Tuesday, April 13, 2010

Turning Action Into Romance

You all know that I'm an SF writer and professional reviewer - if not, please look at this post on the inside of a reviewer's life.

http://aliendjinnromances.blogspot.com/2009/12/glimpse-of-reviewers-life.html

The subject I've been pursuing here for the last few years is the converging of the SF/F fields and the Romance field, and the problem of how Romance can gain the high regard of the general public that it so richly deserves.

Recently we've seen the release of yet another Romantic Comedy film, SHE'S OUT OF MY LEAGUE, March 12, 2010:

http://www.imdb.com/title/tt0815236/

And we ask why is "Romance" only acceptable in Hollywood as a "Comedy?"

OK, there was ROMANCING THE STONE and THE AFRICAN QUEEN, but think about Romance-hybrids and box-office respect. Almost all the recent romance films are hybrid genre.

So we note the commentary on IMDB for SHE'S OUT OF MY LEAGUE, and the whole focus on "it's funny" rather than "it's romantic."

The hybrid genre labels as I've pointed out in previous posts are formulated as DECORATION + PLOT-STYLE. SHE'S OUT OF MY LEAGUE is a ROMANTIC COMEDY - a plot structured as a comedy with romance as the decoration. And rom-com is a big seller in Hollywood now, especially in indie films.

Look at the film AVATAR. It's action with relationship as a decoration. At most, Romance is a complication to the action-plot.

But are we seeing a trend gathering toward merging the plot and the decoration into a single, united whole?

What would it take to accomplish that merger?

In a word, CHARACTER.

The essential core of the main character's character has to shift in order to merge the two elements of a hybridized genre. What is considered admirable in a person of solid character has to change. That is, the value, or the standard of admirability has to change from being entirely of one of the genres to being a balance of both genres.

When this kind of shift happens in a culture, new icons emerge, new IMAGES that "tell the story."

Remember what Blake Snyder taught us in SAVE THE CAT! which he learned from his elder mentors - a screenplay is a story in pictures. And remember what I noted about the film AVATAR

http://aliendjinnromances.blogspot.com/2010/02/tv-shows-leverage-and-psych.html

The requirement for a broad "reach" needed for a high budget film is that the whole story is pictures, not dialogue, and the pictures have to translate across cultural boundaries -- the pictures have to be exportable because the USA market can't support high budget films by itself.

Text-fiction writers have to evoke images with words, and so must choose images just as deliberately as a high budget film writer would.

The audience has become fragmented in the USA because our culture has shattered and is reforming around new icons, new images. The hybrid-genre fiction we're seeing now is a result of the search for new icons as change accelerates.

Here are two images to ponder deeply because they say "it all." These might be blended into a new icon if we can find the common meaning.

The cover of TOUCHED BY AN ALIEN by Gini Koch (DAW Books April 2010)
Gini Koch is a pen name of Jeanne Cook
http://eposic.net/blog/archives/196

http://ecx.images-amazon.com/images/I/51tZtzTeQjL._SL500_AA240_.jpg

Note he's holding a gun in his left hand while she's holding a gun in her right.  It's two people turned toward each other, guns in hand but neglected.

Now look at this still from a movie titled FACE/OFF.

http://static.guim.co.uk/sys-images/Film/Pix/pictures/2009/5/21/1242924794594/John-Travolta-and-Nicolas-001.jpg

Pay off ... John Travolta and Nicolas Cage in Face/Off. Photograph: Allstar/Cinetext/Paramount

Two men stand almost arm's length from each other, each holding a gun out straight into the other's face, faced-off.

I ran across this image in an article referenced on twitter:
http://www.guardian.co.uk/film/2009/may/22/shane-black-12-rounds

The subtitle of the article:
Summer means action at the cinema, so here's Shane Black, the master of the art, giving Sam Delaney a masterclass in thrills

THRILLS???? Romance isn't thrill packed?

Notice the stance in the FACE/OFF photo - the distance - and how the guns are held. The IMAGE is all, the COMPOSITION carries the theme non-verbally.

Now just ponder and ponder that.

TOUCHED BY AN ALIEN (an excellent novel!) back cover copy reads thusly:

---------

IT WAS JUST ANOTHER DAY IN ARIZONA AND THEN THE MONSTER SHOWED UP --

Marketing manager Katherine "Kitty" Katt had just finished a day on jury duty. When she stepped out of the Pueblo Caliente courthouse, all she was thinking about was the work she had to get caught up on. Then her attention was caught by a fight between a couple - a domestic dispute that looked like it was about to turn ugly. But ugly didn't even begin to cover it when the "man" suddenly transformed into a huge, winged monster right out of a grade Z science fiction movie and went on a deadly killing spree. In hindsight, Kitty realized she probably should have panicked and run screaming the way everyone around her was doing. Instead she got mad, searched her purse for a weapon, and, armed with a Mont Blanc pen, sprinted into action to take down the alien.

In the middle of all the screeching and the ensuing chaos, a tall handsome hunk of a guy in an Armani suit suddenly appeared beside her, examined the body, introduced himself as Jeff Martini with "the agency," called out to an Armani-clad colleague to perform crowd control, and then insisted on leading her to a nearby limo to talk to his "boss."

And that was how Kitty's new life among the aliens began ...

-----------

TOUCHED BY AN ALIEN delivers as promised, luscious hunk, complex and progressively sexual relationship, cognitive dissonance, and a heroine modeled after "Mrs. King" of "Scarecrow And Mrs. King" the TV show. Solidly crafted writing with the complex backgrounding handled with a minimum of expository lumping. Highly recommended.

But not recommended just as a good read. This is a book that explains a lot about what's going on in this real world of publishing.

Notice this "science so advanced it seems like magic" novel is published by DAW as Science Fiction, not fantasy - and is styled with all the relationship and sexuality you see in modern Paranormal Romance. The science is only science because we are told it is science not magic, but there are strong "magical" elements there too.

Now study those two images again and think ICON.

Think of the writing styling emerging from the cross-genre trends, especially hybrid-Romance styles, and now holding those images in mind, let's look at the entire field from the point of view of a literary agent.

There's a wonderful blog I've been following for some time by a really good agent who also seems to be a very good hearted person (not an odd combination among agents, mind you, but Rachelle Gardner here is an excellent example of that hybrid combination. Just read some of her other blog entries to see that.)

I found the following blog entry where Rachelle presents a query from a new author seeking representation that grabbed her attention and prompted her to ask to see the manuscript.

http://cba-ramblings.blogspot.com/2010/03/query-critique-dealers-of-light.html

I read the query and the 30 or so responses already posted with great attention, noting it was fraught with passive verbs and passive sentence constructs indicating passive plotting or wrong choice of POV character that would disqualify it from consideration as a screenplay pitch, or as a novel query in SF or Fantasy genres.

I thought about the two iconic images posted above, and about TOUCHED BY AN ALIEN, and about everything marketers, book publicists, agents, editors and most of all film producers have gone to such great lengths to teach me about how to project professionalism into concise pitches.

TOUCHED BY AN ALIEN is almost the same novel as the one described in this query Rachelle Gardner posted, except for Kitt's attitude, which is anything but passive. Kitt is not "drawn into" this conflict; she plunges into it bare-fisted!

Note the only passive construction in the back cover copy of TOUCHED BY AN ALIEN is "her attention was caught." I would have rewritten that to "when she saw" and would have tweaked a lot of the other wording in that copy to sharpen it according to the rules another literary agent, Kristen Nelson illustrated with Linnea Sinclair's back cover copy at Denvention III:

http://aliendjinnromances.blogspot.com/2008/08/denvention-3-walk-con.html

But the TOUCHED BY AN ALIEN cover copy gets the point across about this very interesting woman, Kitty, a MANAGER heading toward the peak of her formidable career, who reacts out of the core of her personality to take charge and exercise her innate sense of responsibility and thereby plunges herself into a whole new reality and a new life.

That "reacts out of the core" and "plunges into" phrasing comes from Blake Snyder's SAVE THE CAT! series which explains why these attitudes are required in a POV character and this construction is an absolute requirement for a feature film screenplay.

I thought about all the kick-ass heroines leading the charge in Paranormal Romance acceptability to the general audiences and especially about the size of the world-audience for AVATAR.

One of the signatures of the Fantasy-SF-kick-ass-heroine novel is that the male and female leads have to be equals, whether they both know it or not. Very often the conflict is about establishing that equality as a prerequisite for a blazing-hot-romance.

If they are not equals, then any sexual relationship smacks of abuse to some (not all) of our modern sensibilities.

Part of our culture has already adopted this icon of equality as the ideal in relationship, and part has rejected it resoundingly. The interesting thing is that sometimes both parts reside in the same reader. The question then becomes, "Are the proportions of these parts that accept or reject equality still changing? If so, in which direction?"

Remember the 1983 film SCARECROW & MRS. KING, and the 2005 film MR.& MRS. SMITH which I discussed:

http://aliendjinnromances.blogspot.com/2009/08/what-does-she-see-in-him.html

Compare the plot of MR.& MRS. SMITH which starts and ends in a marriage counselor's office with the query chosen by Rachelle Gardner.

We're in the midst of a churning harrowing of our cultural values. The pivot point may have been signified by the film WHAT'S LOVE GOT TO DO WITH IT, the story of Tina Turner's emergence from abused and neglected child to towering icon of the music scene.

WHAT'S LOVE GOT TO DO WITH IT (1993)
http://www.imdb.com/title/tt0108551/

Compare that with the film of same title about modernizing the dating game
WHAT'S LOVE GOT TO DO WITH IT (2002)
http://www.imdb.com/title/tt0425645/

Notice the 10 and 20 year intervals and correlate with the generational tastes issues I discussed with respect to Pluto transits:

http://aliendjinnromances.blogspot.com/2009/10/astrology-just-for-writers-pt-6.html

And now, something new is happening.

Look again at the images above - the two with guns drawn, facing one another vs. guns hanging neglected in lax hands and the two embracing one another.

