{Put This One on Your TBR List} Book Review The Book of Swords Edited by Gardner Dozois by Karen S. Wiesner

 

{Put This One on Your TBR List} Book Review

The Book of Swords Edited by Gardner Dozois

by Karen S. Wiesner 

  Be aware of unintended spoilers! 

The Book of Swords was published in October 2017. Edited by Gardner Dozois, this particular collection includes stories that fall into the fantasy subgenre of "sword and sorcery". Below is a chronological listing of the stories that are featured in it:

1)          "The Best Man Wins" by K.J. Parker

2)          "Her Father's Sword" by Robin Hobb

3)          "The Hidden Girl" by Ken Liu

4)          "The Sword of Destiny" by Matthew Hughes

5)          "'I Am a Handsome Man,' said the Crow" by Kate Elliott

6)          "The Triumph of Virtue" by Walter Jon Williams

7)          "The Mocking Tower" by Daniel Abraham

8)          "Hrunting" by C. J. Cherryh

9)          "A Long, Cold Trail" by Garth Nix

10)        "When I was a Highway Man" by Ellen Kushner

11)        "The Smoke of Gold is Glory" by Scott Lynch

12)        "The Colgrid Conundrum" by Rich Larson

13)        "The King's Evil" by Elizabeth Bear

14)        "Waterfalling" by Lavie Tidhar

15)        "The Sword Tyraste" by Cecelia Holland

16)        "The Sons of the Dragon" by George R.R. Martin

Before I get into this anthology, I'll quickly summarize how I handle these types of mixed-bag story caches in my reviews: I don't usually review all the books include--only the ones that I actually enjoyed enough to cover here, though I do make exceptions about reviewing stories I don't like. I'll explain any anomalies within the individual reviews. The logic for why I haven't included a particular story isn't usually because it wasn't well-written. Most of these anthologies include some of the biggest names in the industry. For whatever reason, I don't always connect with certain selections or they simply don't resonate with me. I freely admit sometimes I'm just not in the mood for what one author has to offer. Rather than bad-mouth what's probably a perfectly good story, I find it easier to not include it in my line-up of reviews. Readers will have to look elsewhere for a summary or review for any story that's missing. Also, at the end of my reviews, I like to include the order I believe the stories I'm reviewing should have been placed within the collection, as I believe the placement of stories within an anthology is absolutely crucial to its overall success. There has to be a good balance and interspersion of strong stories at the front, back, and middle in order to "couch" weaker ones. Too many bad stories in a row may cause readers to abandon the collection altogether. Search "anthology" or "collection" on this blog to read my previous reviews of mixed-bag story caches like this one. 

"The Best Man Wins" by K.J. Parker: This story is told from the point of view of the blacksmith who has a young man come to him asking him to make the best sword in the world, for which he'll pay handsomely--literally, every last bit of money he owns, he's willing to part with for this task to be completed. After the blacksmith makes it, the kid asks him to teach him how to use it, as he knows nothing of sword-fighting. The blacksmith is much more than he seems on the surface. I was sucked into this tale from the first sentence. The blacksmith was compelling, and his view of life and his personal history were doled out in the process of him grumbling while he worked. As he says, he doesn't enjoy the doing (which is grueling), only the "having-done", obsessive aspects of smithing. If I had to summarize this story in a few short sentences, I'd say this: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." (The Princess Bride) For all intents and purposes, this sentence that’s actually featured in the story: "I'm going to use it [i.e., the best sword in the world that you create for me] to kill the man who murdered my father…" told the whole story. It was uttered on page 13 of the 27-page story. From that point on, I knew what was going to happen. And that is exactly what did happen. However, that didn't make the tale any less enjoyable. In fact, it was my favorite of the whole lot. I was utterly fascinated by the blacksmithing aspects of the tale, and the POV of the blacksmith was the perfect choice for delivering the story. 

"Her Father's Sword", A Realms of the Elderlings Story by Robin Hobb: This short story takes place during the early years of the Red Ship Wars and forging, with Fitz visiting the setting within the story as a secondary character (in all the novels he's in, his perspective is first person); set "somewhere in the middle" of Farseer and recommended to be read either before or after Book 2. Sadly, I was disappointed by this story, though initially excited as I've read every other Realm of the Elderlings offering currently available (and reviewed them on this blog). This last one set in a familiar world for me wasn't one I've read previously. In this tale, a village has been destroyed, their people kidnapped and "forged" (mentally destroyed and become something like ravenousness zombies) by the pirates on the Red Ships. When their demands go unmet, the Forged are returned. These lifeless though walking beings take whatever they need. Fitz comes to warn the survivors not to trust their own people when they come back to the village, as they're not what they once were and will harm and kill them without conscience. Young Taura, like everyone else in her small, ravished town, doesn't want to believe this could have happened. Her father is too strong to not have resisted, she believes. My problem with this tale was that I can't stand stories where the resolution is left unclear. What is the purpose of telling something that has a wishy-washy ending? I have no desire to finish writing someone else's story on my own, for one thing. For another, leaving your own story unfinished is a cop-out, cheating, and just plain shoddy writing. Very frustrating, especially considering the biggest reason I purchased the (albeit used) hardcover of this book was for this story specifically. However, in its favor, I'll add that seeing the story of the Forged from this opposite perspective than has ever been presented before in the series does elevate it considerably. In the past, we saw these poor, unfortunate victims of the pirates as little more than zombies that had to be put down in order all those "unforged" to survive. The Forged retain nothing of who or what they were before, and family members must beware of forgetting that truth in favor of compassion and abiding love. Here, a young daughter can't let go of the stalwart father, nor the life she once had--even though (no question about it) she'll soon regret it. 

