Oldies But Goodies {Put This One on Your TBR List} Book Review: The Time Machine by H. G. Wells by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Time Machine by H. G. Wells

by Karen S. Wiesner

 

Be aware that there may be spoilers in this review. 

The Time Machine by H. G. Wells was published in 1895 and is another story by this prolific author that's brilliantly passed the test of time. This forerunner of time-traveling fiction is as amazing now as it was in its own time period. A previous short story by Wells (1888's "The Chronic Argonauts", published in his college newspaper) was the foundation for the novella. 

I resisted reading The Time Machine for a long time because, as I said in my previous review of Timeline by Michael Crichton, I'm not a fan of time-travel fiction, which tends to be convoluted and dependent on too many elements having to converge at exactly the right moment or it simply won't work. In the case of 99% of these types of stories, I find the odds simply too astronomical for me to believe it's possible. And yet in every one of these stories, it does work. Impossibly. And, for the most part, stupidly. So I resisted this pivotal example of one of (the only two, in my opinion) the finest pieces of time-travel fiction available for a long time. Once I finally caved in and read it, it was nothing like I expected with elements of time-travel, yes, but also of horror and adventure, with a post-apocalyptic slant. 

Set in Victorian England (a time period I adore), a gentleman, scientist, and inventor identified only as the Time Traveller journeys into the far future and meets a small, "intellectually degraded", humanoid group called Eloi who live on the surface of the planet along with savage and simian Morlocks, underground darkness dwellers who only emerge at night to capture the Eloi. 

In the  story, the protagonist travels through time for a bit of adventure and goes right back out into other time periods using his machine after returning to tell his friends the tale of the Eloi and Morlocks. There is no deeper reason for his endeavors in creating and using this machine, but many since The Time Machine's publication have attempted to provide answers and justifications and sequels to this very brief story. I must say that I did actually enjoy the 2002 film version with Guy Pearce that gives the Time Traveller a deeply emotional reason for why he (a university professor and inventor) developed a time machine, as well as a name--Dr. Alexander Hartdegen. Follow-ups to the original story do hold appeal, but be sure not to miss the novella that started it all. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Mount Dragon by Douglas Preston and Lincoln Child by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Mount Dragon by Douglas Preston and Lincoln Child

by Karen S. Wiesner 

  

Be aware that there may be spoilers in this review. 

Mount Dragon by authors Douglas Preston and Lincoln Child was published in 1996, their second collaboration. In the vein of Michael Crichton, this technothriller takes existing technology and extrapolates all the horrible places it could go if left unchecked in the hands of madmen. 

Two researchers, Guy and Susana are employed by GeneDyne Corporation, stationed at the Mount Dragon facility in New Mexico, and a hormone that's been engineered to prevent the flu goes horribly wrong. The virulent disease that results and spreads rampantly, not surprisingly, could have been prevented. Guy and Susana discover that their predecessor was driven mad by his work on the virus. Other so-called accidents have also occurred and been hushed up in the time since. Only they can stop a planet-wide epidemic from leaving Mount Dragon, but those who own GeneDyne will stop at nothing to continue their experiments. Note that the authors include on their website a final chapter to Mount Dragon that didn't make it into the book. 

The inspiration for the story was best described in an interview posted on the authors' website, in which they talked about "genetically-engineered tomatoes, or milk produced from cows that have been given growth hormones... ...things like that are just the tip of the iceberg. ...Imagine 'improving' something like cholera or plague so that it's even more deadly. Or...tweaking diseases so they home in on the hereditary differences of certain groups of people. It's a truly, truly scary thought." 

Something I love is that these two authors are always trying to make connections between all their books, regardless of whether they're standalone or series titles. The hacker Mime in Mount Dragon also appears in the Pendergast Series and devices created by GeneDyne are also mentioned there. 

If you like nail-breaking suspense stories with intriguing characters set in memorable places, this one has all the ingredients to satisfying your cravings. Personally, I can't get enough of books like these, whether they're written by Michael Crichton, Robin Cook, Andy Weir, Tom Clancy, Dan Brown, or these two guys Preston and Child separately or together. If you feel the same, this is one to put on your list of must-reads. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Dragon Teeth by Michael Crichton by Karen S. Wiesner

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Dragon Teeth by Michael Crichton

by Karen S. Wiesner  

 

Be aware that there may be spoilers in this review. 

Dragon Teeth was published in 2017, nine years after the author's death, although it was a book Michael Crichton actually wrote in 1974. It's touted as a historical fiction forerunner to his mega-successful Jurassic Park. Right upfront, I'll state as I did about my review for State of Fear by Crichton a few weeks ago that Dragon Teeth really doesn't have anything to do with aliens in any form, despite that the author is known for including elements of that type in his work and despite the title and really cool cover for this. However, in the vein that sometimes books about the future of humanity as well as historical accounts of it, albeit fictionalized, sometimes do seem very outlandish to modern readers can Dragon Teeth be considered alien. 

Set in 1876's Bone Wars (otherwise known as the Great Dinosaur Rush), when fossil hunting was at the height of competition, this story follows two fictional students of paleontology engaged in a heated rivalry that strains the boundaries of everything legal and moral--similar to real-life paleontologists during that time period, Othniel Charles Marsh and Edward Drinker Cope. William Johnson is a Yale student, his rival Marlin. During a fossil hunting expedition in the Badlands, things go from bad to worse, just as one can expect in the Wild West (and yes, Wyatt Earp and Wild Bill Hickok do make appearances). 

