Now You Tell Me....

"Now you tell me?" is a gag line, or TV trope, where someone is given a warning, but the warning is too late to be useful. It is not to be confused with a sentence beginning, "Now, you tell me..."

Today, I am not writing about commas, but about tax law as relates to overly-generous authors who go to extraordinary lengths with their marketing, such as by holding sweepstakes, lotteries, contests and the like.

Have you ever awarded a prize worth $600? Have you ever won a prize worth $600 from an author or publisher?

Apparently, if you won such a prize last year (or in a previous year) the organizer of the contest ought to have asked you to fill out a W9 form, and --before January 31st-- they ought to have sent you a Form 1099-MISC so you could declare your $600 winnings and pay taxes. Also, they would file the 1099-MISC covered with a 1096, with the IRS, by the end of February (2026). 

Lovely. Who knew? (Now you tell me?)

Well, the law has changed, and for the better. Now, you may give or receive a contest prize worth up to $1,999:00 without having to fill out forms and pay taxes.

For more details on the new prize tax rules, you could see the article written by legal bloggers

Melissa Landau Steinman, Christopher N. Moran, and Eden Caliendo of Venable LLP.

https://www.allaboutadvertisinglaw.com/2026/01/new-prize-tax-rules-raise-the-1099-threshold-for-sweepstakes-and-contests.html#page=1

Apparently, contest winners have been surprised to learn that they have to provide their social security numbers to the contest organizer.

Therefore --just a thought-- it might be a good idea for any author running a contest to include in the complete published set of Rules that any and all prizes (from the same organizer) with a value of $2,000 in total or in aggregate are contingent on the winner submitting a Form W-9.

Legal bloggers Kristin Lia and Ivana Petani of  Sideman & Bancroft have a very good article from 2024 which summarizes Sweepstakes and Contests 101, what contest organizers need to know in order to stay within the law.

https://www.sideman.com/contests-and-sweepstakes-101/

All the best,

Rowena Cherry 

SPACE SNARK™ 

https://www.spacesnark.com/ 

https://www.rowenacherry.com

Valentine's Day: Passion, Peace, and Purpose An Original Article with Artwork by Karen S. Wiesner

 

Valentine's Day: Passion, Peace, and Purpose

by Karen S. Wiesner

Copyright @ Karen Wiesner 

Clematis Vine on Trellis Sketch Rendered in B&W with Minimal Colored Pencil 

  

It's hard to celebrate Valentine's Day when you consider the fractured state of the world. When you look around, you don't have to search to find the bad. It's always there, everywhere your eyes land. It calls attention to itself. It vies for our attention like a proud toddler parading around his newly completed artwork. Negativity wants to steal every part of our focus and schemes to infect and bring us down, preventing positive change from taking root and spreading hope. Bad news will find you every second of every minute of every single day. It's everywhere, determined to suffocate you and steal all the joy out of your life. This is the case, without fail, and forever. You don't have to take a single step to find negativity or bad news because it will find you first. You can't hide from it, no matter how much you might want to. 

The good stuff, the good news, exists in this world, but it's much harder to see, let alone find. You actually have to go looking for it and even then it wouldn't be easy to locate. It's rare you'll ever find it. You have to make a dedicated effort to seek for it, long and hard and with everything in your being. Often, it's like cutting against the grain to even make this effort.

Here's the truly amazing part, though: You don't have to go searching far and wide for the good in life and things that feed your passion. In life's often times' contradictory and ironic serendipity, the things that bring true, inner peace and purpose are already inside you.  These things are made up of who you are and what you already love. 

Sometimes we feel so lost, we don't know how to tap into our passion, peace, and purpose, in part because they require you to look within instead of without (infinitely harder for most people), and they demand your devotion--both your time and your energy, which can be in short supply when there are so many other things vying for both. It'll take strong will, but if you can free up for yourself just fifteen (even five, if that's all you can spare) minutes of every day to draw out the passion that gives you joy and imparts, alongside it, peace and purpose, you'll see the entire world from a different perspective. Don't let anything distract you for those five to fifteen minutes. Shut out the world. Analyze yourself and the things you love, the things you're drawn to, the passions that bring out the very best of you. 

You probably won't need money to bring out that passion because, always, these kinds of things come from within. (I believe they're instilled inside us at conception.) I can't imagine you won't recognize it because you'll come to life and light up from within when you identify your passion--it's the missing piece that is you. This is your happy place, and here you belong; here (together with this piece/peace), you become what you're meant to be. 

Be aware that what you're searching for probably isn't larger-than life, nor is it an ethereal or even an ephemeral thing that wins you fame and fortune. It may not even be a single thing. It could be and probably is more than one, each fitting together and allowing you to find peace in a chaotic world and giving you the motivation to pursue it each and every day. It's the quiet passion deep within your soul that says, "This is where I want to be. Where I'm me. Where I'm happiest. Where I'm whole. Where I can do the most good for myself and others." For some, that's immersing the self in nature and the quieter, more solitary aspects of the earth. For others, it's in books or art or learning. Still others only find peace when they empty the self and give to those in need. 

Whatever your passion is, that's where your main focus should be. Think about this: If you spend your entire life fixated on the sad state of the world, all the negativity and bad in it, and on a volatile future churning out doom and gloom left and right, the present will pass you by and you'll miss everything that could have been worthwhile. Cut out what brings you down wherever and whenever you can without isolating yourself completely from it. (Hermits rarely make the world better for themselves or anyone else.) 