"The Sword of Destiny" by Matthew Hughes: I don't want to spoil this rollicking bit of good fun by telling you too much. The basic premise is that a wizard hires Baldemar to steal a magical sword for him, the operation is bungled, and this reluctant henchman finds himself fleeing--only he ends up running into one trouble after the other in his attempt to escape the first. The world created here in this 29-page story is so big and well-drawn, I think you'll find, as I did, that you'll want many more stories to follow this one. A bit of research on my part revealed that, after writing "The Sword of Destiny" for The Book of Swords, Hughes went on to expand into a novel and ten shorter works focused on Baldemar's origins and his time spent as a wizard's henchman. The setting Baldemar comes from is called Dying Earth (credited to author Jack Vance). Hughes has standalone works and those associated with Baldemar and another popular character of Hughes', Raffalon, who also has his own set of stories. In the future, I look forward to reading much more about this amazing character and the world he comes from, though it might be a chore to find copies of the books, as they don't seem to be in wide circulation anymore. 

"The Mocking Tower" by Daniel Abraham: In this creatively told tale, a man learns that war is not an arrow but both a circle and a sundial while revenge is a double-edged sword that never makes a clean cut on either party. Those who follow after will also feel its influence. I'm a general fan of Abraham's, as he's half of the S. A. Corey pen name that wrote The Expanse series (my favorite sci-fi space opera), though I haven't reliably loved his solo work. This is an exception. Very elegantly done. 

"Hrunting" by C. J. Cherryh: I love the Beowulf legend, and I own many translations of it. So as soon as I heard that this story continued where Beowulf left off, revealing the aftermath of those who survived, I wanted to read it. I enjoyed the conjecture in this tale a lot. However, it was told in an awkward, choppy and stilted way that made it very hard at times to understand what was being conveyed. Despite that, I recommend it to all fans of this enduring, Old English poem. 

"The Sons of the Dragon", A Song of Ice and Fire World by George R.R. Martin: This is another excerpt from Martin's "fake history" of House Targaryen, the dynasty that ruled the Seven Kingdoms of Westeros in the backstory of his A Song of Ice and Fire series. As such, it's not a story, per se, but it's absolutely not the dry old history textbook you'd read in school either. This selection was also published in Fire & Blood. The lives of Aegon I's sons--Aenys I and Maegor I--are detailed here, ending with Maegor's death and the ascension of Aenys's son Jaehaerys I Targaryen to the throne. All these histories are the basis for the HBO House of the Dragon TV series, and, honestly, if you want to have an easier time of keeping track of the gazillion characters, you might want to watch that. At least then you can put faces to the endless strings of names. Note that the novella included in this anthology is abridged. 

In terms of the order I believe this stories should have been presented in, I would have spaced my favorites out much more, so "The Best Man Wins" would stay at #1 and "The Sons of the Dragon" at #16; but "Her Father's Sword" would have been #3 instead; "The Sword of Destiny"#6, "The Sword of Destiny" #9, "The Mocking Tower #11; and "Hrunting" #14, with the rest of the books interspersed between them.

There's a lot for fans of fantasy and of the excellent writers to love with the 16 stories included in The Book of Swords. You may even find a new author to follow, as I have, to further broaden your fantasy reading horizons. 

Karen Wiesner is an award-winning, multi-genre author of 156 titles and 16 series. 

Visit Karen here: https://www.writers-exchange.com/Karen-Wiesner/

 

Oldies But Goodies {Put This One on Your TBR List} Book Review: The Only One Left by Riley Sager by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Only One Left by Riley Sager

by Karen S. Wiesner 

Warning: May contain spoilers! 

I've read and reviewed all of Riley Sager's previous books. Oddly enough, The Only One Left (his 2023 release, the seventh I've reviewed) turned out to be different, at least in that the unreliable narrator card that's been blatant in all his other stories wasn't, for once, played more than a little in this one. Believe me, it was growing stale. I was expecting it--dreaded it, truth be told. I've come to despise books that use this plot device. Because I was so focused on that, I missed the end-of-story twist that I think I would have otherwise seen coming right from the start. Sigh. 

This murder/mystery horror novel actually had a really good premise. Kit is a home health aide, not a nurse (the difference between the two is carefully explained). She was accused of giving her dying mother a fatal overdose and, as a result, her employer has her over a barrel now. She either takes the bad assignment she's handed or she loses her job altogether. The chances of getting another are slim to none because of the mark against her. 

Hope's End is the local decrepit mansion, and shades of The Fall of the House of Usher, along with the Lizzie Borden massacre, are pushed early on. This place is falling into the sea little by little and who'll be left at the end of this tragedy? Everything points to just one--the only one left.

Kit's patient is an elderly invalid who was accused long ago of murdering her family. Lenora Hope is mute and paralyzed other than her left hand, which she uses to type out her story. Lenora's previous nurse left suddenly in the night--or did she? 

I liked the gothic feel of the setting and the trust-no-one, strangling circle of possible culprits. Kit's own past is woven into all this seamlessly. I also love horror stories that turn a schoolyard chant into creepy poetry, as this one did: 

At seventeen, Lenora Hope

Hunger her sister with a rope.

Stabbed her father with a knife.

Took her mother's happy life.

"It wasn't me," Lenora said.

But she's the only one not dead...

While my usual laments cropped up after reading this one (such as that it could have used a serious trim--the hardcover I read had 383 pages; 200 of which could easily have been cropped--and there were too many characters for the author to develop that I had to keep track of), I probably would have liked this Sager novel much more if I'd read it first or second instead of dead last. 

I just got a notice in my inbox that this author has a new release (With a Vengeance came out June 2025, which is when I'm writing this review). Unfortunately, I don't think I'll buy it, though I might read it as an ebook on the Libby library app when it's available. I'm more than a little burned out on the sameness of this particular writer's novels. If you, however, haven't read any of them, this might be the place to start. 