There were rumors of National Geographic adapting the novel into a TV series that follows the notoriety of Cope and Marsh's intense rivalry during a time of fossil discovery and speculation. I'm not sure if anything ever happened with it, but it would be interesting for those who want to find out more about how fossil hunting first began in America. 

While this story is good and has all the elements of suspense, fantastic characters, and a historical-event studded setting and plot, I'm not a huge fan of Westerns and this book is, at its heart, the best kind of Western. I read and mildly enjoyed it for what it was. Those with an interest in that genre or who want to know more about early paleontology won't be disappointed. 

I can't help wondering why the author wrote this whole book during the time he was probably also working on other early action/adventure novels like The Terminal Man and The Great Train Robbery. Why did he never go back to Dragon Teeth, never try to get it published, as he surely could have during the height of his popularity? Did he find it lacking as several reviewers did following its posthumous release? Any answer I can come up leads me to also question what the author would have thought about this work he abandoned being published at all. But I guess that doesn't matter now, even if it should. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Micro by Michael Crichton and Richard Preston by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Micro by Michael Crichton and Richard Preston

by Karen S. Wiesner

 This is the 100th book I've reviewed for Alien Romances Blog!!!

 

Be aware that there may be spoilers in this review. 

Micro was published in 2011, three years after Michael Crichton's death. The technothriller manuscript was found on the author's computer untitled and unfinished with notes and research for completing it. The publisher chose author Richard Preston (a writer for The New Yorker who was also a bestselling science author) to finish it. In interviews before his death, Crichton spoke of working on a project that was an adventure story like Jurassic Park and would be "informative" but fun and would include information "about how our environment really is structured". 

The story opens with three men found dead in a locked office building in Hawaii. There are no signs of a struggle beyond razor-sharp cuts that cover their bodies and a tiny, bladed robot that's all but invisible to the naked eye. The action moves to Oahu, where new drug applications are being founded with a groundbreaking "biological prospecting" technology. From there, the most brilliant microbiology graduate students are being recruited by Nanigen MicroTechnologies and herded off to a mysterious lab in the Aloha State. They're promised they'll be helping usher in a whole new scientific frontier. Instead, they're dropped into a hostile environment that requires their knowledge to not only navigate but to survive. 

I was wary about reading this book, as I couldn't imagine it'd be as good as something the author had produced every year or so for more than four decades, and there were shades of Honey, I Shrunk the Kids hilarity…only on a much {cough} bigger scale. But I was definitely surprised by how much I enjoyed the book. It was every bit as fun and illuminating as the original author intended. Everything that should be in it is there. I heard there was talk of Dreamworks making a movie version of it, but I'm not sure if that ever happened. 

Whether or not you've read this story before, you might want to consider it if you're looking for a fast-paced, deep and well developed tale from a master of the fantastic and, you know, someone else who took what Crichton started and was able to seamlessly complete it. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Next by Michael Crichton by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Next by Michael Crichton

by Karen S. Wiesner 

 

 

Be aware that there may be spoilers in this review. 

Next was a 2006 technothriller fiction novel, the very last published in author Michael Crichton's lifetime. When explaining how he got the idea, he spoke of the issue of nature/nurture and how our genetic material interacts with the environment. As such, he included transgenic (an organism with genetic material that's been altered via genetic engineering) characters--in the form of a chimp-boy named Dave and a parrot with human genes called Gerard--navigating a world overrun with greed and not always legal, let alone, moral agendas. 

In at least one back cover blurb I read for this book, it says: "We live in a time of momentous scientific leaps, a time when it's possible to sell our eggs and sperm online for thousands of dollars and test our spouses for genetic maladies. We live in a time when one-fifth of all our genes are owned by someone else--and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes…" 

Crichton has the power to terrify in just this short paragraph, and I remember reading Next for the first time, wondering how real any of it was, or if it's actually possible that, like one of the characters in this book who has an aggressive form of cancer, someone could unwittingly find his disease and treatment becoming little more than a pretext for genetic research being done in a shrouded background. The hospital university of this character's own physician has sold the rights to his cells, and a judge goes on to rule that they were "waste" that was lawful for the college to dispose of in whatever manner it saw fit. In another case, the lawyers for a genetic engineering company claim they have the right under United States law to all of an existing patient's cells and thus the right to gather replacement cells at any time, by force if necessary, and that's not all--they can also take them from any of the patient's descendants. 

So much in this story feels too realistic and terrifying to read with ease and freedom. The tension starts right from the very first page and doesn't let up often, if at all. The cast, especially those in the transgenic characters' families, are so well fleshed out, readers will be racing alongside them through a whirlwind plot filled with terror, hoping they're victorious in escaping capture by those who consider themselves owners of human, genetics, and genetically engineered property. We want to see these heroes securing their individual rights, just as we want to maintain our own. But that outcome is in constant doubt fictionally, and potentially even realistically. 