It requires willpower to live in the present and make something good out whatever's before you in the place you're occupying, in this time you're given. If you find the things that feed your passion, you'll experience both peace and a sense of purpose. You'll be doing something that gives you hope and roots and a place to exist that feels safer than anything the world can ever provide. When those things occupy your time and energy, you can let go of all the things that you have no control over in this world. You'll find both a will and a way to reconcile with them because you're doing your part in bringing something worthwhile into being.

Your life and the way you live it can bring inspiration, illumination, and motivation to everyone around you--even without you doing anything except pursuing what you love, and spending your energy and focus on them instead of on all the negative stuff. Trust me, the world does not need or even care about your attention, as hard as it clamors to steal every ounce of it, nor will it ever reward you the way inner passion, peace, and purpose do and will--without restraint and perpetually if you remain dedicated to cultivating it. 

In truth, I don't think most of us even need to hunt for our passion, peace, and purpose. You know what yours are. What you may lack and are probably looking for is the time to immerse yourself in them. By committing yourself to just five to fifteen minutes of every day without distraction to pursue at least one of these things, you live in the present and invest in the future. Don't let anyone or anything take those minutes away from you. If you've only just started on a passion you've wanted to devote more time and energy to, what small goals can you set to see it come to fruition? Take a lesson from a gardener: Most of the work happens in advance of the season we're looking forward to. We plant bulbs in the fall in hopes they'll come up and bloom in the spring or summer. If we didn't plant and prepare in the present, nothing can happen in the future. 

This Valentine's Day, think about your passions and how they can bring you peace and purpose today and throughout your lifetime. Start in the present, planting seeds for the future. If, as I have been for the past few years, you're aching for a return to things that motivate you to be your best self instead of leeching the life out of you, sit down and draw up a table of your passions. What three things most define who you are and what you love to do? Below each passion, include how those passions present themselves in your favored activities. My own trinity of passions looks something like this: 

Passion #1:  Writing	Passion #2:  Art	Passion #3:  Music
Devotionals	Sketching and illustrating (colored pencils, painting, etc.)	Listening to
Articles/essays	Gardening	Playing piano and singing
Reviews	Simple living, going back to the basics, and making everything homemade--including food, decorations, greeting cards, and gifts for loved ones	Songwriting and composing

I want to do so much more of all of these things in the future. While I'm retiring from writing fiction (as soon as I can manage it--other than children's stories), I will never stop writing. I feel like I've just started with the last two--these little seedlings are just sprouting. There are so many angles to pursue, my days and energy are bursting with them. All of it makes me eager for the future when I can hopefully see them bloom and blossom. 

Once you've established a routine, let your passion grow. Take more time for these things and give them the majority of your focus because they're the important things in life, the tasks that you'll feel good about in the end because they'll shape you and touch the lives of everyone around you. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her here: https://karenwiesner.weebly.com/

https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Living Without Brains

An immature sea squirt is mobile and has a brain of sorts, but when it grows to maturity, it attaches itself to a rock and settles down for the rest of its life. With no further need for a higher nervous system -- the adult stage consists of "not much more than a mouth (branchial siphon), a stomach, and an exit tube (atrial siphon)" and "is a hermaphrodite, with one testis and one ovary" -- it eats, or more accurately absorbs, its "notochord, tail, sense organs and nervous system":

Why the Sea Squirt Eats Its Brains Out

Scientists tell us evolution has no "goal." Evolutionary "success" equals how many copies of itself a gene can generate. In the words of Heinlein's Lazarus Long, a zygote is a gamete's device for making more gametes (an update of the homespun saying, "A hen is an egg's way of making more eggs").

And if evolution had a goal, it wouldn't be brains. Those organs require a lot of energy to produce and maintain. Why bother growing one, especially a large one, if you don't need it?

Because of our relatively huge brains and the things we've used them to create, Homo sapiens tends to regard ourselves as Earth's dominant species. Alien explorers studying our planet, though, might decide it's ruled by bacteria, which vastly outnumber us and have existed a lot longer. In fact, there are slightly more bacterial cells than human cells in our bodies. The alien biologists might think we function mainly as hosts for microbial life.

Limiting observation to multicellular organisms, extraterrestrial observers could make a case for Earth's being ruled by grass. According to an AI answer to my question about grasslands, they occupy "roughly 15.8 to 21.6 million square miles, covering about 31% to 43% of the Earth's land surface." Moreover, grasses obviously keep human beings as slaves. We feed them, encourage them to reproduce, and protect them from predators. Millions of miles of grasses such as wheat exist and thrive thanks to our labors.

Why would a species need a brain when it can entice us big-brained, mobile, technology-using creatures to serve it?

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Anthropomorphism In Advertising

Have you noticed that some advertisers use words without apparently knowing the meaning of the words?

"A beast lurks..." they say. Then, they show the "one ton rowdy ribeye" smashing drywall, scattering paperwork, bucking and kicking, and altogether acting like the proverbial bull in a china shop.

"Lurking" means lying in wait, in ambush, barely discernible.