Karen Wiesner is an award-winning, multi-genre author of 156 titles and 16 series. 

Visit Karen here: https://www.writers-exchange.com/Karen-Wiesner/

{Put This One on Your TBR List} Review of Children's Book Selections by T. Kingfisher/Ursula Vernon or Ode to Sourdough by Karen S. Wiesner

 

{Put This One on Your TBR List}

Review of Children's Book Selections by T. Kingfisher/Ursula Vernon

 or

Ode to Sourdough

by Karen S. Wiesner 

  Ursula Vernon aka T. Kingfisher 

Back on December 5, 2025, I posted my first review on the Alien Romances blog featuring four young adult fantasy stories by T. Kingfisher/Ursula Vernon, who is one and the same--a talented author, illustrator/artist, and gardener (which I really appreciate, as I aspire to someday call myself the same). The first book I ever read by her was A Wizard's Guide to Defensive Baking, in which 14-year-old Mona accidentally creates a sourdough starter "familiar" and later purposely animates gingerbread men and doughboy golem soldiers for an army in her quest to save the city from a corrupt wizard. 

From there, I went on to read and review nearly every book she's written under these two names--and pretty close to back-to-back, which, in retrospect, may have been a bit of a mistake (more on that later). As I've said many times before in my weekly posts, readers can enjoy any level of book they choose. I like children's stories just as much as I do young adult and adult fiction. There's everything to love about this author's children's book selections, regardless of whether they're written under her real name Ursula Vernon or her pen name T. Kingfisher. 

  Recently, I read the ebook of Summer in Orcus by T. Kingfisher. I found that there are two separate editions available (one published by Sofawolf Press with illustrations done by Lauren Henderson instead of the author herself; and another published as free web serial by the author's Red Wombat Tea Company--I'm not sure if Vernon did the illustrations herself for that one but I think she did). Both came out in 2017. This massive children's story (some editions have 386 pages!) features the fabled witch Baba Yaga. Summer is eleven years old and has little in her life that causes her joy, in part because her mother is so overly protective, Summer feels suffocated by her mom's overwhelming fear--of everything. She wants to do something--something unexpected and worthy. For good or ill, the witch sends her to the fascinating world of Orcus to do just that. I loved how bumbling but good-hearted Summer was. She's not quite sure she wanted an actual adventure, but she never wavered in wanting to help those less fortunate than herself--and, ultimately, she doesn't want her mom to worry about her too much (just like Dorothy realizes she doesn't want Auntie Em, who may not understand her but loves her all the same, to suffer without her). 

 Prior to that, I checked out the audiobook of Nine Goblins (manageable at only 161 pages, released in 2013), another Kingfisher children's story, in which a party of goblin warriors, commanded by Nessilka, are trapped behind enemy lines. One way or the other, the sergeant intends to get her people home. The tagline of "low fantasy, high mischief" was fun and captivating, as was the story itself. I expect I would have loved it more when I was younger, as a few of my eclectic favorites included How to Care for Your Monster (Norman Bridwell of Clifford fame); William Steig's one-of-a-kind Shrek!; and anything by Ruth Chew, who wrote about witches instead of the usual array of spoiled princesses, adorable mice who rode motorcycles, giant peaches, or mischievous monkeys--all of which, let's face it, I loved just as well.

Under her real name Ursula Vernon, she's published a whole slew of hybrid children's books/graphic novels/comics she both writes and illustrates: 

  Digger (series) is a wombat engineer trapped in a fantasy world. 

  Dragonbreath (series) features a dragon Danny, who's fielding and figuring out life at a school for reptiles and amphibians. 

  Hamster Princess (series) is a hamster that sits atop her battle quail (in lieu of a white horse, I guess) in twisted fairytale retellings.

 

  Nurk (standalone novel with 145 pages) highlights the (mis?)adventures of an anything-but-brave shrew who nevertheless puts on big-boy-panties and does the best job he's capable of in saving a kidnapped dragonfly prince. 

You quickly learn after you've read a few of this author's books that, regardless of whether she's writing children's or adult fiction, she has distinctive trademarks, namely:

1)    Off-the-wall humor and angsting.

2)    Never-read-anything-like-it-before unique perspectives and secondary characters.

3)    Heartfelt heroism that stems not (necessarily) from skill but from heaps of unflagging determination capable of saving the day (luckily but I'm not entirely sure it's a realistic sentiment).

4)    POV characters (usually female but not always) that are cut from the same cookie cutter--you meet one, you've met them all, and I believe all are based on the author herself. Names, settings, and skills have been altered, sure, but basically the main character "cookie" almost never changes from one book to the next. This author does like that character type almost to the point of it getting overwhelming sometimes because I’ve been reading them all back-to-back. Despite that I love her work, I highly recommend reading a book of hers here and there instead of binge-reading them all at once in the space of a couple weeks or months (as I have and mildly regret).