I look at that and I see two images of relationship based on equality of power, authority, efficaciousness, fearlessness, self-respect and mutual respect.

What do you see?

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Sunday, April 11, 2010

SFR Community On Amazon

I happened to be doing something or other public-spirited in nature on my personal Amazon Communities home page (Your Communities) when "Linnea Sinclair" popped up.

I thought that I saw that Linnea Sinclair had just tagged Rebels and Lovers  However, now I poke around on the SFR community, I think it must have been Laurie G who did the tagging. It is quite alarming how little privacy one enjoys on Amazon.

Laurie G, Jacqueline Lichtenberg and this author are currently the top ranked "Contributors" in the SFR Community on Amazon. This simply means that we have taken the trouble to add "sfr" as a tag to other authors' books in order to help readers find SFR works if they happen to search by "SFR".

Once a "Community" is created on Amazon, through "tags" anyone can vote on the tags, start a discussion (which one hopes will be relevant), add images and more. At the moment, the SFR community is thinly populated.

If you have a book, or a friend, or a stake in the future of SFR to promote, please take a look.
Find the SFR Community.

http://www.amazon.com/tag/sfr/ref=tag_ybc_ybs_itdp


Rowena Cherry
Friend of ePublishing 2009 Award winner




Please tag Mating Net as SFR for me
http://www.amazon.com/Mating-Net-ebook/dp/B002MQYO98/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=books&qid=1270989513&sr=1-1

Thursday, April 08, 2010

New Fantasy Novel

Amber Quill Press has just published ROGUE MAGESS, the third (and, at present, the chronologically latest planned) novel in a sword-and-sorcery series by my husband, Leslie Roy Carter, and me. Since a lot of back story has accumulated by now, we faced the problem of bringing readers up to speed after a lapse of a couple of years since the release of the last book, BESIEGED ADEPT. At first I thought we should start the novel with a straightforward “the story so far” prologue, as I’ve seen in numerous published series. I wrote one in the voice of the protagonist, sorceress Aetria. My husband didn’t care for the result, so he wrote a conversation between two secondary characters, one of them filling in the other on significant past events before they get ready to serve as escorts and guards for Aetria and her twin sister.

After a critique from our live-in first reader and a discussion among ourselves, we decided that scene was too static; it would probably bore readers who remembered the first two installments and only confuse those who’d forgotten or hadn’t read them. So we reverted to the original plan of sprinkling in bits of back story as snippets of dialogue and brief exposition, as needed to make the present events clear. That technique allowed us to start the story with tension and action—but at the risk of having new readers feel lost.

Now, realistically, because this trilogy is a true series, with each book following directly from the last, few readers are likely to buy it unless they’ve read the first two. In a case like this, is the author justified in proceeding as if she expects readers to be familiar with the previous stories and just need reminding? Should she treat events from earlier volumes like any other kind of back story—supply them on a “need to know” basis?

Or are there times when an old-fashioned, frankly expository “the story so far” introduction works best?

Margaret L. Carter
Carter’s Crypt

Tuesday, April 06, 2010

Pausing For You To Catch Up With Me Part IV

The last 3 Tuesdays, I've left you lists of 9 or 10 posts to read during the week. The first two lists were on Tarot, the Suits of Swords and Pentacles. Last week the list included 9 posts on how writers can use Astrology (without overtly mentioning it!).

All of these lists are about posts that open the topic of how to craft a Magic Realism genre story and make it realistic without the cliche ridden tools of modern Fantasy's version of "magic." PNR writers really need to absorb the import of these posts.

This week you can relax. There's only 6 to this series.

And these 6 posts grow out of two works on the craft of screenwriting by Blake Snyder (May He Rest In Peace). See blakesnyder.com for more on him and by him.

His first two books are titled SAVE THE CAT! and SAVE THE CAT GOES TO THE MOVIES and they took Hollywood by storm.

These two interwoven works show you what a Beat Sheet is, and how to use it to craft a story whether it's a screenplay or a novel. They touch on why you should use a beat sheet, and give you the particular beat sheet Blake discovered by reverse engineering the biggest box-office hits.

When I read his books, I had recently taken a course in Kaballah (one of my all-time favorite topics!) and when I told Blake about the connection I saw, he was enthusiastically accepting of my view.

His discovery of this underlying skeleton behind the biggest hit movies is actually the real secret behind the best selling novels of our genre.

The reason his Beat Sheet works for film, TV, and novels indicates the reason these formats are on a converging path. And that same reason defines "Magic Realism" and why it works as a story genre.

You'd think, considering all my posts on this blog on Web 2.0 and Social networking, I'd say it was technology forcing the media of the fiction delivery system to converge.

But if you've read the posts in my Lists of Posts, you can see how it might be interpreted differently.

It is entirely possible, from the magical view of the universe, that technology exists to facilitate the convergence of these storytelling formats. Film, TV, Webisodes, books, e-books, animated, illustrated. To us readers, it is the story that's important, and the medium is just the vehicle to convey the story to us. We create vehicles suited to conveying the story we want. Do you think?

My 6 part discussion of Blake Snyder's Beat Sheet is posted as part of my professional Review column, ReReadable Books. Each part recommends several novels that illustrate the points made.

http://www.simegen.com/reviews/rereadablebooks/2007/

Compare the dates to the dates on the posts in the Lists of posts from Tuesdays March 16, 23, and 30th on aliendjinnromances.blogspot.com

On the left side of the page you can find a link to a list of all my columns archived on simegen.com since 1993.

Most of the later Review column entries are much shorter than my usual entries on this blog. So these 6 review columns taken together are probably no more than 2 blog entries worth of discussion. There's a good chance you've already read most of the books discussed, so you should have no trouble following the points I make.

If not, have fun finding interesting books to read!

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com (current titles)
http://www.simegen.com/jl/ (full index)

Monday, April 05, 2010

SONGS OF LOVE & DEATH: Cover Art

The cover art is in for the much-anticipated anthology edited by the illustrious team of George R.R. Martin and Gardner Dozois. This anthology represents a mixture of SFF and Romance authors, with contributions as follows:

"Love Hurts" by Jim Butcher
"The Marrying Maid" by Jo Beverly
"Rooftops" by Carrie Vaughn
"Hurt Me" by M.L.N. Hanover
"Demon Lover" by Cecelia Holland
"The Wayfarer's Advice" by Melinda M. Snodgrass
"Blue Boots" by Robin Hobb
"The Thing About Cassandra" by Neil Gaiman
"After the Blood" by Marjorie M. Liu
"You and You Alone" by Jacqueline Carey
"His Wolf" by Lisa Tuttle
"Courting Trouble" by Linnea Sinclair
"The Demon Dancer" by Mary Jo Putney
"Under/Above the Water" by Tanith Lee
"Kashkia" by Peter S. Beagle
"Man in the Mirror" by Yasmine Galenorn
"A Leaf on the Wind of All Hallows" by Diana Gabaldon

Release date is November 16, 2010. The official Simon & Schuster page is here and you can pre-order from Borders here.

I had a terrific time writing for the project, which more than one site has noted as "ground-breaking." Those who know my writing will find "Courting Trouble" very much in the realm of my Finders Keepers in tone and tempo. I've not been able to read other offerings so I can't comment as to their storylines but the list of authors alone is fantastic. I feel blessed (and more than a tad intimidated) to be in such august company!

~Linnea

REBELS AND LOVERS, March 2010: Book 4 in the Dock Five Universe, from Bantam Books and Linnea Sinclair—www.linneasinclair.com

Her mind screamed no. Her body and heart considered what was right and rational, and pushed those all away. She held his gaze for a moment longer than was prudent. “Let me get a beer.”

Sunday, April 04, 2010

Proposition: History Is Fungible

I disagree. History is not, and should not be fungible.

What is "fungible"?

The Biblical Joseph's Egyptians may have brought all their bags of grain to a central storage facility during the years of plenty, and if they later (during the famine years) received bags of grain back, the grain they took out probably wasn't the identical bag they'd deposited up to seven years previously.

Grain is fungible.

Stock options that have the same price and expiration date are fungible, as long as everyone gets what they are entitled to.

During various bankruptcies and bail-outs, we were told that money is fungible. That might depend. If all the money is government money, then maybe so. However, if some of the money in the pot is retirees' personal savings, or flexible spending Health Savings Accounts, or wages/salary/bonuses earned by individuals in previous years and stored in a legal deferred compensation fund, then it's not truly fungible. Not if an element of confiscation is involved.

Corpses of mice might be fungible. I'm reading Martyn Lewis's "Cats In The News" (ISBN 0-356-20282-8) and in the chapter on "Working Cats" there is the tale of Towser a mighty mouser employed by a distillery in Tayside who "produced" 28,899 mice. I don't suppose the managers' delight would be greatly diminished if some of the mice were innocent of feeding on the distillery grain, and had been caught outside.

It would probably be a moot point for the mice, too. If mice are fungible to our managers of grain stores and distilleries, would humans be fungible to aliens? It would depend whether they simply wanted to wipe us out, and put a bounty on our heads, or if they wanted slaves, or breeding specimens for their zoos. In which case, we would not be readily interchangeable for storage and shipment purposes.

Which reminds me of the story about the two polar bears at a zoo in Hokkaido who showed a surprising lack of interest in mating.  http://www.telegraph.co.uk/news/worldnews/asia/japan/3531006/Japanese-zoo-attempts-to-mate-two-female-polar-bears.html

Apparently, the length of a young polar bear's hair makes it difficult to determine its gender! Those not knowledgeable about such matters might have trouble recognizing an alpha female hyena for what she is. I see considerable potential for politically incorrect situation comedy if aliens had visited ancient Greece in its glory days, and had captured Achilles and Patroclus (for example). Or Sappho and Mica.

Martyn Lewis's book has a very interesting chapter on selective breeding, and the story of the Scottish Fold, and the myths surrounding the origins of the Maine Coon.... and the genetic aberration that produced a single blue tortoiseshell Devon Rex tom.

