Alien Romance and sexuality encompasses a vast array of possibilities. The first things you need to do is decide your alien's home planet, cultural matrix and general physical characteristics. I generally create a "notes" file for each of my stories where I brainstorm and research as much information as I can before I even start writing the first chapter.
In the "notes" file, I list all the character names, alien and human, personalities, ages and general physical characteristics of the alien. If the story location is in a different city, time period, planet, space station or star system, I also research as much information as I can about that location so I can build upon it to create a plausible background reality for the story and for my aliens.
Our own animal kingdom is a good place to find information and ideas for aliens. For example, when I wrote The Huntress, I wanted to write about a vampire legend that was non-European. Mama Zuca told me about the Hispanic legends about chupacabras or "goatsuckers" which are said to be killing farm animals by draining their bodies of blood.
http://skepdic.com/chupa.html
http://www.qsl.net/w5www/chupacabra.html
http://www.alienbaby.com/chupa.html
http://paranormal.about.com/cs/chupacabra/
So, I did an internet search on chupacabras and learned that the first sightings were back in 1952 along with the UFO sightings. Of course, because SF is my first love, I did a "what if" using a more factual and science-based premise. I said, "What if the chupacabras are the feral descendants of vampiric alien pets left behind by UFO tourists." Picture a pack of pit bulls left behind on an alien planet and the ecological repercussions of their feral descendants terrorizing the local inhabitants eighty years later. The next logical step was to postulate an alien bureaucracy. What if there's an Interstellar Humane Society?
Every bureaucracy has tons of paperwork and records. I know. I worked for 29 & 1/2 years as a bilingual social worker for the Pennsylvania Welfare Office. Blech. Talk about a high stress and mind-numbing job.
On Earth, we're mammals and the majority of our pets are mammals. The chupacabras are supposed to be an combination of reptiles and mammals. Extrapolating from that, I decided that the alien owners of the chupacabras were also a combination of reptilies and mammals. Plus, I already knew from my college anthropology courses that per evolutionary theory, millions of years ago, mammals and reptiles were one species that divided into two separate species. From that bit of knowledge it didn't take a very large jump to decide that the aliens for The Huntress never evolved into two separate species of reptiles and mammals but continued as a combination of both species.
From there I researched reptilian reproduction and learned that reptiles are a scent-based species who use their tongues to taste odors. I learned that iguanas are able to smell when their zookeepers are in their fertile time and these iguanas will then behavior courteously towards those zookeepers. I also learned that many reptilian species have a hemepene. Wow! Needless to say, from these bits of factual information, I was able to develop a unique story idea and alien species for The Huntress.
Where do I find story ideas? Many of my story ideas I find by perusing SF art work.
For one of my Erotic SF stories, this one published by Loose Id Books, On The Edge of Time, I created a different type of alien reptilian shapeshifters. The initial idea for this story came from a Boris Vallejo image showing a man's torso with a living snake tattoo on his arm.
I decided that the type of space travel in On The Edge of Time would be through wrymhole space and that in wyrmhole space, this species of aliens had their full shape-shifting abilities but outside of wyrmhole space, they needed a host body to survive as a living tattoo on that host body. I also decided to add another twist to the story. Reptiles lay eggs. They don't have live births. I decided that my alien species in this story lays their eggs inside the male host body. I had tons of fun getting the hero pregnant in that story. LOL.
GENERAL RESEARCH SITES FOR ALIEN BIOLOGY
One fertile area for research for alien story ideas is to look at folklore and apply a factual answer for the magic of those folklore stories instead of fantasy answer like I did with the chupacabra legends for The Huntress. For my Sidhe series, Covenants, Down Came a Blackbird and Out of the Dark, I looked at the Celtic legends about the Elves and applied a SF rather than a Fantasy explanation. I decided that the Sidhe were an extraterrestrial species whose home planet became the asteroid belt in our solar system and whose foremothers migrated to Earth when this happened. Of course, their advanced technology was mistaken by humans for "magic". I then applied science based explanations for their magic. For the selkieskins, I decided the selkieskins were bioengineered symbiotes used by the Sidhe as spacesuits and/or deep sea diving suits. Nuada of the Silver Hand is another Celtic legend. In that tale, after his hand was cut off in battle, the Sidhe smith crafted a silver hand for him that acted like a real hand. Sounds like our modern day prosthesis, doesn't it?
Here's a website with links to folklore from every country on Earth at http://www.cbel.com/folklore_tales/
SF images are another great place to find inspiration for your stories. Here are a few websites I recommend.
Boris Vallejo's artwork at http://maniera.wbp.zabrze.pl/foto/vallejo/page_26.htm
Luis Rojo's artwork at http://www.jormungand.de/index.htm, click on the links for the different "rooms" to see his artwork there.
BOOKS for research on aliens.
SF books are my first choice for getting ideas about aliens. Why? Because most SF books have already researched their aliens properly. Of course, they also have a tendency to skim over the sex part in their books. No problem. I can still use these books for basic background information and add sex later. LOL.
C. J. Cherryh is an anthropologist who write excellent aliens and alien cultures. http://www.cherryh.com/
I recommend her Chanur and Foreigner Series. http://www.cherryh.com/www/univer.htm#Chanur
If anyone is interested in reading the Chanur or Foreigner Series, I can lend you those books. All you have to do is mail them back to me when you're finished reading them.
For Space Opera type SF and aliens, I recommend Sharon Lee and Steve Miller's Liaden Universe books.
http://www.korval.com/liad.htm Sharon and Steve are a husband and wife team who have crafted a remarkable series of SF Romance stories. (Not enough sex for me, of course, but the Romances are fabulous and give me ideas to build my own stories.) If you scroll down toward the middle of the website, you can find links to sample chapters online for their books. You have to scroll down past the bibliography to find the links to the sample chapters like this link to The Tomorrow Log. http://www.korval.com/ttl1.html
Again, I have copies of their books that I can loan out to anyone who's interested in reading them. All I ask is that you mail them back to me after you've finished reading them.
If you want to write Space War/Space Station type stories, I recommend Elizabeth Moon's Vatta's War and Serrano legacy books. http://www.sff.net/people/Elizabeth.Moon/biblio.htm Elizabeth Moon is ex-military and applies her knowledge to her stories.
Of course, I recommend my books at www.sff.net/people/selkiewife too. Why? Because in addition to creating plausible SF for my books, I also include the kind of Explicit Sex that you won't find in the mainstream SF books that I'm recommending. That's one of the main reasons why I started writing Erotic SF, I got tired of wonderful SF alien stories where they skimmed over the sex parts. I wanted it ALL. I wanted great SF action adventure and sex in the same story. What's with mainstream SF where they will boldly go where no one has gone before but they can't go into the bedroom?
Mind you, mainstream fiction is willing to go into the bedroom when it comes to Fantasy type creatures like werewolves and vampires. Look at Angela Knight, Mary Janice Davidson, Laurell K. Hamilton, Kim Harrison and all the other authors in this field.
BUT, for some strange reason, mainstream publishers seem to have this mistaken assumption that women don't READ SF, that only men read SF and men don't want to see all that mushy love and sex in their SF stories. Cut me a break. Women read SF too. Hell. Go to SF conventions and notice all the female fans running around at the conventions and buying books.
More authors I recommend who write Erotic SF and SF/Romance are http://www.blogger.com/img/gl.link.gifahttp://www.blogger.com/img/gl.link.gifs follows:
Linnea Sinclair http://www.linneasinclair.com/
Camille Anthony http://www.camilleanthony.com/
Kayelle Allen
Rowena Cherry http://www.rowenacherry.com/
Judy Mays
Susan Grant http://www.susangrant.com/
Kaitlyn O' Connor http://www.newconceptspublishing.com/kaitlynoconnor.htm
Whew! That’s all for today’s overview of Alien Romance. During the next weeks, I'll be going into more depth and specific detail about worldbuilding, creating aliens, their cultures, SF Forensics, SF physics & space travel, writing about injuries during fight scenes and of course, the care and design of alien sexual characteristics, physical, mental and cultural.
I'm open to questions and discussion about today's topic and any other topics that you might want to explore.
Thank you.
Barbara Karmazin
www.sff.net/people/selkiewife
Sunday, July 15, 2007
Saturday, July 14, 2007
Different Strokes -- Headless sex
We're used to having one of everything, (unless we have two... as in kidneys, lungs, arms, legs, ears, eyes).
Margaret and I like to watch some of the same things on TV. I will definitely stop writing my alien romances to watch "The Most Extreme" or "Fooled By Nature" on Animal Planet.
It's not that I'm particularly twisted (or so I fondly imagine), but I am interested in watching male animals getting their heads chewed while they do their reproductive duty. I understand that male praying mantises have a second heart --or is it a second brain?-- down there, which is what enables them to pump more vigorously once the head is gone.
I wonder whether they fornicate faster because the blood flow is diverted to the second brain or second heart once the big head no longer needs a supply. I like to know the ins and outs, and the hows and whys! Like, dying trees often produce a vast and vigorous quantity of flowers and seeds.
I've heard that Brachiosaurs (long necked dinosaur types) may have had an extra heart to pump blood along that long neck. Do giraffes? Or do giraffes just have a really efficient sequence of valves... like canal locks?
When I watch elephants and other large quadrupeds with extremely stiff spines and highly mobile (and apparently well-controlled) reproductive equipment go about the business of procreation, I cannot help thinking of some of the building supply equipment I see on the road... the sort that has a driver in the cab at the front end, but a little cab with a crane and control center at the back end to do the delicate work of lifting and maneuvering.
Have you ever watched an elephantine erection in action? Remarkable!
In National Geographic for Kids, there's a delightful article about animals being nice to one another. In one story, a forest elephant gets the sensitive tip of its trunk damaged in a hunter's trap. So, it leaves the forest and goes out onto the savannah (usually forest elephants stay in the forest, and savannah elephants stay on the savannah, and as a result of not socializing their ears have evolved to look different... apparently). The forest elephant walks up to a surprised savannah elephant and pushes the tip of its hurt trunk into the savannah elephant's mouth.
At once, the savannah elephant tastes the blood, understands his fellow's plight (they must both be young male elephants, I assume, or they would not be alone) and uses his own trunk to pull up a small tree and thrust it into his new friend's mouth.
Aaaahhhh!
There's not a lot of use for me in thinking further about sensitive, prehensile trunk tips and other applications because I write romance with alien elements.
My aliens do have secondary brains and hearts... one has to have a rationale why priapism isn't a problem during the
By the way... if anyone clicked the "watch elephants" link in this blog, and is now furious with me for sending them to the INSUFFICIENT MATING MATERIAL book trailer (which is also on my newly rationalized website), try looking to the right in the sidebar of what YouTube catalogues as similar subject matter.
On an administrative note, Cindy Holby aka Colby Hodge is on assignment. I shall blog on her Saturdays until September... apart from August 4th, when Marjorie M Liu will blog.
Barbara Karmazin will be guest blogging on Sundays, and will delight us with at least one lecture about alien sex. We can look forward to a hot summer! The hero in Barbara's The Huntress is extraordinarily well endowed. He has two!!
best wishes,
Rowena Cherry
Margaret and I like to watch some of the same things on TV. I will definitely stop writing my alien romances to watch "The Most Extreme" or "Fooled By Nature" on Animal Planet.
It's not that I'm particularly twisted (or so I fondly imagine), but I am interested in watching male animals getting their heads chewed while they do their reproductive duty. I understand that male praying mantises have a second heart --or is it a second brain?-- down there, which is what enables them to pump more vigorously once the head is gone.
I wonder whether they fornicate faster because the blood flow is diverted to the second brain or second heart once the big head no longer needs a supply. I like to know the ins and outs, and the hows and whys! Like, dying trees often produce a vast and vigorous quantity of flowers and seeds.
I've heard that Brachiosaurs (long necked dinosaur types) may have had an extra heart to pump blood along that long neck. Do giraffes? Or do giraffes just have a really efficient sequence of valves... like canal locks?
When I watch elephants and other large quadrupeds with extremely stiff spines and highly mobile (and apparently well-controlled) reproductive equipment go about the business of procreation, I cannot help thinking of some of the building supply equipment I see on the road... the sort that has a driver in the cab at the front end, but a little cab with a crane and control center at the back end to do the delicate work of lifting and maneuvering.
Have you ever watched an elephantine erection in action? Remarkable!
In National Geographic for Kids, there's a delightful article about animals being nice to one another. In one story, a forest elephant gets the sensitive tip of its trunk damaged in a hunter's trap. So, it leaves the forest and goes out onto the savannah (usually forest elephants stay in the forest, and savannah elephants stay on the savannah, and as a result of not socializing their ears have evolved to look different... apparently). The forest elephant walks up to a surprised savannah elephant and pushes the tip of its hurt trunk into the savannah elephant's mouth.
At once, the savannah elephant tastes the blood, understands his fellow's plight (they must both be young male elephants, I assume, or they would not be alone) and uses his own trunk to pull up a small tree and thrust it into his new friend's mouth.
Aaaahhhh!
There's not a lot of use for me in thinking further about sensitive, prehensile trunk tips and other applications because I write romance with alien elements.
My aliens do have secondary brains and hearts... one has to have a rationale why priapism isn't a problem during the
rut rage, for the few readers who wonder about such things. One of these days I really must ask my friend Jade Lee (the author) how practitioners of 17-hour Tantric sex don't damage themselves. In my next book, I also touch on the problems of having more brain than humans.
By the way... if anyone clicked the "watch elephants" link in this blog, and is now furious with me for sending them to the INSUFFICIENT MATING MATERIAL book trailer (which is also on my newly rationalized website), try looking to the right in the sidebar of what YouTube catalogues as similar subject matter.
On an administrative note, Cindy Holby aka Colby Hodge is on assignment. I shall blog on her Saturdays until September... apart from August 4th, when Marjorie M Liu will blog.
