medical privacy regulations (Covid Passports?) it should not be difficult to identify persons who ought to be disconnected from sewers, or else surcharged for their ungreen sewage output. 

 

This week, we hear that in New York, where, it is alleged, unused/unusable doses of mRNA vaccine are being flushed down the toilet. One would have thought that administrations that claim to be concerned about the environment would use more caution. Have there been studies on what mRNA does to rats and cockroaches? Likely not.

Michael Savage explains a bit about how mRNA works here:

https://michaelsavage.com/could-mrna-covid-19-vaccines-be-dangerous-in-the-long-term/    

 

It is perhaps not a particularly helpful blog with regard to advocating for defeating Covid-19 through vaccination --which everyone, of course, should do-- but the quote from The Independent is edifying.

“It uses a sequence of genetic RNA material produced in a lab that, when injected into your body, must invade your cells and hijack your cells’ protein-making machinery called ribosomes to produce the viral components that subsequently train your immune system to fight the virus.”“In this case, Moderna’s mRNA-1273 is programmed to make your cells produce the coronavirus’ infamous coronavirus spike protein that gives the virus its crown-like appearance (corona is crown in Latin) for which it is named,” wrote The Independent.

Delving back into the sewage issue, it's not just a problem for fish and fish eaters.  Solid waste from treatment facilities is used on farmland, and may poison the worms --not in a good way-- which are said to accumulate pharma products and also residues of whatever is flushed from human bodies during showering (or baths).

The link from what's in your sewage to discussion of worms goes to a deleted page.  The link to an active, environmental blog does work, and is thought provoking.
https://www.ewg.org/news-and-analysis

For spec fic writers, perhaps the bigger problem for the world is not what humankind exhales (C02), but what personkind excretes into the sewers.  Bottom line, don't flush your drugs, either first hand or second hand.  Also, don't flush "flushable" wipes. They are not truly flushable or biodegradable.

All the best

Rowena Cherry 

SPACE SNARK™ http://www.spacesnark.com/ 

How To Use Tarot & Astrology In Science Fiction Part 2 - Now Speculate

How To Use Tarot & Astrology

 In Science Fiction

Part 2

Now Speculate

Part 1 is found at:
https://aliendjinnromances.blogspot.com/2018/12/how-to-use-tarot-and-astrology-in.html

In Part 1, we looked at how to do science using Astrology and History.  The process is simple.  Use what science (archeology, paleontology, literary preservations (such as stone engravings, or the Bible, Dead Sea Scrolls) is using for best current theory, then correlate that with a speculative application of Astrology.

Astrologers aver that planets have no effect on humanity (or do not correlate with Events in history) before they are "discovered."  The "What if ..." we are playing with here, is "What if modern Astrology is all wrong?"

What if there's something to Astrology, but it isn't what the experts think it is, and it isn't what marketers of astrological "wisdom" peddle it as?  What if ...?

What if this speculative idea depicts the actual real world, not some alternate or fantasy reality?

So we are exploring what if planetary movements have indeed correlated with historic movements for thousands (even millions?) of years.

One of the most recently discovered planets is Pluto -- and even recently, after decades of calling it a "planet" astronomers voted to demote it from planetary status (for various reasons, all of them perfectly comprehensible).

Neptune and Pluto are in fact different from the rest of our Sun's planets, but as far as their timing the cycles of human history goes, that probably doesn't matter.  Or it might matter when we find out more, and see how their orbits correlate with some mystical energy ebb and flow -- who knows?

Since nobody knows, we get to speculate.

So we pointed to History (as well as it is known) in Part 1, and correlated the general outline of the pattern of Events in the current news with Events of centuries ago.

Human mass migration (and subsequent interbreeding), conquering, flowing around the globe, often prompted by glaciation, usually in response to a search for resources (and riches), has been mapped by paleontologists and archeologists.

The search for the origins of humanity, or modern humanity, is going on using DNA to trace population movements and interbreeding.  We all bear traces of pre-modern-human DNA.

So humanity survives while thousands die, even huge percentages of a population can die off and humanity still survives (civilization not so much.)

We look at the Headlines of 2018, and look back for when "this" happened before.  We have to think in terms of generations, even centuries, to see the patterns we can use to speculate about.

Currently, humans are once again upending the forms and purposes of government.

https://www.ozy.com/immodest-proposal/countries-are-dead-so-its-time-to-think-differently/89911

We've noted how this urge to invent or reinvent governing forms has happened in cycles of about 248 years (irregularly!  Pluto's orbit is long ellipse - speculated to be a "capture" by our Sun).  It's "speed" in orbit is not regular -- it goes faster, then slower.  If we can't think of something new, we stage a revolution and behead the King, get a new King and start over.