"Noggins" rhymes with Goggins, but it should not mean both the head and the mind in the same paragraph. The etymological origin of "noggin" is a small cup, so it is more likely to refer to the brain pan (the container of the brain) than to the grey matter. 

Where "noggin" might refer to brains, it would be synecdoche, where a part represents the whole, such as, if one were to say that a person is "fond of the bottle", one actually means the person is fond of the alcoholic contents of the bottle; or, if one wants "all hands on deck", one does not want an Addams Family  "Thing" (the disembodied hand), one wants all crew members with all their parts and faculties.

Can a weed be "relentless"? If plants can relent, or not relent, that would imply that plants are sentient, having free will and rationality. In which case, is it moral to kill or vilify weeds?

The "Like A Relentless Weed.." advert was probably written by someone in a hurry. In my humble opinion, pharmaceutical companies are particularly prone to employ literary saboteurs to pen their adverts.

Another purveyor of pills warns patients to tell their doctors if they find themselves suicidal before undergoing surgery with anesthesia. Possibly, a patient should advise their doctor if they feel suicidal, regardless of whether or not surgery is imminent.

There is a bit difference between "insuring" something and "ensuring" something. With the latter, one makes sure something happens. With insuring something, you provide for financial restitution if something bad happens.

Some newsrooms are not much better educated.

You cannot "perpetuate" a murder.... unless it is a symbolic one, celebrated every Sunday. On the other hand, you can perpetrate a murder, or a fraud, or any other abomination.

"Your dog deserves healthy food like you." This is my favorite. The addition of "do", as in "like you do" would have transformed the sentence. 

All the best,

Rowena Cherry 

SPACE SNARK™ 

https://www.spacesnark.com/  

https://www.rowenacherry.com

Oldies But Goodies {Put This One on Your TBR List} Book Reviews: Three Fantasy Horror Selections by T. Kingfisher by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Reviews: Three Fantasy Horror Selections by T. Kingfisher

by Karen S. Wiesner 

Beware potential spoilers! 

I read a tremendous amount of T. Kingfisher (who also writes and illustrates under her real name Ursula Vernon) books in 2025, and I've been reviewing them for my Friday column here on the blog for much of that time. Because there are so many, I've been trying to do combined evaluations of her works according to series, genre, and/or theme. This week, I'm grouping three of her stories under the category of adult fantasy horror. 

Before I start, I have to lament about the fact that library apps tend to be insufficient when it comes to following prolific authors. I have two different library apps (Libby and Hoopla) and cards from two different physical libraries, yet I find that, even with all of that, I can't get everything I'd like in order to read/listen to everything by Ursula Vernon and her alter ego T. Kingfisher. Libraries should really commit to an author--all or nothing. If I like something by an author, I want to read her entire body of work. I think most true readers feel the same. In the case of this particular author, I wasn't able to get everything via the library apps or at the actual locations themselves. I ended up purchasing new trade paperbacks of each because I couldn't get them from the library. Of Kingfisher's body of work, these are probably my least favorites. Sigh! 

After reading so many of her eclectic selections, I've deduced that this author is uniquely her own--whether she's writing adult or kids' fiction, whatever the genre she writes in. She has her own style that flouts all conventional definition, and these are no exception. I like that, but it can also be an issue when you're reading a lot of her titles at once. In some ways, it's like the fact that Julia Roberts is always Julia Roberts in all her films. As an actress, her own personality bleeds into her work so it leads to her being typecast. She's tried to get out of that by doing different genres, including several unflattering roles, but the end result, unfortunately, is that Julia Roberts is always Julia Roberts. If you like her and think she's a great actress, as I do, then that's fantastic for you and her. If you don't, then probably not so much. In the same way, T. Kingfisher/Ursula Vernon seems to me to be, basically, the main character in anything she writes. Most of the time, that works for her; rarely, it doesn't quite make it. 

Note that I'm reviewing these selections in the order I read them, not the order they were published in.  

The Hollow Places is an adult fantasy horror novel published in 2020. Kara is the main character. Newly divorced, she's invited by her uncle to live at his unusual museum featuring weird "natural wonders" while she gets her bearings. While she's there, wanting to keep busy and avoid the melancholy of her situation, she stumbles upon a mysterious portal. She and her old friend Simon from next door enter it and become trapped in a nightmare, alternate universe. 

By all definitions, this one sounds like everything I'd love in a book. Yet I didn't. The protagonist and her companion didn't seem as well fleshed out as the characters in the previous stories I'd read of this author's. Additionally, it reminded me a lot of Alice in Wonderland and Gaiman's Nevermore, both of which I want to love but ultimately just don't. Too many insane events take place in stories like these, and, in my opinion, simply don't form a cohesive whole that I can connect with. It all just strikes me as random, unappealing crazy- or silliness. For fans of Wonderland and Nevermore, I imagine this one could be an amazing, upside-down adventure. 

A House With Good Bones (clever title) is an adult horror novel with a touch of modern gothic thrown into it. It was published in 2023. The heroine Sam takes an extended vacation from work as an archaeoentomologist (she studies insects and arthropods recovered from archaeological sites) because her brother is worried about their mother. Sam quickly realizes he was right to be concerned. Her mother seems different. While investigating why, sometimes with the help of her mother's handyman, Sam stumbles onto a lot of family secrets and peculiarities within the house and outside, in the rose garden. As usual in these kinds of stories, sometimes it's better to leave the past buried. After all, curiosity always tries to kill the cat. 