Barbara Karmazin will be guest blogging on Sundays, and will delight us with at least one lecture about alien sex. We can look forward to a hot summer! The hero in Barbara's The Huntress is extraordinarily well endowed. He has two!!
best wishes,
Rowena Cherry
Thursday, July 12, 2007
Sex in the Wild (and Wilder)
I've just finished rereading DR. TATIANA'S SEX ADVICE TO ALL CREATION, by evolutionary biologist Olivia Judson. You should all get this book! In the format of an advice column for animals, plants, and microbes with romantic and sexual quandaries, the author imparts densely packed information on reproduction throughout the natural world in a most entertaining style. She explores the evolutionary advantages of patterns such as promiscuity, monogamy, infidelity, homosexuality, hermaphroditism, parthenogenesis, and the most aberrant behavior of all, complete asexuality. Did you know that many animals change sex over their lifetimes, depending on environmental or social conditions, or that in some species the sex of the young is determined by factors such as water temperature rather than genetics? Have you heard about the hermaphroditic snails who have penises on their heads? Lionesses in heat copulate at least once every half-hour over four or five days. In many species of birds thought to mate monogamously, DNA tests of chicks have shown that infidelity runs rampant. Despite the popular perception of males as promiscuous and females as monogamous, polyandry is far from unknown in the animal kingdom. Some bird females will have several mates, each on a separate nest incubating his own clutch of eggs. And we've all heard of the male spiders and preying mantises who present the ultimate gift to their mates to ensure the robustness of their children: She devours him (literally) after fertilization. Some male insects even copulate more vigorously with their heads bitten off. (Passing up the easy punch line. . . .) Strangest of all, some slime molds have over 500 sexes. (No, that doesn't mean they have to get 500 individuals together to mate. It simply means they have that many distinct kinds of reproductive cells. It still requires only two to produce a new organism.) I was surprised to learn that sex and reproduction don't necessarily go together. “Sex” basically means a method of exchanging genetic material between individuals. That exchange may be separated in time from the creation of new individuals (e.g., an organism might trade DNA with another one now and generate offspring by budding later).
Suppose your human hero or heroine forms an emotional attachment to an alien who isn't humanoid or even mammalian in reproductive biology but something much wilder, such as one of those species. If the couple doesn't mind being unable to have children together, might they share sexual gratification anyway? Or would it feel too much like bestiality? How dissimilar would they have to be, physically, to trigger that perception? At some point of difference they might have to confine themselves to emotional bonding, as "soul mates." Or they might just be intimate on the level of friendship. I'm reminded of the STAR TREK episode in which the blind telepath bonds with the medusoid whose physical form is so alien (or so dazzling) that no human being can look at him/it without being struck mad. That bond must be (in the words of the introduction to the TV show BEAUTY AND THE BEAST) "stronger than friendship or love," yet it's completely nonphysical.
Wednesday, July 11, 2007
Booksigning
After 50 plus books, I don't usually blog over book signings. But a new Books A Million just opened up in the Brandon Mall in Florida. And they are romance friendly! In this day and age, it's a cause to celebrate. The store was not only willing to carry my new books but my backlist. So this is really special.
I was totally psyched to go and sign books. And then they ordered a gazillion Kiss Me Deadly books and put up tote bags for their sign in the window and my palms broke into a sweat.
Normally, I sell between 10-25 books at a signing. And this store brought in so many there is NO WAY I can sell that many. Yikes. I doubt that many people will even walk by in two hours and even if every one of them bought a book, I still won't sell them all. Then as I often do, I started to really worry. I imagined myself sitting there behind this mountain of books and no one buying any. It's many authors' worst nightmare. I'd rather face an alien invasion than sit behind a table of books and be unable to sell them, with no one to talk to and wishing I could make myself invisible.
This is when I start counting friends--friends who I could talk into coming in to buy a book in the middle of a busy Saturday. But for those of you who don't keep track, this week is the Romance Writers of America National Conference. So most of my friends are out of town.
So if you happen to be in Brandon Florida, between 2-4pm on Saturday, please stop by the Books A Million and pick up a book for yourself, your mom, your best friend, your grandmother and the alien who lives under your bed....
I was totally psyched to go and sign books. And then they ordered a gazillion Kiss Me Deadly books and put up tote bags for their sign in the window and my palms broke into a sweat.
Normally, I sell between 10-25 books at a signing. And this store brought in so many there is NO WAY I can sell that many. Yikes. I doubt that many people will even walk by in two hours and even if every one of them bought a book, I still won't sell them all. Then as I often do, I started to really worry. I imagined myself sitting there behind this mountain of books and no one buying any. It's many authors' worst nightmare. I'd rather face an alien invasion than sit behind a table of books and be unable to sell them, with no one to talk to and wishing I could make myself invisible.
This is when I start counting friends--friends who I could talk into coming in to buy a book in the middle of a busy Saturday. But for those of you who don't keep track, this week is the Romance Writers of America National Conference. So most of my friends are out of town.
So if you happen to be in Brandon Florida, between 2-4pm on Saturday, please stop by the Books A Million and pick up a book for yourself, your mom, your best friend, your grandmother and the alien who lives under your bed....
Tuesday, July 10, 2007
Heinlein On Love
Folks:
I returned yesterday from a unique weekend immersed in
scholarship and erudite discussion of Robert A. Heinlein,
celebrating the day (7/7/07 ) when he would have been a hundred
years old had he lived.
I learned so much I didn't know! My background and interests are
much more like Heinlein's than I had ever suspected.
And I'm sure I said things others didn't know that changed their
views -- they came up after the panels and asked for my handouts
which contain the URL of the Alien Romance blog.
Frederick Pohl (the editor who bought my first story, the first
Sime~Gen story, for WORLDS OF IF MAGAZINE OF SCIENCE FICTION and later as book editor for Bantam Books bought my first non- fiction project STAR TREK LIVES! and who has written a long list of SF novels) was there speaking fluently, casually, mellifluously, about Robert, his attitudes, experiences, friends, associates, and his three wives.
As I said in my previous post, I was on 6 panels and an
autographing in 2 days -- Friday and Sunday. Saturday I wandered
in and out of panels, and watched a few videos and talked and
talked to people.
The weekend became a blur of significant experiences. But there
was an odd theme running through it all -- love. Heinlein on
love is a remarkably deep topic.
You may think of his later books, Stranger in a Strange Land,
Moon is a Harsh Mistress, Time Enough For Love -- but there are
deeper themes on love in his "juveniles."
The Heinlein Centennial was co-conventioned with the SFRA
(Science Fiction Research Association -- professors who read
papers on SF because they happen to be fans who write academic
papers). So on Thursday evening, I spotted Fred Pohl through a
crack in a door, and crept in to an SFRA panel to listen to the
end of that panel.
It gave me a hundred ideas for things to say on the later panels
I was on, but I only got to say one of them.
Being academics, they were talking (in grieved tones) about
teaching Heinlein's books, and how younger people just WON'T
read Heinlein.
Later at another panel I heard someone who should know state
that when RED PLANET (the animated version of Heinlein's novel)
was aired, children ran to the library searching for more books
by him.
But before I heard that, on Friday at noon I was on a panel
about "Everything I Needed to Know I Learned From Heinlein" --
(which is pretty much true). And there I mentioned this blog and
pointed out how, RAH's themes, ideas, and vision lives on and on
and ON through us.
Young people who read my books (and there are amazingly large
numbers) are reading Heinlein (and Marion Zimmer Bradley, and
Theodore Sturgeon, Hal Clement, etc etc). Even younger people
who are reading Linnea Sinclair are reading Heinlein, which
would be true even if Linnea had never read Heinlein because
she's read my books.
In fact, any modern fan of novels with SF or Fantasy content
that ALSO involve strong characters and plot-driving
relationships is enjoying the legacy of Robert Anson Heinlein.
Linnea is now training new writers, and so the legacy will be
passed on to yet another generation -- and that legacy is,
without love you don't have a story!
It's especially true of Science Fiction -- one definition of SF
Fred Pohl and John W. Campbell came up with was "if you can take
the science out and still have a story, you don't have an SF
story."
Most Alien Romance that I've seen to date passes that test --
there's some science element that absolutely MAKES the story.
But there is also some Relationship (not always romantic love;
parent-child, teacher-student, buddy, sister-sister, oath-bound,
magical geas, etc) that causes the characters to make one plot-
decision and not another -- that drives the plot to a satisfying
conclusion.
And that's what Heinlein invariably did. He showed us the role
of love in society, even alien society, and that to handle
science efficaciously, one must be filled with that love -- love
of humanity (or one's own species), love of town, country,
village, tribe, family, spouse(s), children, teachers, -- LOVE
drives the world.
But learning steers us -- and Heinlein glamorized education to
such an extent that maybe a third or a half of the people who
showed up for the Centennial had advanced science degrees
because of their early exposure to Heinlein.
Reading Heinlein makes you WANT to study -- even if the subject
is boring -- because you can see the use for being educated, as
opposed to "getting an education."
On Saturday, I learned that Heinlein had, as a very young man,
memories of 2 or 3 past lives. That could easily explain the
level of mature genius he evidenced throughout his whole life.
But by his thirties, those memories had faded to memories of
memories.
Still it gave him an awareness that science doesn't study the
whole of our real universe -- an attitude I have always had.
Maybe I was born with it, or maybe I absorbed it with RAH's
novels, or my upbringing -- but it pervades my life to this day.
Science is absolutely necessary, but it doesn't apply to
everything of importance in life.
Heinlein had read James Branch Cabell (fantasy writer of the
1920's and 1930's) who influenced the field markedly and then
fell out of popularity. And Heinlein knew L. Ron Hubbard, and
some associates of Madame Blavatsky -- who had at the time moved
her operations to India.
This mystical view of the universe blended into his scientific
view of the universe in every book he wrote, but became more
pronounced in later years -- after the feminist revolution of
the 1970's and the influence of Star Trek on the SF/F reading
population when he saw he could publish stories about what he
had originally wanted to write about. (we have a "manuscript
found in a drawer" that's recently been published to show this
is true.)
Also on Saturday I saw all at once, without commercials, the
cartoon film made of his novel RED PLANET -- which was a major
love of mine. It's a story about motherly love, and a rite of
passage story for a boy and his sister. The boy makes best-
friends of a young Martian while Earth is terraforming Mars
(something they're now talking about actually doing).
Of course, since it's a juvenile, the boy and his Martian friend
save Mars and change the course of history. That's the "great
man" theory of history, and one I use in my own novels because
sometimes it's true that apparently insignificant people make
huge contributions because of their personal emotional life.
But for me, the book has always been about the intense love and
understanding between the boy and the alien-child.
The significant story development, for me, is the scene where
the alien (after sticking with the human boy through many life-
threatening adventures) tells him that he must hibernate and
morph into his mature form, which will take longer than the
human boy's entire lifetime.
That leave-taking, that parting scene, is for me THE defining
moment of SF as a genre. I internalized it so greatly that I
barely remembered it until I saw it on the screen.
The animated version tag ends the story with a scene where the
Martian, as an adult, is telling his best-human-friend's
grandchild about his childhood best friend. It's a cartoon! I
cried my head off!!!!
On Sunday I did 4 panels and hardly had a moment to sit and
listen to other panels. I was on a panel titled "I now pronounce
you" -- which turned out to be about people who are actually
living Heinlein's model of the "line marriage" and the "group
marriage" from Moon Is A Harsh Mistress.
I did two panels on Heinlein's Heroines, and got into a number of discussions
challenging the view that Heinlein's writing is male chauvinistic (it's not -- but those who don't understand the nuances can't tell the difference.)
One thing about this convention that was really odd. There were,
I think, fewer than a thousand people spread over two huge
hotels with multiple tracks of programming going all the time --
and despite all that, all the panels I did filled the room. It
wasn't ME or the celebrities I was on with. It was that people
came to the event in order to go to the panels!
But I also had a few people who had seen me at a panel on Friday
following through to all the panels I did on Sunday -- people
who hadn't read my books and didn't know who I was. I had three
or four long conversations in the hallways, too.
I was on a couple of panels with J. Neil Schulman, an SF writer
who is forging ahead into film making. He's written, produced
and directed a feature film which is an Action Comedy starring
Nichelle Nichols (Uhura on Star Trek: The Original Series).
The film, titled Lady Magdalene's, is being marketed for theater
release.
http://www.ladymagdalenes.com/
"Jack Goldwater, an IRS Agent on load to the Federal Air Marshal
Service, is relieved of field duty after insulting a powerful U.
S. Senator, and finds himself exiled to a humiliating desk job
in Nevada as the Federal Receiver managing a legal brothel in
tax default. Where -- with the help of the brothel Madam, Lady
Magdalene (Nichelle Nichols) -- he uncovers an Al Qaeda plot to
unload a nuclear bomb sized crate at Hoover Dam. " Runtime 117
minutes.
Watch theaters for that film - it'll likely be a landmark.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
I returned yesterday from a unique weekend immersed in
scholarship and erudite discussion of Robert A. Heinlein,
celebrating the day (7/7/07 ) when he would have been a hundred
years old had he lived.
I learned so much I didn't know! My background and interests are
much more like Heinlein's than I had ever suspected.
And I'm sure I said things others didn't know that changed their
views -- they came up after the panels and asked for my handouts
which contain the URL of the Alien Romance blog.
Frederick Pohl (the editor who bought my first story, the first
Sime~Gen story, for WORLDS OF IF MAGAZINE OF SCIENCE FICTION and later as book editor for Bantam Books bought my first non- fiction project STAR TREK LIVES! and who has written a long list of SF novels) was there speaking fluently, casually, mellifluously, about Robert, his attitudes, experiences, friends, associates, and his three wives.
As I said in my previous post, I was on 6 panels and an
autographing in 2 days -- Friday and Sunday. Saturday I wandered
in and out of panels, and watched a few videos and talked and
talked to people.
The weekend became a blur of significant experiences. But there
was an odd theme running through it all -- love. Heinlein on
love is a remarkably deep topic.
You may think of his later books, Stranger in a Strange Land,
Moon is a Harsh Mistress, Time Enough For Love -- but there are
deeper themes on love in his "juveniles."
The Heinlein Centennial was co-conventioned with the SFRA
(Science Fiction Research Association -- professors who read
papers on SF because they happen to be fans who write academic
papers). So on Thursday evening, I spotted Fred Pohl through a
crack in a door, and crept in to an SFRA panel to listen to the
end of that panel.
It gave me a hundred ideas for things to say on the later panels
I was on, but I only got to say one of them.
Being academics, they were talking (in grieved tones) about
teaching Heinlein's books, and how younger people just WON'T
read Heinlein.
Later at another panel I heard someone who should know state
that when RED PLANET (the animated version of Heinlein's novel)
was aired, children ran to the library searching for more books
by him.
