Showing posts with label Karen S. Wiesner. Show all posts
Showing posts with label Karen S. Wiesner. Show all posts

Friday, December 05, 2025

Oldies But Goodies {Put This One on Your TBR List} Book Review of Four Young Adult Children's Fantasy Selections by T. Kingfisher/Ursula Vernon by Karen S. Wiesner


Oldies But Goodies

{Put This One on Your TBR List}

Book Review of Four Young Adult Children's Fantasy Selections by

T. Kingfisher/Ursula Vernon

by Karen S. Wiesner 

Beware: May contain unintended spoilers! 


 

Finding A Wizard's Guide to Defensive Baking was rapturous serendipity for me! T. Kingfisher (the pen name of Ursula Vernon) is a versatile author, illustrator, and artist. Unbelievably, I'd never heard of her before reading this book, despite all the awards she's won for her eclectic body of work. She came to my attention when I bought an immaculate (used) hardcover book by her called "What Feasts at Night" (which I'll review in the coming weeks). I wasn't very far along before I decided to look up the author on my Libby library app and see what else she had to offer. One of the few audiobooks of hers available immediately was something called A Wizard's Guide to Defensive Baking. Literally, this one had me at the title. 

In this 2020 young adult fantasy novel, a 14-year-old named Mona, who possesses a sly, dry wit and "bread magic", discovers a dead body in her aunt's bakery. It isn't long before she realizes those who possess magic in her town are being targeted. There are other wizards set in this unique fantasy world, but none quite like Mona. When she was younger, she'd created (accidentally in the first case) 1) a sourdough starter "familiar" that eats mice when it can't get flour (really, what bread eaters don't know won't kill them) and 2) animated gingerbread men for the customers to fawn over (move over Shrek's Gingy!). Little did Mona realize her most loyal gingerbread man would soon become the commander-in-chief of a gingerbread army Mona has to bake up in order to save the city from a corrupt wizard and his invading army. And that doesn't even get into having to concoct the right kind of shoes for doughboy golem soldiers. 

One of the selling points of this story for me was the realistic portrayal of those in power who shouldn't necessarily be. In this case, the ruler meant well and was willing to do anything to help her people. Also, the heroine is the last person who might be considered a champion. By virtue of the fact that she had the skills (though she didn't realize it at first, of course) and stepped up to use them, she was able to save the day. I'm probably in the minority as one with no interest in reading about a superhero flying in just in time to rescue the entire city. I tend to root for worthy underdogs, and Mona is appealingly that. 

 

Illuminations was a 2022 release. Ten-year-old Rosa comes from a family of illuminators who are the greatest magic painters in the city, but their fortunes have fallen on hard times. Rosa excels at painting fanged radishes. Unfortunately, this art doesn't seem particularly useful when their studio is known for paintings that keep the city safe and running smoothly. Wanting to find a way to be useful to her relatives, she instead accidently releases a vicious monster and then has to figure out how to put it back in the box she foolishly opened. 

I assume the author, who's also a skilled artist, wondered what it would be like for her work to come to life, just as authors wonder what it would be like to step into a world created within a story. This was a cute and very fun story with a hilarious, three-dimensional heroine searching for her place in the world she's been born into and wanting very badly to join with her own legitimate skill. 


 

I'm reviewing A Wizard's Guide to Defensive Baking and Illuminations along with Minor Mage. Though all three of these books have like covers, they aren't part of a series. They do, however, share a similar subject matter hinging on young adult protagonists that possess some form of magic they use to change their own world (and possibly the world at large, or at least their section of it). Also, of course, all the books in this trio are written in Ursula Vernon's pseudonym T. Kingfisher. A Wizard's Guide to Defensive Baking and Illuminations wonderfully lended themselves to audiobook "readings"--I'm not sure I would have enjoyed them quite as much as I did if I'd read them as ebooks or paperbacks. Both were available as audiobooks through my two library apps (either Libby or Hoopla); Minor Mage wasn't immediately accessible from either at the time I was writing this review. A month or so later, I managed to gain access to the ebook of Minor Mage. I wish I'd been able to get an audiobook copy. It would have been a bit easier to get through. This isn't saying Minor Mage is bad--not in the least. I just enjoyed the way the previous voice actors read Kingfisher's always off-the-cuff, fun stories so much, it was hard not to miss that aspect in my quiet, uninspired reading of it via ebook. 

In the 2019 Minor Mage, 12-year-old Oliver only knows three spells that he taught himself. His training was sporadic and dicey, to say the least, as his predecessor was very old and decidedly senile and had taken to wearing underwear on his head in his final days. Nevertheless, after the former mage passed a few years ago, the village has mainly accepted Oliver as their community magician. Oliver's managed to find what he needs in books to perform the tasks required of him in the time since then. However, when rain isn't forthcoming at a critical point in the season, he's called upon to fetch rain from the Rainblade Mountains. This is certainly nothing he's had to deal with before and he hasn't received the slightest bit of training in this regard from his mentor. Accompanied by his snarky armadillo familiar (who also has a few point of view scenes), he sets off, hoping he can find a way to do what his duty requires of him, with all those in the village counting on him. No pressure, right? Naturally, the journey is fraught with dangers and unforeseen challenges like ghuls (zombies) and bandits for one with very little practical knowledge of magic combined with frequent self-doubt. 

