Showing posts with label anthology. Show all posts
Showing posts with label anthology. Show all posts

Thursday, January 18, 2024

WEIRD TALES Centenary Tribute

I've recently finished reading an anthology called WEIRD TALES: 100 YEARS OF WEIRD, edited by Jonathan Maberry, current editor of "The Unique Magazine." As the subtitle implies, this book was published in honor of the magazine's 2023 centennial. It hasn't operated continuously all those years, having lapsed and been revived several times, but its present incarnation claims continuity with the venerable pulp zine famed for showcasing the early works of H. P. Lovecraft and many other classic twentieth-century horror and fantasy authors. The contents of the anthology consist mainly of fiction (plus a few poems) but also several essays. One of the latter, "Swords and Sorcery: WEIRD TALES and Beyond," by Charles R. Rutledge, is a reprint from the November 2022 issue of the periodical. The others, original to this volume, explore topics such as the history of the magazine, the evolution of occult detectives, cosmic terror, shared world authorship, and some sources of Lovecraft's visionary horror.

As for the fiction, I was mildly disappointed to discover that this isn't exclusively a reprint anthology. Stories from the actual magazine are outnumbered by new ones. In addition to two pieces from twenty-first-century issues, "Up from Slavery" (2021) by Victor LaValle and "Jagannath" (2011) by Karen Tidbeck, we get eight "classic reprints." The vintage authors comprise H. P. Lovecraft, Robert E. Howard, C. L. Moore, Isaac Asimov, Ray Bradbury, Tennessee Williams (under a pen name), Richard Matheson, and Allison V. Harding. While I thought it was a bit of a cop-out to choose what's probably Lovecraft's best-known and most often reprinted tale, "The Call of Cthulhu," to represent him, several other "classic" entries may be new to many readers, as some were to me. And one can hardly complain about the original stories, given their uniformly high quality. This compilation offers abundant thrills for lovers of weird fiction, however we define the term.

Horror fans in general would enjoy the anthology, and for devotees of WEIRD TALES, it's a must-read book. The numerous illustrations and ads reprinted from the magazine practically justify the purchase price in themselves.

I count as one of my most treasured writing milestones a story published in WEIRD TALES (September-October 2003): "Manila Peril," featuring Filipino vampires in southern California.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Tuesday, June 02, 2020

How Do You Know If You've Written A Classic Part 8 - What Do Readers Do

How Do You Know If You've Written A Classic
Part 8
What Do Readers Do?


Previous parts of this series are indexed at:

https://aliendjinnromances.blogspot.com/2020/03/index-to-how-do-you-know-if-youve.html

There are moments in life when a writer is objective about their own work, really the best judge of its value.  Those moments are rare, and some people never experience one so they believe there are none.

But you don't have to attain objectivity to figure out the value of what you've written.  Of course, there's the hurdle of getting published by a publisher who has captured the market you are writing for, but after that there are still many confusing stages.

One way to know if you've hit your readership is the feedback you get from readers -- today, it's Facebook and Twitter, Instagram, Goodreads, etc.  There will be a flurry of comments, and then they die down.  You've written a good book, but just one among many that readership enjoys.

Beyond just enjoying, and commenting, what can a reader do?

Well, in the old print-on-paper-snailmail days Star Trek invented the fanzine with fiction content.  Old Science Fiction fandom had lots of fanzines, many with commentary on current and older novels -- but it was essentially a non-fiction medium.

Star Trek, a TV Series, changed that.  The first Star Trek fanzine was published by Devra Langsam, who is still Trekking today.

From there, non-canon respecting Trekzines broke new ground, invented new categories, and even established the hetero-romance category,  I think this may be the first in that category

http://www.simegen.com/fandom/startrek/showcase/

This Star Trek Romance series likewise inspired and welcomed writers other than the one who first crested it.

My own fanzine series, Kraith, had 50 creative contributors to its alternate-universe vision of Star Trek.

http://www.simegen.com/fandom/startrek/kraith/

Star Trek inspired fans who created alternate universe Star Treks,  like Sahaj Collected, and Jean Lorrah's Night of the Twin Moons, which inspired and welcomed even more writers.

Classics have usually not done that before cheap offset printing and connected groups who hold conventions and sell each other fanzines.