But before I heard that, on Friday at noon I was on a panel
about "Everything I Needed to Know I Learned From Heinlein" --
(which is pretty much true). And there I mentioned this blog and
pointed out how, RAH's themes, ideas, and vision lives on and on
and ON through us.
Young people who read my books (and there are amazingly large
numbers) are reading Heinlein (and Marion Zimmer Bradley, and
Theodore Sturgeon, Hal Clement, etc etc). Even younger people
who are reading Linnea Sinclair are reading Heinlein, which
would be true even if Linnea had never read Heinlein because
she's read my books.
In fact, any modern fan of novels with SF or Fantasy content
that ALSO involve strong characters and plot-driving
relationships is enjoying the legacy of Robert Anson Heinlein.
Linnea is now training new writers, and so the legacy will be
passed on to yet another generation -- and that legacy is,
without love you don't have a story!
It's especially true of Science Fiction -- one definition of SF
Fred Pohl and John W. Campbell came up with was "if you can take
the science out and still have a story, you don't have an SF
story."
Most Alien Romance that I've seen to date passes that test --
there's some science element that absolutely MAKES the story.
But there is also some Relationship (not always romantic love;
parent-child, teacher-student, buddy, sister-sister, oath-bound,
magical geas, etc) that causes the characters to make one plot-
decision and not another -- that drives the plot to a satisfying
conclusion.
And that's what Heinlein invariably did. He showed us the role
of love in society, even alien society, and that to handle
science efficaciously, one must be filled with that love -- love
of humanity (or one's own species), love of town, country,
village, tribe, family, spouse(s), children, teachers, -- LOVE
drives the world.
But learning steers us -- and Heinlein glamorized education to
such an extent that maybe a third or a half of the people who
showed up for the Centennial had advanced science degrees
because of their early exposure to Heinlein.
Reading Heinlein makes you WANT to study -- even if the subject
is boring -- because you can see the use for being educated, as
opposed to "getting an education."
On Saturday, I learned that Heinlein had, as a very young man,
memories of 2 or 3 past lives. That could easily explain the
level of mature genius he evidenced throughout his whole life.
But by his thirties, those memories had faded to memories of
memories.
Still it gave him an awareness that science doesn't study the
whole of our real universe -- an attitude I have always had.
Maybe I was born with it, or maybe I absorbed it with RAH's
novels, or my upbringing -- but it pervades my life to this day.
Science is absolutely necessary, but it doesn't apply to
everything of importance in life.
Heinlein had read James Branch Cabell (fantasy writer of the
1920's and 1930's) who influenced the field markedly and then
fell out of popularity. And Heinlein knew L. Ron Hubbard, and
some associates of Madame Blavatsky -- who had at the time moved
her operations to India.
This mystical view of the universe blended into his scientific
view of the universe in every book he wrote, but became more
pronounced in later years -- after the feminist revolution of
the 1970's and the influence of Star Trek on the SF/F reading
population when he saw he could publish stories about what he
had originally wanted to write about. (we have a "manuscript
found in a drawer" that's recently been published to show this
is true.)
Also on Saturday I saw all at once, without commercials, the
cartoon film made of his novel RED PLANET -- which was a major
love of mine. It's a story about motherly love, and a rite of
passage story for a boy and his sister. The boy makes best-
friends of a young Martian while Earth is terraforming Mars
(something they're now talking about actually doing).
Of course, since it's a juvenile, the boy and his Martian friend
save Mars and change the course of history. That's the "great
man" theory of history, and one I use in my own novels because
sometimes it's true that apparently insignificant people make
huge contributions because of their personal emotional life.
But for me, the book has always been about the intense love and
understanding between the boy and the alien-child.
The significant story development, for me, is the scene where
the alien (after sticking with the human boy through many life-
threatening adventures) tells him that he must hibernate and
morph into his mature form, which will take longer than the
human boy's entire lifetime.
That leave-taking, that parting scene, is for me THE defining
moment of SF as a genre. I internalized it so greatly that I
barely remembered it until I saw it on the screen.
The animated version tag ends the story with a scene where the
Martian, as an adult, is telling his best-human-friend's
grandchild about his childhood best friend. It's a cartoon! I
cried my head off!!!!
On Sunday I did 4 panels and hardly had a moment to sit and
listen to other panels. I was on a panel titled "I now pronounce
you" -- which turned out to be about people who are actually
living Heinlein's model of the "line marriage" and the "group
marriage" from Moon Is A Harsh Mistress.
I did two panels on Heinlein's Heroines, and got into a number of discussions
challenging the view that Heinlein's writing is male chauvinistic (it's not -- but those who don't understand the nuances can't tell the difference.)
One thing about this convention that was really odd. There were,
I think, fewer than a thousand people spread over two huge
hotels with multiple tracks of programming going all the time --
and despite all that, all the panels I did filled the room. It
wasn't ME or the celebrities I was on with. It was that people
came to the event in order to go to the panels!
But I also had a few people who had seen me at a panel on Friday
following through to all the panels I did on Sunday -- people
who hadn't read my books and didn't know who I was. I had three
or four long conversations in the hallways, too.
I was on a couple of panels with J. Neil Schulman, an SF writer
who is forging ahead into film making. He's written, produced
and directed a feature film which is an Action Comedy starring
Nichelle Nichols (Uhura on Star Trek: The Original Series).
The film, titled Lady Magdalene's, is being marketed for theater
release.
http://www.ladymagdalenes.com/
"Jack Goldwater, an IRS Agent on load to the Federal Air Marshal
Service, is relieved of field duty after insulting a powerful U.
S. Senator, and finds himself exiled to a humiliating desk job
in Nevada as the Federal Receiver managing a legal brothel in
tax default. Where -- with the help of the brothel Madam, Lady
Magdalene (Nichelle Nichols) -- he uncovers an Al Qaeda plot to
unload a nuclear bomb sized crate at Hoover Dam. " Runtime 117
minutes.
Watch theaters for that film - it'll likely be a landmark.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Monday, July 09, 2007
And then...another GAMES OF COMMAND scene
Another little GAMES OF COMMAND vignette than ran through my mind (and into the keyboard) after the story "ended" in the book:
Sass was nervous as she stepped into the Regalia’s ready room. Branden Kel-Paten saw that in the way her gaze flicked to his as he rose from his seat behind the room’s long conference table; saw it in the way she was trying not to purse her lips as her mind—-caffeine-fueled, as usual-—worked at light speed. And he saw it in the way she absently fingered the edge of her utility belt, then caught herself and stopped. After three months of living with her on the Regalia, he knew all her little idiosyncrasies and more.
After three months of living with him, he thought she might realize she had nothing to worry about. It wasn’t as if he was going to kill the man following Sass into the ready room. Though the thought did hold a certain appeal…
“Kel-Paten.” Dag Zanorian nodded curtly, the ready room door shutting silently behind him.
Ooh, jealous! Tank’s furry head poked over the table top from where he’d been snoozing on an adjacent chair for the past hour while Kel-Paten went over the latest block of data he snagged from a Concordance cruiser before it escaped into the Void. The furzel’s empathic and telepathic range had expanded in those passing three months and he was never subtle about commenting on what he sensed or heard.
Embarrassing at times in the privacy of the captain’s quarters. But informative right now.
So Dag Zanorian was jealous. Imagine that.
“Zanorian.” Kel-Paten nodded back.
“Sit, Dag,” Sass pointed to a chair opposite his, compscreen already slatted up out of the table top and at the ready. “We’re all on the same side now.” She rounded the end of the table then lifted Tank out of the chair. The black and white furzel thumped down onto the ready room table with a soft sigh. Love Mommy!
Sass swiveled the chair around to sit. Kel-Paten brushed the top of her head with a kiss before she did so, sat when she did, didn’t miss the narrowing of Zanorian’s eyes.
Big jealous!
Sass tapped a white paw in warning. Evidently she heard Tank this time.
Kel-Paten bit back a grin while he shunted data to Zanorian’s screen. “This is the pattern we’ve been picking up in this sector for two weeks now,” he told Zanorian as a private message popped up on his screen: Gloating is unprofessional.
But it feels so damn good, he sent back to her screen with a thought. The Regalia—-being U-Cee-—wasn’t designed with data ports at every comp station for him to spike in. So far he’d only had time to convert two stations in the ready room, one on the bridge and, of course, in the one in the captain’s quarters. The majority of his time was spent bringing the New Alliance fleet up to date with everything he knew about the Triad. It didn’t matter it was now called the Sanctified Concordance. The hardware—ships, station, data systems—were still Triad built. And the personnel—even though they were Ved controlled—were still Triad Fleet crew and officers. The latter pained him. It was bad enough to witness the deaths of some of his key officers. It was worse to watch those still alive, controlled and driven insane by the Ved...
*************************
See, the characters really never shut up. Or go away. I guess that's kind of good. ;-) ~Linnea
Sass was nervous as she stepped into the Regalia’s ready room. Branden Kel-Paten saw that in the way her gaze flicked to his as he rose from his seat behind the room’s long conference table; saw it in the way she was trying not to purse her lips as her mind—-caffeine-fueled, as usual-—worked at light speed. And he saw it in the way she absently fingered the edge of her utility belt, then caught herself and stopped. After three months of living with her on the Regalia, he knew all her little idiosyncrasies and more.
After three months of living with him, he thought she might realize she had nothing to worry about. It wasn’t as if he was going to kill the man following Sass into the ready room. Though the thought did hold a certain appeal…
“Kel-Paten.” Dag Zanorian nodded curtly, the ready room door shutting silently behind him.
Ooh, jealous! Tank’s furry head poked over the table top from where he’d been snoozing on an adjacent chair for the past hour while Kel-Paten went over the latest block of data he snagged from a Concordance cruiser before it escaped into the Void. The furzel’s empathic and telepathic range had expanded in those passing three months and he was never subtle about commenting on what he sensed or heard.
Embarrassing at times in the privacy of the captain’s quarters. But informative right now.
So Dag Zanorian was jealous. Imagine that.
“Zanorian.” Kel-Paten nodded back.
“Sit, Dag,” Sass pointed to a chair opposite his, compscreen already slatted up out of the table top and at the ready. “We’re all on the same side now.” She rounded the end of the table then lifted Tank out of the chair. The black and white furzel thumped down onto the ready room table with a soft sigh. Love Mommy!
Sass swiveled the chair around to sit. Kel-Paten brushed the top of her head with a kiss before she did so, sat when she did, didn’t miss the narrowing of Zanorian’s eyes.
Big jealous!
Sass tapped a white paw in warning. Evidently she heard Tank this time.
Kel-Paten bit back a grin while he shunted data to Zanorian’s screen. “This is the pattern we’ve been picking up in this sector for two weeks now,” he told Zanorian as a private message popped up on his screen: Gloating is unprofessional.
But it feels so damn good, he sent back to her screen with a thought. The Regalia—-being U-Cee-—wasn’t designed with data ports at every comp station for him to spike in. So far he’d only had time to convert two stations in the ready room, one on the bridge and, of course, in the one in the captain’s quarters. The majority of his time was spent bringing the New Alliance fleet up to date with everything he knew about the Triad. It didn’t matter it was now called the Sanctified Concordance. The hardware—ships, station, data systems—were still Triad built. And the personnel—even though they were Ved controlled—were still Triad Fleet crew and officers. The latter pained him. It was bad enough to witness the deaths of some of his key officers. It was worse to watch those still alive, controlled and driven insane by the Ved...
*************************
See, the characters really never shut up. Or go away. I guess that's kind of good. ;-) ~Linnea
Sunday, July 08, 2007
Grievous: A human for all seasons
How many favorite recurring characters do you have? Or follow?
In a series, each sequel may have a different hero and heroine but quite often there is a secondary character who continues to play an important secondary role. Maybe she is a pet cat or dog that gets passed around, or a meddlesome matchmaker, or an authority figure --the mysterious older brother, the King of England, a secret society-- or maybe it is a magical artifact, or a robot.
I have the very human Grievous, who gets loaned out to a greater or lesser extent.
In FORCED MATE (my first book), the alien god-Prince Tarrant-Arragon made Grievous a job offer that he couldn't refuse.
He retains his job title of "Earthways Advisor" to god-Prince Tarrant-Arragon in INSUFFICIENT MATING MATERIAL but also acts as congenial jailer.
In my work-in-progress, KNIGHT'S FORK, Grievous is sent along on a quest, and is the first to blurt out a wisecrack when he thinks a plot element is suspect, or when an alien's behavior is out of order.
I drafted the following scene snippet over a year ago when I started thinking about the three books that will follow INSUFFICIENT MATING MATERIAL. At the time, I wasn't sure which book it would work best in (if at all). In my opinion, the trouble with combining a "Quest" story with a Romance is that quests require either a lot of characters (and more than one villain) or a lot of travel.
----
“Are those Earthgirls? They’re adorable, perfectly formed miniatures. Can I have one?”
Rhett translated Prince Thor-Quentin's remark for Grievous's enjoyment. A nod and hand wave from the human informed him that the courtesy was unnecessary.
“And by have you mean…?” he questioned Prince Thor-quentin diplomatically.
“To take home with me.”
“You don’t think that would be cruel?”
“What’s cruel?”
Rhett and Grievous exchanged glances.
“I want to talk to one of them.”
“Any one in particular?” Rhett drawled sarcastically.
Missing the point, Thor-Quentin studied the group of young women, like a tweenager on the wrong side of a pet shop window. “That one. No. All of them.”
“You do realize that Earthgirls don't speak Tigron, nor do they speak High Court?"
“They don’t?”
“No.”
“Can’t we implant something in one of them?”
“Your dick, I dare say,” Grievous growled, under his breath, in English. “Arrogant little snot, isn’t he, Sir?”
“It is you who wishes to converse, Thor-Quentin. Perhaps we should put something in your ear.”
“A flea, I should say, Sir.” Grievous muttered.
“If I want one, I have to learn her barbarian language?” Thor-Quentin said with incredulity. He was catching on. “How?”
“Ask Grievous. Nicely.” Rhett said, bored of the conversation.
----
Until next time....
Rowena Cherry
In a series, each sequel may have a different hero and heroine but quite often there is a secondary character who continues to play an important secondary role. Maybe she is a pet cat or dog that gets passed around, or a meddlesome matchmaker, or an authority figure --the mysterious older brother, the King of England, a secret society-- or maybe it is a magical artifact, or a robot.
I have the very human Grievous, who gets loaned out to a greater or lesser extent.