Along the way, Oliver meets up with a bard mage with the questionable ability to make harps (and the occasional fiddle) from the bones of murder victims. While he's actually had a few grieving people request his services in order to discover who murdered their loved one, even those lacking forethought soon regret it once they're forced to endure the screaming, shrieking harp seeking justice for crimes endured in life. Not surprisingly, Trebastian has few friends and is almost always chased out of every town with pitchforks and threats. Before long, Trebastian becomes Oliver's companion and, later, an unexpected friend. 

Kingfisher's trademark blend of heartfelt humor and grave predicaments buoy every page of this book. As in the previous stories in this set, the underlying theme is that heroism is about much more than possessing extraordinary supernatural powers. Instead, it's in the choices, creativity, determination, and moral fiber of the ones wielding, perhaps, less than spectacular gifts. 


 

Another story written under T. Kingfisher's real name, Ursula Vernon, Castle Hangnail, was instantly obtainable as an audiobook, and it fit the basic motif of this review with a young adult magic user as the protagonist. I suppose Castle Hangnail is intended for children (that assessment is directly from the author on her website) because of the author's amazing illustrations filling the pages. At a whopping 372 pages, it's not what I'd generally consider a children's book. It is, gratefully, presented in the same loquacious, verbose writing style that I've come to love from this author's protagonists. This book would appeal to young adults (8 to 12 years is the recommendation though most reading kids, including those younger, would also be smitten). Like with Shriek, I can't imagine adults enjoying it just as much. 

Twelve-year-old Molly is a witch and she needs a job. Castle Hangnail requires a wicked witch, and, though the staff at the castle is uncertain that polite Molly is right for the job, they agree to give her a shot. What a hoot this story is! When I was very young, my favorite author was Ruth Chew. I loved all her good, useful witch stories. I wish Castle Hangnail had been available then. I would have adored this unique, merry, tongue-in-cheek story with a lively cast of characters you can't help but love and champion. Though the audiobook was fantastic, I did miss seeing Vernon's own amazing illustrations accompanying the story, which I previewed on a book distributor's site. Oh, and there were rumors that Disney with Ellen DeGeneres might be making this into a movie, but I couldn't find any follow-up on the initial announcement. The first thing I was reminded of when I started listening to Castle Hangnail were the Hotel Transylvania movies. Like those, this would make a hilarious, not-necessarily-just-for-kids film. 

~*~

All four of these stories were nothing less than nonstop delight. The voice actors for the first two and Castle Hangnail were exemplary, adding so much to the reading, in retrospect it would have been unimaginable to partake without their talent. It only took me a couple days to finish the audiobooks because I didn't want to turn them off. The ebook of Minor Mage wasn't quite as easy to get through yet proved to be extremely enjoyable. 

You certainly don't need to be a child or young adult to enjoy these entertaining, incredibly well written, and engaging, character-driven adventures. As I hadn't, I doubt too many will have read anything else quite like these irresistible tales. So, that about does it--sign me up! I'm a fan of this author and artist regardless of what the genre is. I expect to post many more reviews of T. Kingfisher (and Ursula Vernon's) selections in the future. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, November 28, 2025

Oldies But Goodies {Put This One on Your TBR List} Miss Hickory by Carolyn Sherwin Bailey by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Miss Hickory by Carolyn Sherwin Bailey

by Karen S. Wiesner 

 

Beware potential spoilers! 

The world was a very different place when Miss Hickory by Carolyn Sherwin Bailey was published in 1946. This was a children's novel, not a picture book with questionably well-done art accompanied by a sprinkling of words across the pages. Miss Hickory has 128 pages, 24,000 words. Back then, children were often read to by other people, usually parents. No doubt, many of these books were far beyond the child's own reading level yet the stories were perfectly understandable to them. The current suggested age for this book is 8 to 12, which boggles my mind a bit, and not simply because I can't imagine too many kids these days picking up a complex book like this. Additionally, back then stories like this one seemed to have a higher purpose than simply entertaining readers. 

Miss Hickory was one of the very first books I ever read on my own as a child. With a protagonist who's a living doll made from a forked apple tree twig and a hickory nut for a head, her story was magical to me. Miss Hickory lived in a luxurious corncob house made by her owner Ann. Miss Hickory is used to being spoiled, but now things are changing. Ann is going away, and selfish Squirrel has decided he likes Miss Hickory's comfy house for his own winter home. Crow helps her find a nest where she can live out the winter, but she'll need to be clever and courageous to survive. The author and her husband lived on a farm with an apple orchard, and she drew inspiration for this story from there. 

When I reread this enchanting story again recently, it was to the realization about just how prickly and hard-headed (sorry) Miss Hickory is. She likes to instruct people how best to live their lives but accepting help from others always leaves her irritated. And sometimes she misses out on wonderful things because of her stubbornness. Hilariously, she also likes be very feminine, and we find several chapters with Miss Hickory being a fashionista by making herself new and beautiful clothing out of things like maple leaves and grass and cherry blossoms. I found it interesting that Miss Hickory took the existence of God for granted. There's a Christmas miracle to be seen, but she misses it because she's too pigheaded to listen to anything Squirrel has to say. Does she learn her lesson through the many chapters in which she and her friends live out their lives on the farm? I'm not sure. But she does learn a lot about herself--her own origin, for one. 

This story was told very strangely. Most of the chapters were from Miss Hickory's point of view, which made sense, as this is the compilation of her adventures during the seasons. However, sometimes we're put into the perspective of another (usually animal) character for no other reason I can fathom other than that the author felt she'd started a story with that particular character and needed closure before going back to Miss Hickory. 

