{Put This One on Your TBR List} Book Review The Book of Swords Edited by Gardner Dozois by Karen S. Wiesner

 

{Put This One on Your TBR List} Book Review

The Book of Swords Edited by Gardner Dozois

by Karen S. Wiesner 

  Be aware of unintended spoilers! 

The Book of Swords was published in October 2017. Edited by Gardner Dozois, this particular collection includes stories that fall into the fantasy subgenre of "sword and sorcery". Below is a chronological listing of the stories that are featured in it:

1)          "The Best Man Wins" by K.J. Parker

2)          "Her Father's Sword" by Robin Hobb

3)          "The Hidden Girl" by Ken Liu

4)          "The Sword of Destiny" by Matthew Hughes

5)          "'I Am a Handsome Man,' said the Crow" by Kate Elliott

6)          "The Triumph of Virtue" by Walter Jon Williams

7)          "The Mocking Tower" by Daniel Abraham

8)          "Hrunting" by C. J. Cherryh

9)          "A Long, Cold Trail" by Garth Nix

10)        "When I was a Highway Man" by Ellen Kushner

11)        "The Smoke of Gold is Glory" by Scott Lynch

12)        "The Colgrid Conundrum" by Rich Larson

13)        "The King's Evil" by Elizabeth Bear

14)        "Waterfalling" by Lavie Tidhar

15)        "The Sword Tyraste" by Cecelia Holland

16)        "The Sons of the Dragon" by George R.R. Martin

Before I get into this anthology, I'll quickly summarize how I handle these types of mixed-bag story caches in my reviews: I don't usually review all the books include--only the ones that I actually enjoyed enough to cover here, though I do make exceptions about reviewing stories I don't like. I'll explain any anomalies within the individual reviews. The logic for why I haven't included a particular story isn't usually because it wasn't well-written. Most of these anthologies include some of the biggest names in the industry. For whatever reason, I don't always connect with certain selections or they simply don't resonate with me. I freely admit sometimes I'm just not in the mood for what one author has to offer. Rather than bad-mouth what's probably a perfectly good story, I find it easier to not include it in my line-up of reviews. Readers will have to look elsewhere for a summary or review for any story that's missing. Also, at the end of my reviews, I like to include the order I believe the stories I'm reviewing should have been placed within the collection, as I believe the placement of stories within an anthology is absolutely crucial to its overall success. There has to be a good balance and interspersion of strong stories at the front, back, and middle in order to "couch" weaker ones. Too many bad stories in a row may cause readers to abandon the collection altogether. Search "anthology" or "collection" on this blog to read my previous reviews of mixed-bag story caches like this one. 

"The Best Man Wins" by K.J. Parker: This story is told from the point of view of the blacksmith who has a young man come to him asking him to make the best sword in the world, for which he'll pay handsomely--literally, every last bit of money he owns, he's willing to part with for this task to be completed. After the blacksmith makes it, the kid asks him to teach him how to use it, as he knows nothing of sword-fighting. The blacksmith is much more than he seems on the surface. I was sucked into this tale from the first sentence. The blacksmith was compelling, and his view of life and his personal history were doled out in the process of him grumbling while he worked. As he says, he doesn't enjoy the doing (which is grueling), only the "having-done", obsessive aspects of smithing. If I had to summarize this story in a few short sentences, I'd say this: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." (The Princess Bride) For all intents and purposes, this sentence that’s actually featured in the story: "I'm going to use it [i.e., the best sword in the world that you create for me] to kill the man who murdered my father…" told the whole story. It was uttered on page 13 of the 27-page story. From that point on, I knew what was going to happen. And that is exactly what did happen. However, that didn't make the tale any less enjoyable. In fact, it was my favorite of the whole lot. I was utterly fascinated by the blacksmithing aspects of the tale, and the POV of the blacksmith was the perfect choice for delivering the story. 

