Showing posts with label George R. R. Martin. Show all posts
Showing posts with label George R. R. Martin. Show all posts

Friday, April 10, 2026

Oldies But Goodies {Put This One on Your TBR List} Book Review: Songs of Love and Death Anthology Edited by George R. R. Martin and Gardner Dozois by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Songs of Love and Death Anthology

Edited by George R. R. Martin and Gardner Dozois

by Karen S. Wiesner 

  Beware spoilers! 

Songs of Love and Death, published in 2010, is another cross-genre anthology George R. R. Martin and Gardner Dozois edited and assembled together. As before, this collection with 17 short stories features authors with big names who are award-winning and undeniably gifted. While most of the stories were standalones, some were tied to larger literary worlds. I will comment that a good number of these same authors have appeared in other Martin/Dozois anthologies. I seem to recall that when I included my friends in my collaborative works, I got no end of flak for my nepotism. Apparently, it depends on how popular those doing the "hiring" are--enough, and they get pass for exhibiting favoritism. I actually don't mind too much; just commenting. In any case, the overall gist of this one is star-crossed love, whether in the realm of fantasy, history, the supernatural, or the wider galaxy. 

Similar to other Martin/Dozois anthologies, each installment was preceded by a short author biography and a bare bones introductory blurb to the story, which I found very unsatisfying. Below you'll find the installments I'm covering in this review listed in the order they appear in the original publication in one volume.                                                                   

1)              "Love Hurts" by Jim Butcher (the first story to appear in the collection): Part of The Dresden Files series with the gritty wizard PI Harry Dresden, in this tale, the author spared little or no backward glances or explanations for all that came before--maybe a blessing or a curse. I've never read anything in the series (and possibly by this author? I can't quite remember). This story has the detective and other associates investigating a trio of disturbing love crimes. The mundane chore of following the clues and trail were more than adequately covered, especially in the beginning, but in the process storytelling became seriously boring. The out-of-nowhere, twist end just barely saved it. There were moments of fun and funny, but I wasn't really pulled into the much wider body of works by either the main character or the supernatural world it's set in. I would think the point of contributing a series story to an anthology would be to get readers intrigued about that series as a whole. I don't think this did that. But if I was already a fan of the series, I'm sure I would have enjoyed this one immensely, as I would have recognized the characters and situations and so the experience would have been richer.

 

2)              "Blue Boots" by Robin Hobb (the seventh story featured in the collection): Actually, the whole reason I purchased this anthology was because I wanted to read this last story from The Realm of the Elderlings series that I hadn't yet. "Blue Boots" is a short tale connected to the series but stands on its own. Here, 17-year-old Timbal has recently lost her father to bandits who killed him and robbed everything they owned. All she has left of him are her memories and the pair of blue boots he gave her. She goes to work as a kitchen girl at a lesser keep in Buck Duchy, Timberrock Keep. Here, she falls in love in love at first sight with Azen, a minstrel who begins to sing songs of her blue boots and, in short order, woos, seduces, and, abruptly he seemingly abandons her.

This is one of these stories that I liked despite all reason. Timbal is young and stupid. Even when she's told by other maids the way of minstrels (love 'em and leave 'em) along with specifics like the fact that Azen grew up with Lady Lucent, was most certainly her lover, and may be trying to make her pregnant since the Lord of the keep is incapable of impregnating his wife, Timbal gives not a single thought to the consequences of going along with anything Azen suggests. Suddenly, she's alone, ridiculed for her foolishness by the servants around her, and she realizes what could happen to her if she ends up pregnant, forsaken, and scorned. She loses the will to live after hearing the gossip that Lady Lucent has gone off with Azen.

Over and over, it's said in the story that Timbal was 17--and that was the reason and justification for all that befalls her. But there's no way for her to claim ignorance or the recklessness of youth to excuse her behavior. How many stories and songs tell of such things, how often does anyone have to be told the ramifications of what will no doubt happen as a result of falling for someone above her station? Much like Jane Eyre (one of my all-time favorite stories), imprudence isn't ultimately rewarded with harsh reality in "Blue Boots". I cared about Timbal despite her hopeless, romantic folly, and I didn't want to see her come to a bad end. The conclusion of this story was unforgivably rushed, almost as if it didn't matter, though of course it was the whole point of even writing/reading the story! Outside of that, I enjoyed it, though a part of me does wish the author had found a less conventional resolution to this all-too-familiar, vaguely ho-hum tale.

 

3)              "Kaskia" by Peter S. Beagle (the fifteenth included in the collection): In this story of a kind of cosmic, literally-across-space-and-time dating service, a friend of Martin's brings him together with a being of unfathomable origin through a computer program when he provides a laptop just for him. Martin is in a loveless marriage, and Kaskia seems like everything he's ever wanted in a mate. While I wouldn't go so far as to say that I liked or even enjoyed this oddball tale, it did keep me interested all the way through the few pages, more to find out what could possibly happen with these "star-crossed lovers". The answer is a little disturbing--sort of like finding out that the person you've been chatting with online is a little kid. Um, eww that this was included in an anthology with supposed love stories.

 

4)              "Man in the Mirror" by Yasmine Galenorn (the sixteenth entry): Laurel has the horrifying misfortune of having been almost murdered on her wedding night by her husband Jason (think Prince Humperdinck planning his intended Buttercup's murder for their wedding night, only not so funny). Jason plans his revenge from beyond the grave by using his cousin Galen. Galen is a ghost trapped in a world where he can see the living and, once a year on Halloween, can exchange places permanently with someone if he's able to pull that person inside the mirror so he can take their place outside. Galen has been listening to the evil mutterings of his cousin about Lauren, only he finds he's been led to believe things that aren't true about her. This very short tale held me bewitched as the mildly terrifying ghost is forced to make a pivotal choice. The twist ending was a pleasant surprise.

