Showing posts with label paranormal. Show all posts
Showing posts with label paranormal. Show all posts

Friday, August 27, 2021

Karen Wiesner: The Stories Behind Classic Fairy Tales (Woodcutter's Grim Series), Part 1


WOODCUTTER’S GRIM SERIES—

Classic Tales of Horror Retold

by Karen Wiesner

Supernatural Fantasy Romance/Mild Horror

For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless…and the terrors would escape to the world at large. 

This will be the first of eight posts focusing on my Woodcutter's Grim Series and the stories behind classic fairy tales.

Since I was a child, I had a love for all things supernatural. HOW TO CARE FOR YOUR MONSTER was a book I read over and over when I was young. It was written by Norman Bridwell (the guy who wrote the Clifford the Big Red Dog series). I wore that book out. Funny thing is, my husband also said it was one of his favorite books when he was young, too. I’d never known anyone else who’d ever read it. Meant to be, huh? 



Some of the earliest horror books I remember reading were an out-of-print series of teen horror called TWILIGHT: WHERE DARKNESS BEGINS, YOU'LL LIKE MY MOTHER by Naomi A. Hinze (gothic horror, which I adore), and DRACULA, of course. Stephen King books were the cornerstone reading of my teenage years. One of my all-time favorite horror novels since becoming an adult is THE RUINS by Scott Smith—an unusual horror novel that has no chapters whatsoever and is 384 pages you literally cannot put it down from start to finish. Brilliant! 





My Woodcutter's Grim Series started when I was putting together a proposal for my promotional group Jewels of the Quill’s first Halloween anthology, SHADOWS IN THE HEART. I'd always wanted to write a horror/fantasy series, and I spent quite a few years considering how to go about it. My mind went first to childhood fairy tales. Most of them are, by nature, horror stories sometimes mirroring real-life events that were probably the stuff of nightmares at the time they were written. So I knew I wanted to create a fairy tale horror/fantasy town in which those old tales came to life in terrifying ways. Calling the town Woodcutter's Grim seemed completely logical. All of the stories in the Woodcutter’s Grim Series are loosely based on popular or traditional fairy tales, nursery rhymes, poems, folktales, parables, mythology, and other "lore".

When I wrote and published the first collection of "classic fairy tales retold in modern times as horror or fantasy", few others were doing anything like it. Right after that, a slew of projects similar to this came about, including the TV shows GRIMM (which was amazing) and ONCE UPON A TIME (not as inspiring to me but nevertheless interesting), and many movies turning fairy tales into deep characterization horror fests with a twist, such as SNOW WHITE AND THE HUNTSMAN (and the sequel) with Charlize Theron and Chris Hemsworth, and RED RIDING HOOD with Amanda Seyfried and Gary Oldman. 

What are some of the most memorable books and authors of the supernatural you read as a child? Do you love to read or watch tales of fairy tales reimagined? Leave a comment to tell me about your favorites! 

Happy reading! 

Find out more about Woodcutter's Grim Series here:

http://www.writers-exchange.com/woodcutters-grim-series/

https://www.amazon.com/dp/B08MLBYBH1

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series. Visit her here:

https://karenwiesner.weebly.com/

http://www.facebook.com/KarenWiesnerAuthor

https://www.goodreads.com/karenwiesner

http://www.writers-exchange.com/Karen-Wiesner/ 

http://www.writers-exchange.com/blog/ 

https://www.amazon.com/author/karenwiesner 


Monday, August 23, 2021

Introduction: Author Karen Wiesner

Author Karen Wiesner


Creating realistic, unforgettable characters one story at a time…


Just this past weekend I received an invitation and welcome from Alien Romances to join the prestigious line-up of authors gathered at the blog. I've known Margaret Carter since I asked her to join the popular promotional group I founded in 2003, Jewels of the Quill (featured in RT Book Reviews magazine with a revolving group of romance authors that produced 14 award-winning anthologies together in the 11 years we were together). Currently, Margaret and I are critique partners. Additionally, I met Rowena Cherry when I interviewed her for my reference titles published by Writers Digest Books. Considering the short notice, I thought it would be fitting to post my author biography in order to introduce myself.