Though Squirrel plucks off and takes a bite of Miss Hickory's head (too scary for modern readers in both words and illustration? probably)--his character is suitably drawn with all the complexity needed for readers to find him endearing despite his actions. He's an animal designed for storing up food for himself, yet he can't seem to remember where he's hidden all his nuts from one minute to the next, let alone over the course of a long, harsh winter. And, frankly, wouldn't he much rather just eat it now? Of course he would! It's easy to root for all of these lovable, fully-fleshed out characters. Though the chapters play out in a seemingly random fashion, the story does actually reach full circle by the end. 

I'd be remiss not to mention the lovely illustrations done by Ruth Chrisman Gannett. I found out they were done by a process called lithography, which is a really archaic (though there are still people who do it) means of photocopying something. Apparently, the artist has to be very careful while drawing on the stone (or similar material) as there are no second chances with this method. Either it's drawn right the very first time--or as close as possible--or a whole lot of time, effort, and materials will be wasted. Find out more about the art of this here https://jerwoodvisualarts.org/art-techniques-and-materials-glossary/lithography/ and be sure to watch some YouTube videos of it actually being done. I found it fascinating. Too much work, definitely, but still intriguing as a precursor to modern-day photocopying. 

Inspired by the incredible artwork in Miss Hickory, I couldn't help wanting to do some sketches from the book myself, which were all done by black and white lithography (although color is possible with the method). I even did one in color, though only the cover of the book has color in the first edition. Does anyone else want an apple now, too? <grin>


  

Miss Hickory Black & White Sketch and Colored Pencil Rendering by @Karen Wiesner

 

Miss Hickory's Corncob House by @Karen Wiesner 

If you do an internet search with the words "Miss Hickory illustrations", you'll see some of Gannett's original designs, including one of Squirrel holding Miss Hickory's still scolding head just before he takes a bite of it. Never fear, Miss Hickory may end up headless, but she's also "heedless, happy" that way. Clearly, her head had been holding her back. 

Children and adults alike will find a timeless, magical world to explore in this well-deserving Newbery Medal Winner. The lesson to be learned (as all these old books had some kind of moral to impart, which I heartily approve) is not to hold yourself back from who you're meant to be--not with the promise of comfort nor with the hurtle of fear of the unknown. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog and her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, November 21, 2025

Review for The Sisters of the Winter Wood by Rena Rossner Combined with an Original Article: Unique by Karen S. Wiesner

 

Review for The Sisters of the Winter Wood by Rena Rossner

Combined with an Original Article: Unique

by Karen S. Wiesner 

  Beware spoilers! 

Published in 2018, The Sisters of the Winter Wood is the debut novel of literary agent Rena Rossner, who lives in Israel. I really don't know how to categorize this unusual story. It's a blend of magic and reality, fantasy, folklore, cultural history (specifically Jewish mythology). As to whether it's young adult, I'm not certain. Both protagonists are teenage girls, but I don't know if the intention was for it to be read only by young adults. I was looking for a new audiobook and this one came up, promising to be something atmospheric and supernatural. It was both. The narrator, Ana Clements, was the perfect choice for this material, and I'd go so far as to say that no one else could have done it better. 

In this tale, 17-year-old Liba and her 14-year-old sister Laya live with their parents in a remote village. They've been raised in the forest in a very insular way by their Jewish father and converted-but-never-truly-accepted mother. When their parents are forced to leave the girls at home because the roads aren't safe in order to visit their dying grandfather, the sisters are thrust into secrets and discoveries they could never have imagined. Liba, like her father, has the ability to transform into a bear. Laya and her mother can become swans. Neither girl ever had a clue about this prior to their parents leaving. Overnight, the entire world changes for them as dark forces gather and the village is plunged into danger. 

In ways, I found it unfortunate that the author chose to reveal the shapeshifting abilities when the girls are teenagers. So much of this book was overwhelmed with the angst and ardor of two young, impressionable girls who long to explore their sensuality, despite the environment they were raised in. While I found the cultural aspects of the story intriguing, these characters were painted as good, responsible daughter (Liba) and stupid, flighty daughter (Laya). Combine that bland ordinary (in my opinion anyway) with the persecution of a people wherever they go, seemingly, and it strongly began to feel like there was a wider agenda being served up in this chill, supernatural setting. I was looking for the extraordinary, so for that reason, I found myself mildly disappointed when the tone of the story seemed to change to something much more mundane, like bigotry. 

Despite that, as the kiss of winter begins making itself known in my area of the world along with the promise of Thanksgiving and Christmas, like the unmistakable scent of cinnamon and pine needles in the air, I couldn't stop thinking about the deeper issues this story undergirds and makes haunting with its icy refrain. 


"UNIQUE" 

Liba and Laya live in a world that isn't all that different from the one you and I inhabit. That world and this one seems to want to put everyone in little boxes that may not fit and then persecute those deemed undesirable while they're there. Just like Dr. Seuss's Sneetches story, this is one of the things in this life that should never be. Inside those shackled boxes, we learn the horrors of judging, racism, prejudice, genocide… The list of monstrous behaviors is endless for those who see themselves as superior to all others, so much so that they commit atrocities on other human beings. When people begin to think of themselves as special--even chosen by God (why is it that so many madmen in the history of the world believe that?)--sometimes they view this as permission to do terrible things to others who they see as different from them. 