 

5)              "A Leaf on the Wind of All Hallows" by Diana Gabaldon (the seventeenth in the collection): There's another story associated with this one written by the author called An Echo in the Bone for those who follow Gabaldon's work, and both of these are associated with her très populaire Outlander series. In this anthology entry, a very memorable pilot is determined to return home to his beloved wife and child whatever it costs to do so. I found the storytelling here off-beat and compelling, and what came about was anything but predictable. Those are the best parts, but, in all honesty, I probably would have struggled to finish this story if it was any longer. 

For those of you following my anthology reviews, if I'd edited and assembled this collection, I probably would have started with the Hobb story and ended with Galenorn (those were the two strongest, IMHO), then placed the Gabaldon in the middle as the ninth story, the Dresdon at five and the Beagle at thirteen with the rest of the stories around them. 

Songs of Love and Death inadvertently highlighted why I became disillusioned with the romance genre as a whole several years ago. More often than not, my idea of a good romantic story tends not to match what others enjoy. Too many of these stories were just disturbed. Others didn't have the space to expand the way they needed to in order to warrant feelings between the characters that, as a result, came off as superficial. Still others just didn't resonate with me the way I would have liked--probably no fault of the authors, as all the stories were certainly well-written. Maybe if I'd read them at another time, I would have had a different reaction. I guess I should have realized what I might be getting myself into in Martin's "Stories from the Spinner Rack" essay (from another of his collections with Dozois) in which he said he'd tried to read romances and never got into them. Yeah, that explains a lot here. 

Those who are fans of unconventional, even twisted tales of romance will probably enjoy this anthology much more than I did. That said, at least one or two of the inclusions should satisfy most readers. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series. Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, October 17, 2025

Oldies But Goodies {Put This One on Your TBR List} Book Review Windhaven by George R. R. Martin and Lisa Tuttle by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List} Book Review

Windhaven by George R. R. Martin and Lisa Tuttle

by Karen S. Wiesner

 

Be aware that there may be spoilers in this review. 

In an attempt to spend less money on books that so often I don't even enjoy, early in 2025, I figured out how to check out ebooks from the app my local library uses for this purpose. Using Libby for my library system, I can check out ebooks and audiobooks. Unfortunately, it's limited. A lot of the books I like to read aren't available on it. Incorporating audiobooks into my reading repertoire has been something I've been intending to do for years. I began by purchasing audio cds a few years ago, but that got expensive. The apps that offered free audiobooks are restricted. Unless you pay, your selection is little more than books in the public domain. The Libby app does have a decent amount of audiobooks available (though rarely immediately, requiring me to put holds and wait) that are more modern. I don't want to spend the money on audio cds nor audio services like Audible. So this was a valid solution. 

Windhaven was the second audiobook I checked out on the library app. It's actually a sci-fi "fix-up" novel written by Martin and Tuttle, who became friends in 1973. Initially, it was three novellas: "The Storms of Windhaven" (1975), "One-Wing" (published in two parts in 1980), and "The Fall", which was specifically written for the expanded novel. The authors did a "fix-up", providing a prologue and an epilogue, when all three parts came together in one volume.

In this novel, the inhabitants on the fictional, stormy water planet of Windhaven are descendants of human space travelers. Crash-landing on Windhaven centuries before the events in the book, they've spread out and settled on the islands around their water world. Gliding rigs were made from spaceship wreckage to allow the inhabitants of the various islands to communicate with the rest of the world's population. As seems to be the case with these things, flyers in this setting have become pretty snobby and consider themselves superior to landsmen, as evidenced by the fact that only flyer families are allowed access to the "wings". In other words, no landsperson--however talented at flying--would be legally allowed to fly "professionally". 

The main character is Maris, a young peasant girl, daughter of a fisherman, who wants more than anything else to be a flyer. When she grows up and is given access to wings through her stepfather, politics force her to give them up to her stepbrother Coll, who wants to be a singer, not a flyer. The politics of the world are set to change by these two siblings. The story details how they manage this, but the world doesn't necessarily become ideal even with changes. 

Originally, two more books were planned, but the authors moved on and they didn't happen. I'm personally glad about that. I felt like these went on long enough. I learned about the term "fix-up novel" in the course of reading Windhaven and also learned the sad and disappointing lesson that a technically near-perfect story doesn't actually make it good. Windhaven is almost flawlessly written. It has everything it needs and nothing more. However, though it included everything I might want in a novel and there was nothing at first glance wrong with it, it also didn't really inspire me. I didn't hate the characters but also can't say I loved or even cared about them all that much. Their internal and external conflicts were well constructed, though not particularly compelling or unique. Overall, I wanted to know so many richer, vibrant details about the setting that could have made the book truly riveting, and much, much more about the original humans that came to the planet. To me, that would have been a more captivating tale instead of this one. I think Windhaven is more for readers who might find an "Amelia Earhart pioneer" tribute story mashed up with a science fiction landscape engrossing. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/


Thursday, September 04, 2025

Fevre Dream

A science-fiction explanation for vampire biology. Richly detailed historical fiction set in the antebellum South. A bond of friendship developing between members of two different species. Exploration, through dramatic action and character growth, of philosophical issues surrounding good versus evil and human versus nonhuman. FEVRE DREAM (1982), by George R. R. Martin, has it all.