 

In addition to the many hats I've worn in the last 25 years as a writing reference instructor and author of bestselling craft references such as FIRST DRAFT IN 30 DAYS, WRITING THE FICTION SERIES, and BRING YOUR FICTION TO LIFE: Crafting Three-Dimensional Stories with Depth and Complexity as well as a professional blurbologist (a fancy title for someone who writes back cover blurbs for authors) and a freelance editor, I'm also the author of 144 titles (19 series) which have been nominated or won 134 awards. I write in nearly every genre of fiction along with writing reference, children's books, and poetry which means I'll have a lot of material to talk about in my future here on the Alien Romances blog. Below, I've compiled a bullet list of my credits--with the genres that are the focus of this blog listed first--which I hope everyone finds interesting.  

 

Romantic Science Fiction:

 

-Arrow of Time Chronicles, Books 1-4 available now

 

Romantic Fantasy/Mild Horror:

 

-Woodcutter’s Grim Series {Classic Tales of Horror Retold}, Books 1-9 and The Final Chapter available now; Book 10 including three full-length novels coming September 2021

 

Paranormal/Horror/Ghost:

 

-Bloodmoon Cove Spirits Series. Books 1-6 are now available; Books 7-12 as well as the first novella collection coming soon

 

-Single Titles "The Amethyst Star", a futuristic romance, and "Creatures of the Night", a fantasy romance, in 2-in-1 Supernatural Romance Novellas available now

 

-SWEET DREAMS, A single title romantic horror available now

 

Writing/craft reference titles not mentioned previously:

 -CPR FOR DEAD OR LIFELESS FICTION: A Writer's Guide to Deep and Multifaceted Development and Progression of Characters, Plots, and Relationships available now

-WRITING BLURBS THAT SIZZLE--AND SELL! available now

-COHESIVE STORY BUILDING (formerly titled FROM FIRST DRAFT TO FINISHED NOVEL {A Writer's Guide to Cohesive Story Building}) available now

 

Romantic Action/Adventure and Suspense:

 

-Incognito Series, Books 1-8 available now; Books 9-12 will be reissued in the future

 

Mystery (Police Procedural, Amateur Sleuth, and Private Investigator):

 

-Falcon's Bend Series written with Chris Spindler, Books 1-6 and three novella collections available now

 

-Denim Blues Mysteries, Books 1-3 available now 

Contemporary Romances/Women's Fiction:

 -Family Heirlooms Series, Books 1-6 available now

 -Friendship Heirlooms Series (Family Heirlooms Series spinoff), Books 1-7 available now

 -Peaceful Pilgrims Series (Family and Friendship Heirlooms Series spinoff), Books 1-3 and 5 available now; Books 4, 6-8 coming soon

 -Wounded Warriors Series, Books 1-6 available now

 

-Gypsy Road Series, Books 1-4 available now

 

-Angelfire Trilogy, Books 1-3 available now

 

-Angelfire II Quartet (Angelfire Trilogy spinoff), Books 1-4 available now

 

-Kaleidoscope Series, Books 1-7 now available

 

-Adventures in Amethyst Series, Books 1-10 available now; Books 11-13 to be released in the Adventures in Amethyst Trio of Holiday Romances collections in 2021

 

-Cowboy Fever Series, Books 1-6 available now

 

-Single Title Contemporary Romances "The Amethyst Angel" and "A Home for Christmas" in 2-in-1 Inspirational Romance Novellas available now

 

-Restless as Rain available now

 

Children's Books:

 

-Making Good Choices Series, Book 1 available now; Book 2 reissue coming soon

 

-KERI IS CUTE CUTE CUTE, out of print

 

-I CAN TOUCH THE SKY, out of print

 

-CODY KNOWS with Linda Derkez, out of print

 

Poetry:

 

Soul Bleeds The Poetry, Melodies, and Other Wanderings of Karen Wiesner available now

 

What a thrill to be adopted into this group. I look forward to my time here. My days to post on Alien Romances will be Fridays so I'll be back soon. I hope you'll post comments, and follow me at my author pages as well as here on the Alien Romances blog.

 

Happy reading!