If an alien human Fancier (equivalent of a Cat Fancier) wanted to create a new breed of humans, a shipload of us certainly would not be fungible. He'd have specific requirements about our physical appearance, coloration, markings, health, age, hardiness, natural resistance to parasites and disease, and our disposition. He probably wouldn't want an aggressive strain.

Our history would probably be fungible to an alien human Fancier.

Just as cars fetch much higher prices at the Barrett-Jackson auctions if they have an interesting provenance, so the glamor of a breed is enhanced if its first exemplar is rumored to have belonged to a tragic royal personage and been smuggled across an ocean (or a galaxy) --perhaps by glamorous berserkers-- and then allowed to run wild upon arrival upon a foreign shore.
 
According to one blogger (whom I discovered when checking to see who else has proposed that History is Fungible), their own nation's History may be fungible to politicians in need of a good illustration of a point they wish to make.  http://blueinthebluegrass.blogspot.com/2010/03/making-history-fungible.html

I deplore the deliberate dissemination of misinformation. Either History is a serious study from which we can learn, or we might as well drop it as an academic subject. That's why I refuse to mess with History by writing fictional accounts of real person's lives (unless the research is scrupulously done and documented, and a suitable disclaimer is included in the novel, which I have seen and applauded.)

Fungible history seems to be in fashion at the moment. I'm not talking about Steampunk which has rules. Recently I listened to a thumping good story on audio book which I will not name since I am sure my next comment would constitute a spoiler. A central plot point was the premise that two (named) consecutive, elderly leaders of a foreign country had not died naturally, but had been cleverly assassinated on the orders of a couple of rogue members of a rival power's secret service.

It was obviously a work of fiction, but I found that offensive.... primarily because the victims were named.

However, when creating a parallel alien world, we could fill our creative blenders with different human dates, battles, leaders, heroes, seminal addresses, treaties, discoveries, inventions, revolutions, disasters and plagues, mix them up and produce an alien history.

Or would the order still matter?

Thursday, April 01, 2010

Mistakes About the Future

Here's Cory Doctorow's column from the latest issue of LOCUS:

Making Smarter Dumb Mistakes

By "smarter dumb mistakes about the future," he's referring to visions of the near future that often turn out to be so ludicrously wrong. As I believe Yogi Berra is supposed to have said, "Prediction is hard, especially about the future." Doctorow's thesis is that the root of these erroneous prognostications tends to spring from an assumption that whatever cool technology we develop will be used to do the same things we're doing now, only in a more efficient way. To hark back to an earlier century, it’s unlikely that anyone alive when the first automobiles took the road envisioned how the car would transform not only the physical but the social landscape of our country. (Its contribution to the “sexual revolution,” for instance, by giving young people a greater capacity to roam free of parental oversight; also the change in the balance of power in courtship—the shift to “dating” as we know it, in which the boy with the money and the transportation has most of the control, as opposed to the custom of the boy calling on the girl at her home with her prior permission, giving her the control, probably wouldn’t have happened without cars.)

Another peculiar misfire I've noticed in SF of the past is a world of cool technology with one item (or a few items) left in a condition that, in retrospect, looks obviously anachronistic. One of the funniest appears in Heinlein's HAVE SPACESUIT WILL TRAVEL, where people who’ve colonized the moon use slide rules. In his much later novel I WILL FEAR NO EVIL, the fabulously rich heroine (a composite of a man’s brain transplanted into a woman’s body) in a high-tech future has to wait several days for the result of her pregnancy test, even though at the time the book was published, the technology to produce nearly instant results already existed (the waiting period for ordinary people arose from delays in getting the lab report to the doctor and from the doctor by phone to the patient). In the Star Trek universe, the transporter of the original series held the implicit potential for replicators and holodecks, but these possibilities were ignored until ST:TNG. Consider the Epsilon caste in BRAVE NEW WORLD, bred to perform menial chores that, in a fully thought-out high-tech future, would mostly be relegated to robots. One of the tasks performed by Epsilons is—are you ready for this—elevator operator!!

Lapses in prediction of social changes are more interesting. For example, many of Heinlein's early novels portray space-traveling humanity living in 1950s-style families, often with mothers in the housewife role. (To be fair, they're "juveniles" published at a time when publishers tended to be stuffier about fiction for young people; in the first edition of Heinlein's RED PLANET, he wasn't allowed to mention that Martians laid eggs.) On a lower intellectual level, THE JETSONS replicated all the silliest cliches of the 1950s middle-class household in a high-tech, fully automated, flying-car, asteroid-hopping universe. As if a mother liberated from housework by a robot maid would spend all her free time shopping. And notice that the father still commutes to work in his flying car; nobody connected with the program thought to predict teleworking.

Again to be fair to Heinlein, his early SF story for adults, “The Roads Must Roll,” is a classic example of taking the technology as a given and showing its social and economic effects.

As C. S. Lewis points out somewhere, the underlying filters through which we view reality are likely to include unquestioned assumptions that we and our opponents on any subject share without realizing their existence, like water to a fish. Hence, in the middle of the twentieth century such disparate works as 1984, BRAVE NEW WORLD, Skinner's WALDEN TWO, and Lewis's own THE ABOLITION OF MAN all share one assumption: That innate "human nature" either doesn't exist or is no match for the influence of environment, that human beings can be molded into any shape their rulers desire. Skinner seems to celebrate the potential of this situation while the other authors deplore it, but neither questions it. As amply demonstrated in Steven Pinker’s THE BLANK SLATE, this belief has been thoroughly disproved even though it stubbornly hangs on as an element of political and social philosophy in some quarters.

What might be our unexamined shared assumptions that would appear absurd, even shocking to visitors from other centuries or other planets? An example from the past: A time traveler from the classical or medieval period would consider our insistence on the primacy of individual rights a bit mad. (At the risk of getting political, just in the past couple of days I’ve encountered that kind of cognitive dissonance online, right here in the First World, from citizens of other English-speaking countries who are baffled by the U.S. health coverage debate. In their world-view, of COURSE universal health care is an obvious necessity on a level with roads and schools.)

Margaret L. Carter
Carter's Crypt

Tuesday, March 30, 2010

Pausing For You To Catch Up With Me Part III

Parts I and II of this series of pauses are found on this blog for the Tuesdays March 16 and March 23.  They list the 10 posts on the Tarot Suit of Swords, the Tarot Suit of Pentacles, and a few reviews looking at trends in the SFR and PNR fields of Romance. 

This list of posts is in response to the question of what is Magic Realism (a sub-genre of Fantasy) and how do you write Magic Realism which appeared on Twitter in February 2010 during the #scifichat.

The first part of my answer is that you study the worldview through the eyes of the real-world history of the Magical View Of The Universe.  This is in contrast to the view of the Magical View Of The Universe you can see through the eyes of The Scientific View Of The Universe.  It's all about Shifting Point Of View, an exercise writers do everyday, three times a day at least. 

I believe that the Magical View Of The Universe is most easily accessed by the science-trained writer of today via the study of Tarot and Astrology. 

This study is not about discarding the scientific view of the universe (do that and you lose your readers) but rather about incorporating the scientific view of reality into the (older and larger) magical view of reality. 

The two views are not incompatible but complimentary.  The scientific view drives Science Fiction and the magical view drives Fantasy genres.  But in the current marketplace, the two views are starting to blend into one, producing some remarkable fiction, SFR being one example.

So over the last few years, I've done a series of posts here giving an overview of Astrology, singling out the least technical premises that can be of use to writers building a world for characters and readers to romp around in. 

This series is called Astrology Just For Writers.  It can also be used to start learning enough of the magical view of the universe, and how it differs from and incorporates the scientific view of the universe, to create a Magic Realism story. 

Here is a list of the URLS for the Astrology Just For Writers series. 

http://aliendjinnromances.blogspot.com/2008/07/astrology-just-for-writers.html

http://aliendjinnromances.blogspot.com/2008/07/astrology-just-for-writers-part-2.html

http://aliendjinnromances.blogspot.com/2008/10/astrology-just-for-writers-part-3-genre.html

http://aliendjinnromances.blogspot.com/2008/12/astrology-just-for-writers-pt-4-high.html

http://aliendjinnromances.blogspot.com/2008/12/astrology-just-for-writers-part-5-high.html

http://aliendjinnromances.blogspot.com/2009/10/astrology-just-for-writers-pt-6.html

http://aliendjinnromances.blogspot.com/2009/11/astrology-just-for-writers-part-6.html  (This is actually Part 7)

http://aliendjinnromances.blogspot.com/2009/12/astrology-just-for-writers-part-8-beat.html

http://aliendjinnromances.blogspot.com/2010/01/astrology-just-for-writers-part-9-high.html

http://aliendjinnromances.blogspot.com/2011/08/astrology-just-for-writers-part-10.html


http://aliendjinnromances.blogspot.com/2011/11/astrology-just-for-writers-part-11.html

http://aliendjinnromances.blogspot.com/2016/02/astrology-just-for-writers-part-12.html

http://aliendjinnromances.blogspot.com/2016/02/astrology-just-for-writers-part-13.html
That is obviously not all I need to say on the subject of using Astrology as a worldbuilding tool.  With time, I hope to cover the whole subject and show how it can be used to increase the regard the ordinary reader has for the field of Romance, particularly SFR and PNR.

http://aliendjinnromances.blogspot.com/2016/06/astrology-just-for-writers-part-14.html Science Catches Up.
To do a large job, you need large tools - and Astrology is the John Deere of Soul Moving Equipment manufacturers. 

How To Use Tarot And Astrology In Science Fiction Series:

Part 1 Real History
https://aliendjinnromances.blogspot.com/2018/12/how-to-use-tarot-and-astrology-in.html

Part 2 Now Speculate
https://aliendjinnromances.blogspot.com/2018/12/how-to-use-tarot-astrology-in-science.html

Part 3 Suspend Reader Disbelief
https://aliendjinnromances.blogspot.com/2019/01/how-to-use-tarot-and-astrology-in.html

Part 4 Explore Solutions New To The Reader
https://aliendjinnromances.blogspot.com/2019/01/how-to-use-tarot-and-astrology-in_22.html

Part 5 - The Story of a Life
https://aliendjinnromances.blogspot.com/2019/04/how-to-use-tarot-and-astrology-in.html

Part 6 - Confronting Change
https://aliendjinnromances.blogspot.com/2020/03/how-to-use-tarot-and-astrology-in.html

Part 7 - Creating Charisma with Verisimilitude
https://aliendjinnromances.blogspot.com/2020/04/how-to-use-tarot-and-astrology-in.html

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Sunday, March 28, 2010

Whither Fiction?