Yes, THAT George Martin. FEVRE DREAM is one of my all-time favorite "vampire as naturally evolved species" novels. Set in the heyday of the Mississippi steamboats, this story centers on Joshua, a vampire who, orphaned in childhood during the French Reign of Terror, grows up believing himself an aberrant human being. Eventually he realizes that he is neither human nor supernatural (religious symbols have no effect on him), but a member of a species that combines features of the legendary werewolf and vampire. He has been taught the superiority of his family over ordinary people, and he knows he must avoid daylight, but the "red thirst" -- the monthly need for blood -- comes upon him only at the age of twenty, adolescence for his kind. Having always considered himself "superior," he now decides that instead he is "something unnatural, a beast, a soulless monster." Aside from vulnerability to sunlight, Joshua leads a more or less normal life except for a few nights each month. At those times his uncontrollable bloodlust drives him to kill human victims, despite his best intentions. By the time he eventually finds members of his own species, his remorse compels him to seek an alternative to killing. He invents a potion that substitutes for blood, freeing himself and his followers from the "red thirst" or "fever" (hence the name of his steamboat, Fevre Dream). Joshua's rivals of his own kind want to continue ruthless exploitation of their prey rather than living at peace with humanity.

In addition to an early example of a "good vampire-evil vampire" conflict, FEVRE DREAM is a fascinating historical novel about the Mississippi in the mid-19th century. Joshua purchases the Fevre Dream as a refuge for himself and his few allies, and he hires steamboat veteran Abner Marsh as the riverboat's captain. Abner provides the viewpoint through which we learn about vampires. As he grows from horror at Joshua's nature to understanding that vampires, like human beings, are individuals with both good and evil traits, he serves as a representative of the reader who gradually discovers the same truths along with him. One thing I love about this novel is the depth of the relationship between the human and nonhuman heroes as they grope their way toward mutual understanding. One of my favorite lines in all of vampire fiction: When Joshua remarks that his kind have never before revealed the truth about themselves to one of the human "cattle" they feed on, Abner counters, "Well, I never lissened to no vampire before neither, so we're even. Go on. This here bull is lissenin'."

As Joshua explains to Abner, "In English, your kind might call me vampire, werewolf, witch, warlock, sorcerer, demon, ghoul...I do not like those names. I am none of them...We have no name for ourselves." In effect, his people depend for their identity on the distorted perceptions of the human prey they call "cattle." Growing up with the mistaken belief that he's human, unlike others of his kind Joshua feels guilt over killing. This emotion goads him into creating his potion and seeking a way to live without preying on human victims. The fact that his friendship with Abner is vitally important to his new way of life is demonstrated by the book's epilogue, long after the riverboat captain's death. Joshua places an elaborate tombstone on Marsh's grave and visits the site regularly for decades thereafter.

Like many "good guy vampire" novels, FEVRE DREAM uses its vampire species to present a fresh perspective on real-world racial differences and prejudices. In contrast to the difference between human and vampire, culturally imposed distinctions among human beings appear trivial. Joshua comments on the exclusion and destruction of human beings by their own kind in the name of superstition and prejudice: "I have seen your race burn old women because they were suspected of being one of us, and here in New Orleans I have witnessed the way you enslave your own kind, whip them and sell them like animals simply because of the darkness of their skin. The black people are closer to you, more kin, than ever my kind can be. You can even get children on their women, while no such interbreeding is possible between night and day." Also as in many books with similar themes, the evils committed by our kind against other people make the bloodlust of vampires seem relatively mild. Joshua highlights the horrors of war and the crimes of such notorious villains as Vlad Tepes and the woman who "whipped her maids and bled them...and rubbed the blood into her skin to preserve her beauty" -- a clear reference to Elisabeth Bathory. Most vampires, on the other hand, kill only to get blood necessary to their survival. Human criminals such as Countess Bathory commit murder because of "an evil nature," a far worse sin than acting under a biological "compulsion." There's hope for us, though. Joshua's detached view of humanity enables him to recognize the "enlightened" members of the human race, "men of science and learning" who offer the potential for acceptance and cooperation between the two species.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Thursday, August 14, 2025

The Vampire as Alien

In horror fiction and dark fantasy, we encounter two main types of scientifically explained vampires -- vampirism as an infectious disease or as a hereditary condition. In the latter case, if the vampire belongs to a naturally evolved different species or human subspecies (as opposed to, say, a mutation in one family line, although in many stories the distinction is fuzzy or left unspecified), that's what I mean by "vampire as alien." They might either originate on Earth or migrate here from another planet.

In my opinion THE VAMPIRE TAPESTRY, by Suzy McKee Charnas, is one of the best vampire novels of the twentieth century. It’s one of the earliest book-length works of fiction to explore the question, “How would nature design a vampire?” (as the vampire himself rhetorically asks in the first section of the book). The inimitable Dr. Weyland, the sole survivor of his species, so old he remembers no parents or childhood, holds an acerbic view of the human race, the “cattle” he preys on. Although he can’t digest animal blood and therefore must feed on people, to avoid unwelcome attention he usually refrains from killing or seriously harming his victims. He has great physical strength and endurance and extremely keen senses, but no overtly “supernatural” abilities such as transformation or mesmerism. THE VAMPIRE TAPESTRY chronicles a series of events that open him unwillingly to an emotional connection with some of the short-lived creatures he prowls among. He periodically renews himself by withdrawing into a state of suspended animation, to rise decades later with his clear-eyed predator’s perspective restored.

The naturally evolved vampire occasionally appeared in short stories of the classic pulp era, e.g., the vampire child of Richard Matheson’s “Dress of White Silk,” the family of “monsters” in Ray Bradbury’s “Homecoming,” the pragmatic predator in Jerome Bixby’s “Share Alike.” With the veritable explosion of vampire fiction that started in the mid-1970s, however, especially with a new emphasis on vampires as sympathetic protagonists, natural vampires proliferated at novel length.