In FORCED MATE (my first book), the alien god-Prince Tarrant-Arragon made Grievous a job offer that he couldn't refuse.
He retains his job title of "Earthways Advisor" to god-Prince Tarrant-Arragon in INSUFFICIENT MATING MATERIAL but also acts as congenial jailer.
In my work-in-progress, KNIGHT'S FORK, Grievous is sent along on a quest, and is the first to blurt out a wisecrack when he thinks a plot element is suspect, or when an alien's behavior is out of order.
I drafted the following scene snippet over a year ago when I started thinking about the three books that will follow INSUFFICIENT MATING MATERIAL. At the time, I wasn't sure which book it would work best in (if at all). In my opinion, the trouble with combining a "Quest" story with a Romance is that quests require either a lot of characters (and more than one villain) or a lot of travel.
----
“Are those Earthgirls? They’re adorable, perfectly formed miniatures. Can I have one?”
Rhett translated Prince Thor-Quentin's remark for Grievous's enjoyment. A nod and hand wave from the human informed him that the courtesy was unnecessary.
“And by have you mean…?” he questioned Prince Thor-quentin diplomatically.
“To take home with me.”
“You don’t think that would be cruel?”
“What’s cruel?”
Rhett and Grievous exchanged glances.
“I want to talk to one of them.”
“Any one in particular?” Rhett drawled sarcastically.
Missing the point, Thor-Quentin studied the group of young women, like a tweenager on the wrong side of a pet shop window. “That one. No. All of them.”
“You do realize that Earthgirls don't speak Tigron, nor do they speak High Court?"
“They don’t?”
“No.”
“Can’t we implant something in one of them?”
“Your dick, I dare say,” Grievous growled, under his breath, in English. “Arrogant little snot, isn’t he, Sir?”
“It is you who wishes to converse, Thor-Quentin. Perhaps we should put something in your ear.”
“A flea, I should say, Sir.” Grievous muttered.
“If I want one, I have to learn her barbarian language?” Thor-Quentin said with incredulity. He was catching on. “How?”
“Ask Grievous. Nicely.” Rhett said, bored of the conversation.
----
Until next time....
Rowena Cherry
Saturday, July 07, 2007
So many posts, so little time
I've been trying to post a copy of my Star Shadows cover all day. For some reason the site won't pick it up. I've also been trying to get my Meez of Elle, who is the heroine in SS up. But the site is down...Frustration upon Frustration.
I just finished reading my page proofs for Star Shadows. This was probably the most difficult book I've ever written. It took me over a year to do something that usually takes four months. My family was going through a difficult time with the long slow death of a loved one. At one point I had to walk away from it and come back. I discovered halfway through that I had too much plot for the story. I have a six year gap in the story just so it won't be too long. The first half is about the innocence and foolishness of youth and the second half about second chances.
There comes a point in a book when you are too close too it to judge it as a whole. You have to step back, take a break and look at it with fresh eyes. This was good. It gave me an entirely new appreciation of the characters and the story.
Star Shadows will be out in November. Until then I've got Twist to finish and a historical release, Rising Wind to promote. Since I'll be going on the road in my Cindy Holby persona I won't be around to post. So I"m taking a break from Alien Blog until September.
Take care!
I just finished reading my page proofs for Star Shadows. This was probably the most difficult book I've ever written. It took me over a year to do something that usually takes four months. My family was going through a difficult time with the long slow death of a loved one. At one point I had to walk away from it and come back. I discovered halfway through that I had too much plot for the story. I have a six year gap in the story just so it won't be too long. The first half is about the innocence and foolishness of youth and the second half about second chances.
There comes a point in a book when you are too close too it to judge it as a whole. You have to step back, take a break and look at it with fresh eyes. This was good. It gave me an entirely new appreciation of the characters and the story.
Star Shadows will be out in November. Until then I've got Twist to finish and a historical release, Rising Wind to promote. Since I'll be going on the road in my Cindy Holby persona I won't be around to post. So I"m taking a break from Alien Blog until September.
Take care!
Tuesday, July 03, 2007
Patriotism and Robert A. Heinlein
A version of this was submitted this week to
The Heinlein Centennial Reader A Call for Articles and Essays
about Heinlein's Life & Work
http://www.heinleinsociety.org/
I'll be going to the Robert Heinlein Centennial convention in
Kansas City over the July 7, 2007 weekend. They've put me on 6
panels in two days. So I've been preparing some handouts and
thinking about the topics.
Meanwhile, one of the Sime~Gen fans (Midge Baker) announced
she's a Robert Heinlein fan -- imagine that -- and gave me a URL
I'd like to share with you.
It is ever so gratifying to discover that some of my all time
favorite authors have fans who also like Sime~Gen and my other
work. And that happens quite a lot. Maybe I've done something
right.
You may note that my first novel, a Sime~Gen novel titled House
of Zeor which first came out from Doubleday in hardcover then
had numerous mass market paperback and translation reprints,
plus an Omnibus reprint, was dedicated to Robert Heinlein.
After a lifetime of reading his work, I first met Robert at the
World Science Fiction Convention in Kansas City in 1976 when I
was on an autographing tour for my non-fiction book Star Trek
Lives! about why fans like Star Trek. They held the first
Worldcon Blood Drive at that convention, and donating blood was
the only way to get RAH's autograph.
As it happened, I was disqualified from blood donation at the
time, but he built in a dodge to get around the requirement. If
you stood in line at the Bloodmobile, and were turned down, you
got a heart-pin that was your ticket to stand in line at the
autographing.
So I did both stand-in-lines (long ones) and got my heart-pin
which I still wear, and finally got to the desk where he was
signing books. Instead of asking for his autograph, I gave him
House of Zeor autographed to him by me.
He later called me and made some very encouraging remarks. So I
sent him my second novel, Unto Zeor, Forever and he called me
again asking if I was a medical doctor (which I'm not) because
I'd portrayed the essence of that profession with remarkable
realism.
Later still, he invited me and my family to visit him in his
home, a visit where my children (just the right age) got
autographed copies of his juveniles which they treasure to this
day.
There's a reason for that dedication of my first novel -- and it
wasn't to get an invitation to Robert Heinlein's house.
Sime~Gen and almost all of my work falls into the category I've
named Intimate Adventure
http://www.simegen.com/jl/intimateadventure.html
for more detail.
Romance and Intimacy (which aren't necessarily the same thing)
are both about Relationship -- about me vs. other with the focus
on Other.
Romance and Intimacy both create the binding force that holds
society and civilization together -- the bonds between
individuals which then extend to children, ancestors, extended
family, tribe, city, nation, etc.
It is this fundamental binding force of civilization that Robert
Heinlein writes about with such moving conviction that it became
one of the core drivers of my own fiction.
I became a science fiction writer very much because of Robert A.
Heinlein's vision of what humanity could and should be -- our
highest calling -- the counter entropic force in the universe,
the organizing force.
I first discovered his novels in the library in the early 1950's
-- or more accurately, my mother discovered them for even his
juveniles were shelved not in the children's library but in the
adult library to which I didn't qualify for a card. So my
mother sneaked me books way above my grade level. So I
did learn everything I needed to know about life from those
early juveniles.
One of the most important things I learned was the reason for
Patriotism and for Good Manners in any society containing
humans.
Here's the URL where you can find Robert A. Heinlein's speech on
the nature of Patriotism on Jerry Pournelle's website (which is
worth exploring).
http://www.jerrypournelle.com/archives2/archives2mail/mail212.html#RAH
That reason is survival. Pure and simple. Human societies that
fail to engender patriotism and good manners become extinct.
Heinlein held that "women and children first" = Patriotism.
That no society can survive if it doesn't reproduce. In that
endeavor males are expendable; women and children are not.
It's not that women CAN'T fight -- it's that society can't
afford it. If it comes down to a woman defending her children,
the warriors have failed. (but the attacker is going to be very
very sorry!)
In Sime~Gen, the channels don't fight because the Householding
that doesn't put "channels & Donors first" doesn't survive, even
though the channels are the most powerful combatants.
Heinlein had a reverence and respect for the POWER of womanhood
that went bone marrow deep - beyond words.
Heinlein's vision of the reason why viable human societies
produce Warriors is very deeply ingrained in my concept of
"Intimate Adventure."
Intimate Adventure replaces the "action" in Action/Adventure
with Intimacy -- so it becomes Intimate/Adventure.
In Intimate Adventure the Warrior's courage is needed on the
field of Intimacy, as well as the field of physical battle.
The Warrior's ability to give wholly of himself in service of
the Group -- to hold nothing back -- is rooted in personal bonds
of all kinds. The first personal bond that begins this process
is infant to care-giver (child to mother).
Through life, an individual forms hundreds of such bonds with
varying degrees of Intimacy -- and eventually, finds a mate and
raises children.
Romance is that activated state just prior to forming a mating
bond -- and the process of forming that bond.
What attracts a woman to any man is that man's untapped ability
to form such a bond at the deepest, most intimate level -- the
level where "what does she see in him?" and "what does he see in
her?" are clear and self-evident.
Women seek Men who will put them first in "women and children
first" -- a man who will stand between danger and the survival
of the group.
That ability to stand between danger and the survival of the
group is based on that network of bonds formed with individuals
of the group, the ancestors' sacrifices, and the vision of the
accomplishments of the progeny. So deeply steeped in Heinlein's work,
I wrote House of Zeor to portray a "Group" that would be worthy
of the kind of Patriotic Warrior Heinlein wrote about, the
Householdings that exist to prevent the extinction of the human species.
Robert Heinlein advocated "Pay It Forward" -- so I'm paying his
legacy forward by teaching the Intimate Adventure style of
writing on simegen.com.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
The Heinlein Centennial Reader A Call for Articles and Essays
about Heinlein's Life & Work
http://www.heinleinsociety.org/
I'll be going to the Robert Heinlein Centennial convention in
Kansas City over the July 7, 2007 weekend. They've put me on 6
panels in two days. So I've been preparing some handouts and
thinking about the topics.
Meanwhile, one of the Sime~Gen fans (Midge Baker) announced
she's a Robert Heinlein fan -- imagine that -- and gave me a URL
I'd like to share with you.
It is ever so gratifying to discover that some of my all time
favorite authors have fans who also like Sime~Gen and my other
work. And that happens quite a lot. Maybe I've done something
right.
You may note that my first novel, a Sime~Gen novel titled House
of Zeor which first came out from Doubleday in hardcover then
had numerous mass market paperback and translation reprints,
plus an Omnibus reprint, was dedicated to Robert Heinlein.
After a lifetime of reading his work, I first met Robert at the
World Science Fiction Convention in Kansas City in 1976 when I
was on an autographing tour for my non-fiction book Star Trek
Lives! about why fans like Star Trek. They held the first
Worldcon Blood Drive at that convention, and donating blood was
the only way to get RAH's autograph.
As it happened, I was disqualified from blood donation at the
time, but he built in a dodge to get around the requirement. If
you stood in line at the Bloodmobile, and were turned down, you
got a heart-pin that was your ticket to stand in line at the
autographing.
So I did both stand-in-lines (long ones) and got my heart-pin
which I still wear, and finally got to the desk where he was
signing books. Instead of asking for his autograph, I gave him
House of Zeor autographed to him by me.
He later called me and made some very encouraging remarks. So I
sent him my second novel, Unto Zeor, Forever and he called me
again asking if I was a medical doctor (which I'm not) because
I'd portrayed the essence of that profession with remarkable
realism.
Later still, he invited me and my family to visit him in his
home, a visit where my children (just the right age) got
autographed copies of his juveniles which they treasure to this
day.
There's a reason for that dedication of my first novel -- and it
wasn't to get an invitation to Robert Heinlein's house.
Sime~Gen and almost all of my work falls into the category I've
named Intimate Adventure
http://www.simegen.com/jl/intimateadventure.html
for more detail.
Romance and Intimacy (which aren't necessarily the same thing)
are both about Relationship -- about me vs. other with the focus
on Other.
Romance and Intimacy both create the binding force that holds
society and civilization together -- the bonds between
individuals which then extend to children, ancestors, extended
family, tribe, city, nation, etc.
It is this fundamental binding force of civilization that Robert
Heinlein writes about with such moving conviction that it became
one of the core drivers of my own fiction.
I became a science fiction writer very much because of Robert A.
Heinlein's vision of what humanity could and should be -- our
highest calling -- the counter entropic force in the universe,
the organizing force.
I first discovered his novels in the library in the early 1950's
-- or more accurately, my mother discovered them for even his
juveniles were shelved not in the children's library but in the
adult library to which I didn't qualify for a card. So my
mother sneaked me books way above my grade level. So I
did learn everything I needed to know about life from those
early juveniles.
One of the most important things I learned was the reason for
Patriotism and for Good Manners in any society containing
humans.
Here's the URL where you can find Robert A. Heinlein's speech on
the nature of Patriotism on Jerry Pournelle's website (which is
worth exploring).
http://www.jerrypournelle.com/archives2/archives2mail/mail212.html#RAH
That reason is survival. Pure and simple. Human societies that
fail to engender patriotism and good manners become extinct.
Heinlein held that "women and children first" = Patriotism.
That no society can survive if it doesn't reproduce. In that
endeavor males are expendable; women and children are not.
It's not that women CAN'T fight -- it's that society can't
afford it. If it comes down to a woman defending her children,
the warriors have failed. (but the attacker is going to be very
very sorry!)
In Sime~Gen, the channels don't fight because the Householding
that doesn't put "channels & Donors first" doesn't survive, even
though the channels are the most powerful combatants.
Heinlein had a reverence and respect for the POWER of womanhood
that went bone marrow deep - beyond words.
Heinlein's vision of the reason why viable human societies
produce Warriors is very deeply ingrained in my concept of
"Intimate Adventure."
Intimate Adventure replaces the "action" in Action/Adventure
with Intimacy -- so it becomes Intimate/Adventure.
In Intimate Adventure the Warrior's courage is needed on the
field of Intimacy, as well as the field of physical battle.
The Warrior's ability to give wholly of himself in service of
the Group -- to hold nothing back -- is rooted in personal bonds
of all kinds. The first personal bond that begins this process
is infant to care-giver (child to mother).
Through life, an individual forms hundreds of such bonds with
varying degrees of Intimacy -- and eventually, finds a mate and
raises children.
Romance is that activated state just prior to forming a mating
bond -- and the process of forming that bond.