In Jack Vance's "The Book Of Dreams", the hero was a newspaperman. Newspapers were still printed and distributed. I inferred that would-be readers paid for them.

Is this a sustainable business model? While staying at a Wyndhams motel, I noticed that I could receive .75c credit on my stay if I opted to decline a morning copy of "USA Today". That was a shock. I've always accepted that my "complimentary" morning newspaper is part of the package.

I don't subscribe to a newspaper. My mother does. I don't. Initially, I did not appreciate the oxymoron of paying for the "Free Press" and I wasn't offered "The Telegraph" or "The FT". Now, I'm accustomed to getting my news from AOL and Google.

Ultimately, I suppose that I pay Comcast for it, since I pay Comcast for my internet connection... just as I paid the Wyndham motel for "USA Today".

For the record, I'd prefer it if Comcast would charge me less for my internet access, and allow me to break out whatever I don't want. I'd rather pay for that to which I subscribe. I don't approve of the "entitlement mentality". I think it's a bad precedent. Mr Murdoch is trying to put the news genie back in the bottle, but it's always harder to monetize something once people are accustomed to getting it for free.

Same with music. Same with movies. Same with fiction.

For that reason, I don't approve of Amazon, and I don't approve of Baen. One needs clarity, and they've muddied the waters. Copyright was pretty straightforward. An author has the right to control the reproduction, distribution and performance of her work. Copyright means that a reader cannot create a new copy of a book (or several copies) in any form (photocopy, CD, email etc), nor may he re-sell or share the copies.

There are two paranormal romance authors whose e-books are continually  available on EBay auctions. I assume that those two authors don't mind if their novels are (rightly or wrongly) believed to be in the public domain by thousands of EBayers. Other vampire-and-paranormal authors who need the income from legal sales of their ebooks, and whose books are included in auctions of "191 Vampire and Fantasy Books" are hurt by the lack of clarity.

An apparently overwhelming number of internet users seem to believe that all fiction ought to be free. If they own a computer, and they have an internet connection, everything on the internet ought to be available to them at no further charge. The Net Neutrality advocates seem to believe that someone who spends his entire day and half the night up- and down-loading "free" movies and romance novels ought to pay the same for his internet usage as someone who checks his emails twice a week.

"If we like it, we'll donate what we think it's worth" seems to be the attitude towards creators. So, will we authors return to a Shakespearean business model? Will we rely on holding out the collection cap in cyberspace?

I think not. Allegedly, EBay cannot find copyright owners to notify them of an infringement report, even when the author's name is on the cover of the infringed novel. Allegedly, Google cannot find the authors of "orphan works", especially if they live overseas. So, how likely is it that someone who clicks a link on Astatalk and reads "Forced Mate" and very much enjoys my creative writing is going to find me, locate some means of paying me, and send me money?

It has never happened. It is not going to happen.

By the way, MediaFire has introduced the functionality allowing thieves and all their friends to "share" files to Twitter, Facebook, Stumble Upon, Digg It, and MySpace... and also to embed illegal links.

In my opinion, just because MediaFire posts small print saying that their registered users agree that they are responsible for the content they post does not absolve MediaFire from responsibility. Their "agreement" is with their users, not with their victims. It is MediaFire that makes it possible for an URL to be shared with millions. Like this http://www.mediafire.com/?mjwvmfjwjyd

So, how else did The Queen's Men earn their living? By pleasing a rich and powerful patron. That's how.  It won't be good for creativity, accuracy, journalistic integrity. Nor will it be good for the reader. But, as they say, "You gets what you pays for."

I wonder what kind of powerful crackpot would sponsor alien romance authors? The future would probably offer slim pickings for those who would make heroes of vampires and werewolves, too. Bodysnatcher romance might be okay.... but I won't go there.

Seriously, the world changes really quickly. I was listening to a 2010-set Tom Clancy novel. NetForce. Tom assumed that Britain would have a King by now. Some things don't change that quickly! If we write speculative fiction, it's likely that future heroes and villains will still want sex, power, and wealth not necessarily in that order. What else they do for fun and profit might not involve ink and paper. It's more likely to involve multiple choice and pixels.

The other possibility I foresee is a return to the oral tradition of troubadours and travelling storytellers. The only way not to be ripped off and to get people to pay for our creativity would be if we could be more like the evangelists... Joel Osteen?... Fill a ball park with people who'd come to hear us tell a story.

Thursday, March 25, 2010

International Conference on the Fantastic in the Arts

Last week I spent Wednesday through early Sunday in Orlando at the International Conference on the Fantastic in the Arts. It combines most of the best features of academic and fan cons (except for costumes, and usually no music—that's one thing I'd like to see added). Dozens of editors and authors attend in addition to the scholars. A full day of content-rich panels and evening activities, plus good food and great weather (usually)—what more could anybody ask for?

Well, I could ask (and have, fruitlessly) that the sessions don't start at the bloody crack of dawn, i.e. 8:30, but I wouldn't want to give up any of the sessions.

This year I chaired a panel on vampires in anime and manga. The scholar guest of honor, who's Japanese, was on the panel; we had a lively, substantial discussion. Unfortunately, because we had the 8:30 slot on the first full day, only six people showed up in the audience. Sigh.

Later that day I did a reading from my lighthearted erotic shapeshifter novel, LOVE UNLEASHED.

The Lord Ruthven Assembly, the vampire and revenant division, gives annual recognition to distinguished books and other works. This year our fiction award went to THE STRAIN, by Guillermo del Toro and Chuck Hogan, an innovative treatment of vampirism as an infectious disease. The nonfiction award went to a scholarly work called VAMPIRE GOD, by Mary Y. Hallab, about the allure of the vampire in popular culture. We also honored a Korean film called THIRST, which I haven't seen.

One of the sessions I enjoyed most included papers on the Disney princesses and on the evolution of Tinker Bell.

As always, I enjoyed hanging out with friends I see only once a year, including Jacqueline’s co-author, Jean Lorrah. After the Saturday night banquet, on Sunday I flew home and turned back into a pumpkin for the rest of the year.

Margaret L. Carter
Carter's Crypt

Tuesday, March 23, 2010

Pausing For You To Catch Up With Me, Part II

Last week I listed the 10 posts I've done here on the Tarot suit of Swords.  That's a lot of reading, but if you've managed to get through it all, and maybe some of the review style posts I've done here, you might be ready to absorb the following posts on the Tarot Suit of Pentacles.

This is all drill for building a world in which to tell a story using Magic Realism -- really making the magical view of the universe sound and feel "real" to a reader who is predisposed to disbelieve any of these ideas.

http://aliendjinnromances.blogspot.com/2007/10/ace-of-pentacles-setting-up.html

http://aliendjinnromances.blogspot.com/2007/10/2-pentacles-affairs-of-wizards.html

http://aliendjinnromances.blogspot.com/2007/11/3-pentacles-doctorate.html

http://aliendjinnromances.blogspot.com/2007/11/4-pentacles-almighty-cliche.html

http://aliendjinnromances.blogspot.com/2007/11/5-of-pentacles.html

http://aliendjinnromances.blogspot.com/2007/11/6-pentacles-social-contract.html

http://aliendjinnromances.blogspot.com/2007/12/7-pentacles-right-answer.html

http://aliendjinnromances.blogspot.com/2007/12/8-pentacles-kavanah.html

http://aliendjinnromances.blogspot.com/2007/12/9-pentacles-youve-made-your-bed-now-lie.html

http://aliendjinnromances.blogspot.com/2007/12/10-pentacles-cake-comes-out-of-oven.html

Soak up all that, and next week we'll tackle Astrology.  I haven't finished talking about all the aspects of astrology that can be useful to a writer (or reader for that matter), but this is a pause for catch-up and I don't want anyone to be lost as I forge ahead into deeper discussions.

You'll note that these posts date back to 2007, and I post here once a week.  That's a lot of very long posts, but they are all connected to the theme of Romance, SF and Paranormal Romance, the entire field of the Romance novel and the SF novel (perhaps most all genres, certainly including Westerns, maybe not Mysteries), and how these genres are regarded by the general public.

The objective is to solve the puzzle of why such genres are held in such unmitigated disrespect.  And to consider what we can do about that.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com (currently available fiction)
http://www.simegen.com/jl/  (complete index of all works)

Monday, March 22, 2010

Pearls, Rebels and Lovers

A mish-mash of blatant self promotion today.

Last night HOPE'S FOLLY won the PEARL award for Best Romantic Science Fiction--something that was quite a surprise. I love the PEARL awards because they break down paranormal romance subgenres into categories. It's touch--especially when you write the quirky subgenre of science fiction romance--to compete against vampires romances and fallen angel stories. The characters, the plot lines, the things that make readers go yes! yes! yes! just aren't the same. With the way the PEARL defines their categories, it gives all the subgenres a logical chance against similar books. Also in the winner's circle were Susan Grant and Jess Granger. Both top notch SFR books. It's a total honor to share the winner's circle with them. Both Susan and Jess write to the same premise that I do, and I can highly recommend their books to my readers. Not that I can't also recommend books by other authors who write paranormal romance, but I've learned--or am learning--that there's not a true and consistent cross-over from readers of, say, Sherrilyn Kenyon or Nalini Singh to the kinds of stories that Susan, Jess, and I conjure up. We batted back and forth on this blog (as well as on others) the differences between SFR and the rest of the PNR subgenres, and whether or not we even belong in the PNR corral. Point is, with the PEARL awards, we get our own little corner of the galaxy. And I do heartily thank those at the Paranormal Romance site and list for doing so.