Miriam in Whitley Strieber’s THE HUNGER, like Weyland, is the last of her species (as far as we can tell in this novel; the sequel, published years later, reveals otherwise). Unlike Weyland, she admits to being lonely, treats her human companions like pets, and tries to transform some of them into creatures like herself -- with consistently disastrous results. Elaine Bergstrom in SHATTERED GLASS introduces the Austra clan, subjects of several later novels. They can interbreed with human beings, and they have tremendous powers, including regeneration from severe injuries, telepathy, and the hypnotic compulsion common to many literary vampires. The nonhuman creatures in FEVRE DREAM, by George R. R. Martin, combine traits of the traditional vampire and werewolf, since they go into a frenzy of uncontrollable bloodlust for only a few days each month. They can’t reproduce with our kind, and their race is dying out because of the infrequency with which their females go into heat. Jacqueline Lichtenberg presents a race of extraterrestrial vampires in THOSE OF MY BLOOD. Stranded on Earth, they’ve interbred with humanity. One faction, the Tourists, regards human beings as simply prey, while the other group, the Residents, has a moral and emotional investment in the welfare of the people around them. These vampires can exert powerful influence over unsuspecting human minds. Octavia Butler introduces a child vampire whose family has been wiped out in FLEDGLING. Her vampires live in symbiosis with human companions who often fill the role of lovers as well as food source. S. M. Stirling's Shadowspawn trilogy, beginning with A TAINT IN THE BLOOD, features a human subspecies underlying all the darkest myths and legends of vampires, werewolves, incubi, ghosts, and sorcerers. It's a homage to and updating of the same concept in Jack Williamson's classic DARKER THAN YOU THINK.

In the design of a natural vampire, many questions have to be answered, leading to practically endless intriguing variations: Can they breed with human mates? Are they solitary or pack predators? Can they consume any food besides blood? If not, does the blood have to be human, or can it come from other animals? Do they have to kill when they feed? Do they have any adverse reaction to sunlight? (Daylight didn’t destroy the classic nineteenth-century vampires such as Carmilla and Dracula, nor were all folklore vampires limited to nocturnal activity.) Are they immortal or only long-lived? What can kill them? What powers do they have? Any psychic abilities?

Many other authors besides the few mentioned here have explored these possibilities. I analyze this theme in fiction from the mid-nineteenth century to the early 1990s in my nonfiction book DIFFERENT BLOOD: THE VAMPIRE AS ALIEN:

Different Blood (This mini-essay first appeared on a now-defunct blog called VampChix. I plan to continue reposting these retro-reviews of older vampire fiction here in the near future. Since they're all over ten years old, and VampChix was taken down quite a while ago, they'll probably be new to our readers.)

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Friday, May 30, 2025

Oldies But Goodies {Put This One on Your TBR List} Book Review: Warriors Anthology Edited by George R. R. Martin and Gardner Dozois by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Warriors Anthology

Edited by George R. R. Martin and Gardner Dozois

by Karen S. Wiesner 


 

This post contains my 154 review on the Alien Romances Blog! 

Warriors, published in 2010, is another cross-genre anthology George R. R. Martin and Gardner Dozois edited and assembled together. As before, this collection with 20 shorts (two of them novellas) was originally published in one large volume. Later, the stories were separated into three paperbacks, and all include Martin's introductory article titled "Stories from the Spinner Rack", which I very much enjoyed reading for its shared nostalgia (though I did wonder if the author actually tried to read a few romances or nurses novels before deciding he'd "never did get into" them). All the authors are big names, award-winning and undeniably gifted, and Warriors won the 2011 Locus Award for Best Anthology. 

While I love cross-genre fiction, there were far too many war stories in this one, which probably makes you laugh as much as it does me at this point. For the most part, I picked up this anthology for one story--the George R. R. Martin Dunk and Egg installment (the third in his A Knight of the Seven Kingdoms series). 

I guess the word "warrior" has a positive, noble context in my mind. Most of the "warriors" in this anthology, however, weren't necessarily good people in my estimation. I'd call them "rogues" (or something similar) instead. I prefer to believe the best of warriors, and, in my way of thinking, warriors tend to be ordinary joes or janes who step up and become heroes in a crisis, even if they never wanted to be that in the first or last place. 

Truthfully I was hoping there would be more fantasy, paranormal, and science fiction selections, or that those types of stories would have something more compelling than run-of-the-mill soldiers who follow orders without actually thinking for themselves, or who fight for a good cause and not simply for whatever the agenda on tap is. A few of the stories stood out in this collection--the ones I'll review here--but, with the exception of The Mystery Knight and The Scroll, even those weren't really what I was looking for. I also feel compelled to inject that one story in particular (that I'm choosing not to name here) was so disturbing, I felt dirty after I read it and I'd give anything to just blot it from my mind for the rest of time. Make of that what you will. Another was written in a way that frustrated me and put me off the story instantly. I don't know if I would have liked it if it'd been written differently or by someone else altogether. Again, since it's a subjective opinion, I won't name that particular story either. I was also sad that I didn't like one of the stories by a popular author I've been reading much more of lately and was looking forward to. 

Though similar to other Martin/Dozois anthologies, in that each story in this collection was preceded by a fairly in-depth author biography, the introductory blurbs included for each were so slim, they were all but worthless. It's difficult for me to enjoy something that I don't get an adequate summary for in advance of reading. Probably another "me" thing on that count. I was initially pretty unhappy about the lack of illuminating blurbs until after I read the stories. Then I wondered how to describe them myself. So many defied summary! 

Below you'll find the stories I'm covering in this review listed in the order they appear in the original publication in one volume. Technically, they came in 1st, 9th, 12th, 13th, 17th, 18th, 19th, and 20th. For those of you following my anthology reviews, if I'd edited and assembled this collection, I would have started with "The Scroll", ended with The Mystery Knight, and placed the rest of them in this order: Story #4, 7, 10, 12, 14, 16, and 18 instead, with the rest of the stories around them.                                                 

1)              "The King of Norway" by Cecelia Holland: Bloodthirsty Vikings, complete with violence and vows, about sums up this story. While I'm sorry to say I found it predictable, especially as the make-or-break-it first included in the collection, I did like the line "All dreams are true somehow". I spent a lot of time considering that line apart from the story, if nothing else.