As a general rule, if you like this author, as I most certainly do, you'll like the majority of her work. If you don't, well, I'm sorry for you, and farewell, there are other writers in the sea. For my part, I became an instant fan with A Wizard's Guide to Defensive Baking. On that note, a little aside of my own in what I hope is true Kingfisher/Vernon style: 

Ode to Sourdough 

My husband, who's on the cusp of retiring in mid-2026, has decided that now is the perfect time for him to learn how to capture wild yeast, a.k.a. make bread from sourdough starter. We'll be living on a budget soon and bread is cheap. We're both lifelong fans of it. Can't hardly go wrong, right? Well… 

Apparently, this whole sourdough craze became a big trend during the height of the COVID pandemic, but many that started it then have since lost interest. (The luxury of being out and about in the world again is probably a contributing factor there. Who has time?) We didn't get on board then, instead waiting until now. Honestly, I thought I knew what sourdough was but, once I found out it's a way to ferment bread naturally, without commercial, industrially produced baker's yeast, just using the "wild yeast" in the air, I was amazed…and, admittedly, a little grossed out. I couldn't help thinking, "Soylent green is people!", or, more aptly, "Wild yeast is people!", as this lactobacillus bacteria is essentially made up of anything and everything in the natural environment of a household--you guessed it, bacteria, plant, animal, even human stuff. Eww! I just lost my appetite. Seriously. But it's also fascinating. The wild yeast element is what gives sourdough its unique tang. (Does that mean my husband and I have tang? I suppose it does. I repeat myself: Eww.) No two sourdoughs are ever the same, even from one loaf to the next. 

On December 30, 2025, my husband began experimenting and journaling his progress in the art of making sourdough. That night, he asked me what we should name our sourdough. My first thought was, "Ursula Vernon". (T. Kingfisher just doesn't have the same ring in becoming the personality of a sourdough starter--don't ask me why not.) He wrote in his journal that first night that we'd named our baby sourdough starter "Ursula Vernon" and wondered whether it was Ursula's birthday or conception day. He ultimately decided that line of thinking was a bit disturbing and backed way off. 

  Our healthy and happy little Ursula Vernon Sourdough Starter. Isn't she sweet with her belt around her waist, her little cap on? 

There have been a few misstarts, but, as of this writing in late January 2026, Ursula is thriving in her new home in the warmest nook of our dining room. She's produced several very tasty loaves of sourdough bread. My husband has determined that she likes to eat in the morning, and she much prefers to do her rising overnight, baking the next morning in a very rigid and sturdy, tall bread loaf pan rather than any proofing banneton or free-form sheet pan, as she's still much too delicate to be jostled around too much. (We still want to try a Dutch oven though.) 

  Ursula Vernon, Tall and Proud, Caught Loafing, as she should be 

Sourdough starter discards have also become a staple in our household, providing pancakes, muffins, rolls, pizza dough--you name it! My husband likes to say proudly, "If I feed Ursula Vernon, she feeds me." 

Somehow, I think this quirky author who's made herself very much at home at the top of my "to buy" and "to be read" piles would approve. That is my Ode to Sourdough and Ursula Vernon. 

~*~ 

Here both at the end of the author's current selection (which I've mostly read at this point) and at the beginning of a future in which I look forward to reading her new selections, the bottom line is that, whatever you read by T. Kingfisher/Ursula Vernon, whether for children, adults, or somewhere in-between, you'll find wacky, character-driven adventures that are entertaining, incredibly well written, and engaging. Can't hardly go wrong, I'd say. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

{Put This One on Your TBR List} Review of Hemlock & Silver by T. Kingfisher by Karen S. Wiesner

 

{Put This One on Your TBR List}

Review of Hemlock & Silver by T. Kingfisher

by Karen S. Wiesner 

   Beware: May contain unintended spoilers! 

T. Kingfisher (the pen name of Ursula Vernon) is a versatile author, illustrator, and artist. Her novel Hemlock & Silver, published in August 2025, wasn't the first Snow White fairytale retelling she wrote. In the "Toad Words and Other Stories" collection (published in 2014), my favorite offering from it was "Boar & Apples", written specifically for the anthology, which contained a character named Snow. (I reviewed that collection recently on the Alien Romances blog.) In "Boar & Apples", Snow's path--in true Kingfisher style--leads her to boars instead of dwarves, but the basic components of the original story of Snow White were evident with a wicked, vain mother; a magic mirror; and a poisoned apple. I have much more to say about "Boar & Apples" but that will come later. First, I've give you a rundown of Hemlock & Silver. 

To begin with, keep in mind that Snow White is not the focus of this particular retelling--the poisoned apple is the star of this show, which is a very interesting twist on the original. In Hemlock & Silver, Anja is a healer, the daughter of a wealthy merchant. Anja will feel very familiar to Kingfisher fans because this is the typical character the author defaults to almost without fail--basically, you've met one of her heroines and you've met all of them (and I think all are based on the author herself). No big deal there. When someone Anja cared about died of poisoning while she was a child, her plight to find cures to poisons drove her to study and learn and, yes, poison herself in hopes of finding answers that might save other people. When the king of the land she lives in comes to her, begging her to cure his dying daughter, Snow, Anja can't refuse him (and not just because merchant daughters don't refuse kings). Note that, while I can't prove it, the world this story seems set in is similar (another region of?) to Kingfisher's World of the White Rat stories (which includes Swordheart, The Clocktaur War, and The Saint of Steel series). 

I'd say nearly a third of the book detailed the long and tedious journey to get Anja to the king's secluded "summer home" (not the palace) in the desert, where his daughter is convalescing. During that long trek, Anja spends a lot of time thinking about her pursuit of seeking cures to poisons. She grows close to her two bodyguards, Aaron and Javier. Honestly, at first I was convinced which of those bodyguards was slated to be Anja's love interest, though later it's the opposite one that becomes her partner in crime and the focus of the romantic interest she wrongly believes he doesn't want from her. (A silly misunderstanding intended to keep them apart.) 

Once they arrive at the house in the desert, there are a lot of "looking for answers" pages in the book. Despite how I'm describing these first two parts, there wasn't anything specifically boring about it all. I enjoyed the story almost all the way through. But I will say the pace was extremely slow-moving, and there didn't seem to be a whole lot happening during a big chunk of time. I began to fear Anja was going to have to pack up and leave Snow to her fate until, in a convoluted bit of unrealistic and unfathomable clumsiness, Anja is chasing a one-eyed, narcissistic cat and ends up crashing into the big, creepy mirror in her room. From that point on, her hunt for answers turns to exploring the secret, dark realm beyond the magic mirror, where monsters could be allies and those you trust may well prove to be enemies. 