 

Check out my Author Pages:

My website and blog:  https://karenwiesner.weebly.com/

My Facebook author page: http://www.facebook.com/KarenWiesnerAuthor

My pages at my publisher, Writers Exchange's, website: http://www.writers-exchange.com/Karen-Wiesner/

and

http://www.writers-exchange.com/blog/

My Barnes and Noble author page: https://www.barnesandnoble.com/s/Karen%20Wiesner

My Amazon author page: https://www.amazon.com/author/karenwiesner

My Goodreads page: https://www.goodreads.com/karenwiesner


Thursday, October 08, 2020

Stubborn Skepticism Versus Indiscriminate Gullibility

Working on a paranormal romance novella, I'm presently dealing with a recurrent problem in fiction of the fantastic: How long should a character keep rejecting the possibility of the supernatural before admitting it exists? How do you find a balance between jumping to the conclusion that every anomaly proves the existence of a vampire or ghost and clinging to adamant disbelief in the face of overwhelming evidence? Most people who discovered a century-old photograph that looked uncannily like a present-day acquaintance wouldn't think he must be a vampire, after all. They'd say, "Wow, what an amazing family resemblance." On the other hand, if they saw their friend turn into a bat or a cloud of mist, it would be only sensible to entertain the vampire hypothesis.

In DRACULA, Dr. Seward at first quite logically rejects Van Helsing's pronouncement that Lucy has risen from the dead as a vampire. After all, Seward is a man of science, running a "lunatic asylum" according to the most up-to-date precepts and practices. Of course he's aghast that his revered teacher, with advanced degrees in multiple fields, would embrace outmoded superstitions. Even when they find Lucy's coffin empty, Seward falls back on the obvious explanation of grave robbers. Only when he witnesses the undead Lucy walking in the cemetery does he open his mind to the horrible truth. After that, though, he drops his objections; he doesn't try to insist she's a hoax or hallucination.

Right now I'm reading THE HOLLOW PLACES, by T. Kingfisher, an outstanding horror novel featuring an alternate universe. It offers a skillful treatment of the characters' shift from skepticism to belief. When the narrator finds a hole in a wall of her eccentric uncle's combination home and novelty museum, she assumes a visitor must have damaged the drywall and left without mentioning the mishap. Upon starting work on a patch, she and her friend Simon discover a large open area behind the wall. Naturally, they first believe they've stumbled into extra space that was walled off for some reason. As they explore, they see that it's much larger than the dimensions of the building should allow. Even then, they don't think they've fallen through an interdimensional portal. They discuss ideas such as a tunnel constructed by illegal alcohol dealers during Prohibition and try to rationalize the fact that they don't seem to have gone up or down a level as they should have. When they open a door onto a fog-shrouded river dotted by numerous small islands, though, they realize they've entered an alternate world, an "anti-Narnia," as the narrator says. Despite Simon's joking remarks about being poisoned by black mold, they don't seriously waste time on the possibility that they're hallucinating.

My work in progress features a ghost child who performs poltergeist-like tricks. At first, the protagonist does her best to attribute the odd events in her house to the cat, her seven-year-old son, or even herself in absent-minded lapses. Further along, she contemplates whether she might be sleepwalking and moving things around or whether she dreamed the strange singing she thought she heard. The sight of the little girl vanishing before her eyes forces the heroine to accept the supernatural as real. I consider it plausible that an otherwise normal, stable person would believe in a ghost rather than assume she's suddenly gone crazy with no provocation. The latter happens in vintage horror movies, not ordinary life. For the same reason, her highly skeptical boyfriend converts to the ghost hypothesis when he, too, witnesses the child disappearing into thin air.

Where should the creation of a character in fantastic fiction draw the line between the extremes of hardheaded materialism and softheaded gullibility? The former can make a character very annoying, but the latter can lose the reader's sympathy, too. The main reason I never cared for the SCOOBY-DOO cartoon series when our kids used to watch it was that, no matter how many times the gang exposed a haunted house as a hoax, when they investigated the next "ghost" Shaggy always believed in it as uncritically as ever.

Margaret L. Carter

Carter's Crypt

Thursday, May 28, 2020

Spooky Tutti Frutti

I'm delighted to announce the release of my lighthearted ghost story, "Spooky Tutti Frutti," from the Wild Rose Press.

Spooky Tutti Frutti

It's part of their summer reading e-book series, "One Scoop or Two." With ice cream as the unifying element, these stories range from 7500 words to novella length and had to include the following features: ice cream central to the plot; a setting in a waterfront tourist area during the summer; an ice cream flavor in the title. It can be fun to write a story in response to a highly specific call for submissions. At the bottom of my e-book's product page, you can see a row of other releases to date in the "One Scoop or Two" series and appreciate the clever titles other authors have come up with. My story takes place mostly in a 1950s-themed ice cream parlor, and I think the bright, perky cover captures the ambiance quite well.

