Oldies But Goodies {Put This One on Your TBR List} Book Review: The Saint of Steel Series by T. Kingfisher by Karen S. Wiesner

 

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Saint of Steel Series by T. Kingfisher

by Karen S. Wiesner

 

 

Beware potential spoilers! 

To describe T. Kingfisher's medieval fantasy The Saint of Steel series as romance is a bit off the mark. No doubt it has lateral shoots toward it but those tendrils into the genre are anything but conventional. The language and love scenes are unexpectedly crude, the way erotica can sometimes be, though all volumes frequently dip into the (frequently eye-rolling) tender mawkishness of traditional romance offerings. I suspect strongly that the author intended exactly this unorthodox straddling of categories when she was writing it. 

Whatever its classification, for the most part, I found it to be a breath of fresh air. Full disclosure: For all intents and purposes, I stopped reading romances (other than the young adult variety) about twenty years ago. I can't really say that was a conscious decision. More that I'd expanded past the romance-heavy books that dominated the reading of my twenties and early thirties. And, admittedly, I no longer cared for the requisite love scenes that were so much a part of this genre. I discovered another nice thing about audiobooks is that you can fast-forward past sections in 15-second intervals. I did that a lot with these. In any case, it was a bit strange for me to take up a romance series--unconventional as this was--again after all this time away. 

Once I'd finished with Kingfisher's audiobook of A Wizard's Guide to Defensive Baking (I reviewed it recently on this blog), the only available audiobooks by this author on my library app were these four books in The Saint of Steel series. Weirdly, all of them were available to check out there and then, so I was able to listen to them back-to-back. The fact that they were readily obtainable when none of her others were made me wonder if they weren't any good. Luckily, I found that wasn't the case. I also learned that when something is "DRM free", as I think this series is, it means that unlimited electronic copies are distributed. No waiting lines! Nice for readers, probably not so much for the author or publisher. 

The premise of this series is that an order of berserker paladins loses the Saint of Steel they serve when he dies. Unthinkably--to me anyway--in this fictional medieval time period the series is set in, these saints are venerated as gods; in fact, the words "saint" and "god" pretty much mean the same thing here. After his death, his followers go on a mad rampage of death before they're broken. That's covered in a short prologue in Book 1. Years later, the seven survivors have been taken into the service of the (irreverent but amusingly so) Temple of the Rat, made up of lawyers, healers, and other community service workers. Here, they can again do good. 

By nature, paladins are selfless, chivalrous, and honest to a fault. However, these knights are forever in danger of losing themselves to the berserker rage (called the black tide) they can't control once its unleashed. I loved how natural the world building in this medieval setting is in the author's hands. She does medieval effortlessly, as if she herself actually lives in that time period. 

There are four books in this series:

Paladin's Grace, Book 1 (2020)

Paladin's Strength, Book 2 (2021)

Paladin's Hope, Book 3 (2021)

Paladin's Faith, Book 4 (2023)

 

In Paladin's Grace, the knitting paladin Stephen is the focus. Grace is a perfumer he rescues one night and then the two become embroiled in a conspiracy plot against the crown prince as well as investigating necromantic serial killings in which the victim's heads are chopped off; black magic clay heads are then implanted into the corpses to make an army of monsters. 

This story had some clichéd romantic elements. Stephen was such a do-gooder he was always worrying about losing control whenever he and Grace found themselves in a compromising sexual situation. Frequently, that led to sex between them being tabled, which got a little stale after a while. Grace is also the victim of a philandering husband who made her believe she was frigid and so she spends a lot of wasted time pushing Stephen away on that premise. The first actual love scene was a little icky for me--as far from romantic as it gets. I wanted to shout, Please, close the door! I believe the author wrote it the way she did to avoid all potential for purple prose or swooning. She may have gone a little too far on that point. I learned after that to fast-forward to get past these excruciating scenes. That said, the rest of the romance and suspense plotlines were, at turns, fun, funny, sweet, and even heartwarming. The happily ever after between Stephen and Grace was, fittingly, out of the ordinary for a romance novel as well, in that the couple didn't have a picket fence and 2.5 kids in their future. They would both continue as they had been, only now they were together. I really liked that Grace's best friend Marguerite was a very avant garde character. The reader didn't know what she might do next. I also liked the introduction of a race of talking badgers that are a part of human society in this medieval world. 

Book 2 in the series, Paladin's Strength, takes up paladin Istvhan's (mentioned in Book 1) story. He's paired with Clara, a very large (nearly his own considerable size), capable woman who's a nun from a secretive order. Clara is hiding something shocking and intriguing that really adds something to the story. Her sisters have been kidnapped. She doesn't know why, but she intends to find out. Istvhan's company--that she originally thought was a band of mercenaries--helps her and, along the way, finds out that the necromantic serial killer from Book 1 is still on the loose. 

There's also a gnole in this story, as there was in Book 1 (I don't think it's the same one) who accompanies Istvhan's company. I loved this interesting, unexpected character. Additionally, we got to revisit Stephen and Grace's happily ever after, which was nice. I liked the main characters, their amusing repertoire, and the romance that seemed joyfully inevitable despite their circumstances. However, as in Paladin's Grace, the angst that Istvhan and Clara go through about whether they should be allowed to fall in love and have sex with each other gets really annoying with such a long book. Teenagers are less angsty than Kingfisher's couples in this series. At one point (64% into the 16-hour audiobook), Clara thinks to herself, What's wrong with me? I should have been riding this man until we both walk funny. That about sums it up. Just do it already! The author also has far too many albeit plausible (but still annoying) interruptions getting in the way of sex. The overwhelming build-up tends to make the actual event disappointing when it finally comes. I'm beginning to fear the entire series might suffer from this particular malady. 

In general, I enjoyed this story and its characters very much, though it was far too long. There were two external plotlines and both got the full treatment. While I think they were both well done, the book seemed nevertheless excruciatingly endless. The angst could have been blessedly cut and taken with it a good one or two hundred pages. 

The gay paladin, Galen, mentioned in Book 1 and having played a large role in Book 2, is in the spotlight in Paladin's Hope. In the first book, we learned that he's struggled more with survival after the Steel Saint's death than the others. His nightmares used to end in a berserker rage, but he's found that being on the road helps temper the bad dreams quite a bit. He now goes weeks or longer without having one. 

In this story, Galen is paired with a lich-doctor (a physician that works among the dead, determining causes of death for city investigations) named Piper. Piper has a useful, intriguing skill that aids him in his profession. He calls it "wonder working"--when he touches a dead body, he can see what happened the last few seconds of their life before death. When a tenacious and brave constable gnole decides there are too many mysterious bodies piling up, he enlists Piper and Galen's to help him find the source. That's the only suspense plotline in this book, and that made it a lot shorter to get through, which was nice. Unfortunately, Galen and Piper are just as tormented with worry as the previous couples, so fast-forward, fast-forward, fast-forward! 