So I'll admit it: My favorite part of this story was the romance between Anja and one of her bodyguards, which is something I never thought I'd say when it comes to Kingfisher love stories. Her other offerings in this genre tend to be riddled with too many strained obstacles and "we want to, but we can't" blockades in advancing what, bottom line, is an incredibly awkward relationship--yet there's usually something sweet and wonderful about it anyway. There is a touch of that angsting here, as well, but luckily it wasn't overwhelming this time. 

I will also state that the last twenty-five pages or so, as the mystery was finally being solved and answers were served up, felt just a little muddled to me. Overall, I think this particular story needed a more visual medium to adequately portray it. The mirror aspects were tricky, and, for all her words, I don't think the author did an overwhelmingly thorough job of describing what was going on with and inside them. I frequently felt like I was given little or nothing familiar enough to make her explanations plausible so I could grasp the mind-picture she was trying to conjure by throwing a lot of detail at me. However, that said, I was very satisfied by the conclusion of the story. I wouldn't mind if the author gave us more of Anja, her new love interest, and her snake and rooster pets--and maybe the not-quite-a-cat can tag along, too. I'd be interested if Kingfisher wants to tell Anja's sister's story. Or Aaron's. Hint, hint! 

Now, on to more about Kingfisher's other Snow White offering. At the time I was reading "Toad Words", I realized Hemlock & Silver was also a Snow White reimagining and, given that there was a character named Snow in it, I (naively) assumed there must be a connection between the two stories. More than that, I was hoping there would be a connection. I spent more than half of Hemlock & Silver convinced that "Boar & Apples" must be a prequel to it. It seemed possible that the father of Snow, who was absent for most of "Boar & Apples" (off trying to locate a new wife who could bear him a male heir) returned just in time to find out his current wife (Snow's wicked mother, who was influenced by the demonic mirror) had poisoned and tried to murder their only daughter. Snow, at one point after eating the poisoned apple, had gone into a kind of coma that her winsome swine friends feared she'd never wake from. Hemlock & Silver dovetailed into that. 

Interestingly, a friend of mine had recently read Hemlock & Silver before I did, and, when I mentioned to her that I'd originally thought it was the sequel to "Boar & Apples", a lively discussion ensued between us. She went back and re-read the short story, something she hadn't done in years, concluding she didn't see any link between the two stories, and they had a vastly different "feel" to her. I'm convinced the reason for that is a direct correlation to the order in which we read them. I agreed that, having read the novel first (and not having read the short story in many years), it made sense that she saw no ties to the previous story and therefore no thought was given to the two of them being connected. I, on the other hand, had read both recently and the short story was read first, the novel not too long afterward. I myself didn’t notice a hugely drastic feel between the stories in the order I read them in, in part because I assumed Hemlock & Silver was being told from a new point-of-view, continuing where the short story left off previously--with Snow in some kind of coma. I assumed from there that Anja would then heal her. I admit, the ending of “Boar & Apples” didn’t make a lasting impact on me. I can’t remember and/or I simply couldn’t understand in the reading of it (the latter strikes me as more probable) whether Snow ever woke up from eating the poisoned apple in the short story. All these elements pooled together spelled "sequel" to me when I went to read Hemlock & Silver. Ultimately, it was the mention of a younger sibling in Hemlock & Silver that made me realize the two stories probably weren't connected. Aww! 

To be clear, I’m not bothered that the author took the same fairytale and retold it twice. I enjoyed both "Boar & Apples" and Hemlock & Silver, so there’s no reason for me to be upset about that. A reviewer on Goodreads posted an irate diatribe about the author "recycling" the Thornhedge plot within Hemlock & Silver. I wasn't persuaded that actually was the case, or, more to the point, whether it mattered if the two stories did include similar elements. How different is it, really, to, say, write about vampires your whole career or various renditions of "Snow White"? Each can be unique in their ways, despite having a similar touchstone that crops up in each one. Even if Kingfisher did reuse a subplot element from one book to the next, I believe she put a fresh spin on it in each. 

No, what I did take issue with was that it seemed to me the author either purposely or accidentally created a lot of similarities and/or ties between her two "Snow White" stories--even beyond the theme of them both being based on the same fairytale retelling. The opportunity for connection seemed possible with "Boar & Apples" and Hemlock & Silver, like the author was reaching toward an obvious connection, then, at the last minute, she yanked the thread that could have brought them together harmoniously. A part of me felt set up by the author for disappointment because of this. As a reader, I yearn for links between an author’s stories--the more the better! Beyond that, I would love to understand what drove Kingfisher to write a second version of the original fairytale premise; whether Hemlock & Silver was borne out of some sense on the author's part that "Boar & Apples" didn't satisfy her Snow White craving in one way or another; or if all this was just random chaos in the life of a writer. 

Additionally, in nearly every Kingfisher book I've ever read, she's included an afterword, telling readers what inspired the story that may or may not include connections with past, present, or future offerings. The author did include an afterword in Hemlock & Silver, but there she talked about the feline inspiration, along with some other things that had nothing to do with the first Snow White story she wrote. As a result, the avoidance of "Boar & Apples" came off like side-stepping to me. But, I concede now, that was probably just my own disappointment talking. 

In Kingfisher's defense, she wrote the short story "Boar & Apples" long in advance of Hemlock & Silver (I think anyway--I could be wrong about that, as this author tends to be writing several books simultaneously and some of them take many, many, long years to complete; case in point, Daggerbound, the second Swordheart novel, which I believe the author started just after she finished Swordheart, which was first published in 2018, and will only just be published August 2026). Kingfisher no doubt forgot a lot of what happened in "Boar & Apples", remembered badly, or clean forgot about that story altogether (I suspect that's closest to the case). 