The USA is about up to its Pluto return (where Pluto is at the same degree it was when the country was born.)

https://www.avclub.com/in-1798-the-u-s-went-to-war-with-france-sort-of-1829615962

Meanwhile, the other planets have whizzed around more times than in any one human life-span, creating all sorts of "well, it's different this time" Events.

Yes, it's always different -- but underlying, there is a trace of a repeating pattern.

This time, we will go exploring Space, trying to live on space stations (do read C. J. Cherry's Foreigner Series), and alien planets.

Here's the Amazon link to the list of books in the Foreigner Series.
https://www.amazon.com/gp/product/B07FN1PN5Y

The Pluto in Aquarius motivation will carry us into space by the urgent need of the generation born with Pluto in Aquarius to seek FREEDOM, to find identity, to be individually sovereign and collectively free to practice any religion.

The need to get away from other humans waxes and wanes, but when it peaks it is very intense.

One can speculate that Climate Change will make Earth less friendly to human endeavor and drive some of our more freedom-seeking individuals to find a way to get OUT OF HERE.

https://www.sciencealert.com/elon-musk-spacex-mars-plan-timeline-2018

But we have seen that living weightless in orbit is destructive to the human body, cells lose integrity and function, and ills accumulate.  One can speculate that gravity varying too far away from Earth's (maybe the Moon, or Mars?) might be just as destructive to human cells and unlivable.

That's just another problem to be solved -- and our labs are hard at work on mastering cells, and creating whole organisms.  It's just another step toward freedom to be able to re-engineer humans to fit other environments.  Many Science Fiction novels have centered on that.

https://www.digitaltrends.com/cool-tech/fly-reconstructed-genes-140-million-years-ago/

You know the people doing this work on genetics also read/watch science fiction -- they grow up wanting to do what the books depict, just as the current world is largely patterned on a drive toward STAR TREK (except we're trying to sidestep the genetics war).

What do you want this current crop of babies with Pluto in Aquarius to grow up wanting to do?

On the straight line extrapolation from where we've been (exploring and conquering The Americas) to where we are (fighting each other for resources, trying to damp climate change thus depriving undeveloped countries of resources), to where this leads "If this goes on ..." -- we can only see exploring space.

But how do we do that?  What do we try that fails or is too expensive?  What do we invent to sidestep that problem?

A) engineering human genome to withstand broader living conditions (gravity, air, water)

B) sending remote controlled Robots to scout (doing that already)

C) inventing Artificial Intelligence so we can send them exploring?

Well, scientists are madly working on AI, and business people are striving mightily to make enough profit off the first attempts to finance further inventions.

That's where we're going.

But what if AI is more than "Intelligent" -- actually becomes "conscious" and even "self-aware."

What if we send some AI equipped ship out beyond the beyond, and as it goes, it remakes itself and becomes self-aware?

What if biology can't reinvent human cells fast enough to let humans live on Mars?  So we send AI to colonize and mine Mars, the astroids, etc for the raw material we need to fix Earth's climate disaster?

We're close to autonomous cars.  Autonomous AI isn't that far off.  Pluto is slowing in orbit and will be in Aquarius long enough for the general urge to explore to drive us beyond the beyond.

When the departed group (which might be human+AI+whoknowswhat), returns to Earth what will they find? (yes, PLANET OF THE APES scenario asks this question).

https://www.theguardian.com/science/2018/oct/14/stephen-hawking-predicted-new-race-of-superhumans-essays-reveal

All space travel is time travel, too -- space and time as we've discussed while pointing to various articles, are deeply intertwined. There might, in fact, be no difference between space, time, and gravity.

All of this speculation is to be done with the various novels and series I've reviewed here -- most especially those I've tagged as not being Romance at all.  Those anti-Romance science fiction novels are read by the current people doing the work on genetics and AI that we've discussed here, in Part 2 of this series.

Here are a few of the recent reviews of books where I discuss many of these issues - love stories, yes, but not focused on Romance.

https://aliendjinnromances.blogspot.com/2018/10/reviews-40-john-dixon-point.html

https://aliendjinnromances.blogspot.com/2018/11/reviews-41-empire-of-silence-by.html

https://aliendjinnromances.blogspot.com/2018/12/reviews-42-simon-r-greens-secret.html

And this one with a pretty strong setup for a hot Romance:
https://aliendjinnromances.blogspot.com/2018/12/reviews-43-late-great-wizard-by-sara.html

And this one with serious Romance plotting:
https://aliendjinnromances.blogspot.com/2018/08/reviews-39-souls-of-fire-series-by-keri.html

Think about all the other books you've read -- compare those written long ago with those currently being published, and consider two things:

a) where was Pluto when the author was born?
b) where was Pluto when the author's target readership was born?