What attracts a woman to any man is that man's untapped ability
to form such a bond at the deepest, most intimate level -- the
level where "what does she see in him?" and "what does he see in
her?" are clear and self-evident.
Women seek Men who will put them first in "women and children
first" -- a man who will stand between danger and the survival
of the group.
That ability to stand between danger and the survival of the
group is based on that network of bonds formed with individuals
of the group, the ancestors' sacrifices, and the vision of the
accomplishments of the progeny. So deeply steeped in Heinlein's work,
I wrote House of Zeor to portray a "Group" that would be worthy
of the kind of Patriotic Warrior Heinlein wrote about, the
Householdings that exist to prevent the extinction of the human species.
Robert Heinlein advocated "Pay It Forward" -- so I'm paying his
legacy forward by teaching the Intimate Adventure style of
writing on simegen.com.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Sunday, July 01, 2007
GAMES OF COMMAND - after the last page...
Authors always write more than the readers read. For any novel, there are pages and pages that end up on the cutting room floor due to word-count limitations (I've posted some here), and then there are the post-book scenes. These are things that flow from the keyboard even after the book has been put to bed.
You see, when you've been living and breathing a character (or several characters) for months (or even years), you can't just shut them up, turn them off with the flick of a light switch. Not surprisingly days after GAMES OF COMMAND was done, edited and outta-my-office, Sass and Kel-Paten still wandered in from time to time and gave me a glimpse of what happened AFTER the book's last page...
You see, when you've been living and breathing a character (or several characters) for months (or even years), you can't just shut them up, turn them off with the flick of a light switch. Not surprisingly days after GAMES OF COMMAND was done, edited and outta-my-office, Sass and Kel-Paten still wandered in from time to time and gave me a glimpse of what happened AFTER the book's last page...
Ralland Kel-Tyra caught Sass by the elbow as she threaded her way through the tables in the ship’s mess, and leaned his mouth down to her ear. “He’s about thirty minutes from imploding.”
She angled her face towards him but didn’t look at him. She watched Kel-Paten, instead. Had been watching him since he’d entered the Regalia’s mess hall ten minutes ago. “How long has he been like this?”
“His ‘I’m the only one who can save the universe’ mode? About four months, ever since he headed the mutiny against Psy-Serv.”
“Umm,” Sass said and then sighed. It had been less than an hour since they’d left the Vaxxar—a ghost ship now, secured for tow. Timm Kel-Faray and two other crew were in Monterro’s sick bay. The rest of the thirty-nine survivors were sent to the mess for a hot meal while her crew made some hasty rearrangements for sleeping quarters to accommodate them on the three day trip to Varlow.
Kel-Paten had tailed after her—or sometimes strode ahead of her—as they’d gone from shuttle bay to the bridge to sick bay and now to the mess.
At the moment, he was standing by a table of three former officers from the Vax, whose trays were full of hot food and mugs of cold beer. But a few minutes before that he’d been at a table of four, and minutes before that, another table of three. Had he eaten? No. He hadn’t even had a sip of beer.
“When’s the last time he slept?” she asked Ralland.
“I honestly couldn’t tell you. But I thought when we found the Regalia, found you…did you see what happened when Tank showed up on the bridge?”
She had. The site of the unshakeable admiral dropping to his knees had shaken her. “We had visual of your bridge, just not audio.”
“I thought he was going to implode then. He didn’t. That’s what worries me. He should have. He achieved the objective: he saved everyone he could from the Vax and Dalkerris. He got out of the Void, again. And he found you. That was everything. I thought that was everything. But he won’t stop. He can’t stop,” Ralland corrected himself. He shook his head wearily. “Damn him.”
“When’s the last time you slept, Captain Kel-Tyra?”
Ralland slanted her a quick, challenging glance that was one hundred percent Kel-Paten, even though his eyes were the color of chocolate and Kel-Paten’s were pale ice blue. Brothers. Four, six years apart? She didn’t know. But their stubbornness was just one more thing they had in common. “I’m due,” he admitted after a moment.
“And you’ve been assigned one of the executive guest suites.” The Regalia had two on the deck below the bridge. In an emergency—and this was one—they could sleep three people. “My people will take very good care of your crew,” she added. Five had already left, being guided to their quarters by one of her crew and a furzel, for probably the first decent sleep they’ve had in months.
“It’s him I’m worried about,” Ralland said, jutting his chin in the admiral’s direction. Kel-Paten had moved to another table.
“I will take very good care of your brother,” Sass said softly.
Another glance but no challenge this time. “You’re an amazing woman,” he said with a small smile.
She smiled back. “Then let me do my job.”
He squeezed her arm. “Aye, Captain.”
“Get some sleep. And if you can find your way to my office at 0930, I could use some help processing your people before we hit Varlow.”
A short nod. “I’ll be there.” He moved away, the sound of his footsteps lost in the clatter and clank of the mess hall.
She headed for Kel-Paten, who looked her way at that moment, his mouth curving into that odd, crooked smile of his. She noticed again how much thinner his face was. He wasn’t eating or sleeping, and maintaining his 'cybe systems was draining his body. It was as if he was stuck on Red Alert, all systems at max. If he didn’t implode he would burn up from the inside out.
“Our table’s up there.” She motioned to the command staff dining table on the raised platform along the wall.
“I’m not hungry and there are a few things I—”
She yanked on his arm. “Now, flyboy. Food. Beer. Or wine or Excelsior or whatever’s your poison of choice. But now.”
She saw it then. It was as if—for a moment—things weren’t synching, as if—for a moment—he didn’t know who she was or where he was or what he was doing there. His expression blanked. She felt him tense under her fingers. Fight or flight.
Then he was back. “Tasha—”
She switched tactics, abruptly. “I need your help. My office, now.” Taking care of himself wasn’t on his agenda. But a request for help fit neatly into his ‘save the universe’ mode.
She’d feed him, later. After he imploded...
Not quite a scene, I know. A bit of a vignette. There's one other that occurs a few months past this one. I'll post that next week (if I'm not going too nutso packing for RWA National and forget to do so).
I've been asked if readers will see further adventures of Sass and Kel-Paten. I don't have any formally planned as of right now, no. But you can see from the above that the characters aren't about to go away without a fight. I guess that's a good sign. ~Linnea
Homesick and Flying Under False Colours
I'm writing my fourth, fifth, and sixth alien romances at the moment, with the greatest emphasis on the fourth, but with some awareness for the fact that I can't kill off the alien beefcake.
At some point, I'd like to explore homesickness, either as something a human abductee suffers, or else as an issue that an alien has to deal with. It's not something one grows out of... or is it? I'd love to know other bloggers' experiences.
The first time I was away from home, as a schoolgirl, for a sleepover at a friend's home, I remember being miserable. As time went on, I had to be away from home for longer and longer periods: a long weekend camping trip or two and a couple of fortnight-long residential courses for the Duke of Edinburgh's award; university term times; boarding school holidays when I taught in Dorset.
Over the subsequent years, my life became exciting and glamorous. I fell in love and set up a household of my own... and moved house three times within Germany, not counting months in hotels between moves, and a couple of times in the USA. My own final nesting place in an adopted land isn't what I think of as "home".
I'm not going "home" for the summer this year, for several very good reasons, some of them logistical. (The logistics of intergalactic space travel would also be a difficulty in my books... on a much grander scale than my own which have not a little to do with multiple food allergies and current restrictions on the food and drink that one may take through security.)
Suddenly, vague yearnings to make contact with friends I've hardly thought about, except to send a Christmas card to... maybe... have prompted time-consuming mini-quests to get back in touch, and I've realized that I am homesick. I think, but I'm not sure, that part of the problem is that I don't have the choice this year. Either that, or I'm getting sentimental in my second half-century.
I contacted my old college, Homerton, Cambridge, and discovered that I am "a lost sheep" as far as the Keeper of the Rolls is -or was- concerned. Funnily enough, the fund-raisers never lost touch with me.
I've joined Facebook.com . Today someone wondered aloud --because we write on a wall, like twittering at Twitters.com-- how many of the people on the "London" network did not actually live in London at all. I felt like I was flying under false colours by lurking, so I declared myself.
As for my writing, "homesickness" is quite a challenge. For instance, FORCED MATE was (and is) a futuristic take on the classical myth of Persephone who was swept up into Hades's chariot and carried off to his dark world.
Since Forced Mate is a romance, the heroine had to live happily ever after, so I couldn't deal with the pomegranate seeds and her homesickness, and the eventual joint custody ruling by Zeus so Persephone spent half the year with her dh and the other half with her mother.
I think I know which future heroine may end up being homesick.
Friday, June 29, 2007
Tuesday, June 26, 2007
The True Founder of Alien Romance
Folks:
What we're really talking about here this week is what I call "The Fiction Delivery System" (as in "The Healthcare Delivery System" -- fiction is, to me, a required nutrient of life.)
It shouldn't matter what the delivery medium is (print, graphic novel, animation, TV, film, whatever). It delivers fiction.
The true founder of Alien Romance as a genre was among the first to break through the artificial barriers between media and genres. Let's explore this in detail.
------------------
Rowena Cherry wrote in her Sunday June 24th post here:
The great dilemma is, would alien romance readers today want to buy --in effect-- a traditional Regency romance in outer space? Was the Star Trek movie where Mr. Spock got married the omega and alpha of the genre, or is there room on bookshelves for more sexually continent heroes?
----------------------
Margaret Carter's repost on Wed. June 20th (or Thursday?) also connected the Vampire to Spock and furthered that with a discussion of the Hero of a Paranormal Romance as being "different" from the hero of a regular romance.
-------------------
Susan Kearny, on Wed. June 20th asked for input about how useful book trailers are in selling books -- i.e. a marketing question direct to readers who buy books.
--------------------
Rowena - the Star Trek story you're thinking of was Amok Time, an episode of The Original Series, not one of the movies.
An interesting connection with the Vampire mythos is that, during Pon Farr, a Vulcan male can be a lethal danger to other males -- or DIE himself.
This connects "death" and "sex" with an alien twist on the subject. After all, in evolution as we know it, you can't have a reproductive drive that kills the reproducer BEFORE they reproduce and expect the species to thrive.
However, in many byways of sexual exploration among humans, death (or near-death) is exciting or inciting. Most people consider that extremely "sick".
What's different about an SF-Romance hero (or paranormal romance -- actually Spock qualifies as both since he's a telepath and bonds with his partner telepathically in a bond that can only be broken by death)?
And what has that difference to do with the efficacy of BOOK TRAILERS?
Using Spock as the example, think carefully.
Theodore Sturgeon invented Pon Farr and added it to Vulcans and Spock. Have you read his stories?
I met him several times at cons -- had long conversations with him and I grew up reading his stuff. I've posted a short piece about his influence on me at
http://www.simegen.com/sgfandom/welcommittee/TedSturg.html
When I saw the TV Guide blurb for that episode and learned that Theodore Sturgeon had written it, I WROTE that episode's script in my head - I knew exactly what would happen, scene by scene (if my dialogue was off a little) because I knew Ted Sturgeon's work.
He played with alien sexuality incessantly. Poul Anderson just included the biology of reproduction in his worldbuilding -- but Sturgeon got down to the nitty gritty of the "drives" involved.
What makes the PARANORMAL ROMANCE hero "different" from the usual romance hero is very simple -- the writer has the ability and indeed the obligation to "worldbuild" around the "paranormal" attribute.
Since it's a romance, it may have more to do with relationship than actual sexuality, but today's romance usually includes at least some sex, not just hinting and making out.
So what's different about a paranormal romance hero is that HE is different in some aspect of his maleness. That difference can be an impediment (say if he's a ghost and just doesn't connect) or an enhancement (say he's a telepath and can trigger all kinds of wondrous sensations in his partner).
What's different about the paranormal romance hero is that ALL the parameters of personality and physiology taken for granted in a regular guy can be changed.
What's interesting about reading a paranormal romance is the adventure of finding out what's different about him -- and how that difference will re-shape the parameters of the essential Relationship.
What's that to do with a book trailer?
Notice this discussion mixes and matches TV, film (ST had films), and print (ST has print books) with wild abandon.
It wasn't so long ago that mixing media just wasn't allowed. Then publishers made heaps of money off TV spinoffs -- actually though it didn't start with Trek, it really exploded when Trekfen discovered real Trek novels (let's not mention Blish's SPOCK MUST DIE!)
Jean Lorrah, my sometime co-author, has written a list of best selling Trek books. I mean best-selling AMONG Trek books.
So what is the real significance and use of the Book Trailer?
To further blur that gap between film, TV, and print (and e-book).
Publishers have found that advertising books on TV via trailers doesn't work -- it may sell books, but not enough books to cover costs (because air time is expensive and not enough people read books.)
Response to Susan Kearny's question indicates that readers who read blogs like this don't decide to buy a book on the basis of a YouTube trailer.
So what is a book trailer for????
Its audience isn't book-buyers. It's audience is film makers -- producers.
A book trailer shows how the material of the novel would translate to the screen.
Writing a book deliberately including the "set piece" moments that a film has -- visual moments that "say it all" in pictures and thus end up in the trailer -- puts you in the running for selling that book to the film industry.
Creating the trailor for that book proves the book could become a film.
There was a whole long discussion recently on the e-book List at EPIC (the professional e-book writers and publishers org) about the difference between a script and a novel. It's a big difference.
So what goes into a paranormal romance book trailer that would attract readers?
The exact element of sexuality/relationship-bonding that is different in your alien-hero.
If only someone has preserved the TV ads for Amok Time, you'd see what I mean.
Kirk comes backing out of Spock's quarters and hits the wall. Plomeek soup (green soup) follows splat. Spock SCREAMS at Kirk (yes, he uses invective both in Amok Time and in the film about the whales (colorful expletives).)
The bridge scene -- "T'pring - my - wife."
T'Pau being carried into the arena on a litter.
The fight in the Arena with Spock quite clearly trying to kill Kirk.
In other words, Spock behaving in a very un-Spock way -- but the viewers of the show already know what the Spock-way is.
The mental BONDING of the Vulcan wedding is only mentioned briefly in passing in this TV episode, Amok Time. But literally hundreds of millions of words have been fan-generated based on that one hypothesis - what would sex be like for a telepathically bonded pair?
What does it take to break that bond? What can force it to form accidentally (K/S). What does it take to keep it from forming if it's spiritually inevitable?