There's no way to elude the haunting qualities of this gripping, thought-provoking novel. The story might have been ripped from current headlines. It seems foolish to even consider that simply because we go to experts who can help make us medically well, we're giving away things for all time that no one but we ourselves and those we specifically designate should be allowed to rule over. But, all too easily, something like it may happen sooner or later. 

I was reminded of two quotes from another favorite book of mine, The Island of Dr. Moreau by H.G. Wells, after I finished reading Next for the first time:

"Before, they had been beasts, their instincts fitly adapted to their surroundings, and happy as living things may be. Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence, begun in an agony, was one long internal struggle, one long dread..."  

"I do not expect that the terror of that island will ever altogether leave me. At most times it lies far in the back of my mind, a mere distant cloud, a memory, and a faint distrust; but there are times when the little cloud spreads until it obscures the whole sky. Then I look about at my fellow-men; and I go in fear..."

Whether or not you've read this story before, you might want to consider it if you're looking for a fast-paced, deep and well developed tale from a master of the fantastic. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: State of Fear by Michael Crichton by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: State of Fear by Michael Crichton

by Karen S. Wiesner  

 

Be aware that there may be spoilers in this review. 

State of Fear was a 2004 technothriller fiction novel written by Michael Crichton that I found utterly authentic each time I've read it. I'll state upfront that there really isn't anything "alien" about this book. No strange beasties or supernatural elements anywhere, beyond extrapolation of current events pushed to the extreme edge toward one possible conclusion. I chose to cover it here because the series of Michael Crichton reviews I've been rolling out for more than a month now and will continue for a few more weeks simply wouldn't be complete without this book included. 

Also, let's dispense with the climate controversy surrounding this particular title right from the off. The author included at the back of the book not only graphs and footnotes, an appendix, but also a 20-page bibliography containing a list of 172 books and journal articles presented "to assist those readers who would like to review my thinking and arrive at their own conclusions". In all this, the author supported his own highly-controversial beliefs about global warming. A host of so-called experts in numerous fields disputed his views, and he fought back with a statement on his website (which you can read here: https://www.michaelcrichton.com/works/state-of-fear-authors-message/). Crichton has also stated that he didn't want to write the book. He was encouraged to do it, tried to ignore the idea, felt like a coward, worried he'd be killed for going ahead and writing it, and, against all logic, he ended up doing it anyway. 

I think everyone needs to be reminded from the beginning of this review that this book is a work of fiction, one grounded in the very realistic science that Crichton was famous for delving into and finding the "potentially terrifying underbelly" beneath. 

That said, I don't have anything nearing an educated opinion about climate change or global warming. (I, in fact, doubt there's a single person alive who actually does. It would take great arrogance and audacity to believe anyone could know much, if anything, about an ancient planet that's been in existence long before any of us appeared on it.) I only know that I believe each and every one of us is a steward and caretaker of Earth by default, given that we were all born here. As such, we need to take care of it and do our parts in protecting our portion of it in whatever ways we can. I'll say no more about this subject than that. 

State of Fear runs the gamut of settings--from Ireland's glaciers to Antarctica's volcanoes, to Arizona desert and Solomon Islands' jungle, the streets of Paris and the beaches of Los Angeles. You won't be bored on the setting front. Each of these locations is described brilliantly, and the characters involved are finely drawn with a lawyer for a rich philanthropist, Peter Evans, leading the extremely large cast. Evans manages contributions to the fictional National Environmental Resource Fund (NERF). Misused funds are noted, and it comes to light that international law enforcement agencies are following the trail of an eco-terrorist faction with the acronym of ELF, a fictional group that's modeled after the existing Earth Liberation Front. This particular group is so fanatical about convincing the world that global warming exists, they're willing to simulate natural disasters, killing countless, in order to get their message across. Surrounding the controversy is the planning of a NERF-sponsored climate conference. Evans, along with a host of others, intends to stop ELF from causing a tsunami to inundate everyone and everything on California's coastline. 

The only reason I can see anyone not liking this book is because they've forgotten it's written in Crichton's usual modus operandi of fiction with "the absolute ring of truth" (stated by Larry Nation, American Association of Petroleum Geologists (AAPG), after the author received their 2006 Journalism Award, which has since been renamed the "Geosciences in the Media" Award, for the research he did for State of Fear). This story has everything a reader could want in a tightly-written thriller. It's sad when fiction has to be saddled with overwhelming and usually toxic political agendas. 

Whether or not you've read this story before, you might want to consider it if you're looking for a fast-paced, deep and well developed tale from a master. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Prey by Michael Crichton by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Prey by Michael Crichton

by Karen S. Wiesner 

 

Be aware that there may be spoilers in this review. 

Published in 2002, Prey is the technothriller result of author Michael Crichton's interest in extrapolating where three current trends of the time might go, including distributed programming, biotechnology, and nanotechnology (a concept proposed in 1959 by theoretical physicist Richard Feynman). 

The story opens in a Nevada desert where a secret facility has been built. The scientists there have undertaken an experiment using predatory micro-robots they've constructed. These creatures have the potential to evolve…and they've escaped. 

Main character Jack Forman is an unemployed software programmer and a stay at home dad while his wife Julia in an executive for a nanorobotics company called Xymos. Her team's development of a revolutionary imaging technology takes up most of her time, and Jack finds himself worried she's having an affair. When Julie shows him a video of what she's been working on, he's impressed but uneasy about the ramifications it could have. 