 

2)              "Seven Years From Home" by Naomi Novik: This was an interesting sci-fi tale about a researcher's role in a manufactured war. I was drawn in by the theme of time not healing some wounds and about how war, "politics and the great concerns of the universe" leave one content to withdraw into a place where peace and simplicity are the rule, not the exception, as it is in reality's ever-present state of violence.

 

3)              "Out of the Dark" by David Weber: Compelling. Literally (and I mean that), humanity's only hope for survival when the Earth is invaded by canine-like aliens is the very last being one would think of in terms of providing help to mankind. All in all, kind of an insane story that makes me laugh in shock each time I think of it now.

 

4)              "The Girls From Avengers" by Carrie Vaughn: Set in 1943, a woman in WASP (Women Airforce Service Pilots) investigates the death of her friend. While I might have liked this if the subject matter and themes were more interesting to me, I will say that this story did fit the brief of fascinating, worthwhile warriors, the way most of these tales didn't (in my opinion anyway).

 

5)              "My Name is Legion" by David Morell: Set in 1941, members of the French Foreign Legion do their duty, even if it means fighting each other. While the story was generally enjoyable, I felt like I was missing something all the time I was reading. I just didn't get it, which may be more of a commentary on my dislike of war and stories containing that theme than anything actually wrong with the piece.

 

6)              "Defenders of the Frontier" by Robert Silverberg: For two decades, the troops manning a fort that was once teaming with soldiers have done their duty to their realm so completely, they've wiped out every last enemy. There are only 11 defenders left, and they've had no contact with the Empire in long enough for them to wonder if they've been forgotten. I read this in a state of horror from start to finish. These men struck me as the worst kind of monsters--the kind that doesn't even realize what they've become by blindly following orders. After submitting without question for so long, someone and something snaps. It has to. Is all shred of humanity lost at that point? The story tries to answer that question after a fashion by the way the survivors react, but I suspect that my answer to the same question would be on the opposite extreme.   

 

7)              "The Scroll" by David Ball: A French engineer and his fellow slaves under a new regime are mere pawns in a diabolical game in which the madman in charge of building a new city from the rubble follows the whims of an ancient scroll said to prophesize (and predict) what the engineer will do next. Wow, was this yet another horrifying refrain! The engineer trapped in this sad, sordid drama would do anything to stop playing the role he's been cast into. But it seems like everything he says and does, everything he doesn't say and doesn't do leads to one thing and one thing alone: Death. There's no escape. It reminded me a lot of the videogame Fable II, in which the hero is forced to go to the Spire, where the cold, calculating, nutso Commandant tries to teach submission to all the slaves. Devoid of choice or freedom, blindly following some random edict, leaves nothing but no-win situations. This was my second favorite tale in the collection, mostly because it held me so spellbound while I read it.

 

8)              The Mystery Knight (Book 3: A Knight of the Seven Kingdoms) by George R. R. Martin: This was hands-down my favorite included in the anthology. I reviewed it back on March 14, 2025 with the two previous stories in its series. 

Warriors had a theme that wasn't really geared toward someone like me, who dislikes war in nearly every context. Those who are fans of war stories and not-necessarily noble warriors will probably enjoy this anthology much more than I did.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor 

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/


Friday, March 21, 2025

{Put This One on Your TBR List} Book Reviews of George R. R. Martin's A Song of Ice and Fire and A Knight of the Seven Kingdoms, Part 2 by Karen S. Wiesner


{Put This One on Your TBR List} Book Reviews of George R. R. Martin's

A Song of Ice and Fire and A Knight of the Seven Kingdoms,

Part 2

by Karen S. Wiesner 


 

As I said last week in this two-part review, I feel bad for Martin. He went head-first into A Song of Ice and Fire and there was no stopping the epic as it grew larger and larger in many different ways, not simply from a writing standpoint but also in the market for the series as it crossed boundaries into TV and other media and merchandising. 

With series that have overarching plots like A Song of Ice and Fire does, finishing in a doable amount of time becomes a nightmare if the entire series isn't written in toto, in advance of publication. Now, obviously, even when he wasn’t as famous as he now is, Martin had a much, much larger audience than I'll ever have as an author, so I've had several luxuries in my writing he's never had. As authors, both of us realize only too well that an overarching series (as opposed to the kind of series with standalone story installments) can't be put off or set aside for too long without becoming off-track and distracted, momentum derailed, and mindset potentially being upset irrevocably to the point of feeling that, as a writer, you're trying to pound an enormous square peg into a very small round hole. In Martin's case, he's spoken of feeling like his books are delayed because he's trying to untangle "the Meereenese knot" (a reference from his own series concerning a nearly impossible act of contortion, and named after the city of Meereen in Slaver's Bay), perhaps in regard to chronology synching up with all the various plot threads. 

Authors who are in the middle of a long, popular series that has left readers dangling for countless years between installments have a tremendous amount of pressure put on them. Who's to blame for that is a combination of many influences, predominately the author's own, the publisher's, and the fans. In this case, Martin had the HBO series aspects added to his stress. However, that pinnacle of outright terror they--Martin in particular--must feel could very definitely impact the quality of writing. I would absolutely hate feeling like practically the whole world was waiting on me to deliver something. Nothing about the scenario appeals to me, though authors who have gone through this situation may have all the money and fame a writer could possibly ever wish for. Does that make the torment worthwhile? Depends on who you ask. Added to Martin's already ponderous burden is this question I imagine he faces each and every day: What if readers are disappointed when he finally provides series arc resolutions with second-to-the-last and final volumes? If there are special types of hell for writers, that's one right there, for sure.              