Side note: The Saint of Steel series books are also associated with some of Kingfisher's other titles set in the same medieval fantasy world. The umbrella series is referred to as "The World of the White Rat" and includes The Saint of Steel as well as Clocktaur War (with two books) and the novel Swordheart. I intend to read all of those soon and maybe review them here. The reason I mention this is because, in this story, Galen talks about how he'd had some experience with "wonder" (mechanical and possibly magical) doors and machines. The two stories in the Clocktaur War may tell this story Galen references. I'll have to see. Early in Paladin's Hope, Galen, Piper and the gnole are forced behind a wonder door, into a labyrinth filled with deadly traps they'll have to get through to escape. 

In the course of the book, readers briefly get to see the happily-ever-afters of the two previous couples, which I enjoyed. I liked the fully-fleshed out characters and the new mystery plot in this tale that's nicely focused without too much expansion from that point. 

 

The final book in the series, Paladin's Faith, features Marguerite and paladin Shane, her bodyguard. She's trying to escape a former employer who's part of a powerful organization that wants her dead. Along the way, the couple have to dodge a demon-led cult that's out to get them. Additionally, Marguerite, Shane, and another paladin--a female named Wren--go undercover to hunt for an artificer who's crafted a devise that could devastate the world. Also, though I never really thought about it before, the suspicious death of the Saint of Steel that all these paladins served is brought up in this book as yet another suspense angle. 

Again, this story was far too long and overburdened with subplots upon subplot. Combine this with yet another angsty romance between two people who spend far too much time telling themselves they can't anything with the other, and it's a surefire recipe for overload. Sigh. The female paladin Wren, who's like a sister to Shane, added an interesting viewpoint to this tale. Besides the negatives, I did enjoy the overall story, the compelling cast of characters, and the multi-faceted mysteries were capably handled from start to finish. 

Note that according to the author, though there are seven surviving paladins, these are the only four stories she intends to write (well, Wren is a paladin and a good chunk of her story was told in this last book, so perhaps we can say five stories were told within the four books, leaving potentially two untold), though further entries aren't out of the realm of possibility in the future. I expect Kingfisher didn't initially anticipate writing more than a trilogy with The Saint of Steel but Marguerite probably got a lot of requests for a story of her own. I for one would have felt disappointed without finding out what happened to her after Book 1. 

To sum up, if you're looking for something unusual and unconventional in your romance reading, this series is certainly worth your time. Beware the teenager apprehension you'll get around every corner between the couples, but, alas, that's what audiobooks and fast-forward buttons are for. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Bryony and Roses

In this 2016 fantasy novel, recently reviewed by Karen, T. Kingfisher retells “Beauty and the Beast” with some variations unique to her. As in Robin McKinley’s ROSE DAUGHTER (whose influence Kingfisher cites), the heroine is an avid gardener, and roses play a central role. Bryony, however, far from beautiful, is the plainest of the three sisters, a pragmatic young woman whose third-person narrative viewpoint is tart, self-aware, and tinged with snark. Unlike the heroines of other versions, she doesn’t much care for roses, considering them more trouble than they’re worth and often outright vicious -- all those thorns. (Kingfisher also portrays roses negatively in a contemporary horror novel, A HOUSE WITH GOOD BONES.) The backstory follows the classic pattern, a widowed merchant losing all his wealth and property except for a cottage in a remote village, where he retires with his three daughters.

In this novel, both parents have died already, leaving the young women on their own. Bryony’s sisters are affectionate and hardworking rather than vain and jealous as in the classic tale. Holly is as practical and astringent as Bryony, while Iris is beautiful, delicate, and romantic. As the novel opens, it’s Bryony who gets stuck in a snowstorm and takes refuge, with her pony, in the mysterious, palatial manor house. After being feasted and sheltered, she tries to take a rose for Iris, provoking the Beast’s wrath. She delivers a chest full of coins to her home, packs a supply of plants and seeds, and returns to the Beast’s mansion. The house proves to be sentient and eagerly helpful almost to the point of smothering. As Bryony cultivates her garden and grows to care for the Beast, she finds that he can’t talk about the crucial elements of his past. The magic forcibly prevents him. As in some earlier adaptations, she dreams of a seductive man. Both the dreams and the house itself, though, have sinister undertones.

This version is darker than any other I’ve seen or read, with a climax verging on horror. The Beast’s origin story reveals him as neither an innocent victim of a malicious curse (as in the familiar fairy tale) nor a selfish brute needing to reform (as in the Disney version). He did bring his punishment upon himself, but the penalty was disproportionate to the offense, and he has long since repented and matured. The background of his transformation -- and that of the house -- is eerie and otherworldly in genuine fairy-tale style. To my delight, he doesn’t revert to human form at the end. That denouement has always felt like a letdown to me, no matter how well written or acted.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Oldies But Goodies {Put This One on Your TBR List} Book Review of Three Retold Fairytale Selections by T. Kingfisher by Karen S. Wiesner

Oldies But Goodies

{Put This One on Your TBR List}

Book Review of Three Retold Fairytale Selections by T. Kingfisher

by Karen S. Wiesner 

Beware potential spoilers! 

 

I bought Nettle & Bone because I'm currently devouring just about everything with author T. Kingfisher's name on it. I didn't know what to expect, beyond that it was dark fantasy, though hardly what most people think of when it comes to a fairy tale. The back cover blurb tagline, "This isn't the kind of fairy tale where the princess marries a prince. It's the one where she kills him" pretty much says it all. Or at least I initially thought it did. I can't really say why it reminded me of The Hunger Games, but something about the heroine Marra in the first handful of pages struck that chord of "responsible heroine takes matters into her own hands" when everyone around her fails to act the way they should. 

In Nettle & Bone, Marra is the youngest of three princesses. She herself is as far from "princessly" as it gets. In order to provide safety for their kingdom, her parents agree to the political marriage of Marra's eldest sister Damia to Prince Vorling. Months later, Damia is dead and Kania, the middle sister, is now Vorling's wife. Marra is sent to a convent. Before long, it becomes clear that Kania is trying to stay pregnant in order to escape the abuses of her cruel husband. Marra and Kania's queen mother knows that her daughters are being abused by this prince, but she chooses the safety of the kingdom above that of her own children. Though it'd be easy to judge the woman on that basis, this story is set during a time when females--not even queens or princesses--had many, if any, options. It was a man's world, and submitting was usually the only real option. Few have Marra's bravery, let alone her willingness to act to right the wrongs she sees in the world around her. There's a curse on all children born in the prince's family, something Marra knows has to do with the godmother who blesses each at birth, and she begins to search for a way to save her sister. 