Yes, that's right -- the Alien Romance genre just about got it's whole start in Star Trek fanfic. And those stories all started with Amok Time and Theodore Sturgeon's addition to Trek of male-heat and telepathic bonding.
So Theodore Sturgeon is the real founder of the whole Alien Romance genre and he never wrote a single romantic word! (horror, yes, literary polemics yes, romance - uh-uh.) Or maybe it's Gene Roddenberry, who gave SF print writers like Sturgeon a chance to write SF for TV -- something just unheard of at the time!
Who do you think is the real founder of Alien Romance?
Jacqueline Lichtenberg
http://www.simegen.com/jl/
What we're really talking about here this week is what I call "The Fiction Delivery System" (as in "The Healthcare Delivery System" -- fiction is, to me, a required nutrient of life.)
It shouldn't matter what the delivery medium is (print, graphic novel, animation, TV, film, whatever). It delivers fiction.
The true founder of Alien Romance as a genre was among the first to break through the artificial barriers between media and genres. Let's explore this in detail.
------------------
Rowena Cherry wrote in her Sunday June 24th post here:
The great dilemma is, would alien romance readers today want to buy --in effect-- a traditional Regency romance in outer space? Was the Star Trek movie where Mr. Spock got married the omega and alpha of the genre, or is there room on bookshelves for more sexually continent heroes?
----------------------
Margaret Carter's repost on Wed. June 20th (or Thursday?) also connected the Vampire to Spock and furthered that with a discussion of the Hero of a Paranormal Romance as being "different" from the hero of a regular romance.
-------------------
Susan Kearny, on Wed. June 20th asked for input about how useful book trailers are in selling books -- i.e. a marketing question direct to readers who buy books.
--------------------
Rowena - the Star Trek story you're thinking of was Amok Time, an episode of The Original Series, not one of the movies.
An interesting connection with the Vampire mythos is that, during Pon Farr, a Vulcan male can be a lethal danger to other males -- or DIE himself.
This connects "death" and "sex" with an alien twist on the subject. After all, in evolution as we know it, you can't have a reproductive drive that kills the reproducer BEFORE they reproduce and expect the species to thrive.
However, in many byways of sexual exploration among humans, death (or near-death) is exciting or inciting. Most people consider that extremely "sick".
What's different about an SF-Romance hero (or paranormal romance -- actually Spock qualifies as both since he's a telepath and bonds with his partner telepathically in a bond that can only be broken by death)?
And what has that difference to do with the efficacy of BOOK TRAILERS?
Using Spock as the example, think carefully.
Theodore Sturgeon invented Pon Farr and added it to Vulcans and Spock. Have you read his stories?
I met him several times at cons -- had long conversations with him and I grew up reading his stuff. I've posted a short piece about his influence on me at
http://www.simegen.com/sgfandom/welcommittee/TedSturg.html
When I saw the TV Guide blurb for that episode and learned that Theodore Sturgeon had written it, I WROTE that episode's script in my head - I knew exactly what would happen, scene by scene (if my dialogue was off a little) because I knew Ted Sturgeon's work.
He played with alien sexuality incessantly. Poul Anderson just included the biology of reproduction in his worldbuilding -- but Sturgeon got down to the nitty gritty of the "drives" involved.
What makes the PARANORMAL ROMANCE hero "different" from the usual romance hero is very simple -- the writer has the ability and indeed the obligation to "worldbuild" around the "paranormal" attribute.
Since it's a romance, it may have more to do with relationship than actual sexuality, but today's romance usually includes at least some sex, not just hinting and making out.
So what's different about a paranormal romance hero is that HE is different in some aspect of his maleness. That difference can be an impediment (say if he's a ghost and just doesn't connect) or an enhancement (say he's a telepath and can trigger all kinds of wondrous sensations in his partner).
What's different about the paranormal romance hero is that ALL the parameters of personality and physiology taken for granted in a regular guy can be changed.
What's interesting about reading a paranormal romance is the adventure of finding out what's different about him -- and how that difference will re-shape the parameters of the essential Relationship.
What's that to do with a book trailer?
Notice this discussion mixes and matches TV, film (ST had films), and print (ST has print books) with wild abandon.
It wasn't so long ago that mixing media just wasn't allowed. Then publishers made heaps of money off TV spinoffs -- actually though it didn't start with Trek, it really exploded when Trekfen discovered real Trek novels (let's not mention Blish's SPOCK MUST DIE!)
Jean Lorrah, my sometime co-author, has written a list of best selling Trek books. I mean best-selling AMONG Trek books.
So what is the real significance and use of the Book Trailer?
To further blur that gap between film, TV, and print (and e-book).
Publishers have found that advertising books on TV via trailers doesn't work -- it may sell books, but not enough books to cover costs (because air time is expensive and not enough people read books.)
Response to Susan Kearny's question indicates that readers who read blogs like this don't decide to buy a book on the basis of a YouTube trailer.
So what is a book trailer for????
Its audience isn't book-buyers. It's audience is film makers -- producers.
A book trailer shows how the material of the novel would translate to the screen.
Writing a book deliberately including the "set piece" moments that a film has -- visual moments that "say it all" in pictures and thus end up in the trailer -- puts you in the running for selling that book to the film industry.
Creating the trailor for that book proves the book could become a film.
There was a whole long discussion recently on the e-book List at EPIC (the professional e-book writers and publishers org) about the difference between a script and a novel. It's a big difference.
So what goes into a paranormal romance book trailer that would attract readers?
The exact element of sexuality/relationship-bonding that is different in your alien-hero.
If only someone has preserved the TV ads for Amok Time, you'd see what I mean.
Kirk comes backing out of Spock's quarters and hits the wall. Plomeek soup (green soup) follows splat. Spock SCREAMS at Kirk (yes, he uses invective both in Amok Time and in the film about the whales (colorful expletives).)
The bridge scene -- "T'pring - my - wife."
T'Pau being carried into the arena on a litter.
The fight in the Arena with Spock quite clearly trying to kill Kirk.
In other words, Spock behaving in a very un-Spock way -- but the viewers of the show already know what the Spock-way is.
The mental BONDING of the Vulcan wedding is only mentioned briefly in passing in this TV episode, Amok Time. But literally hundreds of millions of words have been fan-generated based on that one hypothesis - what would sex be like for a telepathically bonded pair?
What does it take to break that bond? What can force it to form accidentally (K/S). What does it take to keep it from forming if it's spiritually inevitable?
Yes, that's right -- the Alien Romance genre just about got it's whole start in Star Trek fanfic. And those stories all started with Amok Time and Theodore Sturgeon's addition to Trek of male-heat and telepathic bonding.
So Theodore Sturgeon is the real founder of the whole Alien Romance genre and he never wrote a single romantic word! (horror, yes, literary polemics yes, romance - uh-uh.) Or maybe it's Gene Roddenberry, who gave SF print writers like Sturgeon a chance to write SF for TV -- something just unheard of at the time!
Who do you think is the real founder of Alien Romance?
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Sunday, June 24, 2007
New Words For New Worlds
Okay, confession time--prior to this point, I cheated. Because I write Earth-based sci-fi, my world building was limited to an Earth that was almost exactly the same as the one we live in...except there are aliens openly living among us. So, I never really worried about the other differences except as they related to my aliens, the Observers, and the world and society they came from.
Now, with my current WIP, which is set on Earth twenty years in the future, I find myself questioning everything about these future humans. Language, for example. We've always had some kind of word to indicate when something was "cool" or "neat."
Remember "rad" from the mid to late 80s? How about "wicked awesome" or "def"?
But what makes a certain word stick around? Would people in 2027 still be saying "cool" or would they have moved on to some other variation, like "icy" or "chill" maybe? Or, perhaps in a society in which many freedoms have been sacrificed supposedly for the greater good and safety for everyone, "free" might take on the role "cool" plays now as something limited and intangible that everyone wants to have. Everyone wants to be cool (in theory), and in their version of our world, everyone wants to be free. But using that word in this new context, "I love your jacket. It's so free," might be weird or confusing to readers who, living in our world in 2007, have an entirely different understanding of the word "free.'
One of my favorite examples of this language thing done well is "shiny" from the Firefly television series and the movie that followed, Serenity. "Shiny" basically replaced "cool" or "good" in just about every context. When the engine is falling apart, Kaylee tells Mal, "Don't worry, Captain. It's all shiny." It can also be used sarcastically as when Mal is confronted with more bad news, "Oh, shiny." But "shiny" also works in this beat-up world where the Alliance, the bad guys, have all the new technology and Mal's ship is constantly on the verge of breaking down. "Shiny" means new and problem-free, which is something greatly desired by Mal and his intrepid crew.
My heroine in this story is tech-savvy (much to my utter dismay) and a rebel. She refers to herself, tongue in cheek, as an "information liberator," which basically means she'll get you the information you want or need, whether it's the unedited version of the Bible or your local politician's "donation" record at the local house of ill-repute, for a fee. In a world where everything, including the internet, has been sanitized for your protection, unbiased and factual information is a hot commodity. These days, she might be referred to as a hacker, but in her world, she's called a cyber terrorist by the fearful and big-brotherly government almost as often as she's referred to as an "undisclosed source" when it benefits their agenda. This girl loves gadgets and the latest tech. What word would she use for "cool"? What do you guys think? All thoughts welcome.
Stacey Klemstein
(My thanks to Linnea, Rowena and everyone here for letting me fill in!)
Stacey Klemstein is the author of the Zara Mitchell series, a science fiction romance trilogy. THE SILVER SPOON, Book One, is available now, and EYE OF THE BEHOLDER, Book Two, will be released in February 2008. Book Three, as yet untitled, is in progress. Visit www.staceyklemstein.com to read free excerpts!
****
Stacey Klemstein
Author of THE SILVER SPOON (July 2007) and BITTER PILL (May 2008)
Visit www.staceyklemstein.com or myspace.com/staceyklemstein to read an excerpt and more!
"Don't misunderstand, it's not like I enjoyed having this happen to me. I guess it's just some kind of bizarre twist of fate, or maybe a sixth sense that only kicks in when the grim reaper is afoot. It's not like I'd wanted to find the high school swim coach floating face down in the deep end, any more than I'd wanted to find the assistant librarian hanging from the rafters in the library attic with a stack of true crime books kicked over beneath her.
It's just that whenever bodies started floating, swinging or, in this case, dropping, I happened to be there..." --BITTER PILL
Tall, dark, and continent
Am I going to talk about "continents"? Or "continence" as a heroic quality in an alien romance? Continence! Sexual continence, as opposed to sexual incontinence. We all think only of bladder control, because pharmaceutical company advertisements bombard us with solutions --or pills-- for that problem. As far as I know, there is no product to change the habits of the sexually incontinent. Possibly "continent" in the sense of sexual restraint has disappeared from the modern lexicon. I'll have to look!
Why do so many of us swoon over Spock, and scorn Kirk?
Kirk was supposed to be the hero. He was attractive in a short, brown-haired, pudgy/muscular sort of way. He had pecs and his tight top showed them. He scored with a different girl every week. He was impulsive, occasionally outspoken (rude), and he had tantrums. And, he got himself into trouble. He was like the sexually experienced, promiscuous, "rake" type hero that is so popular in romantic fiction.
Mr. Spock was more the traditional Regency romance hero.
He did not sleep around. He was almost invariably polite. He was formal.
I cannot recall him swearing. I cannot imagine him using any of the short, sexually colloquial terms that are a pre-requisite a book to qualify as "erotic romance". His wit was dry, and you had to pay attention to "get" it. Often he expressed devastating criticism just by raising one eyebrow. Jim's ways bewildered him. He was tall, dark, good looking, clean, well groomed. He was in control.
And he did that neat thing with his fingers. (But that's another story entirely.)
Mr. Spock --as a character, I don't mean I have the hots for Leonard Nimoy, bless him-- is the sort of hero that I'd like to write (and have my own happy ever after with!)
I see Rhett as potentially Spock-like.
(Rhett is in Forced Mate, also in Insufficient Mating Material. Get a glimpse of him in the "Insult and Injury" excerpt. Now he's getting his own story.)
The great dilemma is, would alien romance readers today want to buy --in effect-- a traditional Regency romance in outer space? Was the Star Trek movie where Mr. Spock got married the omega and alpha of the genre, or is there room on bookshelves for more sexually continent heroes?
(Games of Command is in my TBR stack.)
Rowena Cherry
alien romance
Friday, June 22, 2007
Twist
Here's the cover to my alien vampire book. Which is really a time travel. It's for a new line by Dorchester Publishing called Shomi and with more of an urban fantasy edge. Thing Underworld, Blade Runner, along that line. All the covers are Manga inspired.
My book will be released in Feb 08. But the first in the line, Wired by Liz Maverick will be out in July, followed by Marianne Mancusi's Moongazer
We're real excited about the line so if you see Wired on the shevles be sure to give it a try. Liz writes awesome action and is an award winning author with her Crimson City series. Moongazer, which I've read, features an alternate universe and you never know which one is real until the very end.
I'm off for a week of writing and relaxation at the beach!
Thursday, June 21, 2007
Wednesday, June 20, 2007
What does a vampire have in common with Spock
Margaret L Carter is out of town, and I was looking through my saved Blogspot email folder to check on something and I discovered to my horror that last August I'd offered to add some links and labels to her blog, and I'd forgotten!
So, I thought the least I could do was re-publish her post and insert the labels and links.
------
So, I thought the least I could do was re-publish her post and insert the labels and links.
------
What does a vampire have in common with Spock on STAR TREK? No, I'm not suggesting that the average vampire has a hyper-rational mind, pointed ears, or green blood. For me, however, the appeal of these two figures is similar. Both epitomize the allure of the Other in a form I find particularly attractive. When I first read DRACULA at the age of twelve, I was fascinated by the vampire because of the sensuality of blood-drinking. The scene in which the Count forces Mina to drink his blood was my favorite from the beginning. Many years later, I figured out that I responded this way because sharing blood represents the ultimate intimacy, and I still find such scenes deeply stirring. But I'm also drawn to vampires because of the same reason I love Spock. In each case, the character occupies the liminal position of "almost human but not quite," a person who looks a lot like us, yet with enough physical differences to appear exotically attractive, and thinks something like us but differently enough to embody a skewed perspective on the human condition.