I've also often wondered how he deals with the fact that the HBO series is finished and he still hasn't finished the book series. The producers were forced to continue on with the conclusion without him, though he reportedly did provide input. Keep in mind, though, that, 1) The writers and developers of films and television have different audiences and opinions on viewer satisfaction than book authors do, and 2) I can't imagine a writer wanting to give away key details about an unfinished book series that may incite readers to feel they have no reason to continue following the series in literary form when he finally finishes writing it. Because the TV show supposedly screwed up the end of the series (according to critics anyway), this gives Martin a unique opportunity to offer the end of the series the way it was meant to be, especially if his rendering is mind-blowingly fantastic. Martin is just too polished and concerned with quality to provide any less than that. But it must be a concern that bugs him even when he's not aware it's there lurking like the harbinger of doom. I also wonder if he's actually watched the portions of the TV series past the point where his published book series ended. As an author, I absolutely would not have watched it or read anything about it. He's said that he doesn't read message boards anymore to prevent his writing from being influenced, so I wonder if that means he avoided watching the final seasons of the TV series, too. I'm not on social media enough to really know whether he did or not watch it or stop after a certain point. 

How a writer ties up the end of a series can either lead readers to becoming lifelong fans or dire enemies, banning that author forever. Like I said, I don't envy authors in this position, regardless of their money and fame. Maybe the challenge is part of the fun for many writers. Nevertheless, those are risks I simply never want to take as a writer because they could so easily blow up in my face. As they say, fame and infamy are two sides of a coin. 

As a writer, I tend to be adamant about being certain even before I begin work on a project that I can actually finish the series in a satisfactory way…or at all. That's for my own peace of mind as well as for my readers. With both of my overarching series writing projects, I made a point of working on the installments one right after the other. For Arrow of Time Chronicles, I completed all four volumes over the course of about 2 1/2 years. They were only published after I finished writing them. They came out one a month from January to April 2020. The three novel parts of Bridge of Fire, Book 10: Woodcutter's Grim Series were written back-to-back and published within days of each other in September 2021. A series with overarching plots absolutely requires successful release dates to keep fans invested and, let's face it, given these days of social menacing, less vicious. While, as I said, Martin probably didn't have the option or maybe even the desire to hold back this series until he'd finished writing all of them, he wouldn't have had to face the monumental pressures he is now if he'd only completed writing the series before editors, publishers, TV networks and producers, and fans got involved. I suspect a fair portion of the delay in finishing Books 6 and 7 is due to wanting to make them both absolutely perfect, far beyond what fans of the TV series are expecting or even hoping for. 

While I wait as patiently as I possibly can for further installments, I'm reading what else the author has to offer apart from A Song of Ice and Fire, mostly enjoying it, and also looking for other "Game of Thrones" connected fiction, like House of the Dragon and the Egg and Dunk adventures, which I'll review below and hopefully provide something to tide you over for The Winds of Winter. 


 

I first read "The Hedge Knight" in the Robert Silverberg edited Legends: Short Novels by the Masters of Modern Fantasy collection (1998). This story is associated with George R. R. Martin's A Song of Ice and Fire series, set in that world 90 years before the events that take place in the novels. 

It's hard to find a definitive title for the series "The Hedge Knight" is part of because, I suppose, this story was the first and therefore not well-defined at the time it was published. I saw it called Tales of Dunk and Egg, Dunk and Egg Adventures, A Knight of the Seven Kingdom, as well as simply Knight of the Seven Kingdoms. The three currently available short novels in the A Knight of the Seven Kingdom series (which is what it was called in the trilogy compilation published in 2015 as well as what it will be called for the forthcoming HBO series) are touted as being part of the A Song of Ice and Fire, or even as a prequel. I don't think either are good descriptions. The storylines are completely different. I would call A Knight of the Seven Kingdoms an off-shoot of that series, at most. 

"The Hedge Knight" takes place while the Targaryen line still holds the Iron Throne, and it does include characters from A Song of Ice and Fire--Aegon Targaryen (known here as Egg, the future King Aegon V) and Ser Duncan the Tall (Dunk, the future Lord Commander of the Kingsguard). In case you're wondering, as I was when I first started reading this, a hedge knight is one without a master that travels the kingdom searching for employment (and sleeping in the hedges). Hoping to gain the interest of a lord as a knight for hire by participating in a tourney, Dunk instead finds himself fighting for his life when he crosses the wrong Targaryen in order to save a young, pretty puppeteer artist. 

The first time I read "The Hedge Knight", I'd just started getting into the "Game of Thrones" world and its massive cast of characters. I didn't really know that series as well as I do now, having both read the books and watched the HBO series countless times since. I had no idea how these characters fit into that world and series. Additionally, the Dunk and Egg (as in, "dunk an egg") aspect seemed silly to me. Beyond that, I have an even stronger opinion of tourneys than Ned Stark--what a waste of time, money, energy, and blood. So I can't say I appreciated the story the first time I read it. However, when I reread it recently in connection with my review of the two Legends short novel collections, it was with a much clearer comprehension of the primary series. I really liked and rooted for Dunk and Egg. As soon as I finished this story, I ordered the trilogy of novellas, published together in A Knight of the Seven Kingdoms. In large part, I suppose I gave this story more of a chance the second time around because I'm ravenous--more like absolutely famished--for more Ice and Fire world stories. 

"The Sworn Sword", the second story in the A Knight of the Seven Kingdoms series was originally featured in the Legends II collection (2003). I started reading "The Sworn Sword" within that anthology but my copy of A Knight of the Seven Kingdoms came, so I jumped over to that collection of the three stories the author has written thus far in the series. I read this short novel in almost no time, and I was unable to keep myself from going on to the third story instead of returning to Legends II. I absolutely loved "The Sworn Sword" in which, a year or so after the events of "The Hedge Knight", Dunk and Egg find themselves sworn to the service of an aging, has-been lord with secrets the old man hasn't bothered to reveal to his "employees". When the water on the land of this lord is stolen with a dam built by a neighboring house, Dunk and Egg go to the thief who's been painted as black as night by their lord. But things aren't at all what they initially seemed. 