Sherlock Holmes fandom picked up that cue and ran with it, and now we have a multitude of professionally published Holmes novels and spin-off TV Series, too.  It's a wonderful time we live in.

When I was researching for my Bantam paperback STAR TREK LIVES! about why fans like STAR TREK, before anyone but fans knew about Trekzines, I used my own first-published hardcover novel, HOUSE OF ZEOR, ...

 ...to illustrate the point about why people like Spock.

Simultaneously, fans were writing stories in my HOUSE OF ZEOR universe, dubbed the Sime~Gen Universe by Jean Lorrah (who became my collaborator and co-owner of Sime~Gen Inc.), and fanzines were proliferating.  As the internet just barely started to become the fanzine distribution medium, we moved online, and now you can find most of that early fanfic plus a lot of written-for-the-website fiction at

http://www.simegen.com/fandom/fandom.html

Meanwhile, Jean Lorrah sold a series of novels titled SAVAGE EMPIRE, and others have written in
that universe, including one Star Trek fan with his own series about Uhura, titled Captain Uhura.

https://www.amazon.com/Savage-Empire-Book-ebook/dp/B004NSVPO0/


And many years later, many of those early Sime~Gen fanfic writers had turned professional but were still thinking and creating Sime~Gen.  So the current publisher, Wildside Press, asked for an anthology of their stories set in the Sime~Gen Universe.  It is Volume 13

So, it seems to me the signature of a "Classic" is how it inspires other creative people to create, what they create inspires more people (who might not actually know the original source material) to create and capture the imaginations of yet another generation.

In other words, a Classic propagates.

In Part 5 of this series of posts, we noted the Classic Caine Riordan Novel, Marque of Caine,
https://www.amazon.com/gp/product/B07TMN61Z9/
written by a writing student of mine, nominated for the Nebula Award in 2020.

https://aliendjinnromances.blogspot.com/2020/02/how-do-you-know-if-youve-written_25.html

The Caine Riordan series passes this "inspire readers to write" test by having inspired professional writers to create stories set in the Caine Riordan universe, carefully moderated by dedicated fans keeping all the details close to canon.

The first anthology by those writers is on Amazon
https://www.amazon.com/Lost-Signals-Charles-Gannon-ebook/dp/B07RHPYXF2/



So you know if you've written a classic by how your readers react -- often over decades as they grow up and become professional writers (in various fields).  If they create in your world, you experience a thrill of recognition you couldn't duplicate in any other way.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Thursday, May 09, 2019

Reformed Villains

I love a good "redeemed villain" story, but creating a good (i.e., plausible and emotionally engaging) one isn't easy. The chief villain of Shakespeare's AS YOU LIKE IT, Duke Frederick, undergoes a sudden conversion at the end of the play, repents of usurping his brother's dukedom, and enters the religious life. Not very believable in real-life terms, but since the change of heart occurs in a romantic comedy, we can suspend disbelief. Usually, redeeming a bad guy is more complicated. How can his or her character arc be made convincing?

A traumatic backstory that arouses audience sympathy can help. So can showing hints of goodness in the character, however tenuous (the "save the cat" moment Jacqueline often mentions). Regina, the Evil Queen in the TV series ONCE UPON A TIME, commits several murders, both by her own hands and by proxy. Her reign is characterized by tyranny and cruel atrocities. She magically curses not only Snow White but the entire realm. Flashback episodes, however, show Regina as a victim of her dictatorial mother, who slew Regina's true love and forced her to marry the king. Although kind to Snow White at first, Regina developed bitter hatred for her because young Snow's carelessness betrayed Regina's secret love and led to his death. As mayor of Storybrooke in our world, Regina adopts Henry, illegitimate son of Snow White's daughter (who initially doesn't know her own true identity—yes, this series is complicated). Regina's love for her adopted child, at first mostly—though not entirely—autocratic and self-serving, gradually develops into a deeper, unselfish affection, which plants the seeds of her repentance and desire for redemption. While I enjoyed seeing the Evil Queen grow into the heroine she becomes by the end of the series, I did, however, have trouble suspending disbelief in her redemption at times, because she commits some horrifically evil deeds in the flashbacks. But the series does show her growth toward goodness as she struggles with the terms of her redemption and her reconciliation with former enemies. For instance, whereas in her youth she pursued implacable, disproportionate revenge against Snow White for the results of Snow's childish mistake, in a later season Regina demonstrates maturity in forgiving a mistake by another character that also threatens to destroy her happiness.