Another appeal of both Mr. Spock and the typical vampire of fiction springs from his special relationship with the heroine. A Vulcan rigidly controls his emotions, never expressing them in the presence of others except during Pon Farr. The average vampire regards himself, with considerable justification, as superior to "mortals" (a term I don't find quite satisfactory, since vampires CAN be killed, but oh well) and views most of us as prey or, at best, pets. The heroine, whether a fan author's Mary Sue alter ego or a vampire novel's unusually strong woman, becomes, through her unique qualities, the Vulcan's or vampire's exception to the way he treats most of us mere mortals. In Suzy McKee Charnas' incomparable THE VAMPIRE TAPESTRY, psychologist Floria Landauer is the ancient vampire Weyland's "exception," just as, to cite an extreme example, Clarice Starling is Dr. Lecter's "exception." Depending on the behavior and attitudes to which our heroine becomes the exception, this situation may open a deeply troubling can of ethical worms, but that topic holds material for another entire essay. That's my main problem with the misnamed film BRAM STOKER'S DRACULA. Unlike many fans, I find Vlad unattractive (well, aside from his physical appearance, which strikes me as silly, not sexy) because his “love” for Mina constitutes making her an exception to the cruel way he behaves toward most other people, including Lucy, a pattern of evil and cruelty the film apparently expects us not to notice.
For a fascinating treatment of the reasons why the Beauty and the Beast motif appeals so strongly to many women, why we love monsters and feel regretful when the Beast turns into a handsome prince, go to Suzy McKee Charnas' website (www.suzymckeecharnas.com) under the “Byways” category and read her enthralling essay “The Beast's Embrace.” You can find these principles explored fictionally in her VAMPIRE TAPESTRY and her unforgettable Phantom of the Opera novella, narrated by Christine telling the TRUE story, “Beauty and the Opera, or the Phantom Beast” (reprinted in Charnas' collection STAGESTRUCK VAMPIRES AND OTHER PHANTASMS).
Another provocative examination of the allure of the alien monster, the Other, is presented in James Tiptree Jr.'s short story “And I Awoke and Found Me Here on the Cold Hill's Side.” A character in this tale, cautioning the narrator against falling prey to the fascination of meeting his “first real aliens,” theorizes that human beings throughout our existence as a species have been erotically attracted to “the stranger” because exogamous mating “kept the genes circulating.” With aliens from other planets, although mating may sometimes occur, interbreeding can't (unlike in the STAR TREK universe). But many people find aliens irresistibly attractive because of the “supernormal stimulus” effect. If we innately desire the Other, we desire aliens most of all because they're EXTREMELY Other. Tiptree's story presents this compulsion as completely negative. The human species is having its soul bled away by this fruitless yearning for aliens.
Needless to say, I don't find the situation quite so hopeless. Friendship or love between human and nonhuman is the central theme of many of my favorite stories. One reason I was a devoted fan of the TV series BEAUTY AND THE BEAST was that there was absolutely no chance of Vincent's ever becoming “normal” in appearance. Vampires appeal to me on the same level. Therefore, I'm always a bit disappointed when a paranormal romance ends with the “cure” of the vampire, which, to me, negates the very aspect of the character that attracted me. Hence, unlike many vampire fans, I don't respond strongly to the resonance of the “repentant bad boy” theme, in which curing or at least reforming the “evil” or “cursed” undead monster plays an integral part. Having the human partner become a vampire doesn't please me much more, in most cases. (There are exceptions, of course. A talented writer can make either of these scenarios satisfying to me for the duration of a novel.) The ongoing challenge of two unlike characters embracing across the distance between them is what I enjoy reading and writing about. My own vampires are members of a different species who appear human and live secretly among us. Like human beings, they have the capacity for ethical choice and can be either good or evil. I've written an entire book of literary criticism about this kind of vampire fiction, DIFFERENT BLOOD: THE VAMPIRE AS ALIEN, published by Amber Quill (www.amberquill.com). The bibliography contains many titles that would interest fans of alien romance. For my own series, all the stories and novels are listed in internal chronological order at the “Vanishing Breed Vampire Universe” link on my website (www.margaretlcarter.com).
Another series that fascinates me because of its “alien vampire” dimension as well as the search for understanding between people who differ from yet depend upon each other is the Sime~Gen series by Jacqueline Lichtenberg and Jean Lorrah. It takes place in a distant future when humanity has mutated into two halves (“larities”). Gens look like us but produce the essence of life-energy, selyn. Simes, who look like us except for tentacles on their forearms, need selyn to live but don't produce a measurable amount themselves. They have to draw this substance monthly from Gens or die in agony. You can learn about this universe in depth at www.simegen.com. When the first book, HOUSE OF ZEOR, was newly published, I saw Jacqueline on a TV interview in which she said the novel would appeal to fans of vampires and STAR TREK. It sounded like my kind of book, so I read it, and she was right. In fact, on the Sime~Gen website you can also read about how the “Star Trek effect” shaped the writing of HOUSE OF ZEOR. Which brings us back to vampires and Mr. Spock!
Opinions Wanted--book trailers
I used to think that the formula to becoming a successful published author meant:
1) I had to write well.
2) I had to write what other people wanted to read.
3) I had to keep enough product on the shelves so readers wouldn't forget me.
And all that is still true, but there is so much more. I attend conferences and give speeches. i do television and Internet interviews. I keep up a web site. I arrange marketing and promotion and print ads. There's a lot to the business side of writing. And one of the things I do to try and gain interest in my books are trailers. in the beginning, I hired a company to do them for me. They made great trailers but it got rather expensive. So i did one myself. And now I'm looking at doing another one.
And it's not easy. I have to write a script, scout locations, find talent--that's the actors--pick out costumes, hair and makeup. Then after it's all shot, the real work begins. Editing, text, sound, music. It's a lot of work. Then when it's done I have to upload it all over the Internet. Obviously I don't do all this myself, but even coordinating the work is work. :)
So here's my question. How many of you like watching book videos? How many of you have actually bought a book after you've seen one? Is all the effort and expense worth it? If you read this blog, please just give a short response. help us authors out and let us know if we're wasting our advertising dollars and our time.
And if you want to see the trailer for Kiss me Deadly my June release, it's at www.susankearney.com
Best,
Susan Kearney
1) I had to write well.
2) I had to write what other people wanted to read.
3) I had to keep enough product on the shelves so readers wouldn't forget me.
And all that is still true, but there is so much more. I attend conferences and give speeches. i do television and Internet interviews. I keep up a web site. I arrange marketing and promotion and print ads. There's a lot to the business side of writing. And one of the things I do to try and gain interest in my books are trailers. in the beginning, I hired a company to do them for me. They made great trailers but it got rather expensive. So i did one myself. And now I'm looking at doing another one.
And it's not easy. I have to write a script, scout locations, find talent--that's the actors--pick out costumes, hair and makeup. Then after it's all shot, the real work begins. Editing, text, sound, music. It's a lot of work. Then when it's done I have to upload it all over the Internet. Obviously I don't do all this myself, but even coordinating the work is work. :)
So here's my question. How many of you like watching book videos? How many of you have actually bought a book after you've seen one? Is all the effort and expense worth it? If you read this blog, please just give a short response. help us authors out and let us know if we're wasting our advertising dollars and our time.
And if you want to see the trailer for Kiss me Deadly my June release, it's at www.susankearney.com
Best,
Susan Kearney
Tuesday, June 19, 2007
Aliens Who Give Rise to Vampire Legends
Folks:
Cindy Holby wrote Friday June 15th:
--------------
So after I had a morning meltdown we put our heads together. And what did we come up with?
Aliens. Aliens who are the reason there is a vampire legend. Actually it was pretty cool to come up with a new concept on an old tale. Plus we made up lots of slang and my heroine only lost a few of her really snarky lines.
------
And in the comments Linnea wrote:
Jacqueline Lichtenberg beat you to that, darling. Read her THOSE OF MY BLOOD if you want to learn about aliens and vampires and why they're on this planet. ;-) Then read her DREAM SPY which is awesome. ~Linnea
----------------
Whee! Thank you Linnea and thank you Margaret for mentioning THOSE OF MY BLOOD and DREAMSPY and noting all the decades of history behind the "vampires are aliens from outer space" tradition.
I first got the idea from, Black Destroyer the short story -- A. E. Van Vogt? I remember the story, but I have also heard it described by many people when doing panels and none of them read the story I read! They think it's horror, and I think it's Intimate Adventure.
I do however believe that Black Destroyer was the originator of this vast and fascinating SF/Fantasy cross-genre concept. That story is one of the (many) reasons I became an SF writer.
I'm sure that Cindy originated the idea, too. Just because it's been practically done to death (ahem) doesn't mean that someone can't create it originally.
It is a logical extension of both the vampire myths and SF lore.
Think about Stargate (the movie, and then the series) and Stargate: Atlantis. Stargate (the movie) just extended this 1940's traditional SF approach from some select myths to ALL the gods in Earth's mythologies, and tied them all together in a Ragnarok of the Stars.
So I wanted to point out to those reading my comments on screenwriting something that many beginning writers don't understand.
In Hollywood, this happens all the time -- that an established, working screenwriter faced with a deadline and a monkey wrench such as Cindy describes for us would reach out for a logical extension of a concept and latch onto something a new writer has CREATED ORIGINALLY out of their own imagination.
Perhaps that author has written and even submitted the script -- or just shopped the idea around, possibly on an internet site.
A few years later a TV episode or theatrical release appears based on this new writer's original concept and the writer is absolutely convinced the established pro stole the idea.
But the pro did not steal the idea any more than Cindy and her editor stole MY idea.
(OK not quite the same. Mine has been published and re-published and widely reviewed and discussed -- and I know I was writing in an established sub-genre with its own rules.)
So back to my hypothetical story of the new screenwriter: The pro re-originated the idea. He didn't have to steal it. He just had to be well read enough and artist enough to synthesize the ingredients.
This is why you can't copyright an idea.
But here's where the new writer who thinks his idea is original can get in trouble. And it's where Cindy could get in trouble if she's unfamiliar with this huge and seething sub-genre (one of the first cross-genre genres).
When I wrote THOSE OF MY BLOOD and DREAMSPY, I already knew this SF/Fantasy/Horror hybrid genre like the back of my hand. All of its bits and pieces are part of my Sime~Gen universe premise on the thematic level (in fact Black Destroyer is one of the foundation bits of Sime~Gen).
Before writing THOSE OF MY BLOOD. I also updated my state-of-the-art research into the hybrid genre (cross-genre didn't exist at that time, and it was impossible to sell cross-genre books. THOSE OF MY BLOOD got 22 rejections and finally was published as SF because there was no SF-Romance category at that time, though a few vampire-romances had begun to appear. Rewrites had to tone down the romance and bring the SF to the fore.)
I did the worldbuilding behind THOSE OF MY BLOOD and DREAMSPY to carefully enumerate, point by point, all the thematic statements and details used by other novels (see Margaret Carter's various publications on the Vampire genre -- she's SUCH a scholar!).
I was careful not to copy or infringe or take as my own anything that had been used before. Most writers don't do that. It's too much trouble, too time consuming. And trust me, it is NOT done in Hollywood. They don't care.
They don't care because they aren't legally bound to avoid using ideas others have pioneered.
And there's a very good reason that you can't copyright AN IDEA (vampire legends originate with aliens from outer-space is an IDEA; all the little gods people have worshipped through the ages were just Go'auld mining Earth for hosts is an IDEA (and not an original one).)
The most incredibly commercial ideas in Hollywood are commercial because they aren't original -- even if the scriptwriter originates the idea without direct exposure to the literature where it's been pioneered.
What makes a concept commercial in Hollywood is that the audience is already familiar with it.
After nearly thirty years of developing the "vampires can be accounted for as visiting aliens" concept, it became a Hollywood original in Stargate where "all gods were just aliens".
(note how Stargate stays away from Christian, Moslem and Jewish beliefs -- haven't done Buddha or any LIVING religion but just pick on "old superstitions.")
(also note Stargate is being cancelled, but Atlantis will continue a while.)
So if you set out to write a script that will make you a Name in Hollywood, and you come up with something truly original that's never been done before, or a twist such as the Vampire-Alien combo, don't think that you can copyright that idea. You can't even Register it with the Guild's script-registration service. They only take completed screenplays.
An IDEA somehow exists "out there" external to our minds, and when the time is right, that IDEA inserts itself into dozens and dozens of minds (maybe millions) at about the same time. It isn't a race between you and all other originators, either.
Remember Thomas Edison wasn't the first to invent the lightbulb. But he got the historical credit because he had the commercialization machinery behind him.
After an idea has come out a few times, and failed -- THEN the big commercial success happens. So let others go ahead of you -- but to maintain your artistic integrity, if you get a chance to write the book out of the screenplay, be sure to note their names in your acknowledgements and that you walk in their footsteps.
If you think someone has stolen YOUR idea -- just remember that you stole it from the same place they got it from.
It's not the idea that becomes successful -- it's the commercial machinery behind the idea that makes the idea successful.
So it's entirely possible that because of THOSE OF MY BLOOD and DREAMSPY winnowing the ground first, Cindy's book may become the hottest commercial success of this very old idea and she may get the credit for originating it just as Thomas Edison got credit for the lightbulb.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Cindy Holby wrote Friday June 15th:
--------------
So after I had a morning meltdown we put our heads together. And what did we come up with?
Aliens. Aliens who are the reason there is a vampire legend. Actually it was pretty cool to come up with a new concept on an old tale. Plus we made up lots of slang and my heroine only lost a few of her really snarky lines.
------
And in the comments Linnea wrote:
Jacqueline Lichtenberg beat you to that, darling. Read her THOSE OF MY BLOOD if you want to learn about aliens and vampires and why they're on this planet. ;-) Then read her DREAM SPY which is awesome. ~Linnea
----------------
Whee! Thank you Linnea and thank you Margaret for mentioning THOSE OF MY BLOOD and DREAMSPY and noting all the decades of history behind the "vampires are aliens from outer space" tradition.
I first got the idea from, Black Destroyer the short story -- A. E. Van Vogt? I remember the story, but I have also heard it described by many people when doing panels and none of them read the story I read! They think it's horror, and I think it's Intimate Adventure.
I do however believe that Black Destroyer was the originator of this vast and fascinating SF/Fantasy cross-genre concept. That story is one of the (many) reasons I became an SF writer.
I'm sure that Cindy originated the idea, too. Just because it's been practically done to death (ahem) doesn't mean that someone can't create it originally.