We all share similar origin--whatever color our skin is, whatever the culture or community or religion or gender we're raised in. We're also all born with a predetermined appearance (based on what our parents impart to us genetically), and there's very little we can actually do about what we're given in an external sense. Physical attractiveness is little more than subjectivity anyway. Two people will never agree on what makes anyone beautiful, so why are we so fixed on the outside shell of a human being? Frankly, it's all stupid. Make no mistake--the "ugly" and the "lovely" are both given these things at birth; no one chose them or can claim that they had anything to do with their own fortune or curse in that regard. While it's important to take care of ourselves so we're healthy and fit and as attractive as we can be externally, in truth we should simply be more accepting of each other's exterior appearance, our race, our culture--and our own--yet we're not! No generation ever really learns from this fatal flaw in our thinking that seems to be a factory reset from one age to the next. It's completely senseless how human beings create innate separations in classes, races, genders, and religions. What a celebration it could be if only we could rejoice over the differences that make each of us unique! 

It takes a tremendous amount of grace and character to accept our differences. Twice as much to accept others with the same equanimity! That's why it's so important to put the majority of our focus into what can be controlled, what can be changed, what can be built and bloomed and become--the internal aspect of who we are, the person inside, the being we want to be more than anything. That's where true beauty can be refined. The interesting part about that is that inner beauty can transform the outer shell. A person so remarkable and loving can be physically astounding, even if realistically the outer package may not suggest it can be so. True inner beauty is also the lasting part of a person's identity. Inner beauty transforms every aspect of our being, including our perspective of the world around us. 

I don't believe I'm unique in that I want to be remembered for the person I was in life, for inner beauty and goodness. That's all that really matters in the end. Those are lasting things that can live on even when I'm gone. We can actually make a mark on this world in that way. But it requires us to let go of vanity and accept who we are, where we come from and how we were raised, even what we look like. It requires not seeing ourselves as superior to all others and to instead see everyone as unique and worthwhile. 

Focused on what matters, build a life that has purpose and meaning. It will outlive you, I promise. You'll never regret that part, and it is what will give you joy, satisfaction, and ultimately contentment. The only person you have to give an accounting to while in this life is yourself. So be the inner person you want to be without shame or regret. It will reflect on the exterior. That is something no one can take away from you. 

Never mind the irony that I'm suggesting that you read The Sisters of the Winter Wood (a very Jewish story, at least on the surface) at this time of year--whether the Thanksgiving or Christmas holiday--when most hearts turn to being mindful of what we have. During this time, we seem to reflect more on the things that matter. To seeing the good in ourselves and in others, to being the hope, benevolence, and goodwill that we want to spread to all. Ultimately, this story I'm reviewing this week will make you realize the heart of what's important in life and the role each of us play in the outcome of good and evil. Our choices can impact everything in and around us. Be a change and influence for good. Be the goodwill and benevolence you want to see. Be unique. Above all, remember that the differences in each of us can become the very celebrations that make life worthwhile. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, November 14, 2025

{Put This One on Your TBR List} Sunrise on the Reaping (A Hunger Games Novel) by Suzanne Collins by Karen S. Wiesner

 

{Put This One on Your TBR List}

Sunrise on the Reaping (A Hunger Games Novel) by Suzanne Collins

by Karen S. Wiesner 

  Beware spoilers! 

Read my previous review that contains a summary of the gist of this series here: https://aliendjinnromances.blogspot.com/2024/02/karen-s-wiesner-hit-list-young-adult.html 

What fresh hell is President Snow about to unleash during the 50th Hunger Games, which took place 24 years before the events of the original The Hunger Games novels? Sunrise on the Reaping (A Hunger Games Novel) was released March 2025, another "prequel" to the dystopian series The Hunger Games. 

Haymitch lives in District 12 with his poor but upbeat and commendable family--his mother and younger brother Sid. His best friend is Burdock Everdeen--Katniss and Prim's father and a distant cousin of Haymitch's girlfriend. Haymitch and Burdock's friendship isn't given a whole lot of on-screen time. Burdock's future wife Asterid March (mother of Katniss and Prim) is also mentioned in this novel. Haymitch illegally distills moonshine, kind of a foreshadowing of the drunk he's to become in the original series. The Second Quarter Quell has everyone anxious because, this year, twice as many tributes are to be selected from each district. Because he's put his name in the running to compete more times in order to improve his family's lot, he genuinely worries he'll be chosen. But if means helping and eventually saving his family and the girl he loves, Lenore Dove, he's willing. Though his name isn't originally drawn, a series of unfortunate events forces him to compete. Several familiar faces make appearances in this book, including Plutarch Heavensbee, Mags, Wiress, and Effie (and probably others I've forgotten between readings). 

Haymitch Abernathy was a favorite character of mine from the original trilogy. As a 16-year-old, he's brash, funny, charming, and a natural born leader who's willing to sacrifice whatever he has to in order to protect those he loves and cares about. His stand on the side of justice is without question--which isn't something that we might have believed when we were first introduced to him in the initial novel, The Hunger Games. Instead, we wondered there how this drunk could possibly have won the games in his time. Rather than trying to win, Haymitch does everything in his power to shut down The Hunger Games once and for all. Even when he repeatedly fails, he keeps trying. For that, President Snow punishes him and continues to do so until Haymitch is broken seemingly beyond repair. 