Sigh. Given that I’m reading all Kingfisher's work back-to-back and reviewing them here on the Alien Romances blog, I suppose I'm perceiving things like this that readers who’ve been following her all along (as well as with the author herself) may miss or never see the same way I am—in large part because Kingfisher and her long-time readers haven’t read these older tales recently, so none of my anguish would ever occur to them. I wish it wasn't the case, but all this did affect my overall enjoyment of Hemlock & Silver, though I'm at the stage in my grief where I can admit I'm at fault for the majority of that and not necessarily the author. 

In any case, don't get hung up on these albeit minor dissatisfactions. The vast majority of T. Kingfisher's stories are extremely good. No reader should pass up her unpredictably unique style of making every story a brand-new adventure, unlike anything that's been experienced previously. For that reason, Hemlock & Silver--as well as its unconnected Snow White predecessor "Boar & Apples"--are not to be missed.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Review of We Have Always Lived in the Castle by Shirley Jackson by Karen S. Wiesner

 

Oldies But Goodies {Put This One on Your TBR List}

Review of We Have Always Lived in the Castle by Shirley Jackson

by Karen S. Wiesner 

  Beware: May contain unintended spoilers! 

I was looking for a new audiobook to listen to on my library apps, and it came down to whatever seemed mildly interesting that was immediately available. I've learned from my experience in the last year with checking out ebooks and audiobooks from the virtual library that it tends to be very difficult to actually get anything you really want to read or listen to on these apps because they either don't have what I'm looking for (especially subsequent books in a series) and/or it takes weeks or months of waiting to get hold of the literature most desired. We Have Always Lived in the Castle by Shirley Jackson (author of The Haunting on Hill House, which I've read) was released in 1962 and happens to be her final work. The genre category I was informed this novel falls into is mystery, which I can kind of see, but I would more aptly describe it as a psychological thriller with a touch of Gothic flavor. 

In this story, a girl (who's 18, something I don't remember being said in the audiobook--unfortunately, it's very easy to miss a lot while listening to something as opposed to reading the book myself) nicknamed Merricat lives with her agoraphobic older sister Constance and uncle Julian on the Blackwood estate, which is isolated and closed away from the nearby village. She's gone into town to run errands, getting groceries and library books. That sounds pretty mild and non-threatening, but in the mind of this person I assumed was a 10-year-old child (or thereabouts), it's anything but. While in town, she feels the danger all around her based on the small-minded community's reactions to her. Most of it comes down to negative energy directed her way in attitudes and looks at her, but, at the café she stops in for coffee, she's actually bullied by a couple of the townsfolk. She does finally escape, but her home is just as strange and confusing as all that came before. Later on, a cousin named Charles arrives and penetrates their seclusion. Merricat realizes he's looking for the fortune rumored to be buried all around their "castle". Unable to drive him away with the magic she believes she possesses, she becomes desperate. 

In the sinister background of this story looms an incident that happened six years before and isn't told straight out but is instead doled out in bits and pieces. Constance and Merricat's parents, their aunt, and younger brother died of poisoning. Julian was also poisoned, though he survived. Constance was arrested for the murders and was later acquitted. The town has reacted to this by ostracizing the remaining family members. What really happened? 

I soon learned that this story was written in the "unreliable narrator" style. In other words, the point-of-view character's perspective is not to be trusted. Bernadette Dunne narrated the audiobook version of this and did a really good job of capturing the eeriness of the tale and the unnaturalness of Merricat herself. The creepiness sneaks up on you again and again, in large part because the town's bullying is so over-the-top, the reader is utterly helpless not to sympathize with this family just on principle. It's hard to blame people for their behavior if they've been driven to such extremes to protect themselves from cruel people. Because of the unreliable editor perspective, it was hard to know for sure, but I suspect it was a chicken-and-the-egg thing: The bullying led to the desperate acts that led to the bullying that led to… 

Both a stage play and a movie (with Crispin Glover) were made from this book. I'd actually be interested in how We Have Always Lived in the Castle was translated in such a visual medium. If you're looking for a story that's fairly short that will hover on your mind long after you've finished it, this will more than fit the bill. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

{Put This One on Your TBR List} Review of Snake-Eater by T. Kingfisher by Karen S. Wiesner

 

{Put This One on Your TBR List}

Review of Snake-Eater by T. Kingfisher

by Karen S. Wiesner 

  Beware: May contain unintended spoilers! 

So on T. Kingfisher's website, she has a page that includes links to her short stories and articles, some of which are included in a variety of different anthologies (her own and others) and, from this page, you can read these offerings free. Two stories that I absolutely adored--"Jackalope Wives" and "The Tomato Thief" (oddly, written under her real name Ursula Vernon)--can be read from there at no charge. What a bargain! 

In both of these stories, Grandma Harken is the protagonist--a clever old woman who is far more than who and what she seems. She lives in a house with its back to the desert (strange things happen in the desert!), and she understands this harsh environment better than most. Her biting humor and compelling way of looking at the world make these tales irresistible. In both stories, there's a little bit of "magic" because, in the desert, there are spirits, not quite deities, but definitely not human either. I wanted more of this world, more of Grandma Harken, after I finished reading these two shorts. You can find my reviews for them by putting "T. Kingfisher" or the story titles into the search engine here on the Alien Romances blog. 