I knew I wanted to contribute a ghost story, since all of my fiction is supernatural or paranormal in some way. Waterfront resort area? Annapolis, where I live, is one of the sailboat capitals of the East Coast. I got the editor's assurance that this location fits the criteria, even though it's on a river rather than an ocean beach. The idea of using a sailboat race as the basis for the heroine's problem came naturally, since boat races are a common summer event in this kind of locale. Preparing to set up a stall at the dockside celebration on race day, the heroine wants to create an original flavor. A friendly but slightly odd girl she hires as a temp comes up with the perfect flavor, but why is the new employee, although brilliant on the subject of ice cream, clueless about many details of everyday life?

I wanted my piece to be light and mildly humorous, so I gave the heroine a problem that's serious for her but not dire or life-threatening. Between the title and the strange girl's behavior, I assume the reader will guess soon enough that she's a ghost. I hope readers will have fun waiting for the heroine to figure out the truth and decide what to do about it.

Margaret L. Carter

Carter's Crypt

Tuesday, December 11, 2018

Reviews 43 - The Late Great Wizard by Sara Hanover

Reviews 43
The Late Great Wizard
by
Sara Hanover 


The Reviews have not been indexed yet.

The success of the Romance Genre in penetrating Science Fiction and Fantasy genres is beautiful to see.

The Soul Mate issue, and all the aspects of Relationship that are fueled by or form the foundation of Love (True Love), are working their way into plot, story, and world building.

In Reviews 41,
https://aliendjinnromances.blogspot.com/2018/11/reviews-41-empire-of-silence-by.html

we discussed Empire of Silence by Christopher Ruocchio, and how the Galactic Civilization is depicted using a loose, sprawling style, making the book much thicker than it had to be.  It is a story about a guy, an aristocrat, who gets tossed into the lowest, grimiest level of his civilization, and climbs back up.  Along the way, he meets a girl he really loves - then she dies and he goes on.  But her memory is one of the driving forces that propels him to galactic significance again.

In Reviews 42,

https://aliendjinnromances.blogspot.com/2018/12/reviews-42-simon-r-greens-secret.html

we looked at the conclusion of Simon R. Green's two long, intertwined Paranormal Romance series, where the Romance spans the two separate series and unites them.  Night Fall is the title of the combining novel, and it is very strongly driven by the slowly developed Romance.

Now in Reviews 43, let's look at another Fantasy Genre (maybe Urban Fantasy) novel, this one a marvelously good read, a page turner with great promise for a new long-running and complicated Series, The Late Great Wizard by Sara Hanover.



https://www.amazon.com/Late-Great-Wizard-Wayward-Mages-ebook/dp/B0782SQQKH/

The Amazon page indicates a second author, but the pre-publication cover and title page on my ARC copy does not, so I will reference Sara Hanover as the hand behind this (wonderful) book.

The Amazon page also indicates a sub-title, giving this a Series title, Wayward Mages.  The plural Mages, gives me vast hopes.

Hanover demonstrates a writing technique worthy of close study.  She takes a beaten-to-death, modern Urban Fantasy premise -- (among normal people such as you deal with every day, there exist some people who practice magic and other paranormal talents who do everything to keep you ignorant of their existence and affairs (and wars)).

Hanover then mixes in another beaten-to-death modern plot element, The Phoenix, being not a bird or god, but a person, a human, who dies in fire and must use a magical ritual to return fully to life and functioning.

She shakes the mixture and pours out something new.

And as you read, you learn once again the oldest, truest maxim of story craft: Setting, Time, Place, Plot, and Action Do Not Matter.

Reader enjoyment arises from the Characters and their Relationships.

It is the story that matters - and you can write and sell to any genre by telling your story in whatever Setting, Period, or World that genre needs.

Yes, we have discussed, at tedious length, how the World must be integrated with Plot, Story, and Characters.

Characters are shaped by their environment, and morph into hero or victim or bully according to the experiences their World throws at them.

In Romance, we prefer the Character who gets whacked by a Problem, and Rises To The Occasion.

In Science Fiction, likewise, we want a Character who starts off as the last one you'd expect to be able to do something -- then Rises to the Occasion and conquers.