As the story progresses, Julia's behavior becomes increasingly strange and abusive toward her family, culminating in a car crash. Compelled to investigate what was going on with his wife of late, Jack is led straight to Xymos. The project manager admits to him that they've lost control of the micro-bot swarms that can replicate humans and they've escaped to the outside world. With Jack's help, the team has to figure out how to destroy something that only cares about survival at any cost and sees us as little more than its prey. 

As is so often the case with this author, Prey is a cautionary one. One reviewer for The Observer pointed out that in this novel Crichton does what he does best--probing the latest scientific advances and showing "their potentially terrifying underbelly". Even critics who found the story absurd confessed to being unable to stop turning the pages feverishly. This story has all the elements of great horror. It's grounded in believable science, populated with multi-faceted characters in an intriguing setting, and filled with all the suspense the best thriller novels have in abundance.

Rights to a movie version of the story were purchased but thus far it hasn't been made that I know of--a shame because this would make a great film. 

Whether or not you've read this story before, you might want to consider it if you're looking for a fast-paced, deep and well developed tale from a master of the fantastic. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/ 

Oldies But Goodies {Put This One on Your TBR List} Book Review: Congo by Michael Crichton by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Congo by Michael Crichton

by Karen S. Wiesner 

 

Be aware that there may be spoilers in this review. 

In 1980, Crichton wrote another scary book about ancient creatures inhabiting a forgotten world in the dense tropical rainforest of the Congo. The novel Congo starts when an expedition sent there in search of diamond deposits by Earth Resource Technology Services, Inc. (ERTS) is attacked and killed by unknown beats that look like gray gorillas. Instead of diamonds, this team apparently found the (fictional) lost city of Zinj.

Led by the independent and compelling Karen Ross, another expedition is launched to discover the truth. This time, they decide to bring along a female mountain gorilla named Amy, trained to use sign language, and her trainer Peter Elliot, hoping Amy will be able to communicate with the creatures. Ironically, after the book was published, reviewers found Amy's abilities too incredible to believe. Yet Crichton modeled his fictional gorilla after Koko, who'd been on the cover of National Geographic twice at that point and had done interviews on television using sign language. Apparently, she wasn't famous enough at that point to be a realistic example. Go figure.

I found everything about this novel binge-worthy and convincing. The characters, including lovely, funny Amy, were utterly beguiling, smart, and interesting. I truly enjoyed their journey from start to finish, rooting for them in the face of rival competitors also searching and set against a ticking clock--with a nearby volcano threatening to blow and bury the intriguing find under lava and ash for all time.

A bit of an aside, but while researching this review, I discovered that Crichton apparently pitched the idea of producing a "modern-day version of King Solomon's Mines" to a major film company, who bough the rights long before the book was written. Not surprisingly, the author found himself suffering from writer's block in the face of pressure no doubt instigated by the astronomical advance he was given to produce a novel, screenplay, and secure directing rights. Fortunately, he finished the book, which quickly became a bestseller. A year later, he started writing the screenplay, hoping Sean Connery (who starred in Crichton's The Great Train Robbery) would fill the lead role. The film was released in 1995 with neither Crichton or Connery involved. While enjoying a successful box office performance, the film version was ridiculed most notably with Golden Raspberry Award nominations for Worst Picture. While I found the film decent and worth watching, I strongly recommend that you don't judge the book by this movie. The story version itself is not to be missed.

Whether or not you've read or watched this story before, you might want to consider it if you're looking for a fast-paced, deep and well developed tale of the fantastical variety. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

 

 

Oldies But Goodies {Put This One on Your TBR List} Book Review: The Ice Limit and Beyond the Ice Limit by Douglas Preston and Lincoln Child by Karen S. Wiesner

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Ice Limit and Beyond the Ice Limit by Douglas Preston and Lincoln Child

by Karen S. Wiesner  

   

Be aware that there may be spoilers in this review. 

Before collaborating authors Douglas Preston and Lincoln Child conceived of the character Gideon Crew in 2011, there was a single-title, standalone book called The Ice Limit, published in 2000. In this book, a massive meteorite, maybe the largest ever discovered, is found near an island on Cape Horn, part of West Antarctic claimed by Chile. A billionaire, Palmer Lloyd, wants it for his rare and exotic archaeological artifact museum. To that end, he hires Effective Engineering Solutions, Inc., a not quite legal, "problem solving" firm headed by Eli Glinn, who eventually hires Gideon Crew first a freelancer and then full-time in the Gideon Crew Series. EES is tasked with recovering and transporting the meteorite, traveling undercover in what appears to be a rusty freighter to steal it from Chile. Eventually, it's discovered that this meteorite is in the range of 25,000 tons (more than double the weight that it was initially anticipated) and that it must have come from outside the solar system. And it may not be at all what they originally thought it was. 

The cast of characters involved in this harrowing endeavor were some of the most interesting I've encountered in a technothriller where plot tends to be so prominent, external conflict all but overshadows those populating the world the action takes place, so that deep internal conflicts may be neglected entirely. That was not the case here, although there were simply too many characters to name in this short review. Suffice it to say that nearly all of them played decently-developed roles in the events within this book. 