First, Marra seeks out a powerful gravewitch (also called a dust-wife) who can communicate with the dead. The lone wolf dust-wife gives her three impossible tasks, and, after Marra inconceivably manages the first two of them, the dust-wife gives herself over to joining her foolish quest in killing the prince. The two are joined by the dust-wife's chicken familiar and the sweet, if somewhat half-there, bonedog Marra resurrected. The dust-wife clearly didn't want to be part of a group, let alone a family, but this isn't something she can resist for long. Along the way, they recruit a disgraced knight named Fenris and Marra's own godmother Agnes. 

Nettle & Bone was, initially, written in a non-linear fashion. In the opening scene, Marra is crafting the bone dog. However, the narrative soon begins to circle back around to explaining how she got to that point. I found this very awkward and not terribly compelling. Also, it seemed odd and not entirely convincing to me that Marra started the book telling us she was going to kill the prince despite the fact that Kania hated her, and Marra had known this truth about her sister for most of her life. To start with a character intent on murder without a strong enough reason why took me a little time to swallow. At first, I thought Marra's motivation for acting came down to her realization that, if Kania was killed by the prince, as their eldest sister had been, then Marra would be next in line to take her place. She had to stop that at any cost. That meant killing the prince. However, even that wasn't the full reason. I was soon persuaded that, more often than not, sisters love each other--even when they claim the opposite. It didn't matter Kania's feelings for Marra, whether once upon a time or currently. Kania was being treated as if she was little more than a punching bag and a baby factory. Didn't her personal happiness and well-being matter, or only the collective whole that make up their kingdom? That struck me as a much better motivation than I'd first assumed drove Marra. 

Still, I wasn't enamored of the main character right away (similarly, the heroine in The Hunger Games took a very long time and two full readings of the series to really grown on me). Some fifty pages in, I began to wonder if this story was worth reading. It was around Chapter 7, when Marra and the dust-wife visited the goblin market and rescued Fenris, that I was stunned to acknowledge I could no longer put the book down. I'd gone from half-hearted reading to voraciously being glued to the pages. The appearance of noble and selfless Fenris made Marra somehow human, the way she hadn't quite seemed to be earlier, as she'd focused so single-mindedly on the path set before her. Not long after that, Marra's godmother Agnes joined the crew. She was so scatter-brained, hilarious, and interesting, I just loved her. Soon the reader learns that Agnes, as a magical fairy godmother, isn't just good at blessing newborns with good health, but she also has the power to just as easily curse any being and destroy lives in the process. Yet Agnes has made a deliberate choice not to use her power for evil. 

As lovably impatient and grouchy as the dust-wife feigns to be, she's becoming irresistibly drawn into this group as I myself was being hooked. Fenris described them as "Five of us. Five is a fist. Five is a hand on the enemy's throat." A fist includes a hand, and this is what holds people together as a family and in friendships in the physical sense. Along the path of their quest, this unit had become a family, and I wasn't ready to let them go when the story concluded. I want to see them all again, but the author claims a sequel isn't in the offing. Sigh. I hope that changes, but we'll have to see. 

I'm so glad I didn't stop reading this book that, admittedly, took too long to capture me--though, at least when it finally did, it was irrevocable. I urge everyone who liked The Hunger Games series or loves a fairy tale turned on its head to stick with this one, even if the beginning is a little tough to get through. It's well worth the effort. 

I believe this book is one of many that could be described as "reimagined and unconventional fairytales" by this author. I'm a huge fan of things like that (see my Woodcutter's Grim Series https://karenwiesner.weebly.com/woodcutters-grim-series.html). In trying to get a handle on some of the other books Kingfisher has written in this vein that include a reinterpretation of beloved fairytales, I came up with this list of her selections, arranged below on the basis of publication dates: 

The Seventh Bride ("Mr. Fox"/"The Robber Bridegroom", and other variants) 

Bryony and Roses ("Beauty and the Beast")

The Raven and the Reindeer ("The Snow Queen") 

Thornhedge ("Sleeping Beauty")

A Sorceress Comes to Call ("Goose Girl")

Hemlock & Silver ("Snow White")

In the case of Nettle & Bone, the story doesn't encompass any one specific fairytale--more of a subversion of everything that's been done rolled into one. 

 

Released in 2015, I was able to get the audiobook of Bryony and Roses from one of my library apps. Bryony and her sisters are just getting by after their merchant father's death. But when Bryony stumbles into what she thinks is an abandoned manor to escape a snow storm, she meets Beast, who could be a monster or her fate and future. This clever retelling had a lovely romance that was developed over time, through trials, and much shared experience. The story was very unpredictable, considering how well know the original is. I loved that. The characters were compelling and witty. I was rooting for them even after the dark secret the Beast hid was revealed.

 

Released in 2023, I listened to the audiobook of Thornhedge from the library app. The voice actor had a halting way of reading that was a bit annoying. Luckily the story was short (under four hours). In this reimagined version of Sleeping Beauty, an unconventional knight meets the caretaker of Thornhedge. Toadling is kind of a toad shapeshifter created by fairy magic. She makes it clear that, chivalry aside, waking the sleeping princess might just be the biggest mistake he'll ever make. Luckily, this knight isn't really what most people think of when they imagine a knight--but he is what Toadling longs for. The romance was subtle and sweet, and I enjoyed the author's unusual take on a favorite fairytale of mine. 

Kingfisher thrives at unique and unorthodox perspectives with riveting, fist to the gut twists that come out of nowhere. Nettle & Bone, in particular, would make an amazing film. If you're a fan of reimagined fantasy tales of romance and adventure, whatever you do, don't miss even one of these. I plan to review the rest of Kingfisher's reimagined fairytales when they become available through my library apps. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

A Wizard's Guide to Defensive Baking

My reflections on A WIZARD'S GUIDE TO DEFENSIVE BAKING, by T. Kingfisher, which Karen recently reviewed: The title alone is irresistible! This YA fantasy tale set in a secondary world is quite different in tone and content from Kingfisher’s superb adult horror novels. The only obvious similarity is that, like many of those books, this one is narrated in first person by a female character with a distinctive, witty voice.

Fourteen-year-old orphan Mona works in her aunt’s bakery. Mona’s baking talent encompasses more than mundane skills. In this world, many people have magical gifts, although more often small and specialized than big and flashy, and Mona can do amazing things with dough. She entertains customers by making gingerbread men dance. She keeps one long-lived animated gingerbread figure as a sort of pet. Her other mascot is a bucket of sentient sourdough starter named Bob. He lives in the basement because of his habit of eating animals that stray within his reach.

