Showing posts with label audiobook. Show all posts
Showing posts with label audiobook. Show all posts

Friday, September 11, 2026

{Put This One on Your TBR List} Book Review: Silent Tongues and The Church Beneath the Roots by Felix Blackwell by Karen S. Wiesner

 

{Put This One on Your TBR List}

Book Review: Silent Tongues and The Church Beneath the Roots

by Felix Blackwell

by Karen S. Wiesner 

 
Beware spoilers! 

I'm always on the lookout for interesting audiobooks to listen to when I'm doing other things. I stumbled upon Stolen Tongues by Felix Blackwell in my library app. It was released in 2017. A newly engaged couple, Felix and Faye, head up the remote, windswept cliffs of Pale Peak to her parents' cabin and, naturally, in a horror novel, instead of romance, they encounter a menacing, supernatural being and creepy voices. Before long, a winter storm inadvertently cooperates with bad medicine and refuses to allow them to leave. It quickly becomes clear to Felix that the creature stalking them is familiar to Faye, a sleepwalker who begins whispering back to the shadows. The dark entity is trying to communicate with her. She claims she doesn't remember it, but her subconscious mind has blocked out the truth in more ways than one. "The Hollow One" is searching desperately for Faye's answer to the question, What makes five? 

This 320-page self-published novel was originally, as the author tells it, a contest-winning story on Reddit's NoSleep community of horror lovers. How the subject matter dealt with Native American culture, folklore, and the corresponding mythology was the most interesting part to me, though I found it a bit odd that the author named the book's main character after himself, almost as if he was making it an autobiography. Incidentally, the author is not of Native American descent, if anyone's wondering. 

The main characters in Stolen Tongues were drawn well enough. The most compelling of them was a guy with the last name of Lopez (more about him later) from the nearby Cold Valley Indian Reservation. Apparently the book has been optioned for a movie, which I believe would make the most of the material. The audiobook version I listened to was, unfortunately for me, narrated by J.S. Arquin, author (A.C. Arquin), voice actor, and audiobook narrator among wearing other hats. I admit, I had trouble with his halting way of speaking, though I think other listeners wouldn't have minded it. He reminded me of Mordin Solus https://en.wikipedia.org/wiki/Mordin_Solus from the Mass Effect franchise. This character within the videogames is a favorite of mine, known for his fast-talking, halting manner and irresistibly unique dialogue. Frequently, the main character in the game has the option of cutting Mordin off because, once he gets going, he becomes almost unlistenable. While this was so creative and fun in that world, to have to listen to it over the course of 300+ pages got to be a bit much for me. 

That said, Stolen Tongues did hold my interest just enough to get through it. My favorite line was, "I suppose that if you speak long enough into the void, someone is bound to start listening." I will note, however, that the posing of the question "What makes five?" fairly early in the story was the kiss of death for me, as a writer. I guessed the entire plot just based on three little words, so everything that came afterward lacked suspense and true impact. 

 

When I went searching for more in this world, I found that the author had written a prequel that included Lopez (or his dad)* from Stolen Tongues and set long before the events of the previous story. The Church Beneath the Roots, released in 2024, is nearly 350 pages and is touted as "Silent Tongues, Book 2", though it's more accurately dubbed Part .5. 

*Note that I'm going to 'fess up here and tell you that I don't generally listen carefully while reading audiobooks unless they're really, really good (and if they're really, really good, I tend to run out and buy the version of the book that has actual words in it even before I finish the audiobook of it). Audiobooks are background noise to me. They fill space during a time I'm doing something else more important. If I continue listening all the way to the end, I consider it a win despite that I miss a lot. I'm okay with missing things if it's not a book that grabs hold of me and demands rapt attention. That said, this is becoming a growing annoyance of mine concerning audiobooks--there are too many shortcomings. In particular, the inability to look at the words, to flip back and find sections easily to review and verify I'm absorbing details and plot angles correctly. 

Between these two books, the author provided presumably authentic Native American names for his tribal members. Shortsightedly, though, he chose to name two of his characters with designations too similar. Onwé (verified spelling) is pronounced "On-way" and Twé (no idea how to spell it) is pronounced "Tee-way". I believe the author explained something about either of those names in Silent Tongues--though it went by too fast, and I'll never find that section of the audiobook now to verify it. Anyway, in The Church Beneath the Roots, I believe Onwé was the father of Twé, who was a character in Silent Tongues. Or vice versa. I've lost all track of this and, because it's an audiobook, the only option to correct the problem would be to 1) try to track down a book version of it with words in it, 2) to listen to both audiobooks all over again (and that ain't happenin'!) , or 3) just be confused. 