After the last release in this series, The Ballad of Songbirds and Snakes, I was ready to be disappointed. I felt like that prequel posed far more questions than it actually answered, ones that I might never get illumination or closure on. I didn't purchase Sunrise on the Reaping when it first came out because I wasn't sure whether it was worth continuing to follow the series, but when I discovered it was available in audiobook from one of my library apps, I thought I should give it a listen. Fortunately, I believe Sunrise on the Reaping actually clarified a few things for me that cropped up in Ballad (more later on that). Jefferson White, an actor that a lot of people have no doubt heard of but I hadn't, narrated the audiobook. He has a very strange voice, and I worried I wouldn't enjoy his reading because of that, but he actually did a fantastic job and made the story both memorable and thrilling. 

I was very glad to witness Haymitch's side of the story, as well as to get a peek at the pasts' of other familiar characters from previous books. Haymitch's story was fully fleshed out and really made me understand who he was, where he came from, what he'd lost and all the vicious ways Snow destroyed him (no doubt under that psycho's misdirected heading of cruel to be kind), justifying Haymitch's broken and mostly-but-not-quite-defeated personality in the original books. 

Feel free to skip this paragraph if you're worried about spoilers: As I said, I left Ballad with more questions than answers about why President Snow became the monster he was. The author never made it entirely clear there how he could have been working to effect change and then turned back and became twice the son of hell he originally was. Because of the connections made in Haymitch's story, I feel I understand better what shaped Snow was Lucy Gray's betrayal (which was just bewilderingly confusing in Ballad). See my previous review about this for specifics. It seemed nearly the whole of that novel that Snow was beginning to turn around and realize that The Hunger Games had to be stopped at all cost. But, after Lucy Gray betrayed him (had she been working with the revolutionaries all along and made him believe she really loved him in order to turn him toward their plight?--that seems the only logical conclusion), he threw himself headlong into gaining revenge. From start to finish in this series, Snow never really learned the lessons taught by two wise men: "Before you embark on a journey of revenge, dig two graves" (Confucius) and "An eye for an eye only ends up making the whole world blind". (Mahatma Gandhi) 

Haymitch, however, is cunning, clever, and compassionate--all the hallmarks of a hero. Throughout the first three books in this series, he played his role amazingly, making everyone believe he was nothing more than a lush who couldn't be counted on to lift his head from his latest bottle let alone be instrumental in a revolution. The epilogue is devoted to bridging the gap between the past Haymitch, Hunger Games 50th winner, and the drunkard who became Katniss's District 12 mentor. 

Oh, and the filming for this movie began in July 2025, set for a November 2026 release. Yes, I fully intend to watch it, though I think I will miss the fantastic Woody Harrelson playing Haymitch. Not logical on my part, since, of course he'd be far too old to play a 16-year-old. (Joseph Zada, another actor I've never heard of, will be doing that.) 

If you're a fan of The Hunger Games, this one is well worth your time. If you're not, don't delay. This series stands the test of time and keeps being compelling with each new installment. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, November 07, 2025

Oldies But Goodies {Put This One on Your TBR List} Book Review Subseries 3: The Tawny Man Trilogy (The Realm of the Elderlings) by Robin Hobb by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List} Book Review

Subseries 3: The Tawny Man Trilogy (The Realm of the Elderlings)

by Robin Hobb

by Karen S. Wiesner

 

Be aware that there may be spoilers in this review. Also, reading my previous appraisals will foster understanding about certain facts about this umbrella series that are required to make sense of things included in this particular review. 

In an attempt to spend less money on books that half the time I don't even enjoy, early in 2025, I figured out how to check out ebooks from the app my local library uses for this purpose. Utilizing Libby, I can check out ebooks and audiobooks. Unfortunately, the selection of material is limited. A lot of the books I like to read aren't available on it, but I was glad to see that most of Robin Hobb's titles are available. It's just a lot of waiting when I "place a hold" and patiently endure the, at times lengthy, delay in it becoming available for me to read. 

Robin Hobb is the author of The Realm of the Elderlings. Within this umbrella series, she's written five "miniseries" and numerous short stories. In previous Alien Romances Blog reviews, I covered The Inheritance & Other Stories, which contains a couple Realm of the Elderlings offerings. I also reviewed the first two trilogies within this series, The Farseer and The LiveShip Traders trilogies, along with two miscellaneous novellas in the series, "The Willful Princess and the Piebald Prince" and "Words Like Coins". 

The Farseer Trilogy was focused on Fitz, the illegitimate son of Prince Chivalry of the royal line presiding over the Six Duchies. In that first subset, we learned something of the Elderlings (including dragons) and their ancient cities and settlements around the world, especially in the Rain Wilds. In the second subseries, The Liveship Traders Trilogy, we moved away from the royal Farseer lineage and problems within the nobility to focus on "liveships", which are the outer cocoons of sea serpents that were in the process of transforming into a dragon. These logs were buried in the destroyed city of the Elderlings in the Rain Wilds and found by traders who excavated the ruins for valuable, magical artifacts. 

The Tawny Man Trilogy includes the following novels:

Fool's Errand, Book 1 (2001)

The Golden Fool, Book 2 (2002)

Fool's Fate, Book 3 (2003) 

Once again, we return to Fitz from the first Elderlings subseries, The Farseer Trilogy. He's now in his mid-thirties. It's been fifteen years since the events of Farseer. The events of all previous stories that I mentioned above reviewing before play into each of these stories in a wonderfully cohesive and illuminating way that I really enjoyed. I felt like I was pulling threads from different tapestries until they began to fit into one. The author is to be lauded in how she meshed her subseries seamlessly, at least for the most part. 