"Her Father's Sword", A Realms of the Elderlings Story by Robin Hobb: This short story takes place during the early years of the Red Ship Wars and forging, with Fitz visiting the setting within the story as a secondary character (in all the novels he's in, his perspective is first person); set "somewhere in the middle" of Farseer and recommended to be read either before or after Book 2. Sadly, I was disappointed by this story, though initially excited as I've read every other Realm of the Elderlings offering currently available (and reviewed them on this blog). This last one set in a familiar world for me wasn't one I've read previously. In this tale, a village has been destroyed, their people kidnapped and "forged" (mentally destroyed and become something like ravenousness zombies) by the pirates on the Red Ships. When their demands go unmet, the Forged are returned. These lifeless though walking beings take whatever they need. Fitz comes to warn the survivors not to trust their own people when they come back to the village, as they're not what they once were and will harm and kill them without conscience. Young Taura, like everyone else in her small, ravished town, doesn't want to believe this could have happened. Her father is too strong to not have resisted, she believes. My problem with this tale was that I can't stand stories where the resolution is left unclear. What is the purpose of telling something that has a wishy-washy ending? I have no desire to finish writing someone else's story on my own, for one thing. For another, leaving your own story unfinished is a cop-out, cheating, and just plain shoddy writing. Very frustrating, especially considering the biggest reason I purchased the (albeit used) hardcover of this book was for this story specifically. However, in its favor, I'll add that seeing the story of the Forged from this opposite perspective than has ever been presented before in the series does elevate it considerably. In the past, we saw these poor, unfortunate victims of the pirates as little more than zombies that had to be put down in order all those "unforged" to survive. The Forged retain nothing of who or what they were before, and family members must beware of forgetting that truth in favor of compassion and abiding love. Here, a young daughter can't let go of the stalwart father, nor the life she once had--even though (no question about it) she'll soon regret it. 

"The Sword of Destiny" by Matthew Hughes: I don't want to spoil this rollicking bit of good fun by telling you too much. The basic premise is that a wizard hires Baldemar to steal a magical sword for him, the operation is bungled, and this reluctant henchman finds himself fleeing--only he ends up running into one trouble after the other in his attempt to escape the first. The world created here in this 29-page story is so big and well-drawn, I think you'll find, as I did, that you'll want many more stories to follow this one. A bit of research on my part revealed that, after writing "The Sword of Destiny" for The Book of Swords, Hughes went on to expand into a novel and ten shorter works focused on Baldemar's origins and his time spent as a wizard's henchman. The setting Baldemar comes from is called Dying Earth (credited to author Jack Vance). Hughes has standalone works and those associated with Baldemar and another popular character of Hughes', Raffalon, who also has his own set of stories. In the future, I look forward to reading much more about this amazing character and the world he comes from, though it might be a chore to find copies of the books, as they don't seem to be in wide circulation anymore. 

"The Mocking Tower" by Daniel Abraham: In this creatively told tale, a man learns that war is not an arrow but both a circle and a sundial while revenge is a double-edged sword that never makes a clean cut on either party. Those who follow after will also feel its influence. I'm a general fan of Abraham's, as he's half of the S. A. Corey pen name that wrote The Expanse series (my favorite sci-fi space opera), though I haven't reliably loved his solo work. This is an exception. Very elegantly done. 

"Hrunting" by C. J. Cherryh: I love the Beowulf legend, and I own many translations of it. So as soon as I heard that this story continued where Beowulf left off, revealing the aftermath of those who survived, I wanted to read it. I enjoyed the conjecture in this tale a lot. However, it was told in an awkward, choppy and stilted way that made it very hard at times to understand what was being conveyed. Despite that, I recommend it to all fans of this enduring, Old English poem. 