Also happening this week--tomorrow, actually--is REBELS AND LOVERS. It hits the bookstore shelves (and should already be pre-shipping from the online sites) March 23. This is book four in the Dock Five Universe series which started with GABRIEL'S GHOST. I've also just signed the contract with Audible for audio books for the series. Nope, no clue when they'll be available but as soon as I know, you'll know. This is an exciting process--I've never been out in audio book format before.

Other than that, the conference silly season is starting for me. To say I'm going nutzing futz is an understatement.

Happy reading, all! ~Linnea

REBELS AND LOVERS, March 2010: Book 4 in the Dock Five Universe, from Bantam Books and Linnea Sinclair—www.linneasinclair.com

Kaidee hated when her ship didn’t work. Dead in space was not a place she liked to be. Especially with an unknown bogie on her tail, closing at a disturbingly fast rate of speed that made her heart pound in her chest and her throat go dry.

Sunday, March 21, 2010

Spring Break for alien romance inspiration

I'm sure it has been done before. Almost everything has.

However, I believe that Spring Break is a uniquely American phenomenon. I don't recall mass collegiate exoduses (exodii?) to the coast... although, there was Club Med, now I think back. Also, there was some kind of young, singles, tour operator that once took me on an absolutely dreadful ski holiday. And that would probably make a better story than my musings on Spring Break in Florida.

No matter. I am here, I've given myself a mandate (by posting a title), so I will plow on, regardless of better ideas.

Dara Joy's brilliant alien romance "Knight of A Trillion Stars" made superb use of venue: that of a science fiction convention to set the scene for the almost-abduction of the heroine. Spring Break would work almost as well, especially if one could substitute near nudity for otherworldly costumes.

In fact, now I am brainstorming about this, I see possibilities for Viz-Igerd, the King who is too proud to wear clothing, and who lost his Queen in Knight's Fork. I'm not working on his story at the moment. I put him on a back burner because naked guys with fully retractable genitals and a Wolverine-like "warhand" are a logistical nightmare for this writer who has her mind wrapped around the cold North sea.... but, Jax Beaches in late March might work for Viz-Igerd.

Thor-Quentin would probably enjoy Daytona Beach at Spring Break. I must look into that. He's the other anti-hero on my mind, but too young to settle down. But, I digress.

What is Spring Break? Why do thousands of college students head for beaches en masse at Easter? If they don't do so in Europe, is it a matter of economics or climate? Does it hark back to some primaeval time, like our human version of bird and fish migrations? Certainly, a great deal of displaying takes place, also a lot of self- and reciprocal grooming (especially involving sun lotion).

If one were adapting Spring Break to a colony world, or to an alien culture, what would the pre-requisites be? You'd need seasons. You'd need a designated holiday period for all young people of prime mating age. They'd have to be mobile. You'd need a destination. The locals would have to be more than tolerant, because Spring Break involves the closing of roads (or parts of roads) and residental tower blocks appear to be virtually beseiged with their parking spots annexed. Roads are clogged to the point of crawl pace. Woe betide anyone who needs to get anywhere in a hurry. If there were to be a hurricane or tsunami during Spring Break, escape inland would be improbable.

Spring Break also involves an incredible amount of noise pollution. Also litter. Also vomit in the streets. A more orderly world (or society such as the Germany I loved in the 1980s) would never tolerate it... or else would make a vast amount of income in fines from vigorously enforcing the anti-litter, anti-noise-pollution laws on the books with on-the-spot fines. California should consider that!

As for my own, European "Spring Break", I cannot recall what possessed me to think that I might like skiing. My balance has never been good, and my ankles are not sturdy. The tour put me in a group which involved some highly creative and altogether delightful males from Australia, who danced on other people's (my) balcony wearing minimal clothing, brandishing beer, and comparing various bodily odours (their own) to the smell of decaying wildlife.

Our tour operator went bankrupt and ceased operations while we were away. The hotel sent us to the airport without telling the coach driver that there was no plane. While we waited at the airport, the coach driver, thinking he was off duty, went back to the resort and helped finish all the drinks left in the bar... by the time I did return to the UK, I was a day or two late and had caught the most dreadful case of laryngitis. Trying to cross Europe while totally unable to utter a word is an experience! If one is mute, one is assumed also to be deaf and stupid. But that is another story.

All the best,
Rowena Cherry

Thursday, March 18, 2010

International Conference on the Fantastic in the Arts

As you read this, I’ve flown to Orlando for the International Conference on the Fantastic in the Arts, which combines the best features of an academic conference and a fan convention (well, except that nobody wears costumes). Lots of editors and authors attend, in addition to scholars of all fields of speculative fiction in various media. Today (Thursday) I’ll do a reading from my erotic shapeshifter romance LOVE UNLEASHED and chair a panel on vampires in anime and manga.

I am SO looking forward to the warm sun and hoping the few predicted showers don’t materialize. Though I’m not one to waste prime panel-attending time that I’ve PAID for by lounging around the outdoor bar, I do like to take a daily walk outside. This hotel sits next to an artificial lake where some people professed to have seen alligators last year. I didn’t glimpse one, but maybe this year—from a cautious distance, of course.

By the way, today my monthly post about vintage vampire novels on Michele Hauf’s VampChix blog goes up. I’m discussing the fluffy 1969 satirical novel DRACUTWIG. Check it out:

VampChix

Margaret L. Carter
Carter’s Crypt

Tuesday, March 16, 2010

Pausing For You To Catch Up With Me

I have a lamentable habit of writing posts which would be long even as a book chapter.

Nothing I can do seems to mitigate that habit. Every time I write something really short, I read it over and it gets longer and longer.

I know there are readers here who save these posts intending to read them later, and then just don't have time.

So I'm pausing to let you catch up.

Someone turned up on twitter recently discussing "Magic Realism" and I said that it was basically how magic really works in the real world, instead of the broad, dramatic and melodramatic strokes used in most Fantasy works.

I have said on panels at conventions that Magic is to Fantasy as Science is to Science Fiction, and I think that sums it up. "Magic" as handed down from the dawn of time, the pre-scientific, pre-Aristotelian view of the world is the source material for Fantasy.

Much of what I present here, especially "Love Conquers All" and the HEA ending thesis, is predicated on the assumption that you've read and absorbed the material presented in these very abstract posts that I've done on this Alien Romance blog on the magical view of the universe.

One of the big problems with writing by USA natives is that we have mostly grown up with a mono-lingual tradition, speaking reading and writing only English, and American Standard English (or a dialect of it) at that.

We are mono-cultural and wear blinders so dense that we don't even know what that means. It gives the fiction we write a false note heard only by members of other cultures.

To break through that and build fantasy worlds that ring true, we need to step into a world view that includes but is not limited to or by the scientific view of reality.

So you might want to read or re-read what I've said about the world as viewed through the eyes of that tradition which includes a magical view of the universe and which can be used to generate "Magic Realism" worldbuilding suitable for PNR and other genres:

On Tarot:

http://aliendjinnromances.blogspot.com/2007/08/folks-first-i-have-to-say-that-at.html

http://aliendjinnromances.blogspot.com/2007/08/two-of-swords.html

http://aliendjinnromances.blogspot.com/2007/08/three-of-swords-commitment.html

http://aliendjinnromances.blogspot.com/2007/09/4-of-swords-gestation.html

http://aliendjinnromances.blogspot.com/2007/09/5-of-swords-co-dependence.html

http://aliendjinnromances.blogspot.com/2007/09/six-of-swords-love-conquers-all-as.html

http://aliendjinnromances.blogspot.com/2007/09/7-of-swords-conflict-avoidance.html

http://aliendjinnromances.blogspot.com/2007/10/8-swords-yes-but.html

http://aliendjinnromances.blogspot.com/2007/10/9-swords-nightmares.html

http://aliendjinnromances.blogspot.com/2007/10/10-swords-your-chickens-come-home-to.html

Read those in order and it can leave your mind stunned and unable to absorb another word of these far-out abstractions.

So to lighten things up, take a forray into some of my reviews and discussions of worlds others have build - not necessarily Magic Realism!

http://aliendjinnromances.blogspot.com/2010/02/tv-shows-leverage-and-psych.html

http://aliendjinnromances.blogspot.com/2009/11/doubleblind-by-ann-aquirre.html

http://aliendjinnromances.blogspot.com/2009/12/recommending-devon-monk.html


http://aliendjinnromances.blogspot.com/2007/02/happily-ever-after.html

http://aliendjinnromances.blogspot.com/2007/04/dresden-files-interview-with-jim.html

Next week, we'll review the Suit of Pentacles and explore some points of view even more mind-boggling than that.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com (for currently available novels)
http://www.simegen.com/jl/ (for total index of my work)

Thursday, March 11, 2010

EPIC Awards

Last week, the annual EPICCon, the gathering of e-book authors and publishers, was held in New Orleans. I wish I could have been there, but its March date falls not only in the middle of legislative session (the crunch period in my day job) but also the same month as the International Conference on the Fantastic in the Arts, one of my two yearly can’t-miss conferences. So I can justify also going to EPICCon only in rare years. It’s always a deprivation to miss the outstanding workshops and Jeff Strand’s inimitably hilarious Master of Ceremonies gig.

Rowena won the Friend of E-Publishing Award! Congratulations!

The full list of winners can be seen here:

EPIC EBook Awards

Margaret L. Carter
Carter's Crypt

Tuesday, March 09, 2010

Worldbuilding From "Reality:"

On twitter on #scifi chat on Friday Feb 26th, the discussion centered on Urban Fantasy. That was the day after I saw the Healthcare Summit on live feed. Talk about a reality check!

"Reality" of course means your subjective bubble reality that you live inside of.

We all walk around inside bubbles and see the world through reflections of ourselves and ghosts of what's out there.

This blog is about Alien Romance, Science Fiction Romance, and what goes on inside a writer's mind that results in a well concocted universe and a story that fits into that universe artistically.