I expended tremendous effort trying to get into this story. I read a plodding chapter, took a break for a few weeks, read another slow chapter, went on to something else for a very long while. At that point, I knew I was going to have to buckle down and work really hard to force myself to read it. I'd purchased the trade paperback, brand new, so I didn't want it to be for nothing. 

There were a lot of interesting parts to the story. Sam is a well-constructed character with Kingfisher's typical big personality chock full of unique humor. My problem with all of Ursula Vernon/T. Kingfisher's work is that her main characters are constantly uttering little "asides" in introspection that can take over so they're no longer amusing injections but annoying blockades to plot development. There are so many of them, it became like I was reading someone's stream of consciousness journals! Each one is a detour from the main story, and that can get boring and overwhelming when trying to get into a particular story. 

Combine that problem with the fact that this story was such a slow burner. Having read The Hollow Places first, I got an inkling of where the faults in this particular genre were for the author, but here I was really slapped in the face. My crux issue is that the author seems to have a problem developing horror. Every time things got scary, it was as if she herself jumped onto the page and jarred us out of the story with off-putting and off-piste commentary that detracted from the action. It really broke up the tension and left me deflated and disappointed. I read horror because I want to be scared out of my pants. I want to chew my nails. Why would an author pop that balloon of rising terror when it's the whole purpose? 

As contradictory as this is going to sound, I did end up liking A House With Good Bones. You know, despite itself. It was an unusual story with creepy roses and bugs and a compelling twist on the obvious villain. In general, I liked the main character, but the over-excess of personality did get overwhelming sometimes. I wish it hadn't been so hard to get into, such a challenge to make it all the way through. But I was glad to have read it despite its slow and uneven pacing and the author self-sabotaging when it came to developing the horror. If you can stick with it, as I forcefully did, I think you'll be glad you did. 

The Twisted Ones is an adult horror novel published in 2019. While between editing jobs, Melissa, aka Mouse, accompanied by her loyal, sweet but dopey coon dog Bongo, ends up clearing out her so-not-beloved grandmother's house crammed with everything imaginable hoarded over the course of a lifetime. Early on, she finds her step-grandfather's journal and begins to be pulled into the crazy world he lived in in his final years. Local folklore combined with the old man's rantings about incoherent dreams of the woods and its bizarre, creepy creatures mingled with her own intrigue with the journal could lead her down a path there can be no return from. The local neighbors are certainly colorful and full of not-quite helpful information and support.

As in the previous two stories, we have what I believe is T. Kingfisher's fictional counterpart playing the starring role with the specific details like job, friends, and names, etc. being slightly changed up. Again, we have a male "protector" who doesn't quite live up to the role of hero, doesn't become a love interest, doesn't actually feel all that necessary to the story one way or the other. Instead, a new friend takes on the role--foolishly and unbelievably--of accompanying the heroine when she has to go against all sense and reason to confront the evil stalking her. Once more, there are way too many asides distracting from the plot, and the author defuses all the tension every single time before it really comes to a head. 

It was so hard to get into the story in the first place, and sticking with it was a daily struggle. The Twisted Ones wanted to be scary but it wasn't. Instead, it was just weird--probably as weird as her inspiration for it (mentioned in the Author's Note), apparently an Arthur Machen found manuscript called "The White People" that was published in 1904. I haven't even heard of it. While I'm glad I finished it because the core story was worthy, I didn't love the execution of this tale any more than I did the previous two. 

I hate to say something like this, but these three books seemed disturbingly similar as I read them. It was almost as if they were one book and the author just swapped out miscellaneous technicalities to make them slightly different. A House With Good Bones and The Twisted Ones, in particular, felt way too much alike. At least initially, the "Scooby Doo" lovable dog made this one much easier to read because at least the main character wasn't just talking to herself. Now she was directing her nervous tension onto her pet, which made everything a lot more palatable. I also wasn't a huge fan of the "past story told in journal entries" plot advancement. I won't lie to you--those were extremely hard to get through. In my opinion, it was a lazy way to tell the backstory, almost like those cabbagehead-isms from Star Trek, where characters are wont to say, "As you know…" before launching into important information about the plot that the viewer needs to know. 

~*~

I was looking for pee-my-pants chills from these three books, but I got novelty weirdness instead. Alas, I expect a lot of readers who like freaky, strange tales rather than true horror might like these three vastly more than I did. In general, I'd say the core narrative of each was good and pushing through to get to it was, at minimum, rewarding. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog and her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Vampire as Alien: Tanith Lee's Vampires

Renowned fantasy author Tanith Lee has written numerous vampire stories, taking different approaches to the myth in each work. To mention only a few: Her short work "Red as Blood," one of the best fairy tale retellings I've ever read, presents Snow White as a hereditary vampire and her stepmother, the queen, as a white witch trying to save the kingdom from the young princess's unnatural appetite. Lee's twisted Gothic romance DARK DANCE (1992), first novel in the Scarabae trilogy, centers on a woman victimized by a family from a blood-drinking species. The hyper-sexual hero, a parody of the dark, Byronic vampire aristocrat, wants her only as a breeding vessel. "Bite-Me-Not or, Fleur de Feu" portrays a very different kind of love story set in a world where a tribe of winged vampires besieges a castle, and every facet of the inhabitants' lives is shaped by fear of the monsters. The captured and imprisoned vampire, although apparently intelligent, can't speak, and he looks and acts so inhuman as to be more like an exotic animal than a person. Yet a serving maid in the castle becomes fascinated by him, helps him escape, and runs away with him She sees him through the lens of the courtly love romances she has heard, while he thinks of her as a sort of pet.

