Reviews 4 by Jacqueline Lichtenberg - "Taxi! Follow That Byline!"

Reviews 4
by Jacqueline Lichtenberg
"Taxi! Follow That Byline!"

HAPPY NEW YEAR!

First thing, I'd like to point you to a blog -- this happens to be an entry by Heather Massey, and it's about the Sime~Gen Game I've mentioned here a number of times, the one taking Sime~Gen (an SF series of mine with Jean Lorrah) into its space age.

http://www.heroesandheartbreakers.com/blogs/2013/11/romancing-the-video-game

I'm expecting to have more news about that game for you this year.

So now to today's lessons in writing. 


Previous entries in this "reviews" series of blogs are here:

http://aliendjinnromances.blogspot.com/2013/10/reviews-1-by-jacqueline-lichtenberg.html

http://aliendjinnromances.blogspot.com/2013/11/reviews-2-by-jacqueline-lichtenberg.html

http://aliendjinnromances.blogspot.com/2013/12/reviews-3-by-jacqueline-lichtenberg.html

I was in a school library a few days ago and asked the school librarian if they still teach kids to follow particular bylines when they find something they like.

I had decided I rather liked that library.  It had a higher book-density than our public library currently has, and had the books shelved by genre, with very good books featured prominently.

OK, being a writer, I know that the way certain writers and titles get that treatment in school libraries is to be reviewed in School Library Journal etc -- and that only one or two titles of a publisher's monthly output are sent to those special reviewers.

So a school library (or a public one; same deal) does not present a legitimate cross section of what's available, or even what's good or what's advisable.  That's what parents are for.  But the school library is the hook to get kids reading for fun -- which leads to reading for profit and reading easily enough to be able to take in and understand complex subjects necessary to earn a living.

However, I discovered (as is usual in my career) that the school librarian was a science fiction/fantasy FAN -- and did a lot of work with the local used book store, too.  She knew her stuff, and the field.  (Yes, I handed her a Sime~Gen promo flyer.)

We had a great conversation, and I learned that at least this one librarian is dedicated to teaching kids to FOLLOW THAT BYLINE! 

Today, since we haven't yet recovered from all the Holiday Cheer, and maybe you have some gift cards left from stocking stuffers, I'm going to point you to some books well worth their cover price, that I think you will benefit from reading.

These books are recent entries in series, or by writers who've done series.  Some are recognizably Romance, others have driving dynamics using our principles without hitting the reader over the head with ideas and attitudes the reader wouldn't find amusing.  Sample and you'll find many more books to read in that series.

First lets look at Simon R. Green's Ghost Finders Novels -- this is one series in a Universe which Green has been writing other series in. 

Spirits From Beyond



Spirits From Beyond has the velocity and format of a YA.  It's a very simple "adventure" by a ghost-hunting group that is involved in peeling away very complicated layers of the facade of reality to solve the puzzle of what it all means -- and who is masterminding this mess.  The ongoing story is told in these small, ultrasimplified increments.  The other series are not at all YA.  Taken together, the novels display a universe background as rich and complex as Heinlein's multiverse.

The story relies heavily on visuals, and thus gives the impression of being a set of novels trying to become a YA TV Series (somewhat like Buffy). 

Green is not particularly great at characterization or dialogue, but is very strong on simplified structure.  For that reason, all these books under his byline are well worth careful dissection by the Romance writing student.

Susan Sizemore (one of my all-time favorite writers since I first encountered her fan fiction about the TV Vampire Series FOREVER KNIGHT) has a Vampire Hunter novel set in Chicago -- replete with the politics and warfare tactics of Demons, Vampires, and mortals. 



Read anything you can find by Susan Sizemore.

And I say the same about Ann Aguirre.

Ann is starting a new series, but here is one in her Corine Solomon series -- read all these series starting with the 1st novel in them.  Aguirre's writing skills are top notch, and her story material is right on target for the Romance reader who wants stories about feisty women (just like themselves) instead of wimps. 