Here are some of the Astrology Just For Writers series discussing Pluto and how to use Astrology in fiction writing without having to learn any.

https://aliendjinnromances.blogspot.com/2010/01/astrology-just-for-writers-part-9-high.html

Re-read this blog entry about Pluto and Expository Lumps in writing:
https://aliendjinnromances.blogspot.com/2011/08/astrology-just-for-writers-part-10.html

And here is the key one -- discussing Pluto's position by sign as each generation is born, and how you can use that information to target a readership, and extrapolate what those children will do when they grow up.

https://aliendjinnromances.blogspot.com/2009/10/astrology-just-for-writers-pt-6.html

That's a lot of reading, but writers have to read both fiction and non-fiction, so get to it.  Fiction and non-fiction are NOT two different things.  They correlate.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Splatterpunk and "DRACULAS"

What does "Horror" have to do with "alien romances"? Not much! However, some Horror straddles other genres, such as speculative fiction, particularly if it involves vampires-as-aliens.

Draculas ("a novel of terror") by Blake Crouch, Jack Kilborn, Jeff Strand, and F. Paul Wilson doesn't involve aliens --although images from the Sigourney Weaver movies are used as comparisons-- but it does offer an interesting and heroic reinterpretation of Vlad The Impaler's motives.

Is an alternative historical fragment of backstory sufficient to reinvent "Splatterpunk", and confer upon it the same respectability that "Steampunk" and "Cyberpunk" enjoy?

Splatterpunk—a term coined in 1986 by David J. Schow at the Twelfth World Fantasy Convention in Providence, Rhode Island—refers to a movement within horror fiction distinguished by its graphic, often gory, depiction of violence and "hyperintensive horror with no limits."^[1][2] It is regarded as a revolt against the "traditional, meekly suggestive horror story".^[3]

^{Reference: http://en.wikipedia.org/wiki/Splatterpunk}

Splatterpunk may also been called "Gross-out" or "Gore" Horror or "Extreme Horror" but not every horror aficionado agrees that the terms are synonymous.

I googled "splatterpunk and Konrath" just to see what I'd find, and found this on The Pontifications of Maurice Broadus:

Maurice asks: What's the difference between splatterpunk and extreme horror (or even gross out), and why is that sort of approach making a comeback?

JA Konrath: If the goal is to cause fear, it's straight horror. If the goal is to make you gag, then it's extreme horror. Or extreme something. It's possible to write a disgusting scene without blood or violence.

The written word is provocative. Always has been. If used properly, it can make people laugh, cry, think, get angry, or get ill.

As a species, we're fascinated by disgusting things. As writers, it's our jobs to make our readers feel something. Put the two together, and some writers are bound to go for the gross out.

 In the front matter of Draculas, JA Konrath warns the gentle reader:

"…And it's going to freak you out.

If you're easily disturbed, have a weak stomach, or are prone to nightmares, stop reading right now. There are no sexy teen heartthrobs herein.

You have been warned…."

  No romance, then. Expect extreme gore. Since Jeff Strand and JA Konrath are involved (Konrath uses his splattery alias, "Jack Kilborn" as a red flag), expect levity also.

I recommend watching this book for two reasons which have nothing whatsoever to do with its literary merit. Horror isn't really my cup of tea, (humor, however, is) and I may have been sent an ARC because I joined a particular GoodReads group. Or, it could have been because I reviewed "Afraid".

FWIW, I joined Horror Aficionados to support my online friend Guido Henkel in a discussion of e-book piracy.

Joe Konrath is well known for being tolerant of e-book piracy and copyright infringement.

http://jakonrath.blogspot.com/2010/05/steal-this-ebook.html

One of his collaborators, F. Paul Wilson, is rather less tolerant.

http://trueslant.com/fpaulwilson/2010/05/06/word-thieves-ii/

I will be fascinated to see whether and when this book is upped to the pirate sites, and who --if anyone-- writes DMCAs that are posted on Chilling Effects, and who --if anyone-- publicly learns from whom.

The other reason is "Draculas" groundbreaking response to pirates' exhortations that authors should not only write better, faster, cheaper, but should also add plenty of extra content. This ebook does it all. Well, almost all. I didn't see that it was "enhanced" in the sense of containing moving illustrations or sound effects.