The main Worldbuilding Posts that I've written are here:

http://aliendjinnromances.blogspot.com/2007/02/worldbuilding-and-art.html

http://aliendjinnromances.blogspot.com/2009/12/worldbuilding-by-committee.html

http://aliendjinnromances.blogspot.com/2010/01/worldbuilding-for-science-fiction.html

I've done a number of posts not listed above describing the worldbuilding process, the way a writer creates a "selective representation of reality" against which to tell a story about characters who encounter problems tailor made to break the character's psyche in half, and how the character learns to heal that broken psyche because of the traumatic events.

That applies to action stories as well as to romance, though romance is much better at breaking psyches than action is. Combine the two, toss in some skewed SF speculation, and the resulting story can resound down the ages as a lesson to be grappled with.

Nothing arouses the emotions to the breaking point like politics. Politics can break a good marriage! The human species is still trying to find a method of governing that actually works.

So science fiction writers keep exploring the options, looking for some new ideas, generating a whole sub-genre of "sociological SF" which lends itself particularly well to Romance, especially Paranormal Romance and Urban Fantasy.

Alternate universes and alternate histories are in style as venues for telling such stories -- but I haven't seen any really NEW ideas lately.

Fantasy genre tends to default to Aristocracy and Kings as the governing method. Maybe that's just lazy writing.

Destroy our current civilization and we start over basically with the same-old, same-old. You've seen that happen in "reality" on TV news as other countries, knocked back by natural disaster or war, re-form their organizations around "strong men," gangs, religious leaders, -- anyone who can command enough loyalty to defend a neighborhood.

Crowning Kings is what humans do. We need "Kings" to unite us in defense, and to go conquering to pacify larger territories, get water and arable land, etc.

I talked a little about that a couple weeks ago in this post:

http://aliendjinnromances.blogspot.com/2010/02/how-does-intelligence-work.html

In that post, I explored the origin of the I.Q. test and how it originated in politics and might still be used by politicians because the concepts embedded in it lend themselves to creating an Aristocracy.

At the moment, most of the world and particularly the USA is using a government format that is rooted in Aristotle's philosophies.

That's right, our concept of how to govern ourselves is THAT old!!!

Nearly a hundred years of dedicated futurologists and really original thinkers writing SF and Fantasy haven't yet come up with a new idea.

But if you look at the Romance field, you see how crucial are the assumptions about how the overall government around the bonding couple works.

Bonding into a couple is fragile at first, and very often in "reality" defies local "authority" and gets bashed down hard, sometimes too hard.

Human couples form that wondrous, and unbreakable, bond across the artificially created lines of politics, religion, and cultural taboos, and somehow, against all odds, coupling prevails because of romance, not because of practical everyday strengths.

Once formed, that human coupling bond is stronger and more compelling than any other force, even politics most of the time. It's especially stronger than religion. But both politics and religion can crack open a marriage, especially after children arrive which "raises the stakes."

So you might expect the Romance field to have produced some Fantasy Romance using something other than Kings, Queens, and aristocrats.

Fantasy has used various sorts of aristocracies -- some based on merit where the Hero(ine) has to swing a sword better than anyone else or pass some other test, or have an ESP Talent to qualify.

But, in Urban Fantasy and PNR, the default format of what can somehow, almost, manage to govern humans is a bureaucratic, autocratic or mystical aristocracy.

The assumption is that some people are just inherently better than others, that some people are born to rule.

But our real world does not laud that theory at all.

In our reality we keep trying to get this election thing perfected, and let vast numbers of people select people to go solve our problems from a central location (with the implication that once we choose the right person, we don't have to pay any more attention).

That lack of constant attention by the electorate is starting to evaporate under the impact of social networking online.

The pendulum seems to be swinging toward the general public micromanaging elected officials.

And concurrently, we are getting more of an assumption that the highest elected officials have been tasked with micromanaging our individual lives.

That's a view from inside my personal subjective bubble. Your view ought to be different (I hope).

This blog is not about what my (or your) political bias is. The point is that we all have a bias, and the very existence of a bias or perhaps a scorn for those who have a bias, makes a great conflict to embed in a world you're building -- so the bonding couple can have a hard time and learn from that.

Another subject we've been discussing here is screenwriting, or "visual storytelling."

Text-narrative writers have to do this, too, but with different tools.

A feature screenplay or TV show can simply specify the visual clues in the environment that illustrate the emotional undercurrents and richly built world behind the drama.

A text narrative has to accomplish the same thing with tools more like a Japanese Brush Painting, illustrating the rich detail with a few, bold, vivid strokes that engage the human brain's ability to fill in the gaps by inference.

If you do a quick survey of the Urban Fantasy novels of the last 2 years, two things leap right out at you.

1) There's almost nothing but SERIES, and some are not numbered but labeled "A Violet Simpering Novel" or whatever the main character's name is.

2) They use what I've called the "thin film over a seething cauldron of Evil" vision of reality to create dark, ugly, underbelly-of-civilization stories.

The most popular are told in our everyday universe where in some adjacent universe with evil, bad, ugly, threatening beasts plot to invade and destroy or take over our reality. The only thing stopping them? Our Hero(ine).

The evil is among us and someone has to live a nasty life in order to save us - whether we want that or not.

Amidst this all-encompassing "darkness" we sometimes have a pair of lovers who somehow find each other against all odds (I personally love that story!)

Now duck back into everyday "reality" and take a look what's coming off your TV screen.

The USA is in the midst of take-2 of the Healthcare Debate.

OK, now everyone is standing up shouting at me, either "healthcare is a right!" or "healthcare is a privilege" -- or whatever your opinion might be.

SHELVE YOUR OPINION.

This is a writing exercise that requires looking at "reality" as objectively as you can in order to create a few swift strokes to depict a fictional reality where everything is sooooo diffferrrennntttt!!

To be different, you have to figure out what you're different from.

So we need to look at the US government with an artist's eye, with a visual story-teller's eye, and with a philosopher's eye.

Where have we been with governmental forms? Where are we now? Where are we going? Extrapolate - "If This Goes On ..." where will we be?

Worldbuild the place where we're going, and set your romance there and it will be sociological SFR.

Well, that's what I do everyday, even when I'm not particularly focused on building a new world or writing a new story.

So a couple weeks ago, I sat all day Thursday and watched the antics of real world politicians before national cameras "discussing" healthcare reform. Well, truth is I multi-tasked, cooking while watching.

And though I searched, I didn't see any discussing at all.

The POTUS ordered "no talking points" and everyone proceeded to utter all their most polished talking point lists uttered in perfect sound bytes.

Each person at the huge, square table gave a prepared speech, and only acknowledged anyone else at the table in cursory asides that made it seem like a conversation -- but it was not a brainstorming, problem-solving, solution-inventing session, which is what it should have been.

I mean, we pay their salaries to solve these problems. They wasted our time right in front of our faces. Personally, I'd dock their pay.

If you wanted to hear what these people were thinking, you did well to not-watch the 7 hours of television. I've seen miniseries that were shorter.

On the other hand, it was a feast set out for a writer!

Defiance of authority seemed interesting to me as talking-point after talking-point was uttered but only one man got scolded by Authority. Since I knew the back story, I found that had subtext galore.

I was particularly interested in the face of authority defied. Lots of good drama there.

But there was other really rich material, especially for a romance writer.

Because the networks kept cutting in to insert commentary and commercials when someone they didn't like was talking (sometimes when POTUS was talking), I ended up switching to my computer and watching it "live streaming" where they showed every single moment.

And I'm glad I did because later, comparing the clips shown on TV to the view via live-streaming, I SAW THINGS in the room that I wouldn't have seen, things the TV shots left out, visual clues which I could use to make up a story.

Perhaps the 7 hours is archived online somewhere, I don't know. If you have a day to waste, you might want to hunt it up and watch.

But here are my observations.

The one single, loudest cry from the voters that I've heard consistently from all shades of the political spectra is that "Government Is Broken" -- this from the people who want a public healthcare option and from those who are against it. Both sides are convinced "government is broken" because they can't seem to get government to do anything, and when it does do something, it's disastrous immediately, or in the future.

Government Is Broken

If you've wondered if government really is broken in the USA, it might be informative or at least stimulative to the imagination to watch a good portion of the live-streaming feed of this healthcare summit meeting.

Now, I've wondered about this idea that government is broken. And I keep thinking a good SF writer ought to be able to posit a fix for the break, if it exists.

Note that above I said that the best Romance is written by taking a character, breaking the character's psyche with Events, then healing that character by lessons learned from those Events.

Government has experienced an Event (the Financial System meltdown).

If they learn from it, and heal, then "broken" is a really good way to be at the moment. If they don't learn and heal, then "broken" portends personal disaster for us all.

But why would the financial system meltdown Event "break" government?

Was that Event the source, or just a trigger?

Let's say it was a trigger.

We have to look for the source of the weakness. Something within the governmental philosophy behind the structure of this government FAILED.

What was it?

The electorate is gearing up to "throw the bums out" and get ourselves some "new bums" which has always worked before.

A democracy representing a Republic, that's the nested structure of the USA. We have a Representative Democracy.

As far as I know, we're the only democracy that uses the form of government we have -- everyone else uses the British parliamentary system or some variation on a multi-party system.

Ask The Next Question.

What could cause a representative democracy to fail?

Well, let's look at how the Federal Government functions.

a) No Congressman or Senator ever reads all the Bills they vote on. In fact, the elected folks don't WRITE the Bills - aides do that.

b) Congressmen and Senators are on multiple "Committees" and "Subcommittees" -- all of which cram meetings and hearings into the very few work-week hours these people are officially on the clock.

c) They have to show up in person on the Floor to vote, but they DO NOT SIT THROUGH the "Debate" on any bill. I've seen on CSPAN and elsewhere any number of really important Bills debated. The speaker stands up at a microphone and reads a prepared speech TO AN EMPTY ROOM except for the presiding officer (usually not the actual top official who should be presiding) and a secretary.