But Aguirre also explores the feisty female spirit faced with living as a woman who is somewhat "different" -- having telepathic or magical Talent, or some other attribute that just makes life's problems require a different set of solutions.



Aguirre has a number of series, so just dip in and sample whatever strikes you as interesting.  I'm a particular fan of her space-adventure series about Sirantha Jax.

Now we come to an interesting writer.  She's an actress you probably remember from Buffy The Vampire Slayer (has had other roles, but that's the one readers of this blog will likely know).

This is Amber Benson, and she used her acting talents and experience to start selling Fantasy Novels.  I ran into her on twitter, and gobbled up the novels in her Calliope Reaper-Jones series -- starting with Daughter of Death.

That's a title which is a real eye-stopper.  It doesn't LOOK like the title of a Romance, but this is a Romance driven story.  The main character, Calliope is the daughter of the holder of the office called Death (and is in charge of the dead and the causing of dying).

It's a story of family, inheritance, inherited talents, responsibility -- and how all those things tend to conflict with one's love-life. 

In this growing series, Amber Benson weaves a long, complicated story against a deep, complex background, and pulls off all the nuances with grace and aplomb. 

Like Buffy, the premise and the universe is "dark" but the characters are of the "light" side of Nature.



And here's the most interesting part! 

In 2013, I was invited to contribute an essay to a non-fiction book about fan fiction.

Here's the book - released Nov 26, 2013:


I did my essay, and several rewrites as the book took shape, and when the contributors list finally appeared in the promotional materials, I discovered that both Amber Benson and Rachel Caine were also contributors.

At that time, Rachel Caine (whom I also knew via twitter) was involved in a Kickstarter for a webisode series based on her Morganville Vampire series (which I also recommend to you)



The Kickstarter made its goal, and the webisode production is in development.

BUT WAIT THERE'S MORE!!!! 

Amber Benson is starring in the webisodes!!!! 

Now do you see why you have to "Follow That Byline!"

To understand your field - the Romance Novel and the Romance Genre - you must understand the people and their relationships to each other. 

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Amber Benson and Kathryn Leigh Scott Actresses and Writers

You may remember I discussed Amber Benson's first Calliope Reaper-Jones novel, Death's Daughter in August 2009.

http://aliendjinnromances.blogspot.com/2009/08/amber-benson-tara-on-buffy-vampire.html

Amber Benson played Tara on Buffy, a character who stole the show as layers of her background were peeled away to reveal startling and unexpected truths.

I met her on Twitter -- @Amber_Benson  -- check her out!

Since then she has had a second novel in her series published titled Cat's Claw-- and they're GOOD.

There are few writers whose novels pass all my technical craft tests (even Mass Market published writers), the attributes I talk about here in my posts about craft.  Amber Benson does. 

She has some prior books she's contributed to, which I haven't read yet, so take a look here:

Amber Benson

Amber Benson has a very distinctive writer's "voice" that is pleasant even when speaking (in the first person) for a tough-as-nails woman, or a woman who is soon to become as tough as nails.

See next week's entry here "Source of the Expository Lump Part 2" for more on Voice and how to find yours.

Benson handles the ugly truth of the world straight, with no compromises, but reading these stories doesn't make you feel ugly.  She makes her readers feel good about themselves.  It's an odd and very valuable talent, and to me that effect creates a dimension of realism indispensable in a Fantasy novel.

But it's also a rare talent.  Now I've found someone else who writes with that kind of a pleasant "voice" that is very easy to read even when confronting the ugliest aspects of the world.

She is, like Benson, also an actress with a TV series that has to be a favorite among readers of this blog, Dark Shadows.

Kathryn Leigh Scott played Barnabus Collins' bride on Dark Shadows.

Now Kathryn has done something unique that you should take note of if you are at all interested in PNR.

Kathryn created a new, original Urban Fantasy universe, a parallel world perhaps, where a young would-be actress (very different from herself) goes to New York to seek her fame and glory.