Conclusion: So I chose to be confused and never find out the truth of which was the son and which was the dad. I should probably consider not using audiobooks for my reading because this is becoming a serious problem for me. In any case, for the remainder of this review, I'll use both names because I don't really know anymore whether it was Onwé and Twé in either book. I accept the blame for this situation because I wasn't listening as closely as I should have been, but a chunk of the problem is actually the medium. 

Seeing his people abandon the Old Way by flocking to the local church, Onwé (or Twé) finds himself struggling, especially when a plane crash brings an unexpected stranger to the rez with horror stories to tell. Decades ago, Onwé's (or Twé's) childhood friend vanished. An ancient creature lurks in the night, terrorizing the tribe. Nearby caves bring terrifying whispers. Onwé (or Twé) finds himself lured there with the promise of having everyone he's lost returned to him. The origin of "The Hollow One" is explored in this horror tale. 

As I did its predecessor, I listened to the audiobook, this one narrated ably by Gary Tiedemann. What I enjoyed most was how the author pulled together the tragic reality of history with different indigenous tribes, forced to dwell together in a mishmash on a reservation, where freedom of religion is allowed only if the lawmakers get to choose the faith, into a tale of horrifying folklore. It's not easy to reconcile the unfairness of life on a day to day basis but, add an ancient evil into the mix, and you've really got something provoking and entertaining. 

If you're looking for diverting tales of supernatural myth, this pair of surprisingly well-written, self-published books should satisfy, but I highly recommend reading the ebook or paperback versions instead of audiobooks to avoid any confusion caused by the characters' names. 

Karen Wiesner is an award-winning, multi-genre author of 156 titles and 16 series. 

Visit Karen here: https://www.writers-exchange.com/Karen-Wiesner/

Tuesday, September 06, 2011

Audible.com-The AudioBook Adventure

See below for news on Sime~Gen in audiobook edition.

A couple months ago, Wildside Press put my novel Molt Brother

Molt Brother (Lifewave)

and the Sime~Gen novels into Audible.com's program for audiobooks which are distributed on audible.com, on iTunes and on amazon, and I don't know where else.

A couple weeks later, a reader was assigned, and a couple weeks after that Wildside sent me an MP3 of the first few pages of the novel.

The accompanying note just said the editor had reservations about the accent the reader used during the opening.

I recently upgraded my ebook reader to an iPod Touch 4, and was easily able to listen to the MP3 on it that evening.

When I listened to it, I knew what the problem was.

But at the same time, I was suddenly extremely pleased with myself, I'd venture to say insufferably pleased.  Molt Brother is one terrific book.  It got a new review on amazon from Carol Buchanan, a writer I met on twitter who is not an SF reader at all, and she said,

------Carol Buchanan----------

I don't read science fiction. Or fantasy. And I hate snakes. I don't believe in reincarnation, or karma. Yet I think _Molt Brother_ is a work of high imaginative quality. Translation: It's a great read.
....While wholeheartedly recommending _Molt Brother_ to anyone who reads English, and I'll be happy to read anything else by Ms. Lichtenberg, I have to admit I still hate snakes.
---------END QUOTE-------

I so wanted the audiobook version to live up to that review! 

I introduced you to Carol Buchanan here:

http://aliendjinnromances.blogspot.com/2011/04/gold-under-ice-by-carol-buchanan.html

And you heard from her here in a later post with writing craft advice:
http://aliendjinnromances.blogspot.com/2011/05/carol-buchanan-on-writing-tricks-and.html

She's a great writer, and you really should read GOLD UNDER ICE.

So back to my problem with the audio opening of MOLT BROTHER.

The opening works very well on paper, but read aloud with an "alien" (i.e. non-human) accent that kinda sounds like the sort-of reptilian amphibian species -- there's a brick wall between the listener and the story.  There's no reason for a listener browsing book samples to waste time trying to understand that opening.

I offered 2 solutions and asked if the editor had a third.