OK, it's true this stuff is televised and they can watch from their offices, but do you think they're hanging on every word? Do they read the Record or even read the text of the speeches from the opposing side?

Why aren't they all at the floor sessions, listening? Well, they're on committees, in meetings, or out to lunch with lobbyists. They're on the phone with constituents. They're all over town, and in some cases actually doing some work. They're too busy to sit and listen.

d) There are exactly 2 Senators from each state, regardless of the population of that state or its physical size. 100 Senators.

e) There are a fixed number of Representatives (that could be raised but hasn't been for a while) apportioned among the states by population and among the counties of a state by population, all according to the 10 year Census.

This from Wikipedia:
http://en.wikipedia.org/wiki/United_States_House_of_Representatives

----------
Each state receives representation in the House in proportion to its population but is entitled to at least one Representative. The most populous state, California, currently has 53 representatives. The total number of voting representatives is currently fixed by law at 435.[1
-----------

Do you see what I'm getting at?

I've run through the population growth statistics of the USA here a few times because anyone trying to market fiction has to learn to think in terms of "market share" and market composition. You need to know what the numbers mean.

Roughly, the USA population grew from 200 million to 300 million from 1960 to 2000 and today is estimated to top 330 million.

That's a 50% rise in 40 years.

The 1790 Census stood at 4.55 million. That's the kind of population magnitude the structure of this government was created to handle. That was before California was discovered. (Gold Rush was 1849)

http://www.census.gov/prod/www/abs/decennial/1790.htm

At the time the Constitution was framed, who could IMAGINE 400 million people under ONE GOVERNMENT, all of them voting and micromanaging the government via twitter?

In Business, the corporate structure is periodically examined with an eye to "scalability" -- and very quickly and efficiently restructured as the company grows.

But in government, the same structure is pushed to govern through growth of 2 orders of magnitude.

OK, government added Representatives -- but a single body of 435 disparate voices all concerned about local things but not national things is just way too large to manage.

We added States so we added Senators. We started with 26, you know. In a body of 26 people, everyone can talk to everyone and make group decisions. In 100, it can't happen. In 435, it's ridiculous.

How many corporations have TOP management of 535 individuals all with equal authority? (Senate and House).

If the USA government is broken, then I suspect it's because of scalability in the structure.

Not only do we have about the same number of people doing the governing work as for 200 million, but we've INCREASED the amount of work they have to do.

And it's not just population growth that increases the work load on Congress and the Senate. Today, no sooner do they get something done than they have to do it over because the world changed.

We made it through the industrial revolution, but we've totally drowned our government with the technological revolution.

They can't make new laws fast enough, nevermind anticipate what laws we need governing what new invention.

That's how the financial meltdown occurred.

Some bright people had the brilliant idea of a way to make a huge profit off of loans that were certain to default and never be paid back.

They went global with the idea (the group was originally based in London).

It worked gangbusters, mostly because no government had authority or power or the computerized tools to audit, regulate, or assess these instruments. They were HIGH TECH instruments nobody understood, least of all the inventors and others who pretended to understand.

Because our government is stuck in the stone age of mainframe computing, and because all our laws are archaic, and can't be deleted and replaced as fast as corporations can invent and ditch technologies and strategies based on video-game-speed transactions -- we got destroyed.

Because our government is designed to govern 4.5 million people, and is now governing maybe 350 million (soon to be 400 million I don't doubt - and that's not counting illegal immigrants though the early census counted slaves), and because our government is not state-of-the-art computerized, we will crash again. Maybe this summer.

In today's age, it should take Congress and the Senate maybe a day to write a Bill, and get it passed by the President. It'll be obsolete when Microsoft releases its next operating system.

If our government can't move that fast, we will be thrown back to the stone age -- or become an anarchy. (I'm not sure we aren't already an anarchy, but Congress hasn't noticed yet.)

So What Shows That USA Government Is Broken?

If you're writing a book or screenplay and need to show a government that is broken, what would you show -- what images would you use.

Here's an idea:

1) Show the governed doing business. Show a corporate meeting. Show "Go To Meeting" or some other teleconference. Show a brainstorming session where actual problems are solved.

What would you see in a real working meeting of a functional international group?

Computerized "white boards" -- whole wall flatscreens like you see on TV tracking elections or weather where the reporter kind of waves his hands over the screen and windows open and move, text boxes show up with statistics all organized. A big iphone screen.

Watch TV news. Say CNN. The commentators sit at a high table with notebooks or netbooks open before them, earbuds connected to producers.

Watch yourself doing some real work. If your internet connection is down, you can't work. You need google and bing and whatever to look stuff up to be sure of your facts.

2) SHOW the broken government doing some work, holding a meeting, solving a problem. (Healthcare is not something to fight over; it's a problem to be solved and it should take about 2 hours to write a whole new healthcare system, and update it next month.)

If you wanted to show the broken government trying to manage a populace armed with computers, earbuds, cell phones, etc, you would concoct the visual images we saw at Obama's Healthcare Summit.

To invent a totally new form of government for your novel, you have to incorporate clues that tell the reader you understand the current state of affairs, so your invention seems plausible not naive.

So you have to study the visual differences (show don't tell) between the governed and the governors as it stands today, then invent visual differences to indicate how well the invented form of government works.

What did I notice in the healthcare summit live-stream that I could use to show broken government, and generate a visual indication of a non-broken government?

a) Only on the live streaming internet view, I saw closeups of each person at the table, looking DOWN on them. I saw all around the table, everywhere. I saw the table in front of each person. NO COMPUTERS, no netbook, no handheld (even Obama didn't have his blackberry and had to be handed a paper note at one point). This is our government at work. They may as well have met in 1790, not 2010. I was so horrendously embarrassed, you have no idea. Crushed!!!!

b) I saw stacks of bound printouts we were told were the passed Healthcare bills. They were thumb-indexed with sticky index tabs.

c) I saw a several page printout we were told was from the website posting Obama's proposed Reconciliation bill. We were told that once written up properly it would be that huge. As I said above aides do this, not actual elected people we have given the sole authority to write bills.

d) I saw a couple aides sitting behind people at the table who had cell phones or blackberries. I saw Secret Service people with nothing in hand paying actual attention to everyone around and about.

e) I saw what each person at the table was wearing (very informative). I compared what they were wearing then, to what I see them wearing in Hearings to what they wore at the State of the Union address and the Inauguration. I noticed how they wore their hair.

f) I saw what people at the table were doing while other people were talking.

g) I saw the speaker system set up in the open square in the middle of the table.

h) I saw one cameraman with a camera on his shoulder -- obviously there were others, someone took the picture of the cameraman. Usually, at committee hearings, there are a few dozen cameramen/women squatting before the speakers or on the sides by the wall.

i) as the day wore on, I saw water GLASSES (few plastic bottles) appear before people while the camera I was watching through looked elsewhere. I saw after lunch a couple of COFFEE CUPS -- gold gilt, open handle, very elegant presidential grade china cups with embossed saucers, set behind where they wouldn't be in the TV broadcast camera shot.

j) we were told there had been debate whether the attendees would eat while before the cameras and it was decided to have a buffet style lunch served off camera. We were told the menu (elegant - nothing I'd care to eat).

k) at the lunch break which was delayed because speakers ran over time, they HAD TO BREAK then because the Representatives had to go to the Floor to vote. That's important. That happens at Hearings, too. They don't have time to listen to debate on the floor, they just run in and vote and run out. They're not doing the work we hired them to do. Why not? Because they don't want to? Or because they've got too much work?

We saw them walking out across the street from Blair House wearing what they wore inside even though it was really cold in DC, though not snowing as it was in NYC. They did return (presumably after the buffet lunch) pretty much on time, and the POTUS allowed the whole discussion to run 1 hour over the announced time and he called that good for a DC meeting.

l) That night, I was thinking about all that I saw, and noticed something else that hadn't struck me at the time. These folks, I know most of them by sight because I do watch congressional hearings sometimes, these folks are the heads of committees, the ones elected to internal offices of their parties, (like Majority Leader and Whip) functionaries of the Congressional organization. These were not the everyday worker bees of Congress -- these were somebodies at the top of their careers. Mostly elder white males, a couple young white males, a couple of women also not young, I recall only one other black male besides Obama, again not young.

This group did not visually represent a statistical cross section of America. No Indians, no Spanish accents, no Hispanic looking people, no Orientals of any ilk, and no American Indians (though 17 Healthcare bill amendments inserted a specification that a paragraph or another applied to American Indians, too, all 17 submitted by one person).

m) Also noted how the microphones had red circles that glowed when the mike was on, and a switch the person sitting at it could control. Didn't hear any howls of feedback, so that tech was pretty modern.

n) noted the hanging ivy behind the POTUS, artfully draped over the old mantle but no skylight in the room that I could spot. It was a room the size of a ballroom at a hotel, with a good carpet and fine acoustics. I didn't see any ugly gray duct tape on the carpets securing wires for the microphones but it might have been there. I think the system was wireless. At least that. *sigh*

o) I also noted, many times, the horridly uncomfortable straight backed cane chairs, ever so stylish period pieces, but everyone seemed to sit so still, straight, and stiff when the cameras were on. Maybe nobody wanted to show their age or infirmity when the cameras were on. I felt that a really functional government would have provided chairs that wouldn't distract participants with pain.

I do know that Congress and the Senate are a lot more "diverse" than what I saw and Congress itself has slightly more modernly ergonomic chairs.

Now there's your visual portrait. Think about those points.

Nevermind the incendiary subject they were discussing, nor the total lack of HEAT from any of them except POTUS scolding one Senator.

Think about what you see in that image. And what you do not see. And what you see among the working people these folks are there to govern when a group sits down to solve a problem with corporate policy.

The USA government is behaving as if the internet is irrelevant. These are "executives" (the level that doesn't type and doesn't make coffee and does take inordinate pride in their practical disabilities).

They are publicly, (knowing they're on national television) showing you how wonderful they are, how on top of everything, how much you can trust them to do this job, and how fabulously efficient they are at it. Some of them are up for re-election this November and really need to get that message across.