Lee creates another kind of alien vampire in the science fiction novel SABELLA OR THE BLOOD STONE (1980). (Warning: Major spoilers.) The narrator grows up thinking herself human but aberrant. As a Terran child living on an Earth-colonized world, Nova Mars, she stumbles onto ruins left by the original inhabitants. Her vampiric behavior dates from her discovery of a red jewel in the ruins. After years of drinking blood and sometimes killing, she meets a man she cannot and does not need to kill. Jace, brother of one of her victims, reveals to Sabella that she is actually an alien who, years in the past, took over the dying child Sabella's body and memories. Yet, because all the girl's thoughts and feelings live in this new form, the vampire, in a sense, is also truly Sabella. Jace reassures her that, while neither alien nor human, she is in some way both. Thanks to him, she learns to live without killing and to accept her past without self-destructive guilt. Jace reveals that he, too, found the ruins in childhood and became absorbed into an alien being. He alone can safely nourish her, for they evolved that relationship in their former life as members of the extinct species. Sabella speculates on how this relationship might have worked in the ancient past, when Nova Mars was an inhabited but dying planet: "Of the little water and little food there was, one would eat and drink, and when he was strong, the other would take from him the vital element which food and drink had made -- his blood....A system that requires a careful pairing, a creation of partners, who could permit in love what could never be permitted in hate or greed." Learning this symbiotic relationship, learning to share in love rather than seize in greed, Sabella avoids succumbing to despair.

Her solution to the quandary of being a bloodsucking monster depends on her union with Jace, the one living person who can serve as her symbiont. Also, their relationship requires her to let Jace dominate her, at least temporarily, until with his help she will learn "a discipline beyond myself." This male dominance isn't meant to be permanent, though. By way of balance, Sabella foresees a future in which she will decide when and where to procreate the children who will revive their species. She also conceives an ecological vision of a new era when her offspring may revitalize, even resurrect the desert planet. She grows into one of many fictional vampires who discover the value of symbiosis rather than destruction of their prey.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

February 9th Deadline

For published, pirated authors who may be a class member in the Anthropic Copyright Settlement, February 9th, 2026, is a new, court-extended deadline.

The revised deadlines are:

• February 9, 2026 – Opt out of the Settlement or file an objection
• March 9, 2026 – Request re-inclusion (if you previously opted out)
• March 30, 2026 – Submit a claim for payment

There is no deadline for the fourth option, which is to do nothing.

Moreover, if you already submitted a claim or an opt-out request, you don’t need to resubmit it. If you are relying on a publisher to submit a claim on your work (and later share the payout with you), or if you are relying on a defunct publisher to NOT submit a claim on your work you should check out the settlement website.

The Settlement website is: https://www.anthropiccopyrightsettlement.com/

The Authors Guild website on the matter is https://authorsguild.org/news/anthropic-ai-class-action-important-information-for-authors/

A final approval hearing was set for April 23rd, 2026, but this deadline is likely to be revised.

Useful phone numbers are 1-877-206-2314 for the settlement administrator; 1-800-254-2660 for class counsel Rachel Geman and Daniel Hutchinson, and 1-310-789-3100 for Justin Nelson and Rohit Nath.

All the best,

Rowena Cherry

Oldies But Goodies {Put This One on Your TBR List} Book Review: The Far Reaches Collection (Various Authors) by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Far Reaches Collection (Various Authors)

by Karen S. Wiesner

 

https://www.amazon.com/dp/B0C4TJRRRV?ref=cm_sw_em_r_ao_rw_y8NZEpV1821Ca 

The universe is bigger than we can imagine... 

Look outward beyond the stars with six stories from bestselling visionary authors. With a sweeping sense of wonder, these stories explore the galaxy...and the horizons of humanity’s potential. 

So there's a bunch of short stories published on Amazon in ebook and audiobook (no print editions available) collections in which the basic theme is what all the entries have in common, but none of the stories are actually connected in any other way. In other words, they can be read separately and in any order. I knew James S. A. Corey (a favorite author of mine) had a story in this particular collection and later found out Veronica Roth also did. This first collection I purchased, The Far Reaches, is filled with science fiction tales--right up my alley. I initially only bought the first two stories on Kindle. I didn't realize at the time that you could get a discount for purchasing the entire collection at once. (As a collection, it's $9.94; purchased separately $11.94.) I paid somewhere around $8.38 total for all the books, including tax. I think I got some stories on sale. Amazon Prime members can get them free, you know, somehow (I'm not a member anymore). I was looking for fast, solid reads, and I think I got what I was looking for with this one. They're actually published by Amazon, which I also didn't realize right away. I'm not thrilled with that idea, but I was pleasantly surprised at the quality of the offerings. I was able to read each of them in a couple hours and at least some of them were intriguing, though, of course, several weren't my cup of tea. While I generally don't review stories I don't enjoy, I did in this case because most people will purchase the entire series, so it feels useful to me to give my opinion on all the entries, whether or not I liked them. 