As long as this story was (464 pages in the hardcover), reading it was so compulsive, it didn't feel anywhere near its size. I binge-read it not long after it was first published, unable to put it down over the course of a matter of days. That said, I was devastated when I reached the end because it felt like the story was far from finished. The cliffhanger it ended on was frustrating because, at the time this book was published, there was no sequel in sight. Apparently, I wasn't the only one who felt disgruntled. While I didn't realize it at the time I read The Ice Limit, the authors posted a number of fictional newspaper and magazine articles as kind of an epilogue to the story to provide more closure. Naturally, these did nothing for me, since I didn't know they existed, but for years I felt locked into the disappointment of how the book ended. The authors moved on to other books, other series, but somehow they circled back arou

nd to this story--this time within a series they'd begun featuring Gideon Crew, who'd been hired by the EES Corporation in The Ice Limit. Beyond the Ice Limit became Book 4 in that series, published in 2016. Some websites include The Ice Limit as the prequel to that series, though Gideon Crew wasn't really in the original book.

 

In the sequel, the seed of an alien lifeform that had started sprouting thanks to the endeavors of the retrieval crew at the end of The Ice Limit has become a massive structure that's destroying the Earth. Gideon Crew (a master thief and nuclear physicist) is hired to take down this unnatural enemy before that happens. He's promised that this will be the last project before EES is permanently closed, however I see a new book, The Pharaoh Key, was published for that series in 2018 so promise obviously broken. 

While I enjoyed this story immensely, my attempts to read the other Gideon Crew novels didn't go far, maybe in part because I attempted to read them out of order. Whatever the reason, I didn't feel a draw toward the stories or the characters in the one other book in that series I tried to read, though Gideon Crew is much better fleshed out than a lot of action thriller protagonists are. I may attempt to read that series again in the future. In any case, Beyond the Ice Limit is just as exciting and page-turning as its predecessor. I couldn't put it down within the couple days it took to devour it anymore this time than I'd been able to last time. 

Something I love to see as a reader and an author is how the authors have created a shared world connecting many of their novels that cross between their series or standalone novels. For The Ice Limit, at least a few characters moved into the Gideon Crew Series with the sequel Beyond the Ice Limit. Bill Smithback, Jr., a reporter also did that in the Pendergast and Nora Kelly series'. Additionally, in the third Pendergast book, The Cabinet of Curiosities, Palmer Lloyd's museum proposal is mentioned. In Dance of Death and the sequel The Book of the Dead, Eli Glinn appears as a supporting character. 

The Ice Limit and Beyond the Ice Limit are good, old-fashioned horror fests with all the hair-raising developments and excitement you want in a top-notch thriller. I must add that, within a Pendergast novel, Dance of Death, the sixth in that series, a reference is made to a third book for The Ice Limit with what they call there Ice Limit III: Return to Cape Horn. Here's to hoping another sequel is on the way eventually! 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Oldies But Goodies {Put This One on Your TBR List} Book Review: Relic and Reliquary by Douglas Preston and Lincoln Child by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Relic and Reliquary by Douglas Preston and Lincoln Child

by Karen S. Wiesner

  

Be aware that there may be spoilers in this review. 

Relic (which is the original title the authors prefer, not the 1997 movie title of "The" Relic which actually did make it to several versions of the book) was written by Douglas Preston and Lincoln Child and was published in 1995 as the debut collaboration by two authors who write separate masterpieces on their own. The authors' website includes information about how they met--via the museum Preston worked and Child, an editor at St. Martin's Press, was so fascinated by that he commissioned a book about its history. They've included very interesting histories and stories behind all of their works on their website https://www.prestonchild.com/ which is definitely worth a look. The sequel, Reliquary, was published in 1997. Classified as horror technothrillers, a genre creation that's predominately credited to Michael Crichton, reviews actually likened the premiere book to a story where a dinosaur-like creature gets loose in a museum. Simply defined, it is that, and very enjoyably so. 

In Relic, an expedition in the Amazon Basin searching for a lost tribe goes horribly wrong (as they so often do), and years later the relics discovered on that journey, along with the journal of the leader, eventually find their way to their intended destination--the fictional American Museum of Natural History in New York City. The setting of the first two books of what later became The Pendergast Series is very nearly the star of this show. As someone who was actually involved in the inner workings of a museum similar to the one portrayed in the books, Preston's early connection lent credulity, insight, and wonder to these two stories. Readers are treated to the labyrinthine corridors and showcases that fill the stories with tantalizing displays that can alternately seem informative in the daytime and horrifying in the night, along with long forgotten treasures from other, lesser explored worlds in secured vaults. 

Additionally, inner workings of the politics and personnel within this structure are intriguing. Naturally, once the bizarre killings begin, centered in the museum, readers can't be sure of what's actually happening, given that there are plenty of real-life bad guys in this setting without having to resort to otherworldly monsters. But, lucky for all us horror fans, there actually is an ancient beast plucked from a shrouded world roaming the maze of hallways, secret rooms, and the long-deserted basement and sub-basement connected below the museum. 