As a preface to this review, in this series there are two "magical" talents: With the Skill, a person can reach out to another's mind, no matter how far away, and read thoughts and influence thinking and behavior. An even older magic is the Wit, in which humans feel such a kinship with animals, they share thoughts and behaviors, sometimes becoming so bonded that they themselves become little more than beasts. The strength of the bond can also lead to performing powerful attacks. The Wit is looked upon with scorn and fear by most humans. 

In the first book of the trilogy, Fool's Errand, Fitz is living a quiet life in the middle of nowhere with his wolf Nighteyes, to whom he's Wit-bonded, and a foundling son he's adopted as his own named Hap. 

In The Tawny Man, few know Fitz as anyone but Tom Badgerlock. Most believe FitzChivalry of the royal line to be dead. The man who taught Fitz as an assassin, Chade, visits Tom. In previous stories, Fitz conceived with the queen as King Verity used his body for the purpose of providing an heir to the throne. Their son has shown signs of being both Witted and possessing the Skill. Prince Dutiful is untutored and there are few if any teachers of both abilities in the current climate. At Chade's request that Tom teach Dutiful, Tom protests that his knowledge of both of these powers is incomplete and erratic. Chade also tells Tom of the unrest among the Witted in the land. The rebels call themselves the Piebalds. (The story of Piebald origins is told in "The Willful Princess and the Piebald Prince", a favorite of mine in this series.) 

Chade leaves after Tom refuses to train the prince, and later the Fool (who has remade himself in many ways, shapes and forms in his appearances in the series, becoming known in this trilogy as The Tawny Man, Lord Golden) visits him. In previous trilogies within the series, the question of the Fool's identity was revealed to be ever-changing. The Fool worked as an actual "fool" at court in Buckkeep for the king in the first subseries. In the second, he was a she, the carver Amber in Bingtown. I'd wondered in my review of the previous subseries The Liveship Traders Trilogy how/when this anomaly was revealed. Now I know it's in The Tawny Man Trilogy that the facts behind this situation come to life. The Fool is much more than any have previously suspected--a being called a White Prophet whose purpose is to set the world on a better path. As such, this creature invents and reinvents itself in order to serve its impetus. The Catalyst is the one who makes the changes, and that one is Fitz. The Fool reveals in this book that he doesn't believe he's fulfilled his destiny correctly--during the time he was Amber, he went awry and therefore warped all that came afterward. 

In Fool's Errand, Prince Dutiful is believed to have been kidnapped by Piebalds. In truth, Dutiful has been enslaved by a Witted Woman who died and forced her essence into an unwilling cat. Lord Golden and Tom, appearing as his servant, must rescue Prince Dutiful--possibly from himself. 

In The Golden Fool, Book 2, Tom intends to return to court and train Prince Dutiful with the intention of forming a coterie of Skill users. The group will include Dutiful, Lord Golden and Chade, along with the disabled servant of Chade's named Thick. Fitz's daughter with Molly, Nettle, also possesses the Skill, and she reaches out to Tom against the will of the person she believes to be her father--Burrich (from the first trilogy), who's now married to Fitz's love Molly and they have a Skilled son together named Swift. Additionally, a Witted coterie is in the works as the scourge against this magic is being actively turned over. The kingdom wants to show that Wit is a talent instead of a distrusted curse to fear. 

In this story, the Fool reveals his deepest feelings to Tom, believing him to be his beloved. But Tom can't accept this, and a schism forms between them. There's also a thread about the princess of the Out Islands potentially marrying Prince Dutiful to establish an alliance between their people, thus reunited the Six Duchies. However, she requires that, to win her hand, he must bring her the head of the dragon IceFyre, who's trapped beneath the ice on the isle of Aslevjal. The Golden Fool has foretold that he'll die there trying to stop this fate from happening. 

The trilogy concludes with Fool's Fate. Tom makes an effort to steal away by ship with the coteries to go to the Out Islands and give the princess what she needs to accept Dutiful's troth. Tom wants to prevent the Fool's death at all cost, but fate isn't so easily thwarted. The Fool joins them despite their scheming, and together the Witted and Skilled coteries attempt to free IceFyre from its prison. However, another White Prophet would see the dragon killed in order to prevent the Fool's prophecy that dragons would return to the world from being fulfilled. Though the Fool is destined to die during all these events, Tom refuses to allow it and intends to do everything in his power to save them both. 

While I enjoyed it, I concluded this subseries feeling a bit unsure what the purpose of it was. More than anything else, The Tawny Man Trilogy seems to be little more than an extremely long bridge (very close to 5000 pages!)--from the previous subseries to the next. You get to see events that happened before play out in the present here and, yes, familiar characters move along toward future events. Mind you, this isn't so much as a complaint as a comment that left me a bit baffled. Tom is a complex character, and I didn't always understand him. Also, in a tiny way, the whole plotline about the Fool's androgynous nature as a prophet that's reinvented itself over the course of perhaps centuries struck me as a little far-fetched and convenient to the plot in this subseries. Finally, apparently unlike, say, the council of wizards in The Lord of the Rings, White Prophets in this series don't work together and in fact can actively work against each other to see their own ends fulfilled. Who or what's guiding all that is anybody's guess. I'm not sure how or even if that'll play out further in the next subseries. 