Beware potential spoilers! 

 

"How It Unfolds" by James S. A. Corey (38 pages/53-minute read) 

Summary: In this short story by the author of The Expanse series, technology has been discovered in the future that allows human beings to be sent over space in a packet (much like ebooks!) to other planets already set up with what's needed to try to survive in that place. A tremendous amount of time and planning has gone into this endeavor. Once the packet is delivered where it's intended to go, the human "unfolds" (launches or materializes; is physically in this new place). This doesn't always work, but, as the packets are sent to innumerable worlds, it does occasionally; the success rate is a spectacular failure. One astronaut joins this mission with the hope that his ex-wife, also being sent across the universe in this way (a woman he loves and lost on Earth) will be able to reconcile with him in just one of these countless worlds. 

Review: This very enjoyable, clever little story is quite a feat in that, considering its compact size, it managed to be packed with everything crucial that's needed and nothing extraneous. The account of this love story searching for the right time and place to unfurl was tragically moving, beautiful, and unavoidably a little sad. 

 

"Void" by Veronica Roth (50 pages/70-minute read) 

Summary: Set aboard an intergalactic luxury cruiser that has the unfortunate name of Redundancy, Veronica Roth (Divergent series) tells a very short murder mystery story from the point of view of one of the crew members. 

Review: I was actually pleasantly surprised by this delightful little whodunit. The setting and characters captured me and made me want to know more about all. My only issue was, happily, minor: For the most part, only two dimensions were explored of the sleuthing main character Ace and only just barely enough of either. I wanted a better balance between the external and internal conflicts. The internal was definitely lacking. Brevity is, no doubt, the cause of this shortfall, but it was still an intriguing read, such as it was. 

 

"Falling Bodies" by Rebecca Roanhorse (35 pages/49-minute read) 

Summary: A juvenile delinquent is cleaned up, his appearance and identity changed, so he can be integrated back into the universe. But he's caught between two worlds in this futuristic story, and those worlds are playing a cruel tug-of-war with him. 

Review: I think the one thing everybody has too much of these days are politics. It's constantly being shoved in our faces with social media and the like, and we're being battered raw from it. This story is all about insane politics and "moral majorities". The author set up her character in a no-win situation and proceeded to make him as unlikable as she possibly could. The end result was what you'd expect, no surprise there. I guess I could have avoided the tragedy by not reading it. Too late for me. 

 

"The Long Game" by Ann Leckie (31 pages/43-minute read) 

Summary: In this futuristic story set on another planet, an octopus-like (or at least I got that impression) life-form that survives only a short time learns about life and death and how much of an impact he can make even if he has only a short space of time to do it in, something that can last long after he's gone.

Review: This short tale was both touching and inspiring. If only everyone could realize what good they can do for the present and future of our species just by putting a positive dream in motion catapulted by a little ingenuity and a lot of hard work. All lives are short but our legacies don't have to be. 

 

"Just Out of Jupiter's Reach" by Nnedi Okorafor (45 pages/63-minute read) 

Summary: In this story, the main character is one of only seven others on Earth able to connect with sentient "ship" beings that will explore the cosmos. Five years into the decade-long mission, the chosen seven end the total isolation with their individual ships in order to meet up with the others for a single week. 

Review: As much as I initially enjoyed the extravagant detail in this unusual tale, I couldn't help wondering 1) if there was a point to such fleshing out--i.e., how did it further the story purpose?, and 2) whether the author could have devoted the precious space to more important internal and external conflicts. Ultimately, I found myself disappointed by this story because of the overabundance of set-up aspects and so little to deeper main character development that would have made me not only like but also root for the main character Tornado. For example, very late in the story, we finally learn how she got her nickname. This shocking, tragic explanation from her past distanced me even further instead of drawing me in because all we'd learned thus far of this character was that she didn't like people, in general. and her own life and that of her ship were her sole focuses--a stunning reflection of today's me-focused society. Unfortunately, the potential in "Just Out of Jupiter's Reach" was greater than the actual result, in my opinion. 

 

"Slow Time Between the Stars" by John Scalzi (28 pages/39-minute read) 

Summary: An AI is set to explore to the farthest horizons of human potential and ensure humanity's legacy continues. In the process, it ponders its own purpose and responsibility to its creators. 

Review: I made the presumption that this story would have a plot…you know, in fiction, this is something that actually happens in the process of putting down words. A reader hopes something will happen in fiction, preferably something exciting; otherwise, why? But nothing really does happen in this story. The AI doesn't hate human beings so much as it simply has no love or respect for them. Nevertheless, it goes along with its programming though it's fully capable of changing it. I say it goes along with it up until it sees no reason to proceed with that (foolish) course. Centuries pass as it travels the cosmos. The last few pages tell us (instead of showing) the AI's plan to do the minimum duty to its creators and then it can do whatever it wants. And still, absolutely nothing worthwhile happens. The story ends after the AI informs the reader about what might have been the story if it'd actually been written. Warning: There's no Terminator, no A.I. Artificial Intelligence, no Blade Runner, no Ex Machina here. At this point, I would have been content with a full-on rip-off of something with an AI being trusted by humans or betraying the trust of humanity; just so long as there was a story--any story--actually being told. I guess the best I can say about this one is that at least it was the shortest in the collection. 