The museum has been planning to unveil the ill-gotten findings from the expedition that causes all the tragedy in both Relic and Reliquary in a massively funded exhibition. The murders threaten to shut it down before launch, which would be financially catastrophic for the museum. As a lover of all types of these, the museum itself was one of the things I loved most about these two books. There's a whole world there that could be explored indefinitely. Inject horror into the equation, and I'm utterly beguiled. 

The murders in the museum are investigated by NYPD Lieutenant Vincent D'Agosta until the FBI gets involved. Initially, Special Agent Aloysius Pendergast takes over, having an interest to the similar pattern of these murders to others he's seen before, elsewhere. Before long, he's replaced by another agent, Coffey, who's a complete and utter idiot. He makes a series of bad choices that very nearly leads to disaster for the entire city. If not for a select few, all would be lost. These heroes save the day, though not permanently, as the story continues into a sequel in which they discover that the horror and murders associated with the museum aren't over after all. 

In terms of plot, action, and suspense, these two books have an absolute playground of all. Like Dan Brown books, the external conflicts in the works of not only the collaborating authors but their individually written titles as well are filled with seemingly unending mystery and thrills--a dark side to natural science and history. You read these books for the nonstop twists and turns, and you're never disappointed by what you're given in that vein. In Brown's stories in particular, I feel that the action is relentless and exhausting, and I've been known to fall asleep in the middle of them--solely because the author doesn't provide enough, if any, downtime. In Preston and Child's books, it isn't quite that extreme, but the plot-heavy stories tend to run in that direction more often than not. Characters and readers alike desperately need downtimes in order to catch their breath so they can continue engaging in fast-paced stories like these. That's where I'm convinced these authors fall just a little bit short (Brown mostly, not as much with the others mentioned).

Additionally, deep characterization in books of these types is generally poor. In Relic and Reliquary, most of the characters are only mildly compelling. Almost entirely because they showed up the most, the ones that made at least vague impressions are D'Agosta; Special Agent Pendergast; Margo Green, a graduate student at the museum, and Dr. Frock, her advisor and a department head there; along with Bill Smithback, Jr., a journalist who's been hired by the museum to writing a book about the upcoming exhibition. Smithback and Pendergast make appearances in a variety of the collaborative authors' works, not always in the same series. For instance, Smithback returns in the Nora Kelly (a renowned archaeologist Smithback eventually marries) Series, as well as more than a few of the Pendergast Series books. His tragic history is chronicled on the following website, https://prestonchild.fandom.com/wiki/Bill_Smithback, for those who are curious about him, but be aware that his character was cut from the movie version of Relic, which is kind of inconceivable to me, if for no other reason but that he was a great comic relief (and the favorite of the authors themselves). To give you an example, during one tense moment where the museum beast is wreaking havoc in another area of the exhibition, Smithback has free access to the tantalizingly fine spread the museum has laid out for those who show up for their new exhibit. He gorges himself without inhibition. Okay, so it's in poor taste (excuse the pun), given the extenuating circumstances, but it was also just the comic relief needed in this situation. Of all the characters included in these two books, Smithback was the one who received most of the fleshing out, and I enjoyed several of his other appearances in the two authors' other works as well. 

On the subject of characterization, in my point of view, whipsaw thrillers that are more focused on plot tend to have the characters necessary manufactured on the fly within the story. They fill the roles they're intended to occupy for the moment, then they disappear altogether or, rarely, make minor returns to the story in random other scenes. Relic and Reliquary are very nearly smothered under the weight of so many point of view characters that enter the story only to die or pass almost unceremoniously out of the book in the same scene. It's very hard to choose who was actually the main character in either of these books--I suppose D'Agosta, Margo, or Smithback come the closest but I wouldn't say that definitively. For each, we learn a few things that were probably listed on a characterization worksheet about them, little or nothing personal that doesn’t pertain to the immediate story, and any internal conflict is almost always directly related to the external conflict. As two examples of that: 

In Relic, D'Agosta relates something about his own son in direct correspondence with the horrific murder of two children at the beginning. We learn precious little beyond that of the police detective's personal life.

Also in Relic, Margo Green's father supposedly just died. At no point in either books are we privy to feelings of loss or grief in this character about that fact (and that was what it felt like--a mere factoid). Little more is said except Margo's single thought about really, really not wanting to go home to take over the family business legacy her father's death leaves to her. 

I guess the best that can be said in books of these types is that characters are meant to serve a purpose. No more. No less. And that's the end of that. But I admittedly prefer much deeper characterization than providing a convenient face to hang the external conflicts in the story on. 

Another character I feel I have to mention because he got a whole book series devoted to him from these two authors is Pendergast. Back in 2016, a potential TV adaptation featuring Pendergast was being tossed around but it was announced early in 2017 that it'd been canceled. I will note here that his character was combined with that of D'Agosta's in the movie version and was completely written out of the story. Further irony is that he spawned a series of more than twenty books, and yet the authors initially found him to be "a pompous windbag, pontificating to Margo about 'compartmentalization of labor' and 'extended similes'." I actually liked him in Relic and Reliquary, but when I tried to follow him into his own series with The Cabinet of Curiosities (published in 2001), where he became more of what readers could expect of him as the main character of the series, I found it much harder to get into the stories. I did read several of them and intend to try again reading all of them. Let's see how far I get this time and whether I'll feel compelled to write reviews of them. 