Jaime Lannister in the "Game of Thrones" novels and TV series doesn't have a "save the cat" moment early in the saga. Instead, he's introduced with a "shoot the dog" moment. Caught in an incestuous act with his sister, Cersei, he pushes the witness, young Bran, out of a window, maiming him for life. This is one of several evil deeds Jaime recently mentions in rebuttal to the lady knight Brienne of Tarth when she calls him a "good man." His self-awareness about his dark past highlights the change in him over time. Among other changes, his relationship with Brienne has evolved. At first, he treated her with mocking scorn; now they are friends and lovers. Some details by which the series lays groundwork for Jaime's redemption: He slew the former king, gaining the title "Kingslayer," from sound motives, effectively saving the country from a mad tyrant, but as the nickname indicates, he's regarded negatively for this act. Most of his evil deeds are inspired by love and loyalty toward his twin sister and their mutual children. Yet when she crosses lines in ways too extreme for him to accept, he breaks with her, showing that he possesses a core of honor and decency. The audience also feels sympathy for him when his sword hand is cut off. By the current climactic season, he has demonstrated his reformation in action by offering his services to the heroes trying to overthrow Cersei.

Some fans may feel his past crimes are too serious for any credible redemption, though. What does it take to achieve a plausible reformation and redemption arc for a character guilty of egregious evil? Is there ever a "moral event horizon" that, once crossed, can never be re-crossed?

For fans of vampires, werewolves, witches, and demons, Brian M. Thomsen and Martin H. Greenberg edited an anthology on this very theme, THE REPENTANT (DAW, 2003). I reviewed it here in my "retro-review" monthly blog post series on VampChix:

VampChix

Margaret L. Carter

Carter's Crypt

Thursday, July 12, 2018

Sword and Sorceress

I'm thrilled to announce that I've had a story accepted for this fall's SWORD AND SORCERESS 33 anthology, published by the Marion Zimmer Bradley estate and edited by Elisabeth Waters and Deborah J. Ross. I submit a story most years but don't often make the final cut, so it's exciting to win a place in the book. As you may guess from the title even if you haven't read any of the previous volumes, the series comprises "sword and sorcery" fantasy with female protagonists. Here are the contents of the forthcoming anthology, which we're encouraged to share:

SWORD AND SORCERESS 33 TABLE OF CONTENTS

WRESTLING THE OCEAN by Pauline J. Alama

HAUNTED BOOK NOOK by Margaret L. Carter

THE HOOD AND THE WOOD by Lorie Calkins

SINGING TO STONE by Catherine Mintz

THE RIVER LADY’S PALE HANDS by M. P. Ericson

LIN’S HOARD by Deirdre M. Murphy

THE CITADEL IN THE ICE by Dave Smeds

ALL IN A NAME by Jessie D. Eaker

DEATH EVERLASTING by Jonathan Shipley

BALANCING ACT by Marella Sands

FIRST ACT OF SAINT BASTARD by T. R. North

THE FALLEN MAN by Deborah J. Ross

A FAMILIAR’S PREDICAMENT by Jane Lindskold

THE SECRET ARMY by Jennifer Linnea

COMING HOME TO ROOST by L. S. Patton

FROM THE MOUTHS OF SERPENTS by Evey Brett

MAGIC WORDS by Alisa Cohen

CHARMING by Melissa Mead

My tale features a ghost in the library of a magical university, with a bit of humor.

SWORD AND SORCERESS has had a complicated publishing history, perhaps symptomatic of the shifting tides of publishing in the past few decades. It began as a long-running series of mass market paperbacks from DAW Books. After DAW and SWORD AND SORCERESS parted ways following MZB's death, a lapse of a few years was followed by several volumes in trade paperback from a small press. Finally, up to the present, the annual trade paperbacks have been published by the Marion Zimmer Bradley Literary Works Trust itself.

A few years ago, the Trust also resumed producing Darkover anthologies, a project that had been dormant for a long time. Now they're publishing a new one each May, in trade paperback rather than the former mass market format.