In Snake-Eater, we have Grandma Billy, who is, for all intents and purposes, Grandma Harken, only going by another name. I don't think Kingfisher intended that, but anyone who's read all these stories would probably agree with me. Full disclosure, I found myself deeply disappointed that the author didn’t have Grandma Harken reprise her role in Snake-Eater instead of creating the new, shockingly similar Grandma Billy. All three of these stories felt very connected to me--I read them within a few weeks of each other. I flat-out refuse to believe they weren't set in the same world, though possibly in a nearby region of it and not the exact same one. I would have loved to visit Grandma Harken again. While Grandma Billy was enjoyable, new quirks to Grandma Harken's already quirky personality could easily have fit the bill. The opportunity for connection was there, but it seemed like it was deliberately missed. As a reader, I yearn for links between an author’s stories--the more the better! In the same way, these three stories felt like they could have been connected, like the author was reaching toward an obvious tie, then, at the last minute, she yanked the thread that could have brought it all together harmoniously. A part of me felt set up by the author for disappointment because of this. I was left wishing the world Kingfisher created here could become a wider thing with many more stories to come. As I said, Snake-Eater basically has the same setting as the two Grandma Harken stories, here called Quartz Creek, with the addition of a few other characters, including a Catholic priest who (for once in modern fiction) turns out to be a pretty good guy. 

The author injected someone named Selena into Snake-Eater with a black lab dog named Copper. In my opinion, these characters are a regurgitation of Mouse and her coon dog Bongo from Kingfisher's 2019 horror The Twisted Ones. As I said in my review of that novel, Kingfisher is always Kingfisher, and I think all her main characters are essentially her. Whatever is the case, she defaults to a character type that she has reused over and over in her fiction almost from the beginning--whether those heroines are young, old, or somewhere in-between. The names and details have been swapped out, but, almost all across the board, T. Kingfisher is always the heroine in her own tales. That's not necessarily a bad thing. If you like her, you'll probably always like her. If you don't, well, then I guess that's the one drawback. Not every author can be skilled in every area, but T. Kingfisher/Ursula Vernon is a fantastic writer, despite that her characters tend to be static cookie-cutter types, and she only rarely disappoints me. 

In Snake-Eater, Selena's lost her mother, whom she wasn't all that close to anyway, and ran away from a relationship that was destroying her. With little more than twenty bucks in her pocket, she flees to the desert town Quartz Creek, where her Aunt Amelia lives and is always inviting her to visit. Only Amelia is gone. Her home, Jackrabbit Hole House, is still there with no one to claim it because those daring enough to inhabit the very small, struggling but close-knit town knew how to contact a next of kin. Long story short, Selena is welcomed to move in and make the house her own by the mayor/postmistress/fire chief/many other hats of the town. 

On her way to the place, Selena meets Grandma Billy, her eccentric, to say the least, neighbor. Strange things happen in the desert, and, even as Selena finds herself settling into a place that feels like home and people that feel like family, odd things begin to happen--like the appearance of fetches--supernatural apparitions which are bad omens. This all culminates in a few roadrunners (something that looks like a dinosaur instead of the cartoon character readers are familiar with) stalking Selene for a reason she can't understand. 

Grandma Billy and Father Aguirre have some theories that her aunt created the fetches herself. According to Grandma Billy, Amelia was prone to taking in drifters. One such stray she'd befriended (and might have be-lover-ed) was Snake-Eater, a not-human, not-deity thing Amelia had become close with. This one, Grandma Billy had never taken a shine to. If he's showing up again suddenly, it can't be good. So what does he want? And, if Selena and her new friends can make him go away, should she and Copper make Quartz Creek and Jackrabbit Hole House their home permanently? 

Snake-Eater was written in very typical Kingfisher style, and I enjoyed every minute of it, despite that it was a bit slow-moving and frequently felt like there was little or nothing actually happening (luckily, I like character studies just as much as I do action and adventure in a story). Again, as I did with the Grandma Harken stories, I want more of this world. I hope in the future that Kingfisher will own up to what could be construed as a rehash of her past characters and settings and make this a full-on series instead of random, repurposed bits that somehow cropped up in this standalone novel.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} The Hazel Wood Series by Melissa Albert by Karen S. Wiesner

 

Oldies But Goodies {Put This One on Your TBR List}

The Hazel Wood Series by Melissa Albert

by Karen S. Wiesner 

  Beware spoilers! 

I was looking for a Christmas tale, similar to "A Christmas Carol", one afternoon at the end of 2025. The audiobook for The Hazel Wood came up, though I have no idea why. As far as I could tell at any point while listening to it, there was nothing vaguely Christmas-y about it. In fact, this very sinister tale is far from feel-good, inspirational, or even hopeful. Instead, The Hazel Wood is a dark, truly noir fantasy series. Rebecca Soler narrated all of these stories. Her voice absolutely bleeds the bitchy, always-angry teenage girl persona that fits this series perfectly (she did a good job with all the other unique voices as well). 

The Hazel Wood, Book 1, was published in 2019, the first offering by former managing editor at Barnes and Noble Melissa Albert. Seventeen-year-old Alice and her mother Ella have always lived their lives on the road, running away from the "bad luck" that's constantly hounding them. Alice knows her grandmother Althea authored a cult-classic book of pitch-black fairytales, and she knows the old woman died at her estate, the Hazel Wood, a place she's never been to. The one time her mom caught her trying to read the elusive book, little Alice had had it yanked away from her. When Ella disappears, the only clue to where she's gone is the message she left Alice: "Stay away from the Hazel Wood." A classmate, Ellery Finch, is a die-hard fan of her grandmother's work. He also seems to have a bit of a crush on Alice. But what does she really know about him? Despite that she isn't sure she can trust him, Alice has no one else to help her track down her mom. Where she and Finch are led is insane, even unbelievable. Who was her grandmother? For that matter, who was her mom and who is she? 