I said we could ask the reader to re-do the opening scene, which is just 3 non-humans having an argument.  Later in the recording, the accent used for the non-humans becomes better, clearer and more practiced, so a re-recording will probably be more intelligible for the opening. 

Or I could write another opening to put a frame around the scene before the aliens start having at each other.  This would give listeners a chance to hear the great dramatic reading Voice and realize the audiobook is worth its price before hitting the accent. 

I had particularly suggested the aliens speak differently from the humans because their mouths are shaped differently -- and because a listener can't see a whole page of text in front of them and know who's talking to whom and what species they are at a glance.  You hear one word at a time, so to know who's talking, you need a suggestion of verbal style.  After a few pages, she got it just right, so I think this will work very well.

The editor at Wildside emailed right back and said BOTH solutions. 

When I suggested that I'd write something, I had no idea what to write.  It had been many years since I'd read the novel or worked with that material.  And having just heard the opening read so nicely (this reader is really good!), I didn't want to touch a word of it.  I feel that MOLT BROTHER and its direct sequel CITY OF A MILLION LEGENDS showcase my "Voice."  

We discussed "Voice" a little in the last two weeks.

So how could I frame that opening in that same "Voice" -- I didn't know, so I just started typing.

In my mind, I was thinking of the opening sequence to the old film.

And I just typed.  In a very few words (for me) I achieved my objective, so I attached it to an email and wrote the editor:
----------
Attached is what might be the opening "voice over" for a panoramic
opening of a film -- as the titles roll, we start with STARS, focusing
on a blue planet, close on an island with a big excavated
archeological site, swoop to a nearby house, cut to the interior pond
room and Arshel's confrontation with her parents.  (I'm thinking of
the opening of the film ISLAND IN THE SUN - 1957)
----------
http://www.imdb.com/title/tt0050549/

So here's what I wrote to go before the opening dialogue: 
-------------
Way off the beaten track of the Galaxy, a space ship full of humans crashed on a verdant water world occupied by the Kren.  The humans crafted an alliance with the Kren natives which functioned well until the galactic civilization rediscovered them.

Generations later, the Kren and human natives have begun to integrate on a deeply personal level – in some parts of their world.

Arshel Holtethor, a young Kren female, does not live in such an integrated place.  She has grown up on an island where human archeologists are excavating a city that is hundreds of millions of years old.  Enamored by that project and by a human boy of her generation also working on the excavation, Arshel dares too much, then must confess her situation to her parents. 

It is not going well….

-----------------

He wrote back with a couple tweaks I've included above I think, and I said fine, and he wrote back that he'd sent it to the reader.

At this writing, I haven't heard the re-recording of MOLT BROTHER with my new opening. 

If you get a chance to hear it, let me know what you think.

Meanwhile, I ran into an old friend on Twitter, @MichaelSpence , and we got to talking about Sime~Gen, which he thought he should re-read now it's out in ebook edition.

So I mentioned that Wildside was looking for a reader, and since he's spent the last few years doing voice acting, he went and applied to Wildside for the job of reading House of Zeor.

A few weeks later, I got the audition recording of the opening of House of Zeor that Michael Spence had made, and before I could get together with Jean Lorrah to discuss that, Wildside sent a different audition for House of Zeor -- so we suddenly had a choice.

Jean Lorrah and I agreed, and later two more of our simegen.com staffers also agreed, Michael Spence was the one for the job.

The other reader had used software that allows for background sound effects and for filters to change the reader's voice when "doing" other characters.  All very nifty, and actually very well done by this reader, but none of us liked the overall effect.  That is so strange, but totally unanimous, a conclusion we all arrived at independently.

Just last week I was told that Spence had turned in the first chapter done with better technicals on the audio, but I haven't gotten a copy yet.

Meanwhile, upon my return from Coppercon (held over Labor Day weekend this year) where I was on several panels with Gini Koch (whose novels I've discussed here ...
http://aliendjinnromances.blogspot.com/2010/04/turning-action-into-romance.html
) I found the final-final proof of the 12th Sime~Gen volume in my inbox.  So the new novel, The Farris Channel, will indeed be out in e-book and paper editions soon.

 Meanwhile, if you download from audible.com, iTunes, or Amazon, the audiobook editions of either of these novels, do please let us know your reaction - drop a note on this blog if you like.  There will be more opportunities to make choices like this.


Jacqueline Lichtenberg
http://jacquelinelichtenberg.com