To recap briefly, as the story begins early one morning, Mona finds a dead girl on the bakery floor. Local law enforcement takes Mona into custody for questioning, and things get worse from there. Following her release after many hours, she’s attacked by ten-year-old Spindle, brother of the murdered girl. After Mona convinces him of her and her family’s innocence, the two of them team up to uncover the truth. A mysterious figure known as the Spring Green Man seems to be involved. Magic-users have been disappearing or dying. Aside from Mona herself, one of the few left in the city is Molly, a kindly but deranged woman whose gift is animating dead horses; she wanders around with a dried-up, nearly skeletal zombie horse. Meanwhile, their city-state is at war, and the authorities are cracking down on magical folk. In desperation, Mona and Spindle eventually sneak into the castle to appeal to the Duchess herself. As the plot thickens, Mona gets unwillingly involved in combat and discovers extraordinary uses for the baking magic she’s always seen as minor and ordinary. While fast-paced and entertaining, with moments of humor, this novel also delves into issues such as the nature of responsibility and heroism.

In common with other young protagonists in Kingfisher's fantasies, Mona considers her magical gifts trivial and unimpressive. Like her counterparts in (for example) MINOR MAGE and ILLUMINATIONS, she discovers her own true worth and surprisingly saves the day by making clever use of those modest abilities.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

{Put This One on Your TBR List} Book Review: Sworn Soldier Series by T. Kingfisher by Karen S. Wiesner

 

{Put This One on Your TBR List}

Book Review: Sworn Soldier Series by T. Kingfisher

by Karen S. Wiesner 

This post contains my 200th

Alien Romances Blog book review!

 

Beware spoilers! 

Sometimes a reader experiences serendipity when she finds an unexpected treasure in an author who fills a hither-to-unknown empty space inside her. T. Kingfisher (the author's grownup--as opposed to "not written specifically for children"--pen name) is the pseudonym of Ursula Vernon, a versatile writer, illustrator, and artist. She came to my attention when I bought an immaculate (used) hardcover book by her called "What Feasts at Night"--without realizing it was the second in a series. The fact that it's a follow-up to an earlier novella was told within a short sentence on the back cover that read "set in the world of "What Moves the Dead". Elsewhere (aka, not on or in the book anywhere), it was described as a sequel to the aforementioned "Dead" book. Sigh! Would it kill publishers to make these things a little more obvious for struggling readers? Honestly, I sometimes think publishers don't really want to sell books. Apparently, it's not widely known that a book that's part of a series is a selling point! Mind you, the fact that this series is actually called "Sworn Soldier" was another thing I only found out on the author's website. This isn't indicated anywhere else useful. Note: When the third book in the series was released, there was finally a reference to it being part of a series on the back cover. 

In any case, I started reading "What Feasts at Night" only to realize a few chapters in--when the protagonist kept referring to an earlier incident the same characters had endured recently--that this must be part of something larger. Although I wasn't very far along, I decided to look up the author on my Libby library app and see what else Kingfisher had to offer. It was then I found out the truth about "What Feasts at Night" (and my faux pas in yet again! reading the second in a series before the first). At this point, I was introduced to an entire world of eclectic stories from this multi-award winning author that I, somehow, had never even heard of before.

Of particular note is that the main character in this series, Alex Easton, hails from a fictional country called Gallacia, where there are several sets of personal pronouns. In addition to the usual, there's a set specifically for religious affiliations (va/var) and another for soldiers (ka/kan), regardless of their sex at birth, among others. As this series is written in the first person from Alex's point of view, I read Book 2 without knowing whether the protagonist was male or female. Book 1 held the explanation that Alex is biologically female but doesn't identify as such (being a soldier, Alex prefers ka and kan). To make it easier in this review, as it was sometimes very difficult to understand exactly what was meant by certain made-up pronouns in the story, I'll always use the name "Alex" in reference to the main character. 

Since I read Book 2 first, I started to review the two books currently available (as of July 2025) in this series in reverse order. Alas, that didn't work well at all. I owned a physical copy of Book 2, but I couldn't find Book 1 anywhere via my library sources. Because I couldn't wait for it to become available at my very, very small brick and mortar library (I might be old and gray by that time), nor as an audiobook or an ebook via my Libby app, I broke down and purchased a brand-new paperback of "What Moves the Dead". Let's face it: I'd probably want to own a copy anyway. (Let's not talk about the fact that I purchased three of the author's other standalone novels at the same time as this one and will review them on this blog soon, nor the fact that I pre-ordered Book 3 of the Sworn Soldier series there and then.) 

"What Moves the Dead" was published July 2022. As an infectious "new spin on classic Gothic horror" (Booklist)--in this case Poe's wonderful "The Fall of the House of Usher"--I could hardly wait to read this one. I love the original and combining the elements of a very specific cause of Madeline's death in this new story in a familiar setting with suspicious fungi sounded brilliant to me. The first story took place around 1890. 

Side note: It's said that Poe's inspiration for "The Fall of the House of Usher" could have been inspired by two probable events: One took place at the Hezekiah Usher House, an actual place constructed in 1684 in downtown modern Boston, Massachusetts. A sailor and the young wife of the older owner were caught in a tryst by her husband and entombed on the very spot. Revenge served cold--and cruel, indeed! Two embracing skeletons were found in the cellar after it was torn down in 1830. Another inspiration could have been from Poe's mother Eliza's friends' Mr. and Mrs. Luke Usher, who took care of Edgar and her other two children while she was sick and eventually died. 

In "What Moves the Dead", retired soldier Alex gets a message from childhood friend Madeline Usher that she's dying. Upon arriving, Alex sees that the Ushers' crumbling ancestral home is surrounded by not only a dark, disturbing tarn (which is a small, steep-banked mountain lake or pool--I guess I never stopped to wonder what a tarn is myself, so, in case you didn't either, there you go) but strange breeds…fungus? Eww. Madeline's twin brother Roderick was once part of Alex's army company but has become nervous and frail in these years while caring for his sibling. Madeline is indeed sick and weird hair is growing on her arms. Other characters include an expert on mycelium, Eugenia Potter, along with a doctor from America, and Alex's army servant (and kind of a protective father figure) Angus. 

I loved everything about this tight (mild) horror, from the atmospheric setting to the witty, compelling characters to unique plot twists in a beloved tale. However (and this may be a spoiler so skip the rest of this paragraph if that bothers you), the author drastically changed Roderick's character in the end of this story. Instead of being a creepy and possibly incestuous madman, he becomes a selfless hero. Wow, I didn't see that coming!  