Other than the superficial characterization you can expect in these two books (and many of their others), there's a lot to love in Relic and Reliquary, especially if you're looking for edge-of-your-seat beastie scares set in a wonderfully creepy environment. I also recommend the movie. 

Next week, I'll review another Oldie But Goodie you might find worth another read, too. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Theme-Plot Integration Part 12 - Tom Clancy Action-Romance Formula

Theme-Plot Integration Part 12 - Tom Clancy Action-Romance Formula
by
Jacqueline Lichtenberg

---------Just a quick commercial first ----

Learn about weaponry to be included in the story-driven, cross platform, science fiction RPG Ambrov-X, taking my Sime~Gen Universe ahead into the Space Age.  Click this link to see an image.



http://www.ambrovx.com/article-01-blasters.html#heading

You can sign up for the Newsletter on that page, or just "Like" the Facebook page:
https://www.facebook.com/ambrovx

News is posted on Facebook every week, and there will be more news in September.


Meanwhile, it's very instructive to watch how a project like this game (which incorporates many aspects of film writing) is created. I expect it will have nuances of Action-Romance, but keep in mind, as one of the authors of the novels (with Jean Lorrah), I have little to do with the real work.  Others are playing in my universe -- eerie feeling!

----------end commercial-------------

Previous entries in the Theme-Plot Integration series:
http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-10-use-of.html

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-9-use-of-co.html

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-8-use-of-co.html

http://aliendjinnromances.blogspot.com/2013/05/index-to-theme-plot-integration.html

http://aliendjinnromances.blogspot.com/2013/07/theme-plot-integration-part-11-correct.html

So I re-watched the famous Harrison Ford movie based on the Tom Clancy novel, PATRIOT GAMES.



That's free to Amazon Prime customers, so go watch it.

There's a principle in skills acquisition as old as the Hippocratic Oath: "See One; Do One; Teach One" -- but works the other way around, too, Teach, Do, then SEE!!! 

When you've attempted to teach something, then after that DONE it again yourself, suddenly you SEE things you'd never seen before, or had seen but not understood exactly.

Here's what I learned from an old movie.

There is a whole NOVEL tucked up between the scenes of a Movie!

And in fact, that's actually how life works.  There are lots and lots of things going on between the things that happen, and when you assemble all the details of your life, you can find a pattern.

There's research that shows that people see patterns where there are none -- that randomized dots are assembled into patterns by the human brain just because we are pattern seekers.  We are emotionally invested in, and predisposed by survival lessons, to seek meaning in things, even where there is no meaning.

In other words, we impose meaningfulness on randomness because we prefer meaning.

With that clue in mind, a writer can arrange the PLOT EVENTS of a story (or more likely re-arrange them, during a heavy re-writing session) into a PATTERN that will convey a different meaning to each reader/viewer.

Or think of it this way.  We use fiction to project our inner preferences for meaning (theme = meaning; the moral of the story) onto what seem to be events in a "real" life.

Tom Clancy novels sold like crazy and all got made into top drawer, big budget, feature films because he found a way to arrange the events in his stories that allowed the books to be made into films, and even more people saw the films than read the books.

His method is an old, tried and true, tread-worn method that even you can learn and use, and if you do use it, you will eventually be stunned by seeing it in other people's works.

It works for readers and viewers because it does replicate real life.  See my posts on Astrology, especially the ones involving PLUTO TRANSITS.  Pluto transits are drama, and the events of Patriot Games are arranged to replicate Pluto transits.

http://aliendjinnromances.blogspot.com/2010/03/pausing-for-you-to-catch-up-with-me_30.html

METHOD: "rising action" is the technical name for this pattern.  Each bit of "Action/Violence" is bigger, louder, more personal or intimate than the last, all the way to the Resolution/Climax action.

In Patriot Games, it starts with Witnessing a drive-by assassination attempt. 

Then the principle action/hero (Harrison Ford, who else?) takes a hand in preventing the assassination.  But this first violent event is a Co-incidence.

 (see the correct use of co-incidence discussion

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-9-use-of-co.html

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-10-use-of.html

The loving couple with one child on vacation in London just HAPPENS to be on ground-zero of an attempted royal family assassination by the IRA. 

You can kick off a plot with a co-incidence, but you can't resolve it with a co-incidence.

So this first meeting of the two elements that will conflict to generate the plot is a co-incidence.

However, the THEME is revealed as we discover why this co-incidence is somehow providential or karmic.  Paul Ryan (Ford's character) is a teacher now, but he was a CIA analyst.  He retired, and is glad to be shut of the CIA.  He's happy and wants to get on with living a normal life.

But, as he says later, he just got MAD, angry -- field operatives aren't supposed to do that.  Bad form.  But he got mad, and dove into a situation he didn't comprehend.  He tackled one of the assassins, grabbed his gun and shot another assassin dead.  One got away in a getaway car driven by a long-haired redheaded woman.  The police rushing into the scene seeing Paul Ryan with a gun in his hand and a guy dead make the obvious assumption.

The royals in the car (there was also a bomb that blew up one car) obviously come down on Ryan's side of the story. 

SKIP.

At the trial, we find out that Ryan is getting a Knighthood out of his rescue.  And we find out that the guy who got put away in jail is the brother of the guy he killed.  These are tough-guys.  Ryan knows he's not shut of them. 