Likewise, in Paranormal Urban Fantasy Romance, we want to see the Character rise to the occasion and do what would have been impossible without confrontation with a challenge.

The element that raises Sara Hanover's new Phoenix novel far above most of the others I've seen lately is that the female lead Character, First Person Narrator, Tessa, is surrounded by deeply knit family.  The Father is currently missing (they find out what's happened to him), but though there were issues with his pre-disappearance behavior, the love is staunch, unflinching amidst the apparent betrayal he perpetrated.

Tessa's goal is to get her college education completed and find her father.

Tessa and her mother are just scraping by in a college town which could be anywhere in the USA, but is near Washington DC, which they visit (a place famous among the esoteric community for its ley lines).

This location is interesting because the author seems to live in New Zealand.

To help out with expenses, Tessa accepts a job delivering (by bicycle) meals to the Elderly.  One of those Elders is "The Professor" -- who turns out to be a Phoenix, and a Wizard being targeted by a warring faction among the supernatural community.  He incinerates himself to avoid a worse development, but reincarnates as a younger man. He staggers into Tessa's presence as he comes to in his back yard, house in cinders, memory gone.  From what we know at that point, "wayward mage" sounds like a reasonable sobriquet.

He is a wizard, but barely knows he has such power. To restore his memory, he must perform a ritual -- the required components are scattered and hidden by his former elderly self.  So Tessa must help with the treasure hunt, hazy lack of memory, and assortment of friends, enemies, frenemies from his paranormal community.

This elderly wizard who was a warm friend is now of her age-group and very handsome.  He knows and admires her for herself, and that basis of relationship matters -- but now there's more.

At the end of this first novel in what I hope will be a long series, Tessa has a much more accurate idea of how her world works, and what's actually going on.  She has the full support of her mother, and a solid notion of what's going on with her father.  She has an Aunt with an odd talent for luck, which Tessa seems to have inherited.  And she's made her mark in the paranormal world.

Now she has to go back to Classes.  How will she concentrate, knowing what she knows?

The very best part of this novel is the Relationship between Tessa and the Wizard, and how plausibly it shifts.  The next shift will come when the Wizard has his full powers back.

Sara Hanover has made two old, out-worn, tired story ingredients into something new.  That in itself makes this book worth reading.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Thursday, June 28, 2018

Superpower Pros and Cons

A new Marvel superhero TV series recently premiered, CLOAK AND DAGGER. Tandy ("dagger") can materialize a knife out of light. Tyrone ("cloak"), associated with shadow and darkness, can teleport. So far, the powers of both protagonists pop up spontaneously, with little or no control. Also, each can read minds, sort of, in a limited sense. With skin contact, Tandy sees visions of people's hopes; Tyrone sees people's fears. My initial thought upon watching the first few episodes (although I do like the series so far) was that these aren't terribly impressive superpowers. Teleportation does have versatile possibilities—once he learns how to control it instead of leaping from place to place at random when confronted with danger. Materializing light daggers, however, seems of limited benefit unless the character gets into a lot of knife fights or aspires to become an assassin. Moreover, her magical knives wouldn't do her much good in combat without training and practice in using them. The latest episode demonstrates, though, that the conjured blade can cut through anything, a potentially versatile feature. She would be even better off if she would develop an ability to create other kinds of objects, too. As for the empathic visions, because they transmit images of people's hopes and fears, they can't be counted on to convey factual information. It's an appealing facet of the story, actually, that discovering their paranormal gifts doesn't automatically and immediately make the heroes invincible.

As I see it, many superpowers that seem cool at first glance wouldn't, by themselves, turn their bearers into superheroes. There was a TV series I never watched (so I may be misjudging it) whose protagonist couldn't feel pain. I got the impression that this trait was presented as a gift. No, it would be a handicap. In real life, people with defective pain perception live in constant danger of getting badly injured. Immortals in the "Highlander" series come back to life within minutes of getting killed unless they're decapitated. Living for centuries has its appeal, and if you work in a dangerous occupation or devote yourself to rescuing victims and protecting the innocent, immunity to most modes of death would confer a definite advantage. The gift has downsides, though. Like vampires, Highlander immortals are frozen at the age they'd reached at the time of their first death, so there are a few children and adolescents stuck with centuries of life in which they never grow up. Immortals aren't necessarily any more intelligent or ethical than ordinary mortals; whether they learn anything over the course of their extended lives depends on their individual characters. And even though they heal fast and can survive horrible injuries, getting killed still hurts. Furthermore, an immortal trapped at the bottom of the ocean or locked in a dungeon with no drinking water will die and revive over and over indefinitely.