Not a handheld or computer. Not an earbud. No way to find a page of that bill they're discussing and project it to the overhead, use a laserpointer (no laser-pointers in breast pockets or on the table) to highlight an item and discuss it. If they had networked laptops, they could all be referencing the same sentence and could hash out what to change it to. Nope. But they're supposed to be showing us how competent they are to manage our government at Broadband Speeds, do an end-run around corporations and protect us from corporate predation.

At one point one person challenged another person's statement about a "fact" -- saying the fact referred to was not a fact at all, but didn't say what the real fact was.

After that challenge, there was no equipment brought in to overhead project or whiteboard illustrate where the cited fact came from and what the true fact actually is.

How can this group solve the healthcare problem (or any problem) if they don't even bother to ascertain the correct facts?

The total lack of computer equipment, the reliance on hand written (hand written, not even typed) notes likewise indicates a total lack of competence to do the job they've been elected to do (make laws faster than corporations can circumvent them).

These folks aren't incompetent. They're among our brightest and best!

It's not the people we need so much to change (you can't find better people anywhere), but the scalability of the government structure.

The way this government does its work -- not the work itself -- is broken because it has not been updated to keep pace with the governed.

The second-biggest-failure in the history of the USA (the financial meltdown) happened because our government is unscalable and obsolete.

The first biggest (the Great Depression) happened for essentially the same reason and a measure was passed to prevent that happening again -- the act which separated deposit banks from investment banks. That act was repealed a few years ago, but not replaced with something more modern. Lawmakers could see the original act was way obsolete, but could not see what to replace it with.

The government can't move fast enough to keep up with the governed.

So we need to invent something new in governmental forms and that's the business of futurologists, essentially SF writers of all stripes and ilks, including SFR writers.

The thesis here on this blog is "Love Conquers All" -- and it seems to me if a philosopher is going to arise to point us at the first totally new form of government in, what?, 2500 years (if you don't count Sharia Law circa a thousand years later, but as I understand that system, it's another form of dictatorship or totalitarianism where the governed don't get a sayso; anyone know more about it?), then it'll happen because of LOVE not because of politics, hate, or healthcare.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Monday, March 08, 2010

Serendipity and Persistence


This is a story that took about eight years and isn't over yet. This is a story about a young man with dreams, a young man who served his country then--still struggling with his dreams--started serving meals, waiting tables in a Palm Beach, Florida restaurant.

This is also the story of an author who--when she was a struggling writer with dreams--was helped by other authors on the path, and who has a habit of leaving her bookmarks everywhere, such as along with the cash to pay for the meal in a restaurant.

"Hey," says the waiter, returning to the dinner table with the change, "you're an author. I've always wanted to write a book. But I don't know where to start."

"Hey," says the author (who writes much better dialogue than this in her books), "I might be able to help."

They exchange email addressess (under the watchful eye of author's husband who long ago gave up on his wife's tendency to collect strays), they exchange ideas, the author sends suggestions. Read Dwight V Swain's "Techniques of the Selling Writer." Read Browne and King. Read Bickham. URLs are sent, guiding the waiter-writer to sites like Sime-Gen's World Crafter's Guild and the worthy advice on sites run by Orson Scott Card and Holly Lisle.

During the next year (which was 2003)--and many more meals at that restaurant--the waiter-writer actually sends the author a few sample chapters.

"Hey," the author says in a return email, "you have talent. But you've missed a few key points. Reread Swain. Reread Bickham." She makes notes in his chapters, suggests changes.

The author and waiter-writer lose touch for a while. Then every once in a while, another chapter hits the author's email inbox. She sees talent, she sees progress. She crits and sends it back.

Fast forward to 2009. The waiter-writer has moved to Connecticut, finished his first novel, and sends drafts for query letters and synopses to the author. After thwacking the waiter-writer via cyberspace for not listening to her when it comes to queries, the author sends more instructions on crafting queries and by 2010, the waiter-writer gets it right.

Fast foward to March 2010. The author offers to send a letter of introduction on the waiter-writer's behalf to her literary agent. This generates a phenomenom knows as "jumping over the slush pile." Author isn't sure--she's never sure--how the literary agent will feel about waiter-writer's book. It's edgy contemporary fantasy, sharp and gripping but with a very distinct voice. Or as waiter-writer calls it, "It is a blend of the Lord of the Rings and Harry Potter having lunch with Tom Clancy and Dean Koontz."

The manuscript hits the email pathways and within two weeks, the literary agent gives author a heads-up: she loves the book. Loves it. Totally. The agency is going to offer waiter-writer representation.

Waiter-writer has just become an author. His name is Steve Vera. Watch for him as this author has a feeling he will sell and sell quickly.

Corrollary: A couple of things to be learned from this story.

1) Believe in yourself and don't be afraid to ask someone farther along the path than you for help. I try to mentor two to three writers a year (that's honestly the limit I can handle because as Steve can tell you, I do very intense critiquing). Many other authors do the same, but even if you can snag an author as a mentor, authors do blog, do teach classes, do share their tips and tricks on their websites. Utilize that.

And...

2) When authors share, listen. We've arrived where we are by employing certain methods that work. Recently there was a discussion on another blog where a poster decried the "rigid rules of writing," indicating that those kinds of writing rules weren't necessary. Big fat hint: they are. A lot of writers are natural writers; they innately have the cadence and flow of commercial genre fiction. But that's the muse part, the art part. Being an "ar-teest" is not enough. You must, absolutely must understand and employ the craft of writing. That doesn't mean you can't bend the craft rules. But you must be able to employ them well before you can bend them skillfully. Writing only "from the muse" is rather like letting loose inside your house an out-of-control toddler with a tray full of fingerpaints. The muse needs the discipline of craft.

As soon as Steve has a book deal, I'll post. And yes, outside of getting offers on my own books, watching one of my "students" fledge is the best damned wonderful feeling in this galaxy. Which brings me to a final and necessary rule of life called Random Acts of Kindness: Good karma. Pass it on.

Namaste,
~Linnea


REBELS AND LOVERS, March 2010: Book 4 in the Dock Five Universe, from Bantam Books and Linnea Sinclair—www.linneasinclair.com

Kaidee hated when her ship didn’t work. Dead in space was not a place she liked to be. Especially with an unknown bogie on her tail, closing at a disturbingly fast rate of speed that made her heart pound in her chest and her throat go dry.

Sunday, March 07, 2010

An alien's view of make-up and human health care

Greetings, my brother.

There is no point in asking whether or not you are in good health, and obliging you to reply. By the time your reply reached me, your answer would be several cycles old.

I'm on a planet called "earth" by the sentient species of animals with whom I've communicated. "Earth" means "dirt" or "soil" to them. Illogically, this planet consists mostly of water (salt water).  I digress. This is a distracting environment.

No doubt, you remember our discussion about the question, "Do wild animals mutilate themselves?" We thought that the answer was that animals only mutilate themselves if demented by boredom or stress, perhaps in captivity. We don't include defensive shedding of tails or other appendages as a means of distracting a predator.

Well, brother. I've found an exception to our rule. I haven't figured out what causes these animals to mutilate themselves, and their offspring, and their companion animals. In some cases, they seem to find it attractive in spite of the practical drawbacks.

For instance, in stressful urban settings, they take colored inks and powered needles, and stab themselves until words or images are "tattooed" (as they call it) permanently on their skin. This is not a punishment for criminal activity, as you might expect. I could understand it if antisocial individuals had a warning of their bad habits written on their faces or arms. Instead, animals appear to pay other animals to torture and mark them.

This can be monotonous. Greater variety can be achieved through the messy daily application of colored paints and powders and grease. These chemicals often contain poisons and carcinogens. Nevertheless, some working animals, mostly females, are forced as a condition of "employment" to smear these poisons on their faces and are often expected to pay for their own care if and when the poisons cause illnesses. "Employment" is what these animals do to obtain tokens which they exchange for food and other necessities.

To digress again, this payment for health care business doesn't strike me as fair or reasonable. There are exceptions, of course, but there are no penalties for self-induced problems. That baffles me.

The prudent, abstemious, provident and healthy are forced to pay for the care of the wasteful and self-destructive, as well as for the unfortunate who might deserve help. Thus, some animals spend all their discretionary income on liquid pleasures, or expensive things to chew, or stinking weeds to burn in their mouths, or on dangerous sex. Then, when their lifestyle catches up on them (or on their mates and offspring), they cannot pay for the care they need to restore them to health. So, others who have not spent all their money on sick-making habits, are forced to pay for their fellows. If they object, they are savagely punished and impoverished.

On our world, we'd expect this sort of stupidity to lead to social unrest, wouldn't we, brother? But on our world, the healthy outnumber the sick. It's the reverse on this earth.

This will shock you. If these animals don't know what a certain body part is for (or don't like what it's for), they will go to great expense and trouble to cut it off or out... parts of the gut, organs in the throat, even parts of their genitalia!

I've heard, but have not yet found a way to eyewitness this, that there's a very large country where they routinely cut off part of a newborn male child's positor which they consider superflouous and unattractive. This cruel procedure is done without pain remediation, and the child suffers agonies. Later in life, the positor is not as sensitive as it ought to be, adult males require drugs. Some of these drugs, I hear, are not without unpleasant side effects.

Ludicrously, after all this suffering and trouble, the results of the cosmetic surgery are seldom displayed. Even when in use, the positor is covered in a thin synthetic glove. When I find out why they bother, I will let you know! That is not the most unnecessary of surgeries, but it is one of the most routine, and is one of the few that is forced upon a baby animal that cannot consent to it.

Captured, display and companion animals cannot consent. Some have parts of their tails hacked off. Others have parts of their ears cut off. Some types with sharp, retractable claws have their claws pulled out by force so that they cannot defend themselves.

This is a dangerous and illogical world, my brother. Fortunately for us, our mind control abilities are effective. The most intelligent and dangerous animals are relatively easy to brainwash.

I'll write again when I have something interesting to share.

Your brother,
Thor-quentin.