In the third short novel, "The Mystery Knight" (published in 2010 in the Martin and Gardner Dozois edited anthology Warriors), Dunk and Egg are on the road, staying out of sight after prior events in the other two stories but longing for a soft bed instead of the hard ground, and good food instead of the hardtack that takes away the will to chew, let alone live. When they hear about a wedding taking place nearby, complete with a feast and mini tourney, Dunk decides maybe winning the tilt will provide the means for him and his squire Egg to make their way to Winterfell to see about serving one the lord there. They quickly become embroiled in another deadly conspiracy, this one involving a dragon egg. This series is absolute must-read, as is the one it's set in is. 

The compilation of all three short novels was a joy to read alongside illustrations by the fabulous Gary Gianni. Prior to the frequently placed, amazingly detailed black and white sketches, I'd pictured Dunk as a much older knight (I was inadvertently thinking about the actor Liam Cunningham who played Davos Seaworth in the HBO Game of Thrones series). I also imagined Egg as being older and much larger. The illustrations show a much younger man for Dunk, and small Egg is adorable with his bald head in Gianni's artwork.

In 2011, it was reported that Martin was working on a fourth novella for A Knight of the Seven Kingdom (The She-Wolves of Winterfell) but he was forced to stop writing it with the demand for the next title in A Song of Ice and Fire. In 2014, Martin said he'd roughed out another Dunk and Egg story, The Village Hero, set in the Riverlands. Which will be written/published first remains up in the air. He also has notes and "fairly specific ideas" for a number of other installments with potentially revealing plot titles: The Sellsword, The Champion, The Kingsguard, and The Lord Commander. 

The first three stories were adapted as comic books and reprinted as graphic novels. Additionally, after talk of this series becoming another HBO TV adaptation in the Ice and Fire universe, it was given a straight to series order in 2023 and filming began on the first season, consisting of six episodes, in June 2024. Release date is supposedly late 2025. I can hardly wait! 

If you're a lover of high fantasy similar to The Lord of the Rings (but much, much more graphic) with timeless characters and rich, medieval settings, suspense and danger galore, I can't imagine you wouldn't absolutely love both of George R. R. Martin's connected series, whether reading the books or watching the series, just like I do. The added appeal of dragons, blue-eyed ice creatures, hedge knights, and would-be princes in hiding sold me from the moment I heard about them. There's a lot already available here in this amazing universe with the promise (though I've probably wisely stopped holding my breath) of still more to come. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/ 

Friday, March 14, 2025

{Put This One on Your TBR List} Book Reviews of George R. R. Martin's A Song of Ice and Fire and A Knight of the Seven Kingdoms, Part 1 by Karen S. Wiesner

 

{Put This One on Your TBR List} Book Reviews of George R. R. Martin's

A Song of Ice and Fire and A Knight of the Seven Kingdoms,

Part 1

by Karen S. Wiesner 


 

I can't help it, I feel bad for George R. R. Martin. He takes a lot of flak I don't believe he deserves. He had an idea for a phenomenal, epic fantasy story a la Tolkien (and yes, he, like the father of modern fantasy literature, considers A Song of Ice and Fire one very, very, very long story published in several volumes) and it became larger than life, to the point where he couldn't keep up with it and was quickly finding that each installment was growing and spiraling wildly in a way that undoubtedly felt out of control by the time HBO got involved and began producing the television series. 

Add to that stress, Martin isn't just an award-winning author and editor for many, many success anthologies featuring other authors--he's also a successful TV and feature film writer. When he begins to feel writing for TV compromises "the size of his imagination", he, in frustration, returns to book writing. In 1991, after having a vivid idea of a boy seeing a beheading and finding direwolves in the snow, he wrote the first scene of A Game of Thrones. In this fictional world, seasons last for years and can come to an unpredictable halt. Violent political machinations with several family dynasties vying for control of Westeros--including the daughter of the deposed Westerosi king attempting to return from exile and assume the throne she believes belongs to her--are at the heart of the tale with the growing threat of powerful supernatural creatures returning to the civilized world forming an intriguing backdrop I found irresistible from the first time I heard about these "White Walkers". 

Before long, Martin was researching, making maps and genealogies, and writing a few more chapters, which were interrupted for a TV series he worked on for years that ultimately never aired. In 1994, he returned to novel writing and A Game of Thrones. 1,400 manuscript pages in, he started to realize this was going to be a much larger endeavor than he'd originally thought. It was published in August 1996 with 1,088 pages, not including the appendices. At that time, it was touted the first in a trilogy, but, by the time the second book was published, "trilogy" was dropped. A Clash of Kings was released February 1999, coming in at 1,184 (sans appendices) pages. 

In 1999, after Book 2 reached #13 on The New York Times Best Seller list, producers and filmmakers started showing an interest in the film rights to the series. A Storm of Swords, the third book, was turned in several months late, published in November 2000, with well over 1,500 pages. A Feast of Crows, Book 4, came out five years after the previous (November 2005) with events set up to directly follow where Book 3 had left off, and focused on characters from King's Landing, the Riverlands, Dorne, and the Iron Islands. Book 5, A Dance with Dragons (with a whopping 1,600 pages) was set in the same time period but focused on characters in Essos, Winterfell, and the Wall. Only Arya, Jon Snow, Tyrion, and Daenerys had chapters in both parallel-running volumes. It came out in July 2011. With this story, the series had caught up with what had happened in the previous installment around the two-thirds mark of the novel, and then went further. However, it covered much less than the author intended and left several agonizing tenterhooks that fans have been hanging on all this time. While rude critics claimed Martin had lost interest in the series or, devilishly, was looking to make more money and so held off on finishing the book for publication, he says he just spent too much time rewriting and perfecting it, which I heartily believe. 