Flying would be impressive but wouldn't make a hero invincible by itself. He or she could get to the scene of a crisis in a hurry, especially if the power included being able to fly faster than normal human running speed. But once the flying hero got to the site of the trouble, if he or she didn't have any other paranormal gifts, the success of the ensuing fight or rescue would come down to ordinary human strengths. Super-strength alone would seem pretty useful, once the hero learned to use it efficiently, but if that were his only power, he could be wounded or killed like anybody else. Flying and super-strength together would make a better combination, yet the hero could still get hurt—unless he or she were also invulnerable. Now you're approaching the qualities of a multi-gifted superhuman such as Superman himself. Spider-Man, with his leaping, climbing, and web-spinning, also has the capacity to travel quickly to otherwise inaccessible places; however, his ability to trap villains in webs probably needed to be honed through practice.

What about invisibility? An invisible character can sneak into places, explore without getting caught, and (if so inclined) steal small objects. Unless his or her powers include walking through walls and closed doors, though, the invisible man or woman still needs to access enclosed areas in the normal, physical way. Furthermore, invisibility in the strictest sense has obvious drawbacks. Do your clothes disappear with you? If not, you have to endure the discomforts of nudity. In H. G. Wells's classic novel, anything eaten by the invisible man remains visible until digested, so the time periods during which he can be truly unseen are limited. More effective might be a gift for clouding the minds of observers, like the Shadow; in that case, cameras would still reveal the hero's presence.

The most versatile type of superpower might be a multifaceted psychic talent such as the ability to read and control people's minds (provided you could shield against the thoughts and emotions of others at will). There we get into some deeper ethical problems, though.

Margaret L. Carter

Carter's Crypt

Tuesday, August 14, 2012

Worldbuilding With Fire And Ice Part 7: Paranormal Romance

This blog entry is a direct sequel to last week's entry FINDING A GOOD PARANORMAL ROMANCE which was sparked by a twitter exchange.

http://www.aliendjinnromances.blogspot.com/2012/08/finding-good-paranormal-romance.html

This is Part 7 of a series of posts on Worldbuilding.  The previous parts are here:

http://www.aliendjinnromances.blogspot.com/2012/07/worldbuilding-with-fire-and-ice-part-6.html

And that Part 6 has a list of the links to the previous 5 parts of this discussion scattered over the last few years -- and there have been other series of posts on the art, science and craft of "worldbuilding" that is the single most major element behind writing in general -- but is far more difficult when done to cradle an Alien Romance, or any science fiction or fantasy story. 

This Part 7 is a worldbuilding entry sparked by a series of comments made on Twitter by Noah Murphy ‏@K23Detectives  -- someone to follow and pay attention to.

These tweets came to my attention as I was finishing last week's blog entry and thinking how Paranormal Romance stories and novels are one of the most natural, easy, and obvious blends of 2 genres.

The "Paranormal" usually infers "horror" -- stories about the creepy-awful menace that lurks just out of sight and awareness, the non-rational world of nightmare rather than dream.

Romance, on the other hand infers "pleasant satisfaction" - the uplifting, delightful, fulfilling promise of all that lurks just out of sight, the Happily Ever After, the non-rational world of dream rather than nightmare.

These two genres depict the exact same thing, but from different points of view, with different interpretations.  Ghost Hunters vs. The Ghost And Mrs. Muir.

So Paranormal and Romance fit together at the level of theme.

Last week I pointed out the parallel between what Glenn Beck has done and what Paranormal Romance has not done, but needs to do if we are to be able to find the good Paranormal Romance novels. 

And I ended off last week asking:
What topic lies within PNR that has the same relationship to PNR that the Mexican Border does to American History?  And where can we find someone to set on fire with that topic?

My thesis was that the PNRomance field needs an Oprah Winfrey or Glenn Beck to aggregate the audience so that audience can rely on the source to find the "good PNR" and not waste time and money on unsatisfying reads. 

And lo! like magic Noah Murphy's tweets pointed at a topic PNR probably hasn't delved deeply into, but which would form a solid foundation for Paranormal worldbuilding.