Another caveat: I don't know if it is exactly "better" than individual works by Blake Crouch (www.blakecrouch.com),  J A Konrath (www.jakonrath.com),  Jeff Strand (www.jeffstrand.com), or by F. Paul Wilson  (www.repairmanjack.com), but from the timeline and transcripts in the back matter, this book does seem to have been written in about four months, and it is selling at the pirate-recommended price of $2.99 on Kindle.

Approximately half the book is bonus material, with free short stories, interviews, transcripts of the emails exchanged between the four co-authors as they plotted and edited the developing book, deleted scenes, and more. It's fascinating stuff, and I predict that it will one day be added to an academic syllabus somewhere.

As I wrote in my requested review, 

"DRACULAS" is worth its weight in gold for the bonus material alone.

FWIW, below is my review, which was solicited, and was written to satisfy a quid pro quo agreement (free read for review written and posted on amazon, goodreads, facebook, blogs).

DRACULAS by J.A. Konrath

My rating: 5 of 5 stars

Upping The Ante On Nasty.

In the beginning, Joe wrote these words (among others)
"…And it's going to freak you out.
If you're easily disturbed, have a weak stomach, or are prone to nightmares, stop reading right now. There are no sexy teen heartthrobs herein.
You have been warned…."

I do have a weak stomach, I am prone to nightmares, and I don't enjoy fainting. But I also have a strong contrarian streak, so when Joe Konrath warns me that I'm probably not going to want to look at his collaborative effort with Jeff Stand, Blake Crouch, and F. Paul Wilson, curiosity will impel me to look.

But, I started cautiously at the back. Worth the entire $2.99 by themselves are the bonus stories, one of which begins with the awesome line, " The hardest thing about killing a hitchhiker is finding one to pick up."

“DRACULAS“ is worth its weight in gold for the bonus material alone.

Curiosity, killed cats, and other red herrings aside there's another reason to devour every bit of this exceptionally well-written, highly entertaining and disturbing book.  Joe Konrath hangs ten on the crest of the most powerful waves and this book could be the way authors write faster, add extra value and thrive.

Here's how. Four first rate spec fic and occasionally hilarious authors put their heads together to horrific effect. Each chose their own hero/victim/evil-doer from a cast of characters, and each dashed off a parallel novella of approximately 20,000 words, then they sliced and diced and cobbled each author's bits together into the literary equivalent of a Frankenstein's monster. Only, it's Freddy on steroids. It gives a whole new dimension to sucking face, and not a nice one.

The dedication --"For Bram Stoker, with deepest apologies"-- is a perfect foretaste of what to expect from “DRACULAS“. Irreverence. Dark humor that is so wry, it's twisted. Offensive stuff, and indeed there is a scene involving bowels and a clown who likes to make rather different balloon animals…. Lots of "wet work", and they maybe ought to have offered apologies of some depth to Clint Eastwood, too!

The prologue (not that they call it that) contains the mother of all hooks.  Erroneously, I imagined the conversation those 4 bad boys of grim *might* have had, before I looked at Joe's generous back matter, and learned how it really was. Their conversations make entertaining reading!

"Let's dig up a head."
"Let's make it really old…"
"And evil. It must be evil."
"Let's attach something nasty to it. What?"
"A curse."
"Wicked teeth."
"Maybe we make those teeth like… like Sleeping Beauty's spindle."
"Dracula's deadly prick…"
"We need sex…"
"You can't have sex with a severed head…"
"Oh, yes you can!"
"Look, we'll call the person who gets hold of the head More Cock."
"And we'll give him an incurable disease."

The foregoing is my imagination. This conversation did not happen… but the gentle reader should remember that Joe Konrath aka Jack Kilborn once wrote a Christmas story about an amnesiac werewolf who discovered that his midnight snacking habit was abnormal after he noticed buttons and coins in his poop.

These "Draculas" have the compassion of hornets, the dentition of sharks, the voracious appetites of shrews and no respect for garlic whatsoever. If you can contemplate a rabid, blood thirsty Edward Scissorteeth in a maternity or pediatric ward, using a severed artery as a drinking straw, or lashing out among the blind… go for it, but with your eyes open.

Do not pay $2.99 merely to find out what's in “DRACULAS“ (and don't go looking for it on the pirate sites, either). There's more than enough in the free sample chapters to give you an accurate idea what to expect.
Here: http://www.amazon.com/DRACULAS-Chapters-...