"What Feasts as Night", published February 2024, has Alex returning home to Gallacia--presumably just after the events of Book 1--accompanied by Angus and Eugenia. Alex and Angus discover that the caretaker of the Alex's family hunting lodge has died. While the daughter points vehemently to a lung inflammation as the cause of death, villagers are convinced it was the work of a moroi, a creature that can take the form of a moth or a woman and steals its victims' breath by sitting on their chests. Like the first, this story was disquieting but not actually scary despite being touted as horror. That said, it was both cunning and clever with a main character that amused and thoroughly delighted me with unique observations and hilarious side comments. 

With 176 pages, the first in this series was a fairly long novella. The second came in at only 160, but both books had exactly what was needed, no more, no less. I've seldom read an author who doesn't waste the reader's time by making you care what's on a beloved character's grocery list or what they're eating for dinner. In literature, I don't want to be hit over the head with a lot of things I really don't need and perhaps don't even want to know about. Even a character I'm rooting for and therefore I'm invested in isn't someone I care to leave the parameters of legitimate plot development for. Is it fleshing out or really just unnecessary padding? Sometimes it's hard to know and, inevitably, I can't escape the sense that the author is feeling lethargic or particularly enamored with a character, so much so that fawning over his or her every word and deed becomes essential. "Oh, look at Brandon, eating that cheese. Isn't he wonderful?" I'm not the only one who commented on T. Kingfisher's finesse in bringing only what's needed to the table with this series. One reviewer described her writing this way: "every word…feels carefully chosen and deliberately arranged for maximum emotional impact." I also found that to be the case with the previous book I've reviewed of Kingfisher's, A Wizard's Guide to Defensive Baking, though (or maybe I should say despite) that one was considerably longer at 320 pages.  

Book 3 in this series, "What Stalks the Deep", came out in hardcover on September 30, 2025. I started reading it immediately when it came. In this 172-page story that takes place two years after "What Moves the Dead", the doctor (Denton) from that  book  contacts Alex asking for help, which means visiting America--West Virginia specifically. Denton's cousin disappeared in an abandoned coal mine there, and the doctor is worried. Along with Angus, Alex gets over an aversion to America and weirdness because, once again, a sworn soldier has to do what a sworn soldier has to do. 

As with previous installments, this book was touted as horror when it was only mildly so. Instead, it was set within the environment of something creepy (a deep, dark, labyrinthine "cave") and one that I have a particular enchantment with, so I was immediately drawn into the story. But tension dissolved into more of stunned intrigue, as twist after twist kept me on edge and on a razor precipice of uncertainty. Not once did anything happen in a way that I could have expected. As usual, Kingfisher's trademark humor and suspense kept the pages turning rapidly. I really enjoyed learning more about the various deadly gases that can inhabit mine shafts. In the acknowledgements at the back of the book, the author said the idea for the story came from the works of Lovecraft. Rather than including a potential spoiler, I'll allow readers to figure out what she meant by that on their own. 

By the way, visit the author's website and really check out the covers of the books in this series. They're amazing! In the "What Feasts at Night" acknowledgements, the author says she's convinced the covers that "grace these books…made them as successful as they have been". Oh, it might be a bit more than that, but the designs certainly helped. I freely admit I purchased "What Feasts at Night" on the basis of its extraordinarily intriguing cover. Additionally, the author herself did the gorgeous endpaper art. Kingfisher as an author is the whole package. Trust me, you don't want to miss her work, this amazing series in particular. I hope more treasures set in this fascinating world are in the offing for the future.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Illuminations

From the review in my newsletter back when the book was first released, here's my take on T. Kingfisher's ILLUMINATIONS, reviewed by Karen last week. As she mentioned, this isn't a horror novel, like the books that made Kingfisher one of my new favorite authors, but an alternate-world fantasy for preteens (judging by the age of the protagonist, although readers of any age can enjoy it). It takes place in an alternate nineteenth-century Europe in which the French Revolution, or its local equivalent, seems to have succeeded better than in our history, for the whole continent uses the Revolutionary calendar with its renamed months and days. The heroine, Rosa, dwells in a city resembling Venice, with canals, a Dynast instead of a king, and mostly Italian-sounding names. An orphan, she lives with her eccentric but endearing extended family, one of the most distinguished lineages of illuminators. She’s practicing the art but so far hasn’t graduated to producing actual illuminations. Her favorite things to draw are radishes with fangs. Unfortunately, that image serves no useful purpose. There’s a massive reference tome listing all known illuminations, each of which must be drawn in precise, unvarying detail to be effective. Fanged radishes aren’t among them.

Against the background of a major civic project using illuminations to fix a long-term problem with the city’s sewage disposal, Rosa’s own trouble begins when she finds a mysterious box in the basement. She accidentally releases a creature imprisoned in the box, and a crow painted on the lid comes to life. His information about the history of the box and its connection to one of Rosa’s ancestors seems a bit shady, and he’s easily distracted by the urge to pilfer shiny objects. His insistence that she not tell the rest of the family about him gets her into trouble when the diminutive monster starts vandalizing their home workshop and the illuminations themselves. After the nuisance escalates into danger, though, the crow does come clean with the full truth at last. I don’t want to go into spoilery detail about the family’s fight against the malicious creature and its minions, so I’ll mention only that Rosa’s radishes play a surprising role. Meanwhile, the story nicely balances Rosa’s magical woes with her preteen-girl difficult relationship with her best friend, daughter of another important illuminator family, who’s just enough older than Rosa to start making real illuminations for clients. Like Kingfisher’s A WIZARD’S GUIDE TO DEFENSIVE BAKING, ILLUMINATIONS portrays a young heroine whose odd magical talent turns out to be of vital importance. As usual, Kingfisher writes the protagonist’s viewpoint in an irresistibly witty style.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Oldies But Goodies {Put This One on Your TBR List} Book Review of Four Young Adult Children's Fantasy Selections by T. Kingfisher/Ursula Vernon by Karen S. Wiesner

Oldies But Goodies

{Put This One on Your TBR List}

Book Review of Four Young Adult Children's Fantasy Selections by

T. Kingfisher/Ursula Vernon

by Karen S. Wiesner 

Beware: May contain unintended spoilers! 

 

Finding A Wizard's Guide to Defensive Baking was rapturous serendipity for me! T. Kingfisher (the pen name of Ursula Vernon) is a versatile author, illustrator, and artist. Unbelievably, I'd never heard of her before reading this book, despite all the awards she's won for her eclectic body of work. She came to my attention when I bought an immaculate (used) hardcover book by her called "What Feasts at Night" (which I'll review in the coming weeks). I wasn't very far along before I decided to look up the author on my Libby library app and see what else she had to offer. One of the few audiobooks of hers available immediately was something called A Wizard's Guide to Defensive Baking. Literally, this one had me at the title. 