As I pointed out in previous posts, the biggest "weakness" I see in highly professional Romance writers who try their hand at mixing genres is in the worldbuilding. 

When you don't use the real world, contemporary or historical, as background for your story, you must invent the details of your background, (worldbuild) not look them up! 

But you must invent a set of details that go together, each arising from the other in a pattern that resembles the reader's perception of their real world (not the actuality, but the perception which is why Glenn Beck and Oprah Winfrey are folks to study, not because of their topics but because of the radically different worldviews of their respective audiences.)

So here's an example of a "topic" within Paranormal Romance which might be the igniting topic that could set the right spokesman on fire and create us a Glenn Beck of our own.

SEEING IS BELIEVING

If you've read my blog entries on the use of THEME, you recognize that statement as a THEME.  And it is a natural theme for a Paranormal Romance. 

Here are the tweets that stopped my eye and ignited my brain:

Noah Murphy ‏@K23Detectives
There's also a very major full on Chasidic black-hat Jewish hero in the book. But since his job requires him to deal with immodest women

Noah Murphy ‏@K23Detectives
He puts his personal feeling aside and just does his job but he believes god cares more about him helping then seeing immodest women.

And there were more tweets on this topic, an exchange on nudity and clothing styles, as well as porn and religion.  You meet some fascinating people on twitter!!! 

Noah Murphy is a writer working on a story that includes this Chasidic detective.

I know nothing else about that story, but the exchange about clothing styles came to me right after seeing an entire Chasidic lecture on the various warnings in the Torah about "following your eyes."

Naturally, I sought ways of arguing various sides of this thesis on SEEING being the root of temptation.

The thesis was that the admonition not to follow your eyes was based on an inherent feature of the human being -- that when you SEE an image or a thing, you want it, you grab for it.

It's true infants will grab at colored shapes -- it's how we learn eye-hand-coordination.

It's possible this attribute persists into adulthood, morphed by the rise of sexual awareness.

And we're all familiar with how the sight of something that looks delicious makes our mouths water, makes us WANT that delicious thing regardless of whether we were wanting it before we saw it.

SEEING is powerful.

We know that the structure of the human eye gives us a survival advantage - we see in color and in three dimensions.  Some other species have other kinds of advantages -- eagles have sharp far-sight, insects have segmented eyes that see in many directions at once, etc.

But the human eye linked to the human brain works marvels.

When it comes to the Paranormal Romance, we usually have to write something about those who are aware of the Paranormal dimension as contrasted with those who have no awareness.  And the interesting hook into a Paranormal adventure is that moment when someone unaware SEES and believes for the first time that the world is different than they had ever thought.

All religions have something in them that requires belief in something you can't SEE.

That's why so many use statues or other symbols, so that which is believed-in can become tangible, real because it's seen.

The practitioners of a religion (any religion) are often the ones who know the least about that religion.  So the topic that could ignite interest in the Paranormal Romance could be something as simple as "What really goes on when you SEE something?"

That's like "What's really going on at the Mexican/USA border?"  Innocent little question with a million topics connected to it.  It opens like a rose.

Mystical practitioners often call those who can see the future Seers -- not prophets who are shown by God, but people who just look and See.

Seeing is believing.  See a ghost, and your concept of reality adjusts. (show-don't-tell, remember?)

In a near-death experience, seeing your own body from the outside adjusts your view of reality.

Seeing something you've never seen before, never believed existed, makes you sensitive in a certain way.  You are more likely to See it again.

So why do practitioners of many religions want to conceal the human form (mostly the female, but in many cases also the male)? 

Most people have a completely eroneous assumption about why religions rule to conceal the human form or flesh.  In the era of "Enlightenment" (or the era of science as our god), when a religion says "don't expose your (whatever part of the anatomy)" we hear that the physical eye must not see the physical flesh.

What if that's not the true origin of the decree? 

What if it isn't the physical eyeball that is the problem? 

What if it is some other part of the human that must be concealed, a part the Enlightened are so certain does not exist?

What if the signal from the human eyeball reaches the human brain and ignites something above and beyond the human physical body? 

What if repeated stimulation of that part of you causes you to be unable to sense the presence of  God? 

Think about how constant exposure to a certain smell makes you unable to smell it anymore.  Smokers, for example, have no idea how much they stink! 