"The Sons of the Dragon", A Song of Ice and Fire World by George R.R. Martin: This is another excerpt from Martin's "fake history" of House Targaryen, the dynasty that ruled the Seven Kingdoms of Westeros in the backstory of his A Song of Ice and Fire series. As such, it's not a story, per se, but it's absolutely not the dry old history textbook you'd read in school either. This selection was also published in Fire & Blood. The lives of Aegon I's sons--Aenys I and Maegor I--are detailed here, ending with Maegor's death and the ascension of Aenys's son Jaehaerys I Targaryen to the throne. All these histories are the basis for the HBO House of the Dragon TV series, and, honestly, if you want to have an easier time of keeping track of the gazillion characters, you might want to watch that. At least then you can put faces to the endless strings of names. Note that the novella included in this anthology is abridged. 

In terms of the order I believe this stories should have been presented in, I would have spaced my favorites out much more, so "The Best Man Wins" would stay at #1 and "The Sons of the Dragon" at #16; but "Her Father's Sword" would have been #3 instead; "The Sword of Destiny"#6, "The Sword of Destiny" #9, "The Mocking Tower #11; and "Hrunting" #14, with the rest of the books interspersed between them.

There's a lot for fans of fantasy and of the excellent writers to love with the 16 stories included in The Book of Swords. You may even find a new author to follow, as I have, to further broaden your fantasy reading horizons. 

Karen Wiesner is an award-winning, multi-genre author of 156 titles and 16 series. 

Visit Karen here: https://www.writers-exchange.com/Karen-Wiesner/

 

Deities in Fantasy Worlds

Recently T. Kingfisher published the fourth book in her "Saint of Steel" series, PALADIN'S FAITH. (The others are PALADIN'S GRACE, PALADIN'S STRENGTH, and PALADIN'S HOPE.) Also in the same setting: The Clocktaur War duology (CLOCKWORK BOYS and THE WONDER ENGINE) and the stand-alone novel SWORDHEART. These works may be broadly described as sword-and-sorcery romances in a late medieval or an early steampunk milieu.

The premise of "Saint of Steel" is that the deity in the series title died, from a cause so far unknown. His paladins felt his violent death. The few who survived the cataclysmic trauma struggle to carry on with their lives despite a void where the bond with their god should be. Two gifts of their divine patron remain, the "voice" that empowers them to persuade anyone of almost anything (provided the paladin sincerely means what he or she says) and a battle frenzy called the "black tide," which grants them superhuman strength and speed but leaves scars on their souls. The surviving paladins have been taken under the protection of the temple of the White Rat.

The stories in this fictional universe feature three principal deities, although others are mentioned: The Saint of Steel, whose warriors fight evil and protect its victims; the pragmatic White Rat, whose temples are noted for exercising charity and correcting injustices, many of whose devotees are lawyers or investigative accountants; and the Dreaming God, whose servants specialize in exorcizing demons. As illustrated by a scene at the climax of PALADIN'S FAITH when the Saint of Steel speaks to a large crowd through the mouth of a character, everyone knows and takes for granted the existence of the gods. In the face of incontrovertible evidence, nobody disbelieves in supernatural beings. If there are any "flat-earth atheists" in this world, we don't meet them:

Flat-Earth Atheist

The background of the Dungeons and Dragons games is similar, but even more so. Everybody knows that multiple gods exist and that clerics acquire their magic spells by praying to their patron deities.

What would it be like to live in a world where the existence of deities is a routinely accepted truth? Faith in the sense of intellectual belief would be unnecessary and nonexistent. You don't have that type of "faith" in something definitely known. No matter how powerful, divine entities would be as mundane a fact as the sun and the moon. Faith in the sense of trust, of course, would be an entirely different matter. Granny Weatherwax in Terry Pratchett's Discworld doesn't approve of believing in gods; it only encourages them.

The rare person who experiences an epiphany like the characters in the aforementioned scene would presumably react with awe. Most ordinary people, lacking either a personal divine encounter or Granny Weatherwax's strength of character, would probably regard the gods as powers to be approached with caution, placating them but not getting too deeply involved. Rather like living next to a forest infested by semi-tame tigers, maybe.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.