Know before you buy that you're going to be ambushed by some of the grossest, sickest, most disturbed, politically incorrect and indiscriminate bloodlusty slash fest that four insensitive guys can think up.

Disclaimer. This is an author review. 4-stars is as low as I go.  Five Stars!

View all my reviews

 

For those who like promo tips, did you know that you can now cut and embed your GoodReads review wholesale with illustration and links to blogs and websites?

Apparently, you can.

Also good to know is that Amazon now does "teaser" pages before Kindle books go on sale.

Blake Crouch instructed friends:

ON OCTOBER 19, please post your review onto Amazon’s DRACULAS page:

http://www.amazon.com/DRACULAS-Novel-Terror-ebook/dp/B0042AMD2M/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=books&qid=1284569826&sr=8-1.

YOU DON’T HAVE TO BUY THE BOOK TO POST A REVIEW ON AMAZON, you just need an Amazon account. If you want to review the book on Amazon on the 18^th, you’ll have to post it to the DRACULAS teaser page, which is here:

http://www.amazon.com/DRACULAS-Chapters-Upcoming-Release-ebook/dp/B0042ANZBU/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1287179930&sr=8-1

Another  promo tactic they are using is to have a special website for the launch:

The DraculasTheBook.com website will also feature all reviews, as well as a forum, which is now open….please stop by and say hello! Blake, Paul, Jeff, and Joe will be visiting frequently.

To our knowledge, this type of marketing experiment has never been attempted on this level. What is the power of a couple hundred reviews all appearing on the same day, and on Amazon? Is it enough take DRACULAS viral? To debut high in the Kindle store? That’s our hope.

  They resisted the temptation to make a "make a splash" pun with their splatterpunk novel of terror. So, I just did. Keep an eye out....

Groan!!!

Is anybody out there? Help for new speculative romance writers

kudos to the Hubblesite for posting such incredible images
Credit: NASA, ESA, CXC, C. Ma, H. Ebeling, and E. Barrett (University of Hawaii/IfA), et al., and STScI

It's an almost universally accepted truth among Romance writers that Romance writers are delightful people, consummate professionals, and extraordinarily helpful to others in their profession.

Test the premise. Visit the websites of established authors in any genre, and you might discover a treasure trove of excellent advice, tips, links, resource materials, texts of workshops, templates... and much, much more.

If an author has been awarded the Preditors and Editors "Author's Site of Excellence" award, you ought to find helpful information beyond self-promotion on that site.

However, increasingly, authors are sharing the info from their blogs and websites in other forums as well.

One remarkable website is http://www.iwofa.net
IWOFA is an acronym for Infinite Worlds Of Fantasy Authors, and so far 400 authors of speculative fiction have joined this cooperative (free to join) group

This is the page with Member Articles.
http://www.iwofa.net/memberarticles.htm


A website you may not have discovered, and which caters to all genres is 1stTurningPoint.com

The Treasure Trove page of articles on a variety of subjects is http://1stturningpoint.com/?page_id=539


If you are a member of LinkedIn.com, you will find dozens of helpful groups
including Authors of Romance Helping Authors of Romance, and also First Time Authors.

On GoodReads.com there's Tips For Self Promotion Sales and Advertising. I'm not sure if the link will work for non-members, but just in case, here it is: http://www.goodreads.com/group/show/8255.Tips_for_Self_Promotion_Sales_and_Advertising

Another source of advice and tips is the Published Authors group http://www.goodreads.com/group/show/8322.Published_Authors

Also, there are groups for every genre, and one that might be of interest to readers and writers has over 1,800 members and is: http://www.goodreads.com/group/show/390.Paranormal_Romance


Finally, and this is the only recommendation today that is not free:
www.romance-ffp.com

Of course, readers may visit free. Authors must belong to RWA ($75) and then may join the subgenre chapter FFandP for the annual subscription of a further ($15).

Authors can add photos, bios, facebook, twitter links, and add all their books to the library, where readers can search by genre and subgenre, or just browse by author, with links to purchase the books.



I've mentioned blogs and newsletters before. One of the most helpful, free newsletters is Penny Sansevieri's and you can sign up for it at http://amarketingexpert.com

Also, check out the permanent links in our sidebar. The Galaxy Express is a superb blog in our genre. And, please, if you know of another great blog, website, or group that ought to be included in this discussion, please add the url to our Comments.


Best wishes,

Rowena Cherry
Space Snark™

IWOFA chapters sampler
http://www.freado.com/book/3726/IWOFA-Sampler-#1--October-2009

Competing in a social networking contest (please vote)
http://tinyurl.com/Award-5-Stars