There's a principle in Magic quoted as, "As Above; So Below" (and it works vice-versa -- when you understand what's Below (in our real world) you can more easily understand what's Above, (in the astral plane and higher).

The theory of Magic holds that the world is created in congruent layers, that there is a single underlying pattern that repeats and repeats.  Maybe that's not true, but some part of the basic human being operates as if it were true, so writers who worldbuild with those congruent layers make readers believe every (silly) word they write.

So it's not farfetched to postulate that the Soul or the immortal part of you, the part that reincarnates, or that "Goes To Heaven" after you die, (or gets trapped as a ghost?) has "senses" that work like our real-world senses do.

You know how you can lose something in a familiar room -- your car keys for example.  The keys are sitting there in plain sight where you always put them, but you search four or five times before you SEE them.  They become invisible against the familiar, just as the smell of nicotine is un-smellable against the miasma that surrounds a smoker. 

The constant din in a noisy room, even a workplace, can be filtered out to the point where you aren't aware of it until a newcomer winces! 

So if our material-body senses work like that, perhaps the Soul's senses work the same way? 

A Paranormal Romance (Soul Mates; Happily Ever After ending Romance) writer could easily postulate that the real reason (unknown even to the Authorities currently running a religion) for the necessity of "modest" dress (defined differently by each religion), is based on the responses of the Soul, not the eyeball or the body.

Here's one from Kabbalah.  There is a concept in the mystical studies that indicates the spirit of God envelopes a couple during copulation and orchestrates conception.  That this whole process is a process of Souls much more sensitive than the process involving the body is.

Done one way, the child that results turns out a certain way.  Done differently, the resulting child is different.  Acting to prevent conception can have far-reaching consequences that has little to do with what we think of as "my life." 

In other words, sexuality has a Paranormal dimension.  It's a fabulous Fantasy premise that hasn't been explored -- just as Glenn Beck's Mexican Border Situation hadn't been explored.

So, it's possible to worldbuild a Paranormal Romance around the SEEING IS BELIEVING theme element that the best way to sensitize the Soul so it can percieve the presence of the Divine in the material world (and thus get Life to work more smoothly around you, e.g. finding your Soul-Mate and Living Happily Ever After), is to avoid certain SIGHTS.

That is one grand paradox fraught with ripe conflict!  Paranormal conflict!  Ghosts, Warlocks, Witches, Spells, Incantations, Goblins, Trolls, Vampires -- it all takes on a totally different twist when seen through the eyes that avoid certain sights in order to see other sights.  It might be like avoiding looking at oncoming headlights at night in order to be able to see the road. 

If you could pull that off, you could be writing a very sexy Paranormal Romance targeted at Glenn Beck's 30-million-strong audience.  Somewhere among them (probably the most skeptical ones trained best in critical thinking) might be the Oprah Winfrey of the Paranormal Romance field.

BTW: the "fire and ice" of the series title here might be thought of as Religion and Science, or maybe it's Science and Religion?  Either way, to worldbuild a cradle for a convincing story, you must have both in your world because they are pillars of our world.   

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Sunday, March 30, 2008

Authors' Sites of Excellence




I've always loved the positive attitude embodied in "I don't know, but I know where to find out..." Or even in Jim Cramer's "You've come to the right place!"

Jim Cramer talks about stock tips. We talk about alien romances, paranormal romances, intimate adventure, space opera, space action adventure, futuristics, science fiction romance... and a great deal more.

You've come to the right place if you want to know where some of the best and most informative websites in the science fiction romance genre can be found. Just look at the links in our sidebar!

We have links; links to links; links to blogs, and links to blog links. (We'd welcome more, by the way.)

Jacqueline Lichtenberg has an amazing chart on the intergalactic quality simegen site, which identifies authors and their genres and subgenres.

http://www.simegen.com/romance/authors/


Linnea Sinclair put the original chart together, and Linnea's site is well worth a visit for it's gobsmacking, out-of-this-world splendour, and all the really useful advice and insights it offers.

Angela Verdenius also has a chart of Paranormal/SFR authors. I believe Angela and Linnea independently came up with similar, useful ideas at the same time, which so often happens in our world.

Also, look out for
http://plotmonkeys.blogspot.com;
http://boxingtheoctopus.blogspot.com;

http://jakonrath.blogspot.com



Best wishes,
Rowena Cherry