In this 2020 young adult fantasy novel, a 14-year-old named Mona, who possesses a sly, dry wit and "bread magic", discovers a dead body in her aunt's bakery. It isn't long before she realizes those who possess magic in her town are being targeted. There are other wizards set in this unique fantasy world, but none quite like Mona. When she was younger, she'd created (accidentally in the first case) 1) a sourdough starter "familiar" that eats mice when it can't get flour (really, what bread eaters don't know won't kill them) and 2) animated gingerbread men for the customers to fawn over (move over Shrek's Gingy!). Little did Mona realize her most loyal gingerbread man would soon become the commander-in-chief of a gingerbread army Mona has to bake up in order to save the city from a corrupt wizard and his invading army. And that doesn't even get into having to concoct the right kind of shoes for doughboy golem soldiers. 

One of the selling points of this story for me was the realistic portrayal of those in power who shouldn't necessarily be. In this case, the ruler meant well and was willing to do anything to help her people. Also, the heroine is the last person who might be considered a champion. By virtue of the fact that she had the skills (though she didn't realize it at first, of course) and stepped up to use them, she was able to save the day. I'm probably in the minority as one with no interest in reading about a superhero flying in just in time to rescue the entire city. I tend to root for worthy underdogs, and Mona is appealingly that. 

 

Illuminations was a 2022 release. Ten-year-old Rosa comes from a family of illuminators who are the greatest magic painters in the city, but their fortunes have fallen on hard times. Rosa excels at painting fanged radishes. Unfortunately, this art doesn't seem particularly useful when their studio is known for paintings that keep the city safe and running smoothly. Wanting to find a way to be useful to her relatives, she instead accidently releases a vicious monster and then has to figure out how to put it back in the box she foolishly opened. 

I assume the author, who's also a skilled artist, wondered what it would be like for her work to come to life, just as authors wonder what it would be like to step into a world created within a story. This was a cute and very fun story with a hilarious, three-dimensional heroine searching for her place in the world she's been born into and wanting very badly to join with her own legitimate skill. 

 

I'm reviewing A Wizard's Guide to Defensive Baking and Illuminations along with Minor Mage. Though all three of these books have like covers, they aren't part of a series. They do, however, share a similar subject matter hinging on young adult protagonists that possess some form of magic they use to change their own world (and possibly the world at large, or at least their section of it). Also, of course, all the books in this trio are written in Ursula Vernon's pseudonym T. Kingfisher. A Wizard's Guide to Defensive Baking and Illuminations wonderfully lended themselves to audiobook "readings"--I'm not sure I would have enjoyed them quite as much as I did if I'd read them as ebooks or paperbacks. Both were available as audiobooks through my two library apps (either Libby or Hoopla); Minor Mage wasn't immediately accessible from either at the time I was writing this review. A month or so later, I managed to gain access to the ebook of Minor Mage. I wish I'd been able to get an audiobook copy. It would have been a bit easier to get through. This isn't saying Minor Mage is bad--not in the least. I just enjoyed the way the previous voice actors read Kingfisher's always off-the-cuff, fun stories so much, it was hard not to miss that aspect in my quiet, uninspired reading of it via ebook. 

In the 2019 Minor Mage, 12-year-old Oliver only knows three spells that he taught himself. His training was sporadic and dicey, to say the least, as his predecessor was very old and decidedly senile and had taken to wearing underwear on his head in his final days. Nevertheless, after the former mage passed a few years ago, the village has mainly accepted Oliver as their community magician. Oliver's managed to find what he needs in books to perform the tasks required of him in the time since then. However, when rain isn't forthcoming at a critical point in the season, he's called upon to fetch rain from the Rainblade Mountains. This is certainly nothing he's had to deal with before and he hasn't received the slightest bit of training in this regard from his mentor. Accompanied by his snarky armadillo familiar (who also has a few point of view scenes), he sets off, hoping he can find a way to do what his duty requires of him, with all those in the village counting on him. No pressure, right? Naturally, the journey is fraught with dangers and unforeseen challenges like ghuls (zombies) and bandits for one with very little practical knowledge of magic combined with frequent self-doubt. 

Along the way, Oliver meets up with a bard mage with the questionable ability to make harps (and the occasional fiddle) from the bones of murder victims. While he's actually had a few grieving people request his services in order to discover who murdered their loved one, even those lacking forethought soon regret it once they're forced to endure the screaming, shrieking harp seeking justice for crimes endured in life. Not surprisingly, Trebastian has few friends and is almost always chased out of every town with pitchforks and threats. Before long, Trebastian becomes Oliver's companion and, later, an unexpected friend. 

Kingfisher's trademark blend of heartfelt humor and grave predicaments buoy every page of this book. As in the previous stories in this set, the underlying theme is that heroism is about much more than possessing extraordinary supernatural powers. Instead, it's in the choices, creativity, determination, and moral fiber of the ones wielding, perhaps, less than spectacular gifts. 

 

Another story written under T. Kingfisher's real name, Ursula Vernon, Castle Hangnail, was instantly obtainable as an audiobook, and it fit the basic motif of this review with a young adult magic user as the protagonist. I suppose Castle Hangnail is intended for children (that assessment is directly from the author on her website) because of the author's amazing illustrations filling the pages. At a whopping 372 pages, it's not what I'd generally consider a children's book. It is, gratefully, presented in the same loquacious, verbose writing style that I've come to love from this author's protagonists. This book would appeal to young adults (8 to 12 years is the recommendation though most reading kids, including those younger, would also be smitten). Like with Shriek, I can't imagine adults enjoying it just as much. 

Twelve-year-old Molly is a witch and she needs a job. Castle Hangnail requires a wicked witch, and, though the staff at the castle is uncertain that polite Molly is right for the job, they agree to give her a shot. What a hoot this story is! When I was very young, my favorite author was Ruth Chew. I loved all her good, useful witch stories. I wish Castle Hangnail had been available then. I would have adored this unique, merry, tongue-in-cheek story with a lively cast of characters you can't help but love and champion. Though the audiobook was fantastic, I did miss seeing Vernon's own amazing illustrations accompanying the story, which I previewed on a book distributor's site. Oh, and there were rumors that Disney with Ellen DeGeneres might be making this into a movie, but I couldn't find any follow-up on the initial announcement. The first thing I was reminded of when I started listening to Castle Hangnail were the Hotel Transylvania movies. Like those, this would make a hilarious, not-necessarily-just-for-kids film. 

~*~

All four of these stories were nothing less than nonstop delight. The voice actors for the first two and Castle Hangnail were exemplary, adding so much to the reading, in retrospect it would have been unimaginable to partake without their talent. It only took me a couple days to finish the audiobooks because I didn't want to turn them off. The ebook of Minor Mage wasn't quite as easy to get through yet proved to be extremely enjoyable. 