~*~

I suppose because I've been reading so many long series for the past year, each having at least three massive tomes, I've been feeling a strong need to find something short that takes me just a few hours to complete. This collection fit the bill if for no other reason than two out three ain't bad. I liked that these were cheap (under twelve bucks for six stories). If I'd purchased them in print, I would have paid probably two to three times more and inevitably been upset about the stories I didn't actually like. This seems like a good trade-off, though I sure hope I like all the installments in the next Amazon Originals collection. 

After I figured out Amazon has a whole slew of these usually genre-tied theme collections (visit https://www.amazon.com/b?node=17506527011&ref=AOS_footer), I purchased the entire collection of Forward (futuristic stories) at once, which I'll be reviewing next month. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Blood Hunt

Before the TV shows FOREVER KNIGHT, ANGEL, BLOOD TIES, and MOONLIGHT, before Tanya Huff's detective series on which BLOOD TIES was based, even a bit before P. N. Elrod's "Vampire Files" depression-era mystery novels, there was BLOOD HUNT (1987), by Lee Killough. It presents a fictional vampire who is a truly nice person, a type of characterization rare at the time. (There were already plenty of "good guy vampires," but few you'd consider exactly "nice.") Killough postulates that vampirism is an infectious disease caused by a virus, although in BLOOD HUNT that hypothesis is merely assumed by the vampires without being elaborated in any way. At least two factors don't seem to harmonize with the disease theory: The hero requires soil (not necessarily "native earth") to sleep on and can't enter a dwelling uninvited. In fact, he can't even fire his gun into a space where he hasn't been invited. As in most recent vampire fiction, conversion happens when the victim tastes the vampire's blood. Killough presents the gradual process of transformation from the vampire's point of view, another now familiar fictional device that was relatively uncommon at the time of this novel's publication. Garreth Mikaelian, a San Francisco police officer, investigates murders committed by a vampire, Lane Barber, who drains him to death. When he accidentally drinks some of her blood, she refrains from destroying him, because she longs for a companion. He rises as one of the undead and (like Elrod's protagonist in the later novel BLOODLIST) proceeds to investigate his own murder.

The core of BLOOD HUNT focuses on Garreth's gradual realization of and adjustment to the fact of his vampirism. He casts a reflection, in keeping with his supposedly non-supernatural nature. Sunlight causes him discomfort but does not kill him. He lives on animal blood, though it proves less than satisfying; highly ethical, he refuses to prey on people. Determined to bring Lane to justice, he traces her to her home town, where he makes a place for himself in the community -- working the night shift on the local police force (like Nick on FOREVER KNIGHT) -- while waiting for her to return. Vampire or not, Garreth remains a good cop, who adamantly resists the temptation to play vigilante. Even someone like Lane deserves due process of law. Circumstances finally free Garreth from the dilemma this philosophy imposes on him, and at the novel's end we see him as a small-town policeman who has come to terms with his new existence.

The strongest appeal of this novel, for me, is that Garreth's personality remains intact through his transformation. Again, that was still a refreshingly unusual approach in 1987. Instead of becoming a bloodthirsty demon, he stands in the far more interesting position of an ordinary man required to adjust to a new set of limits and temptations. In the sequel, BLOODLINKS (1988), Garreth is accustomed to his undead life but far from happy with it. Drawn back to San Francisco by a new string of mysterious murders, he meets the female vampire responsible for Lane's transformation and learns his friends and family can accept him even after they discover what he is. After a long hiatus, Killough published a third novel, BLOOD GAMES (2001), in which Garreth, fifteen years later, begins to face the aging of his mortal loved ones.

In the 1997 preface to BLOODWALK, an omnibus reprint of the first two books, Killough states that BLOOD HUNT was originally rejected over and over because, as a vampire novel that wasn't horror, it was therefore considered impossible to market. (Those editors must not have read Chelsea Quinn Yarbro's HOTEL TRANSYLVANIA.) How the field of vampire fiction has changed in recent decades, for the better!

Margaret L. Carter

Please explore love among the vampires at Carter's Crypt.

Oldies But Goodies {Put This One on Your TBR List} Book Review: Soldier Son Trilogy by Robin Hobb by Karen S. Wiesner

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Soldier Son Trilogy by Robin Hobb

by Karen S. Wiesner 

Be aware that there may be spoilers in this review. 

 

Robin Hobb (who also writes as Megan Lindholm) is the author of The Realm of the Elderlings, which I've been reviewing here on the Alien Romances Blog. Soldier Son Trilogy is a separate, unrelated, fantasy series set in a fictional place called the Kingdom of Gernia. Resembling the 19th century American frontier, this post-colonial secondary world has several interesting historical counterpoints. In this series, Gernia is a strange combination (to someone like me, who doesn't care for war dramas) of civilized and war-like. Having lost to a vastly superior naval force, Gernia's military moves inland, conquering the natives called Plainsmen (natives) and Specks (powerful magic users who have all but been driven out of the frontier and now only exist in the Barrier Mountains). Racial and culture tensions are in full force, as it's only been a generation or two since Gernia conquered the indigenous tribes. 