It is a logical extension of both the vampire myths and SF lore.
Think about Stargate (the movie, and then the series) and Stargate: Atlantis. Stargate (the movie) just extended this 1940's traditional SF approach from some select myths to ALL the gods in Earth's mythologies, and tied them all together in a Ragnarok of the Stars.
So I wanted to point out to those reading my comments on screenwriting something that many beginning writers don't understand.
In Hollywood, this happens all the time -- that an established, working screenwriter faced with a deadline and a monkey wrench such as Cindy describes for us would reach out for a logical extension of a concept and latch onto something a new writer has CREATED ORIGINALLY out of their own imagination.
Perhaps that author has written and even submitted the script -- or just shopped the idea around, possibly on an internet site.
A few years later a TV episode or theatrical release appears based on this new writer's original concept and the writer is absolutely convinced the established pro stole the idea.
But the pro did not steal the idea any more than Cindy and her editor stole MY idea.
(OK not quite the same. Mine has been published and re-published and widely reviewed and discussed -- and I know I was writing in an established sub-genre with its own rules.)
So back to my hypothetical story of the new screenwriter: The pro re-originated the idea. He didn't have to steal it. He just had to be well read enough and artist enough to synthesize the ingredients.
This is why you can't copyright an idea.
But here's where the new writer who thinks his idea is original can get in trouble. And it's where Cindy could get in trouble if she's unfamiliar with this huge and seething sub-genre (one of the first cross-genre genres).
When I wrote THOSE OF MY BLOOD and DREAMSPY, I already knew this SF/Fantasy/Horror hybrid genre like the back of my hand. All of its bits and pieces are part of my Sime~Gen universe premise on the thematic level (in fact Black Destroyer is one of the foundation bits of Sime~Gen).
Before writing THOSE OF MY BLOOD. I also updated my state-of-the-art research into the hybrid genre (cross-genre didn't exist at that time, and it was impossible to sell cross-genre books. THOSE OF MY BLOOD got 22 rejections and finally was published as SF because there was no SF-Romance category at that time, though a few vampire-romances had begun to appear. Rewrites had to tone down the romance and bring the SF to the fore.)
I did the worldbuilding behind THOSE OF MY BLOOD and DREAMSPY to carefully enumerate, point by point, all the thematic statements and details used by other novels (see Margaret Carter's various publications on the Vampire genre -- she's SUCH a scholar!).
I was careful not to copy or infringe or take as my own anything that had been used before. Most writers don't do that. It's too much trouble, too time consuming. And trust me, it is NOT done in Hollywood. They don't care.
They don't care because they aren't legally bound to avoid using ideas others have pioneered.
And there's a very good reason that you can't copyright AN IDEA (vampire legends originate with aliens from outer-space is an IDEA; all the little gods people have worshipped through the ages were just Go'auld mining Earth for hosts is an IDEA (and not an original one).)
The most incredibly commercial ideas in Hollywood are commercial because they aren't original -- even if the scriptwriter originates the idea without direct exposure to the literature where it's been pioneered.
What makes a concept commercial in Hollywood is that the audience is already familiar with it.
After nearly thirty years of developing the "vampires can be accounted for as visiting aliens" concept, it became a Hollywood original in Stargate where "all gods were just aliens".
(note how Stargate stays away from Christian, Moslem and Jewish beliefs -- haven't done Buddha or any LIVING religion but just pick on "old superstitions.")
(also note Stargate is being cancelled, but Atlantis will continue a while.)
So if you set out to write a script that will make you a Name in Hollywood, and you come up with something truly original that's never been done before, or a twist such as the Vampire-Alien combo, don't think that you can copyright that idea. You can't even Register it with the Guild's script-registration service. They only take completed screenplays.
An IDEA somehow exists "out there" external to our minds, and when the time is right, that IDEA inserts itself into dozens and dozens of minds (maybe millions) at about the same time. It isn't a race between you and all other originators, either.
Remember Thomas Edison wasn't the first to invent the lightbulb. But he got the historical credit because he had the commercialization machinery behind him.
After an idea has come out a few times, and failed -- THEN the big commercial success happens. So let others go ahead of you -- but to maintain your artistic integrity, if you get a chance to write the book out of the screenplay, be sure to note their names in your acknowledgements and that you walk in their footsteps.
If you think someone has stolen YOUR idea -- just remember that you stole it from the same place they got it from.
It's not the idea that becomes successful -- it's the commercial machinery behind the idea that makes the idea successful.
So it's entirely possible that because of THOSE OF MY BLOOD and DREAMSPY winnowing the ground first, Cindy's book may become the hottest commercial success of this very old idea and she may get the credit for originating it just as Thomas Edison got credit for the lightbulb.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Monday, June 18, 2007
I'm a meez-ing
[warning: rampant silliness]
I was all set to do something writerly and genre-ly about aliens and legends and our books and how our characters and ourselves perceive it all (and how run-on sentences suck...). Then I went to author Tori 'Sofie Metropolis' Carrington's site (because the writing team of Lori and Tony were of great help in teaching me, or rather Theo Petrakos, to swear in Greek in THE DOWN HOME ZOMBIE BLUES) and there was a Meez on their site.
I was hooked. Okay, I've been on Neopets for several years. I've seen Zwinkys but they didn't grab me. Meez grabbed me. I'm a meez now.
Yep, that me as a Meez and Daq-cat. On a starship bridge. What could be better? You can also find me in the Bar on my site: http://www.linneasinclair.com/bar.htm
If this amuses you, here's the official spiel and link:
Yes, silliness. But it does somewhat relate our desire to escape who we are, and explore "other" (and we've had some great blogs here on "other-ness"). Books were for the longest while, the epitome of "escape" and "explore other." Then came radio (The Shadow Knows!) and television (Star Trek).
Now we can actually BE an other. There I am, with my beloved cat. On the bridge of my starship.
Is that too cool, or what? (And yes, I do own and am at this moment wearing lime green Crocs, just like my Meez.)
If you become a-meez-ed, post and let me know. Maybe I'll start a link to all my a-Meez-ing friends and readers on my site.
Off to Ohio early Wednesday morning, so if you live in Buckeye-ville, come see me at:
June 22nd-- WALDENBOOKS Tuttle Crossing Mall, Columbus OHBook signing 1130am – 1pm
June 23rd--ELYRIA, OH, PUBLIC LIBRARY, West River Branch, 1194 West River Road NorthMeet and Greet with the Teen Advisory BoardPublic Workshop & Public Book signing hosted by Waldenbooks/Borders Express12:30 pm until 4:30 pm
June 24th-- WALDENBOOKS The Mall at Fairfield Commons, Beavercreek OHBook signing and Meet and Greet with the Romance Readers Group2pm – 4:30pm+
~Linnea
I was all set to do something writerly and genre-ly about aliens and legends and our books and how our characters and ourselves perceive it all (and how run-on sentences suck...). Then I went to author Tori 'Sofie Metropolis' Carrington's site (because the writing team of Lori and Tony were of great help in teaching me, or rather Theo Petrakos, to swear in Greek in THE DOWN HOME ZOMBIE BLUES) and there was a Meez on their site.
I was hooked. Okay, I've been on Neopets for several years. I've seen Zwinkys but they didn't grab me. Meez grabbed me. I'm a meez now.
Yep, that me as a Meez and Daq-cat. On a starship bridge. What could be better? You can also find me in the Bar on my site: http://www.linneasinclair.com/bar.htm
If this amuses you, here's the official spiel and link:
You can make your own at Meez.com
When you sign up, enter my username: linnea1015 as the referral (yeah, we get some kind of points for doing so).
Yes, silliness. But it does somewhat relate our desire to escape who we are, and explore "other" (and we've had some great blogs here on "other-ness"). Books were for the longest while, the epitome of "escape" and "explore other." Then came radio (The Shadow Knows!) and television (Star Trek).
Now we can actually BE an other. There I am, with my beloved cat. On the bridge of my starship.
Is that too cool, or what? (And yes, I do own and am at this moment wearing lime green Crocs, just like my Meez.)
If you become a-meez-ed, post and let me know. Maybe I'll start a link to all my a-Meez-ing friends and readers on my site.
Off to Ohio early Wednesday morning, so if you live in Buckeye-ville, come see me at:
June 22nd-- WALDENBOOKS Tuttle Crossing Mall, Columbus OHBook signing 1130am – 1pm
June 23rd--ELYRIA, OH, PUBLIC LIBRARY, West River Branch, 1194 West River Road NorthMeet and Greet with the Teen Advisory BoardPublic Workshop & Public Book signing hosted by Waldenbooks/Borders Express12:30 pm until 4:30 pm
June 24th-- WALDENBOOKS The Mall at Fairfield Commons, Beavercreek OHBook signing and Meet and Greet with the Romance Readers Group2pm – 4:30pm+
~Linnea
Saturday, June 16, 2007
Battling Backyard Aliens
You think I don't have any?
I do!
I've been battling some of them for four years at great personal cost! Not in terms of my own limbs... have you guessed where I'm going with this? Poison and fertiliser and strategically applied water are my weapons of choice against the alien invader.
My alien invader is green, with very large, dark almond shaped eyes, and a sinister mien. His brow ridge make him appear to frown menacingly at me. His body is long, and green. He has a body-armored thorax, an well defined abodomen (not a six-pack, though). He has wings. His glistening "body" --you know some mealy-mouthed editors favor calling a certain masculine body part "his body", right? I don't-- is an unimpressive inch or two.
Of course, an anticlimax follows.
My garden of delights has been penetrated by...
The Emerald Ash Borer
Moreover, the lake at the bottom of my garden (I own 80 feet of frontage, and I pay the same as a neighbor with 500 feet) has also been colonized by aliens, brought in on the feet and in the poop of giant Canada geese.
We wallet-warriors have had to call in the Government, local government, to help us fight alien vegetable matter. There is no other way to compel everyone to pay their "fair share" in the fight against this sprawling, weedy alien who will kill our lake if we don't fight with every weapon at our disposal, including waterborne weed-whackers that look like gamblers' riverboats.
Yes, I know aliens. I could write horror stories, if I were to exaggerate. Imagine if the Emerald Ash Borer didn't want to put his reproductive tackle inside my tree, and implant his offspring there, to eat me from the inside out. (How Alien!)
Imagine if the Thing in my lake had tentacles. (How LOTR!) Or a that it could walk. The Ents weren't the only ones. Did you read Day of the Triffids at school?
But I write alien romances... I don't "do" alien horror.
What's in your back yard?
Best wishes,
Rowena
(From whom not even a credit card commercial is safe from spoofing)
I do!
I've been battling some of them for four years at great personal cost! Not in terms of my own limbs... have you guessed where I'm going with this? Poison and fertiliser and strategically applied water are my weapons of choice against the alien invader.
My alien invader is green, with very large, dark almond shaped eyes, and a sinister mien. His brow ridge make him appear to frown menacingly at me. His body is long, and green. He has a body-armored thorax, an well defined abodomen (not a six-pack, though). He has wings. His glistening "body" --you know some mealy-mouthed editors favor calling a certain masculine body part "his body", right? I don't-- is an unimpressive inch or two.
Of course, an anticlimax follows.
My garden of delights has been penetrated by...
The Emerald Ash Borer
Moreover, the lake at the bottom of my garden (I own 80 feet of frontage, and I pay the same as a neighbor with 500 feet) has also been colonized by aliens, brought in on the feet and in the poop of giant Canada geese.
We wallet-warriors have had to call in the Government, local government, to help us fight alien vegetable matter. There is no other way to compel everyone to pay their "fair share" in the fight against this sprawling, weedy alien who will kill our lake if we don't fight with every weapon at our disposal, including waterborne weed-whackers that look like gamblers' riverboats.
Yes, I know aliens. I could write horror stories, if I were to exaggerate. Imagine if the Emerald Ash Borer didn't want to put his reproductive tackle inside my tree, and implant his offspring there, to eat me from the inside out. (How Alien!)
Imagine if the Thing in my lake had tentacles. (How LOTR!) Or a that it could walk. The Ents weren't the only ones. Did you read Day of the Triffids at school?
But I write alien romances... I don't "do" alien horror.
What's in your back yard?
Best wishes,
Rowena
(From whom not even a credit card commercial is safe from spoofing)
Friday, June 15, 2007
Monkey Wrenches and stuff like that
My current wip is an unban fantasy called Twist that I'm writing for Dorchester's new Shomi line. The covers are really cool, Manga style and its our hope that we'll pick up a bunch of new readers with the concept.
So yes there were guidelines for this line. And apparentlly when I pitched it to the aquiring editor he got so excited about my concept that he forgot one part of the guidelines.
No vampires.
So I'm halfway through the book which is due Sept one and scheduled to be released Feb 08 and I get a really sweet and apologetic email from my editor.
"uh, Colby, I forgot...we're not using vampires or werewolves in this line."
"uh, (insert editors name here). Did you forget that the vampires are my badguys?"
"Nope. But still, we got to do something. Make them nonvampire vampires or something like that." (thats a generalization of what he said.)
So after I had a morning meltdown we put our heads together. And what did we come up with?
Aliens. Aliens who are the reason there is a vampire legend. Actually it was pretty cool to come up with a new concept on an old tale. Plus we made up lots of slang and my heroine only lost a few of her really snarky lines.
So I lost the past two weeks to rewriting my nonvampires into existence. And I"m pretty excited about Twist. In spite of the monkey wrench.
So yes there were guidelines for this line. And apparentlly when I pitched it to the aquiring editor he got so excited about my concept that he forgot one part of the guidelines.
No vampires.
So I'm halfway through the book which is due Sept one and scheduled to be released Feb 08 and I get a really sweet and apologetic email from my editor.
"uh, Colby, I forgot...we're not using vampires or werewolves in this line."
"uh, (insert editors name here). Did you forget that the vampires are my badguys?"
"Nope. But still, we got to do something. Make them nonvampire vampires or something like that." (thats a generalization of what he said.)
So after I had a morning meltdown we put our heads together. And what did we come up with?
Aliens. Aliens who are the reason there is a vampire legend. Actually it was pretty cool to come up with a new concept on an old tale. Plus we made up lots of slang and my heroine only lost a few of her really snarky lines.
So I lost the past two weeks to rewriting my nonvampires into existence. And I"m pretty excited about Twist. In spite of the monkey wrench.
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