As an aside, the ebook version of Fool's Errand was over 1,300 pages. It took me 7 hours and 19 minutes to read it. I was surprised I enjoyed reading an ebook, though it was annoying to drag my iPad around everywhere so I could snatch a few minutes here and there to read. It's also frustrating because I have crappy internet and sometimes I couldn't get the app to load the book so I could read when I wanted to. You never have that problem with a paperback. But I also didn't spend $30-$75 on purchasing the three books either used or new. There are trade-offs when reading traditionally or electronically, I'm learning. 

In any case, I enjoyed this trilogy, though it was a good 3000 pages too long for me. I was eager to see the evolution of the characters as well as the world The Realm of the Elderlings is set expanded. For whatever reason, I didn't feel quite as exhausted reading this third subseries as I did those that came before. I believe the ebook medium had a lot to do with that. But I also didn't enjoy this subseries in the Realm of the Elderlings as much as the last one I read. While I do want to get started on the fourth subseries, The Rain Wilds Chronicles, which has four books instead of just three, and is set in the city of the ancient Elderlings, I do need another break before I turn to those paperbacks I own. I suspect that final subseries will at last include everything I've been looking forward to so eagerly since I found this amazing series. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, October 31, 2025

{Put This One on Your TBR List} Book Review: The Graceview Patient by Caitlin Starling by Karen S. Wiesner

 

{Put This One on Your TBR List}

Book Review: The Graceview Patient by Caitlin Starling

by Karen S. Wiesner 

   Beware spoilers! 

Caitlin Starling's previous new release, The Starving Saints, garnered a lukewarm, undeniably disappointed review from me (see

https://aliendjinnromances.blogspot.com/2025/08/put-this-one-on-your-tbr-list-book.html) here on the Alien Romances Blog. As a result, I decided to hold off on purchasing the hardcover of The Graceview Patient, released October 14, 2025, despite that she's written some of my favorite novels (The Luminous Dead and The Death of Jane Lawrence--also reviewed on this blog and accessible with a search). While waiting for the paperback release, the audiobook version became available on one of my library apps so I borrowed it immediately. 

In The Graceview Patient, we're set up with what sounds like an absolutely irresistible horror scenario that was described in promotion as "Misery meets Invasion of the Body Snatchers". Okay, well, more so the latter than the former definitely got me drooling. Margaret has a rare autoimmune condition that wrecks any chance of her living a normal life. Without a cure, she's barely making it day by day until she's offered a spot in an experimental medical trial that's fully paid for. She'll be forced to live at Graceview Memorial Hospital full-time and subjecting herself to a treatment that will all but kill her. The fact that she has no one to go through it with her (apparently she's alienated every single person she considered relative or friend) doesn't initially bother her too much. The man in charge of all this, Adam, is charming in a way that Margaret has no willpower to resist. As the trial progresses, she begins exploring the hospital and finds something that only becomes increasingly more sinister the longer her trial goes on.

I'm not gonna lie to you: The early chapters of this book were absolutely brutal--so boring, it was almost painful to force myself to continue. In part it may have been done in this seemingly innocuous way in order to throw the reader off. But I have to comment on two aspects of this: 1) The audiobook was recorded at such a low volume that, even with my speaker hooked up and at full volume, I could barely hear it, and 2) the audiobook narrator had a voice all but designed to put a listener to sleep. I realized later that the intention was to come off sounding like the patient who progressively becomes sicker and sicker. She captured that in spades. Despite that there was a reason the narrator read this book the way she did, it was still difficult to endure. If it hadn't been a Caitlin Starling book, I might not have continued with it all the way through. I am glad I did, though, but the narrator choice did skew my initial perceptions of the story. Do I believe that the ebook or paperback would have been any better? No. I'm almost certain I would have struggled even more with those formats than this one. This book was written like a dry textbook. Only when you were too far into the net to back out did it become exciting and suspenseful. At all times, though, it was like watching a train wreck in slow motion. At no point did that cringing let up. 

One further complaint: All throughout the story, the author sprinkled in what could only be perceived as annoying "tell the story before I tell the story" injections, such as things like "maybe I should have been afraid or suspicious by that but I wasn't". If you don't believe you can set up a horror story well enough to be frightening when the time comes, this is the method you'd attempt to make it so. I register a full poo-poo on such a weak and unprofessional delivery system! I was taught early on as an author to never do that, and I agree with the advice wholeheartedly. 

All these issues aside, you have to read this full-on horror story! I can't imagine a single person alive not being anguished at the thought of being sick beyond cure, desperate to find any hope at all, and taking a risk however perilous that might lead to life--a risk that never would have been an option until that point. I can promise you that, once you've read The Graceview Patient, you'll never go near a medical facility without wondering what you're getting yourself in for, without being justifiably a little afraid. Do an internet search for "what bacteria/virus/infection is prominent in healthcare settings" and read some of the articles that come up. Do you know there's actually an acronym for contracting an infection that wasn't present at the time of admission while you're receiving medical treatment (HCAI)? Apparently, some believe that medical centers should be completely "restarted" every decade or so, as it's the only way to really avoid HCAI. I didn't delve too deeply into HCAI in large part because I really don't want to know. There's enough horror in life these days without adding to it with a million "what ifs". 