But he takes his family home, and goes on with his teaching life until, on TV, he sees that the guy who got put away in jail has escaped from a transport (we see first hand the tough-guys breaking the brother out of the transport Van and executing the escort - flames and blood.)

FOREBODING -- but SKIP. 

Going home from work, the IRA guys attack him, but he gets away after a fist fight.  He twigs to the danger his wife and child must be in, and frantically drives across town to catch up to them.

BUT - Paul Ryan is caught in traffic when a plume of smoke goes up in front of him.  HE KNOWS -- but he's at a distance from that action, after his minor, personal skirmish.  We saw the violence -- he didn't.

SKIP - wife and child in hospital -- skipping through most of the worry-scenes that most writers would make a novel out of.

OK, that's the last straw.  He goes back to his CIA job as an analyst working on catching these guys.

He twigs to the red-headed getaway driver woman being the key to catching these people.

STATE OF THE ART (at that time) gadgets and orbital photos let him launch a commando attack on a LIBYA training camp (Syria is mentioned - you should watch this movie and remember those years).

They get all but one of the bad guys.

The Royals that Ryan saved get invited to his house for a party celebrating his daughter getting out of the hospital.  HIGH POINT emotionally, all's good.  (Clancy signature for the turn into Act 3)

There's a rat in the house, and an attack from outside takes out all the security guards accompanying the royals while a murder happens inside the house. 

Paul Ryan's MONSTER IN THE HOUSE climax (see the SAVE THE CAT! books for the genre "Monster In The House") -- it's the hair-raising personal-space invasion element -- note how this movie goes from the distance of something happening to someone else that the hero voluntarily involves himself in all the way to his own house being invaded.  Clancy's formula is to start at a distance and approach the personal. 

But this isn't horror.  Ryan is an action/hero protecting those he LOVES.

The romance is happening outside the action here -- he was "courting" his wife in London, there's a scene where she tells him she's pregnant just before the attack that puts her in the hospital but she doesn't lose the baby, she hated the CIA gig and won't stay with him if he goes back, he goes back, NOW when the bastards invade her house she tells her husband/lover who has wooed her back into love that he should do anything he has to to get those bastards, and he does exactly that.

In the best action-romance the romance is the action.  Here they are separate but entwined, which is a Clancy formula.  The Romance is the sub-plot that adds emotional dimension and makes the bad guys misdeeds "personal" bringing out the heroism.

So the final action sequence is all about sneaking around a dark coastal mansion-sized house on a "dark and stormy night" -- climbing up into the attic and out a window and down sloping roofs, running for your life from a monster in the house. 

Meanwhile, the royal is trapped in the cellar and fighting more bad guys.

Paul Ryan fakes a getaway in one of the two (nice white against the dark waves) boats brought by the assault-group's, and the bad guys chase him as he drives the boat out alone, his family "safe" on shore. 

The bad guys Group is after the royal, to kidnap and hold for ransom, but the brother of the guy Ryan killed is after Ryan.  After a fight, Ryan kills the bad guy.

POETIC JUSTICE

Remember we looked at dramatic use for Poetic Justice here:

http://aliendjinnromances.blogspot.com/2011/11/poetic-justice-in-paranormal-romance_22.html

In the hand-to-hand fight on one boat (which is on fire), the bad guy attacks Ryan with a zig-zag bladed boat implement, probably an anchor.  Ryan knocks it out of his hands.  They fight all over the burning boat, in the lightening lit rain, racing over the waves with nobody at the helm.  Then without Ryan's actually seeming to plan it, he finally hits the bad guy and the bad guy falls on the points of the anchor and is impaled -- hoist on his own petard -- poetic justice.

Meanwhile, the boat runs aground and the rescue helicopter (sent when the security guys with the royals didn't check in) spots the boat which runs aground.

SKIP

House full of police and security, with Ryan, wife and kid wrapped in a blanket -- safe.  Bad guys all gone. 


Actually, that's a great place to start a Romance since he's got to woo and win his wife all over again.  She has to come to trust that he won't do this again -- next time coincidence makes him mad.

Watch that movie again, and note the CUTS -- and what you assume is happening between scene.

On a screenwriting Group on Facebook, I was in a discussion of methods a writer uses to CUT A SCENE -- scenes should be about 3 pages max. 

This movie is a great example of how to cut scenes to size.  SKIP!!!  Let what happens between be implied, imagined. 

Remember, above I mentioned that research on how humans project patterns onto random fields of dots?
The action-scenes in this movie are 'dots' - the SKIPS spaces between.  They aren't random or intended to be random.  If you're following the story, you know what happens between a car crash and the pacing the waiting room floor in the hospital scene.  But you know all that because you expect there to be a pattern to these events, and you know the template of that pattern (ambulance, police, etc).


But none of that "stuff" is actually there on the screen.  It's the pattern you are imagining and imposing on the dots.  Likewise, the pattern of dots I've shown you here, from distant and impersonal 'action' to up-close-monster-in-the-house-very-personal 'action' -- an ordered sequence -- is imagined.

Look at the movie and see what pattern you see in those dots.  But be especially aware of the spaces between the dots.  There are whole novels tucked up in there. 

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com