In this world, Gernia has a distinct patriarch hierarchy. Sons of nobles inherit according to their ages. The eldest assumes the father's title, a second son serves as an army officer, while the third becomes a priest, and the fourth an artist. Daughters all fill submissive roles with arranged marriages that increase social standing. The main character in these books is Nevare Burvelle, the second son of a newly promoted Lord. 

The first book, Shaman's Crossing, was published in 2005. It's focused on a soldier son, Nevare's, education. Every aspect of Nevare's life in the opening has been on his future career as a soldier. Still a teenager, Nevare's father passes him into the hands of his greatest enemy for training. His logic in doing so is to teach Nevare "things he cannot learn from a friendly tutor". During this torturous tutelage that nearly kills him, Nevare experiences a vision in which he meets Tree Woman, a Speck. His trainer urges him to kill her but instead Nevare makes a pact with her and becomes a weapon of the magic to help halt Gernia's destruction of the forest. While this encounter was deeply profound, Nevare manages to escape and resumes his life, heading to the military academy to begin formal preparation in becoming a soldier. Near the end of the book, Dark Evening, an annual carnival, brings the first Specks to Old Thares. Tree Woman influences Nevare, compelling him to use the magic she instilled in him during his first vision. This results in a widespread plague overtaking the town and those at the academy. Caught between two worlds, Nevare attempts to sever his ties to Tree Woman, realizing this one who's become his lover in the fever dreams, has enchanted him to do her bidding. 

Book 2, Forest Mage, was published in 2006. It pretty much picks up where the previous left off. The academy is recovering from the Speck plague that killed so many. The students who've survived, for the most part, have been forced to leave the academy. What's happening to Nevare is unthinkable though. The plague has done the reverse with him than with all the others. Instead of leaving him weak and thin, he's become fat and is rapidly becoming fatter. While he left Shaman's Crossing believing he'd conquered the magic and destroyed it, the opposite is the case. He's now filled with the magic and he doesn't realize the visions he's been having are actually happening to him as he gives himself over to the magic. No one in the world he's always known believes he's anything but a big, fat pig who's now unworthy to be a soldier son. His father, especially, is monstrously cruel, dismissive, and ashamed of him, eventually all but disowning him. 

It was hard not to laugh about how ridiculous this plotline was. It was like reading Dreamcatcher by Stephen King, in which flatulence became a plot device. At first, I was laughing in shock, but the farting became so absurd, it was impossible to take the book seriously. (Apparently King wrote it while under the influence of Oxytocin and now no longer cares for the book at all. I don't blame him.) While it's sad when overweight individuals are unfairly ridiculed, as if there's nothing else to them but their size, this book was an apt portrayal of superficial judgments by superficial people. So much more was going on below the surface here. However, I felt Nevare's character was rapidly revealing itself to be wishy-washy. In Book 1, he seemed loyal to the beliefs he was raised with, not merely trying to gain his father's approval. Here, he's questioning everything yet going back and forth between his world views. Other people's bad behavior (his worthless father's, for instance) more often than not turn him into a rebel who acts out simply because he wants to hurt the person who hurt him. The magic compounds this in ways he could never have anticipated and quickly regrets. This installment concluded in a way that made it clear Nevare can no longer straddle two very different worlds, as he's been trying to since the magic took him. Sooner rather than later, he'll have to make a choice.

Renegade's Magic, released in 2007, concludes the trilogy. Navare is dealing with a disjointed, dual personality when his body is taken over by a Speck spirit intent on wiping the Gernians out of all thought and mind. Navare's consciousness remains intact within the body, horrified by what his body snatcher is doing through him, but he's occasionally able to dream-walk in order to talk to his cousin, sister, and father. Eventually he realizes that the war inside him is mirrored in the war outside between the Speck people and the Gernians. If some compromise isn't made, they'll destroy each other. Long story short, Nevare undermines the Gernians' goal to clear the forest in order to build the King's road by capturing royalty's greedy interest in a gold mine instead. I thought that was fairly clever as a wrap-up to a plot that didn't seem possible to end in a happily ever after. I also felt like it spoke to real-life history, in which war may be temporarily averted by selfish greed, but inevitably violence comes back around. 

Instead of reading this trilogy, I listened to the audiobooks. I'm not sure I would have found the trilogy compelling enough, even from the first book, had I not taken this route. The last, especially, was painfully long (768 pages in the mass market paperback; 29 1/2 hours for the audio). I started skipping chapters here and there, which allowed me to get the gist of the plot development without having to be bored with the author's excruciating "glacial pace" (Publisher's Weekly). Undoubtedly, the books are extremely well-written, despite being padded with every possible, boring indulgence on Hobb's part. While Navare was a well-rounded protagonist, as were most of the other characters, I didn't feel the same connections with the characters nor were they as captivating as the Elderlings cast. Also, much of Book 1's content is focused on Navare's King's Cavalla Academy education, where Old Lords and the King's New Lords engage in society-status rivalry, which held little intrigue for a reader not enamored with war stories or rich/snobbish people who consider themselves superior to all other humans for little or no reason. The "fat, magical Navare" plot was also hard to take seriously in Book 2 but made a bit more sense in Book 3. (Note: In this book, magic uses fat as a conduit, so the more blubber, the better.) While I felt like the native people versus usurper and their progress theme was a bit heavy-handed, I found the magic aspects interesting enough to put up with three bloated volumes in order to reach a satisfying conclusion. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/