In the meantime, in 2007, HBO had acquired the rights to turn A Song of Ice and Fire into a TV series, Game of Thrones. The first 10-episode season aired in April 2011. The series was officially a hit. Though the book series debuted without any mass market publicity or buzz of any kind in the genre, forcing the author to earn his audience the hard way--by writing damn good books that his fans were avidly talking about with other readers--Game of Thrones practically came out of the gate with a cannon explosion. Soon, Martin was carried along by the blitz with a seemingly endless succession of book tours and conventions, though he was trying admirably to juggle all that while writing one script per season of the TV series, writing the sixth book in the series, along with his The World of Ice & Fire companion guide and the Dunk and Egg novellas. 

In March 2012, Martin said that he expects the final two installments to be 1500 pages each but later talked about not being "firm about ending the series with a seventh novel". Book 6, The Winds of Winter, is supposed to resolve the cliffhangers from A Dance with Dragons early on, opening with two big battles that were built up in the previous installment. The viewpoint of Sansa and Arya Stark is supposed to be covered, as well as Arianne Martell's and Aeron Greyjoy's within this title. As for the ending to the series, the author says he wants a satisfying depth and resonance but plans to avoid disappointing fans "by deviating too far from their own theories and desires". 

By October 2012, 400 pages of the sixth novel had reportedly been written, half of which needed revising. HBO was churning out the popular series by mainly following the books already published to a fanatical increase in viewers, and Martin was working hard to deliver in hopes of Book 6 being published before the sixth season of Game of Thrones. By early 2016, he announced he wouldn't be able to catch up with the books in time for the last season of the show. As of this writing, July 2024 (13 years later), we still haven't seen the sixth installment (though in October 2022, he said it was approximately three quarters done), let alone the final (probably) book, A Dream of Spring. 

Martin is said to have told the TV show producers the "major plot points" of what may be in the final two installments. One presumes he told them enough so that the show and its stellar actors (some of whom received a million dollars per episode toward the end) went on to earn countless awards. That said, the final season's ending responses from fans and critics were a pretty mixed bag, with a lot of people unhappy with it. 

For my part, I didn't appreciate the very abrupt end of the supernatural angle of the series. It was almost like the producers came up with a checklist out of nowhere and this vital subplot was checked off summarily within an episode or two. I can't really think of how else it might have been done, so I survived that. That said, for the ultimate end of the series, I had three requirements or I would have been absolutely wroth: Arya, Tyrion, and Jon Snow had to survive and Dany had to die by Jon's hand. So I was pretty pleased with the series conclusion. I don't expect to be quite as pleased with the author's own ending, should we get it, given his own words to the effect of killing off major players so readers don't rely on the hero coming through unscathed and instead experience the tension those characters go through page by page. 

You can almost hear the exhaustion in his voice in a 2003 interview when Martin talked about never again writing anything on this scale, of returning to his fictional universe only in standalone novels, and of writing about characters from other time periods within the setting, such as his Dunk and Egg stories. Disaffected fans in this thirteen year interval between book have been abusive and downright merciless, judging the writing process by their own woefully ignorant prejudices, adding to the stress this author is no doubt feeling to the extreme since the Game of Thrones TV series ended in 2019. 

Martin has also been involved in HBO's follow-up attempts to cash in on more success in this fictional universe, not only with writing the massive two-volume, complete history of House Targaryen that--along with novellas "The Princess and the Queen" (published in the 2013 anthology Dangerous Women), "The Rogue Prince" (2014 Rogues anthology), "The Songs of the Dragon" (2017 The Book of Swords anthology) and the Asimov's Science Fiction and Dragon compilations "Blood of the Dragon" (taken from Dany's chapters in A Game of Thrones), "Path of the Dragon" (Dany's chapters in A Storm of Swords), and "Arms of the Kraken" (based on Iron Island chapters from A Feast for Crows)--spawned the House of the Dragon HBO series currently (as of this writing) in its second season as well as the upcoming one for the Dunk and Egg adventures, and several others which seem to have failed to move forward (the Jon Snow one was what I personally was most looking forward to) or are still being discussed. 

I, for one, devoured every installment of the book series when they were first published and continue to read them every couple years in hopes that a new volume will come out soon and I'll be ready to read it the very instant it's released. I also watch the HBO series at least once a year. My only complaint with it is that it's very hard to watch the over-the-top gratuitousness that goes far beyond the "honest necessity" to reflect real people Martin deliberately includes for "an immersive experience" in the novels because sexuality is "an important driving force in human life". I tend to fast-forward through the worst of it. Other than that, over the course of three or four intense days, I binge-watch the entire series every time I get started with it because I'm tortured with the situations the characters are going through and I can't leave long before I have to return to find out what will happen (though, at this point, I obviously already know). 

I love that the characters are so complex and well-fleshed out, it's sometimes hard not to believe they're just fictional imaginings. Not surprisingly, Ned Stark, Jon Snow, Tyrion, Arya, and Davos are my favorites. The settings are lush and vivid while the events are so authentic and suspenseful, I would love to live in the time period--in theory anyway…okay, so maybe just LARPing there. According to Martin at some point since 2012, he definitely doesn't plan to allow another writer to finish his book series for him if he's unable to complete it himself (he is 76 years old, after all). 

In the meantime, I'm avidly, anxiously, agonizingly waiting for the series to be finished, but I'm also understanding of the author's need to do it in his own time, to the very best of his ability, while also trying to juggle so many other things in the process. The less stress his disgruntled fans put on him, the more likely we'll see the next installments, which hopefully come out with satisfactory conclusions instead of the series exponentially growing and growing and growing with each new volume. So practice patience and enjoy what else the author has to offer, as I am, including non-Song of Ice and Fire offerings, as well as Ice and Fire connected House of the Dragon and the Egg and Dunk adventures, which I'll review next week and hopefully provide something to tide you over for The Winds of Winter

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/