The Graceview Patient sneaks up on you. You'll probably start out bored (as I certainly was) and, before you know it, you're canceling your next doctor's appointment because…you know, you're really not as sick as you thought you were. It does a psychological number on you, maybe permanently. You'll never look at health, hospitals, or experimental trials the same way again, let alone what constitutes sentience, what should be allowed to live and thrive… While this recommendation comes with quite a few disclaimers, if you like horror--especially the real-life-this-could-actually-happen!!! kind--you won't want to miss this one. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, October 24, 2025

An Author's Legacy by Karen S. Wiesner

 

An Author's Legacy

by Karen S. Wiesner

 

While writing the final review for a subseries in Robin Hobb's The Realm of the Elderlings (to be posted on Alien Romances Blog in the future), I came across an interesting thing on Hobb's website blog posted August 21, 2025 concerning WorldCon Seattle 2025. The author commented on SFF Addicts Podcast's (rude) question posed to author (and Hobb's good friend) George R.R. Martin about what would become of his work upon his death. Hobb herself gave her answer to such a question about her own legacy as: "Upon my death or me being admitted to memory care, my very loyal daughters will torch any and all papers on my desk and filing cabinets. All files saved to the cloud will be deleted and accounts closed. Hard drives will be removed from computers and destroyed or wiped. When I go, all my imaginary friends will go along with me. As they should."

 

My opinion, which mirrors both Hobb's and Martin's, is that if I can't get the actual author's version of any sequel to their series, I don't want it. Nor will I waste my time reading anything else as a substitute. If either author passes detailed notes on to another, trusted author to finish their legacy, then, yes, of course, I'd read them. Otherwise, no. Just no.

 

Not surprisingly, readers had mixed reactions to Hobb's and Martin's answers. Many said of Hobb's that, if her daughters really were loyal, they would save it all (implying the only right thing to do is to give it to the world). I don't believe that's the case at all. The only loyal thing Hobb's daughters will be able to do is to follow their mother's orders. Maybe, but just maybe, they can retain their own copies for themselves (destroying them before their own deaths), but only if their mother expressly allows it.

 

This is a task no author can safely forgo while they yet live. Only now can we have our say about our writing legacy. When authors are no longer anything more than names on a family tree to those who come after us, our wishes will no longer matter. It's better to take unwanted possibilities off the table while all this is still within our control.

 

Authors, I beseech you, make your wishes known to those who come after you--write it all down, preferably in explicit and complete detail, then talk to your family and to the ones who'll control your writing legacy once you're gone.

 

Don't assume your family would know what you want or that what they want is the same as what you want. I had a recent discussion with my husband about some aspects of all this and found out that he believed the exact opposite as I do--he thinks all written works should immediately pass into the public domain upon an author's death. I was horrified. That was the opposite of what I wanted. I want a trusted next of kin to hold onto my very considerable legacy (with 156 books, several writing columns, countless articles, etc.) as long as it's possible, not just thoughtlessly give it all away.

 

Needless to say, it's a very good thing we had this discussion and also very good that I've written down my wishes exactly for what I do want for the future of my written work. Having those deep, maybe uncomfortable discussions as well as establishing firmly for those that follow what you want to see happen with your own work isn't merely an option. It's critical. You're never too young or old to undertake this. Tomorrow isn't certain; the next hour isn't certain. Do it now! You can't finish what you don't start, and you can do it a little over time. Just do it. What happens when you're gone should be your decision. Just remember, once it's over, it's forever out of your hands.

 

For me, the thought of anyone other than a first-generation family member (who knows and fully understands what I intended) writing anything for my series, characters, or settings would make me turn over in my grave. And, yes, I've already done this myself. Okay, full-disclosure, I've committed to file and paper thousands of pages of information, master copies of my published work, instructions, etc. and this to the largest, commercially available binder as well as onto mega-large flash drives. All of this contains my wishes for the body of written work that is my legacy. These have been prepared for those who will handle said body of work when I'm gone. Additionally, I've spoken at length to the two I've chosen for this task. All this has been a massive project I've worked on for the last couple years.

 

As my publisher and I are wrapping up the editing of my last projects before I retire from fiction and nonfiction reference writing, I'm completing the last of my legacy instructions and storing master files, etc. as we finish them. I've already also begun to undertake children's book illustration and various other art projects, authoring and designing Christian devotionals, as well as composing my own songs, which will be the exciting second chapter of my career. Honestly, I wouldn’t feel comforting going into any of that without first doing the critical work of setting down my writing legacy wishes. This next phase of my life promises to be filled with wondrous new endeavors to keep my mind and body active in my "Golden Years". I know I'll rest easier, knowing I've done all the work of leaving behind my written legacy as I see fit. Be sure to check out my website and the blog there to remain in the loop of all I'm doing: https://karenwiesner.weebly.com/.

 

 

In the meantime, another sentimental milestone in my writing career has been marked. The publication of my final adult fiction novel, Bad Blood, Book 11, the epic conclusion of my Bloodmoon Cove Spirits Series, has recently been released. This paranormal fantasy series was one of my favorites to write. Find out more here:

https://karenwiesner.weebly.com/bloodmoon-cove-spirits-series.html

https://writers-exchange.com/bad-blood/



"BAD BLOOD weaves together people and episodes from previous novels in the series to create a satisfying culmination for the Bloodmoon Cove story cycle. Sympathetic protagonists and secondary characters face dire threats in a conflict whose outcome will change the town and the tribe forever, whether for better or worse. The overarching series theme of the past elders’ disastrous rupture of a portal between this world and the spirit realm at last reaches its resolution. The climactic battle is entirely worth the wait. Especially effective is the way the author blends mundane, wholly realistic problems and tensions with mythic motifs. This is a can’t-miss experience, as readers will rejoice in witnessing some characters attain well-deserved happiness." ~author Margaret L. Carter

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Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.