You certainly don't need to be a child or young adult to enjoy these entertaining, incredibly well written, and engaging, character-driven adventures. As I hadn't, I doubt too many will have read anything else quite like these irresistible tales. So, that about does it--sign me up! I'm a fan of this author and artist regardless of what the genre is. I expect to post many more reviews of T. Kingfisher (and Ursula Vernon's) selections in the future. 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website and blog here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Cozy Fantasy by Sarah Beth Durst

Recently I've gotten into the emergent subgenre of "cozy fantasy" -- for example, LEGENDS AND LATTES and its prequel, BOOKSHOPS AND BONEDUST, by Travis Baldree. (Both titles actually have ampersands in place of the word "and," but for some reason this software doesn't like that.) Unsure how to define it specifically enough, I'm still in the "I know it when I see it" phase. So here's an essay that covers the topic in lucid detail:

What Is Cozy Fantasy?

This blogger's summary definition: "Cozy Fantasy can be defined as a fantasy book with a slice-of-life ambience wrapped up in a story that is healing or comforting, that centers deeply on its worldbuilding and characters, but in the end has a hopeful narrative." Because of the content of the novels I've read so far, I tend to think of cozy fantasy as mainly dealing with quirky shops in small towns; however, as the author of the blog mentions, it doesn't always take place in that kind of setting.

Here's the Goodreads list of cozy fantasies. Because it's compiled from readers' classifications of books, though, it should be taken with a grain if not a shaker of salt. For instance, T. Kingfisher's SWORDHEART and Heather Fawcett's Emily Wilde novels definitely do NOT fit into the category:

Cozy Fantasy on Goodreads

These general remarks lead up to a review of Sarah Beth Durst's THE ENCHANTED GREENHOUSE, which I love, linked to her earlier novel THE SPELLSHOP, which I also love. By the way, the plots of these books certainly don't feature "low stakes," mistakenly cited by some readers as a defining trait of cozy fantasy.

While THE ENCHANTED GREENHOUSE is part prequel to and part spinoff from THE SPELLSHOP, the two novels can be read independently. Aside from a shared setting, they’re connected by a sentient spider plant, a major secondary character in THE SPELLSHOP, whose creation triggers the events at the beginning of THE ENCHANTED GREENHOUSE. The two heroines, both librarians, reverse-mirror each other in personality. The protagonist of THE SPELLSHOP is an introvert perfectly content to live in her corner of the library without speaking to anyone except the spider plant for weeks at a time. Upon returning to her home island, she shrinks from meeting people and tries in vain to discourage her obtrusively friendly nearest neighbor. Terlu in THE ENCHANTED GREENHOUSE, on the other hand, expected that as a librarian she would meet scholars and other patrons every day, helping them find the perfect books for their needs. Instead, she works in unwelcome isolation. In her loneliness, she casts a spell to bestow sentience on the spider plant, violating the harsh law against magical activity by non-sorcerers, just to have someone to talk to.

She ends up alone on an island with a handsome but antisocial gardener who communicates mainly by grunts and shrugs. The story begins with the trial that condemns her to transformation into a wooden statue as an example to other would-be lawbreakers. Six years later, she reverts to human form, awakening amid a snow-covered landscape on the aforesaid island. The only inhabitant, Yarrow, the caretaker for a complex of enchanted greenhouses, petitioned the capital of the Empire for a sorcerer to stop the gradual degradation of the magic that keeps the greenhouses functional. Instead, he received Terlu along with instructions on how to break her punitive spell. From him, she learns the sorcerer who ruled the island died some time ago, and ever since, greenhouses have failed at regular intervals. Glass cracks, and the spells that maintain their internal environments stop working. The structures house a fascinating variety of plant life, both magical and mundane, in a wide array of micro-climates. Terlu also meets miniature dragons, a winged cat, a talking rosebush, and a roomful of other sentient, ambulatory plants (after she wakes them). One feature of this world I especially like is its diverse population of multiple human races, humanoids, and human-animal hybrids (although in this book we don’t see much of them until the island gets re-settled at the end). Terlu, for instance, has lavender skin, and nobody thinks anything of it. It’s also a delightful novelty to see a “pleasingly plump” heroine with a face resembling a cheerful chipmunk’s.

The initially grumpy, withdrawn Yarrow nevertheless helps her as much as possible and invites her to stay in his own cottage, even though he clearly thinks she talks too much. As they work together researching the books and notes left by the dead sorcerer, who became increasingly paranoid with age, to figure out the cause and cure for the failing magic, Yarrow unbends toward Terlu. They become friends who soon share, naturally, numerous moments of awkward romantic attraction. Their growing bond is endearing and believable. It’s also credible that Terlu fears the potential consequences of meddling with magic at a far more serious level than her original transgression (just as the heroine of THE SPELLSHOP fears getting caught at her necessary but illegal spellcasting). She’s torn between her dread of being discovered by imperial investigators and her longing to save the greenhouses and their precious plants. Of course, we know what she’ll choose, but the suspense is genuine, as is the difficulty of finding out what went wrong and how to fix it. Meanwhile, Yarrow struggles to face his fraught relationship with his extended family who left him alone on the island –- even if the sorcerer gave them little choice –- while Terlu questions whether she dares to let her own family know she’s alive. All those factors, along with the heartwarming conclusion, made this a story that I hated to see end. Durst has created a fantasy world many readers will want to linger in. Next July a third book, called SEA OF CHARMS, will be published (a whole year to wait!).

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Fungal Possession

I recently read THE GIRL WITH ALL THE GIFTS, by M. R. Carey. I'm not a great fan of zombie fiction or films in general, because typical zombies aren't so much characters as rampaging forces of natural destruction. This book is something else, though. The monsters responsible for the collapse of civilization are called "hungries," never zombies, although most of them fit the Z-word stereotype. Melanie and the other children in her "class" on a prison-like military base, however, are different. They're conscious and sapient. She doesn't remember any life outside the building where she's confined to a cell except when escorted to the shower or the classroom. She doesn't know she and her friends are hungries, since the staff follows strict protocols to avoid activating the instinct to attack and feed. Still less does she suspect the children are experimental subjects, kept alive solely in hope that studying them may reveal a cure for the pandemic that triggered the apocalypse. Nor does she know what happens to her friends who disappear.

Their condition is caused by a fungus that infests and takes over a human body, replacing the brain with a network of mycelium threads. The resultant fleshly automaton alternates between two states of being, passive immobility and ravenous attack mode. Children like Melanie, in contrast, have varying degrees of cognitive capacity as well as, apparently, emotion and free will. Most of the uninfected people on the base agree with the sergeant in charge that these alleged traces of humanity are just mimicry by the fungus-infected host. From observing Melanie's inner life, we know better. She's more than a "dead kid" animated by a parasite. In this next generation of hosts, the organism has established a form of symbiosis.