The basic story of a teenager who doesn't fit in seemingly anywhere, then something happens to make him or her realize the world they know is nothing like they've always believed has been done before, and very often (in the 2000s, many such titles and series were released--The Caster Series and The Mortal Instrumentals are two very similar to The Hazel Wood…but there are others). 

  Both The Hazel Wood and The Night Country audiobooks came with the bonus novella set in the same world called "The Boy Who Didn't Come Home" (first published in paperback with 38 pages on January 7, 2020),  narrated by James Fouhey. In this, we're given Finch's side of the story following the events of Book 1, before Book 2 begins. The Night Country is the sequel, published in 2021, where Alice and Finch delve even deeper into her grandmother's dark legacy, and Alice has to confront that maybe there's no such thing as a happily-ever-after, let alone an unmagical life, for her. There was a beautiful, unexpected romance in this story. Additionally, the events moved toward a wrap-up that I found surprisingly perfect. I honestly had no clue how this sequence could tie up in a way that could be considered satisfactory, but the author did manage to pull off quite a compelling resolution. 

  These two books hinge on really knowing the 12 anti-fairytales that are included in Althea Proserpine's collection of Hinterland tales. Sure, Finch or Ella or other characters often retell portions from the collected work of Alice's grandmother's stories for her, but it's just not the same. Not having read all of these stories in advance was a huge hindrance to me in fully understanding Books 1 and 2. Apparently, I wasn't the only reader who felt that way. In 2023, we finally got them in Tales from the Hinterland, which includes all of Althea Proserpine's disturbing stories. Since all three are now available to us (thankfully I discovered the series long after all the offerings were released), I strongly urge reading this collection first before starting Book 1. Trust me, it'll all make much more sense that way. I also want to comment that it's difficult to write a story when you've locked yourself in with something else you wrote previously. Albert had to do it 12 times! Kudos!

If you're looking for the polar opposite of a fairytale, something unusual, unexpected, and unsettling, this series is definitely for you. Be advised that this isn't a Christmas story outside of the cold, wintery, chilling aspects, though there are plenty of Krampus-style demons running amok here if you find yourself in the mood to be menaced. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Review for Alex Hunter Series by Greig Beck by Karen S. Wiesner

 

Oldies But Goodies {Put This One on Your TBR List}

Review for Alex Hunter Series by Greig Beck

by Karen S. Wiesner 

 

In 2011, I was looking for supernatural horror books to read that took place in Antarctica (a trio of categories that were and are favorites of mine). Beneath the Dark Ice by Greig Beck came up during my search. In this series, a superhuman takes on supermonsters in life-threatening settings. I absolutely devoured it and the next and the next. I followed it for the next several years as more and more books featuring Captain Alex Hunter aka The Arcadian were released. The first two books were published by St. Martin's Press in very affordable mass market paperbacks. After that, another company took over the series and eventually republished all the books in trade paperback and electronic formats. After Book 5, I found the books far too expensive (in part because they were all so large) to continue purchasing. I bought the prequel, Book #5.5 and #6 as ebooks, but even those were surprisingly expensive (that can happen when publishers don't seem to understand that intangible ebooks which don't take up physical space should be priced lower). I haven't been able to find any of Greig Beck's books on my library apps in any format, other than the first two which were originally published by a mainstream (aka, not small press) publisher. As Beck is an Australia author, I'm sure that's part of why I haven't been able to locate them through libraries. 

Below is a list of the publication order (along with reading order) for what's currently available in the series:

.5 Arcadian Genesis, a prequel (2012)

#1 Beneath the Dark Ice (2009)

#2 Dark Rising (2010)

#3 This Green Hell (2011)

#4 Black Mountain (2012)

#5 Gorgon (2014)

#5.5 Hammer of God (2015)

#6 Kraken Rising (2015)

#7 The Void (2018)

#8 From Hell (2019)

#9 The Dark Side (2021)

#10 The Well of Hell (2022)

#11 The Silurian Bridge (2024)

As I said, the gist of the Alex Hunter Series is that a soldier sustains an injury that should have killed him, yet it, impossibly, made him a super-soldier, unstoppable, a danger to monsters, loved ones, and himself instead. This is a little bit unrealistic, but not outside the realm of believability. Because of his all but inhuman abilities, he and his team are always the ones called in for highest-possible-risk, one-way missions that no one else could survive. They do, time and time again. While the exact situations, settings, and hellish monsters are vastly different, they're all thoroughly researched and unquestionably plausible. This author writes as though he knows about all these things firsthand. Every book in this series that I've read has this basic scenario, yet they're all so unique and flawlessly compelling. 

While Greig Beck is still an author I follow, I've gotten behind with this series. Additionally, because I continue to follow him, I discovered several years after I could no longer afford his books that he started a spinoff series with a character from the first (and 10th) Alex Hunter book: Matt Kerns, the linguist, archaeologist and wary explorer. There are four books available in the Matt Kerns Adventures, the first having been published in 2013 so maybe (but I'm not sure) this new series might take place during Alex Hunter #4 and #5. I also swear that Cate Granger first appeared in one of the Alex Hunter books, and now she has her own series (Cate Granger, currently three novels available, the first published in 2018). I'll have to reread the Alex Hunter books again to find out for sure so don't quote me. It's so frustrating when authors don't include connections between their series titles on their own website, if nowhere else. This kind of thing sells books! 

The ebooks have now come down in price considerably, so I do plan to someday purchase the ones I haven't read yet, and I'd also like to read the spinoffs. Pretty much every one of Beck's offerings sounds fantastic, right up my alley, and I've found him to be a very reliable author, so I go into every purchase certain I'll like what I get. You can find out more about them on his website https://greigbeck.com/. If you're looking for nail-biting horror with a supernatural twist, you'll find Alex Hunter Books all but impossible to pass up, let alone put down once you've started them. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/