Most of the works released by the Trust are also available as e-books. Moreover, many stories from the anthologies, plus some other short pieces by anthology contributors, are sold on Amazon as stand-alone e-books. You can find them here. (If you scroll down far enough, you'll find a selection of my short stories.):

MZB Works in Kindle

Another anthology series from the Bradley estate, now on its fourth volume, is called LACE AND BLADE. It contains swashbuckling tales of adventure with touches of magic and romance. I would characterize the first volume as "perfectly targeted to Zorro fans," although subsequent anthologies have gradually widened their scope.

You can find out about the various books and series at the link below. Also, the Trust produces some audiobooks and CDs. In short, they offer a prime example of taking advantage of the full range of available media and formats to reach fans:

Marion Zimmer Bradley Literary Works

Margaret L. Carter

Carter's Crypt

Thursday, May 05, 2016

Realms of Darkover

The latest Darkover anthology, REALMS OF DARKOVER, has been released:

Realms of Darkover

My husband, Leslie Roy Carter, and I have a co-written story in it, "A Walk in the Mountains." It features search-and-rescue and St. Bernards. I suggested the plot, he wrote the first draft, and I edited. Here's an interview with me about our contribution:

Interview on "A Walk in the Mountains"

My very first professional fiction sale, "Her Own Blood," appeared in an early Marion Zimmer Bradley anthology, FREE AMAZONS OF DARKOVER. It's a joy to be included in the "next generation" of the anthology series.

Margaret L. Carter

Carter's Crypt

Tuesday, June 30, 2015

Blurb Writing 101 - Part 1 - Study The Experts by Jacqueline Lichtenberg

Blurb Writing 101
Part 1
Study The Experts  

I put the following into a Facebook post on the Sime~Gen Group as we were wrestling with creating the back cover copy for the upcoming Sime~Gen release, an anthology of stories by 11 writers edited by 2 other writers, not Jean Lorrah or Jacqueline Lichtenberg.   

The Facebook Group is centered on the Sime~Gen novels, but that encompasses so many topics (as a "built" world, it contains everything - and we're still building), that there is hardly anything that isn't being discussed.

https://www.facebook.com/groups/SimeGen/

The video below is about the Middle East mess, but the subject of the Facebook post is the creation of a SHORT explanation of the world I have built around the Sime~Gen Characters (which just gets more complicated as Jean Lorrah adds to it all).

To accomplish the creation of this blurb, I've been trying to teach a whole profession (which I have never mastered) to a beginner who didn't realize it is an entire profession. 

The profession is called copywriting, and/or advertising copywriting, and is the skill set needed to write cover copy blurbs for novels.

The task is to write the blurb for the back of the Sime~Gen Anthology, and that blurb will go on Amazon and other e-book distributors pitch page. 

The stories span a huge swatch of the Sime~Gen Chronology
http://www.simegen.com/CHRONO1.html
and have an enormous cast of characters. 

This task requires summarizing Sime~Gen, boiling it down, making it easy to understand. 

SHORT has never-ever-never been my forte! 

Another task on our do-list requiring "short" is the creation of a YouTube Video explaining "What Is Sime~Gen." 

So I found this video on YouTube. 

CAUTION

Do not get caught up in the subject of the Middle East Mess, but focus on the technique behind making this video.

This is the sort of image-based explanation with clear narrative that you need when you create the cover copy for your novel.

As the writer, the worldbuilder, you know too much about your world -- just as you know too much about the Middle East Conflict, about Israel, Jordan, Saudi Arabia, Lebanon, Liberia, Sudan, Iran, -- the list of countries is huge!

Copywriting is indeed an entire profession -- people sit at desks, pluck a folder out of their in-box, find an assignment and after briefly scanning the essential facts, they write the cover copy, or the press release, or the packaging or pitching or whatever elevator-pitch style summary of "why you should be interested in this" message.

Copywriters get paid a lot for that skill - just not enough to afford to live in Manhattan unless they work for an ad agency on a top floor corner office.

Sime~Gen is far more complex than the Middle East!  Many copywriters have tried and failed to explain it.  The one who comes the closest works for Loreful, the company that owns the rights to the Sime~Gen videogame.

The author of a "world" has to master the boil-down technique and presentation technique you can see in this video and adapt it to their blurb problem.

This 5 minute video takes an enormously complex, sprawling, multi-layered, millions of people with trillions of opinions, and explains to "outsiders" what they are doing and why, just as if explaining the Middle East to UFO denizens from Arcturus. 