A fungal network also breeds "zombies" and causes societal collapse in the post-apocalyptic TV series THE LAST OF US (which I haven't seen):

Fungi Superhighways

One of my favorite horror novels from T. Kingfisher, WHAT MOVES THE DEAD, retells "The Fall of the House of Usher" in science-fiction terms as a story of biological possession. A fungus lurking in the tarn has long since crept into the walls of the Usher mansion. From infiltrating the bodies of the hares that inhabit the nearby countryside, it has progressed to invading Madeline Usher. As a single super-organism with a hive mind, the fungus becomes more than sentient -- borderline sapient. It not only spreads through Madeline's body -- ultimately keeping her quasi-alive after she has technically died -- but takes root in her brain to learn from her. As the author's afterword notes, imagine how much the human characters could have learned from the parasite (and vice versa) if only they could have explained to it why most people dislike seeing dead things walk around.

The fungus in the walls of the gloomy mansion in Silvia Moreno-Garcia's MEXICAN GOTHIC doesn't kill its human hosts. Rather, its symbiotic infestation confers healing and potential immortality. The protagonist, though, in trying to rescue a relative from her terrible marriage to a member of the family, discovers the less than desirable side of this seductive trap.

Fungal possession in horror fiction is based on a real phenomenon, the notorious "zombie ant" parasitism.

Zombie Ants

In tropical forests, a fungus invades the bodies of hapless carpenter ants and takes over their brains. It compels the ant to perform the unnatural behavior of climbing to a height and hooking itself to a leaf, where it soon dies. The fruiting body of the mature parasite bursts out of the insect's corpse and broadcasts spores.

Unlike traditional demon possession, this kind of "invasion of the body snatchers" can't be cured by exorcism. The climax of THE GIRL WITH ALL THE GIFTS discovers a way to coexist with it, but at a heavy price. On the other hand, suppose a similar organism existed in true symbiosis with human hosts, bestowing not only healing and prolonged life but enhanced intelligence or some kind of hive-mind telepathy?

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

ICFA 46

The 46th annual International Conference on the Fantastic in the Arts was held in its usual Orlando hotel last week. Guests of honor were Silvia Moreno-Garcia, author of MEXICAN GOTHIC and other horror fiction as well as an editor of the sadly now defunct Innsmouth Free Press online magazine, and guest scholar Sarah Juliet Lauro, a zombie specialist. The con focused on the theme of "Night Terrors" (not in the technical meaning of a specific sleep disorder, which one attendee who's a medical doctor as well as a horror film scholar brought up, but in the broader sense).

My plane took off an hour late because of an unspecified maintenance-related delay but miraculously landed only 30 minutes late. Orlando had bright sun all week. However, Thursday was unusually cool for this time of year and Friday downright chilly. Saturday warmed up nicely.

The two luncheons and the Saturday night banquet served abundant and delicious food, as usual. Happily, each meal's dessert included plenty of chocolate. (Sometimes banquet menus miss the point on that requirement.) They're always buffets, so there's something to please everybody and lots of it.

At the guest author lunch, Silvia Moreno-Garcia proposed that horror fiction articulates experiences we can't find words for in mundane contexts. She also discussed the concepts of "hostile architecture" and the horror of the "unplace." Sarah Juliet Lauro's guest scholar lunch talk elaborated on the connections among zombies, slavery, and capitalism.

Some other items I particularly enjoyed: A panel on horror in comics. A paper on Dark Lords, their motivations, typical traits, etc. A session on fairy tales and folklore, including a presentation on diseases that helped to shape the folkloric images of vampires, werewolves, and zombies. The annual iteration of "Fifty Shades of Nay," about issues of consent in speculative fiction.

I read three flash fiction pieces at a "Worlds and Words" short-reading session for multiple authors. People seemed to enjoy all of the stories, especially my own favorite, "Interview with a Reluctant Vampire." (All my experiments in flash fiction are available as free reads on my website, whose URL is below; click on "Complete Works" in the sidebar and scroll most of the way down.) I also participated in a panel called "Reimagining the Night," on the development of monsters in popular culture, especially contemporary fiction and film. It was organized by the Lord Ruthven Assembly, our vampire and revenant division. A lively, fun discussion with good attendance.

The annual LRA business meeting took place on Friday, followed by a screening of THE VAMPIRE LOVERS, Hammer Studio's adaptation of J. Sheridan Le Fanu's "Carmilla." The film adheres fairly closely to the original story, aside from pointlessly switching the names of Le Fanu's heroine (Laura) and her friend who's killed early in the movie. The LRA awards for work produced in 2024 were announced at the Saturday banquet: Fiction, WHAT FEASTS AT NIGHT, by T. Kingfisher (my top choice among the many novels considered); nonfiction, THE PALGRAVE HANDBOOK OF THE VAMPIRE, edited by Simon Bacon; other media, a tie between ABIGAIL and the latest adaptation of NOSFERATU.

My Sunday return flight launched on schedule and arrived home on time.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Mushroom-Robot Biohybrids

Robots controlled by electrical impulses from fungal mycelium threads:

Robot Blends Living Organisms and Machines

The "rootlike threads" are grown into a robot's hardware. I was surprised to learn fungi generate electrical impulses. Because the mycelia are light-sensitive, scientists can control the direction and speed of the robots' movements with ultraviolet light.

It's hoped that, when perfected, such biohybrid machines could have agricultural uses, among other applications. The article includes a photo of a robot covered with a "self-healing skin. . . that can react to light and touch." The picture looks a bit like the conventional image of a golem.

I'm reminded of T. Kingfisher's riveting novel WHAT MOVES THE DEAD, a retelling of Poe's "Fall of the House of Usher" in science-fiction terms. It attributes the eerie phenomena -- e.g., the climactic rising of a dead character from her tomb -- to an intelligent fungal colony that lives in the tarn and infiltrates the bodies of animals (and at least one person). The organism seems to be trying to communicate and apparently doesn't mean any real harm. How could it understand why humans get upset when corpses walk around?

Has anyone ever produced a horror movie about a swarm of intelligent fungi? If mushroom-robot symbiosis ever results in a successful commercial product, surely such a film couldn't be far behind.

One expert in the ethical implications of technological innovations expresses concern "that if biohybrid robots become more sophisticated and are deployed in the ocean or another ecosystem it could disrupt the habitat, challenging the traditional distinction between life and machine." However, there's no mention of a potential for mycelium-powered machines to become conscious and demand civil rights or fair salaries, fringe benefits, and working conditions.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.