We all know more than we want to know about the Middle East criss-crossing-conflicts.  And we all harbor half a dozen or more contradictory opinions about it at once.  But who among us can visualize a graphic explanation of our own novel or series that is this succinct?

Nevermind if you think it is a correct description of the Middle East Conflict! 
SUCCINCT is what We are looking for when describing the Main Conflict of a novel or series of novels.

Here are some previous posts on conflict:

http://aliendjinnromances.blogspot.com/2013/01/theme-plot-integration-part-5-great.html

http://aliendjinnromances.blogspot.com/2014/01/theme-worldbuilding-integration-part-8.html

http://aliendjinnromances.blogspot.com/2014/09/depiction-part-2-conflict-and-resolution.html

http://aliendjinnromances.blogspot.com/2014/09/depiction-part-3-internal-conflict-by.html

Now watch this 5 minute video and imagine it is explaining the Sime Territories being forged in Killing, in Pens, in Secret Pens, in Violence, in desperation, in Zelerod's Doom to produce a situation that can pass for "peace" in the History Books.  \

Here's a handy source of Sime~Gen books in an Amazon store -- you can click through the titles to read the Amazon blurbs, many of which I wrote.

http://astore.amazon.com/simegen-20

Be sure not to focus on the content or veracity of this video's opinionated and one-sided explanation.  Re-post it on your own Facebook Wall and intro with your opinion of the content, but here focus on the technique used to distill a situation you understand into a simple, 5 minute graphic. 

Focus on how the "stock" images in the video are used to make a point, and how that one point is sifted out of the background and brought into focus then repeated. 

You know how complicated that real-world background is.  Focus on the technique required to simplify it into this video -- and on how the video was scripted and made. 

Yes, we will need 2 videos for Sime~Gen if we use this technique! One from the Sime point of view, and one from the Gen point of view!

Maybe more: from the junct point of view, from the disjunct point of view, from the non-junct point of view, from the towner point of view, from the Householder point of view, from the "converts" to Householding lifestyle point of view. 

Point of view is what makes this YouTube video SIMPLE.  Study how narrow that view is, and how sharply the point is made because of that.  You can tell easily because you will react strongly to what this video does not say. 

As in music, SILENCE is the most powerful element, the element that structures the art.  In narrative fiction, what is not said is often far more powerful than what is said.

https://youtu.be/8EDW88CBo-8

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Monday, April 05, 2010

SONGS OF LOVE & DEATH: Cover Art

The cover art is in for the much-anticipated anthology edited by the illustrious team of George R.R. Martin and Gardner Dozois. This anthology represents a mixture of SFF and Romance authors, with contributions as follows:

"Love Hurts" by Jim Butcher
"The Marrying Maid" by Jo Beverly
"Rooftops" by Carrie Vaughn
"Hurt Me" by M.L.N. Hanover
"Demon Lover" by Cecelia Holland
"The Wayfarer's Advice" by Melinda M. Snodgrass
"Blue Boots" by Robin Hobb
"The Thing About Cassandra" by Neil Gaiman
"After the Blood" by Marjorie M. Liu
"You and You Alone" by Jacqueline Carey
"His Wolf" by Lisa Tuttle
"Courting Trouble" by Linnea Sinclair
"The Demon Dancer" by Mary Jo Putney
"Under/Above the Water" by Tanith Lee
"Kashkia" by Peter S. Beagle
"Man in the Mirror" by Yasmine Galenorn
"A Leaf on the Wind of All Hallows" by Diana Gabaldon

Release date is November 16, 2010. The official Simon & Schuster page is here and you can pre-order from Borders here.

I had a terrific time writing for the project, which more than one site has noted as "ground-breaking." Those who know my writing will find "Courting Trouble" very much in the realm of my Finders Keepers in tone and tempo. I've not been able to read other offerings so I can't comment as to their storylines but the list of authors alone is fantastic. I feel blessed (and more than a tad intimidated) to be in such august company!

~Linnea

REBELS AND LOVERS, March 2010: Book 4 in the Dock Five Universe, from Bantam Books and Linnea Sinclair—www.linneasinclair.com

Her mind screamed no. Her body and heart considered what was right and rational, and pushed those all away. She held his gaze for a moment longer than was prudent. “Let me get a beer.”