And she does two things Kathryn actually did.  She works as a Playboy Bunny serving drinks (giving us a glimpse of a real world as it was decades ago), and she lands a minor part in a startup afternoon soap opera TV show to be broadcast live.

This is both urban fantasy and historical novel, as the detail depicted of that era of live-TV afternoon soaps distributed by kinescope is extremely accurate but written without any expository lumps.

I will talk a bit about expository lumps again next week because it has a lot to do with Voice.

For now I want to point you to Dark Passages, this treasure of a novel about a parallel universe "Dark Shadows" TV show, and a young woman with Vampiric type supernatural powers she is determined not to use to 'get ahead' in The Industry.

Here is a link to a group of books by Kathryn Leigh Scott.  One is titled DARK SHADOWS.

Dark Passages leads to a list of some of her books.


But the one I'd like you to pay attention to is Dark Passages:

Dark Passages  this link leads to a single novel. 

Dark Passages is billed as a Romance, but it's not strictly speaking, PNR.  The plot is driven by personal Relationship, and it's definitely what I call Intimate Adventure Genre, but I think the real Romance part will develop in what I hope will be a number of sequels.

I found @Dark_Passages on twitter -- I think when they followed me ( @jlichtenberg ) and I looked at the little bio and followed back.  Or I may have gotten an email from the publicist.  I did get a two-page promo for the novel done as a pdf file which I read on my iPod Touch and wrote back and asked for the full novel.

You will note I've been blogging here about the place of social networking in a writer's modern life.
http://aliendjinnromances.blogspot.com/2011/04/social-networking-is-not-advertising.html
http://aliendjinnromances.blogspot.com/2010/02/strange-benefit-of-social-networking.html
http://aliendjinnromances.blogspot.com/2009/03/new-cb-radio-come-on-back.html
http://aliendjinnromances.blogspot.com/2008/11/i-love-web-20.html

 Before I wrote this blog entry, I asked @Amber_Benson (whose byline is Amber Benson ) via public twitter post  if she knew Kathryn Leigh Scott personally.  Amber answered publicly that she knew someone who does know Kathryn and has a very high opinion of her work.  I hope this post will introduce these two extraordinary women.  They really should collaborate! 
 
You might also want to follow the twitter account @Dark_Passages which is how I encountered Kathryn Leigh Scott and ended up with her publisher sending me a review copy of this novel -- which I couldn't wait to read.  They sent me an ARC, I devoured it, and this post is only a few weeks after the publication date.

Dark Passages is written in that very pleasant "voice" that makes you feel good about yourself.  The characters are totally absorbing, the historical background sketched with elegantly chosen detail.

There are no boring sections to this novel.  But it's not an action novel.  It's a story about a very realistic supernatural person, young Meg, on a relentlessly logical karmic path to stardom.  It has one tiny gliche at the end which I won't discuss here because it would be a "spoiler."  But here's a clue -- one scene should have been moved to occur after another scene which should have been much longer and more complex.  Read this book and find that tiny glitch if you can.

Study Dark Passages, find the scenes that should have been in reverse order, and contrast/compare it to the Calliope Reaper-Jones novels which don't have a glitch like that.

Read my series on What's An Editor, and you will see that asking a writer to reverse two scenes is what Editors do for a living.

http://aliendjinnromances.blogspot.com/2010/09/what-exactly-is-editing-part-vii-how-do.html


is the final post in that sequence on Editing and has links to the prior ones in the series.

Here's what an editor would see comparing the Calliope Reaper-Jones novels to Dark Passages.

The Reaper-Jones novels have a stronger "action" structure and the action itself provides the plot-driving energy.

Dark Passages has a plot driven by the Relationships, the suspense provided by an enemy stalking the main character because of a generations long vendetta against her family, and by the main character's ability to evoke caring from those she meets.

The flinty, hardened, actors and seasoned Playboy Bunnies, care about Meg, even though they don't know she drinks blood from animals in the park and would suck them dry in a moment were her self-control to fail.

And it seemed to me Meg had no clue how much the people she meets care about her.

She comes from a small-town, growing up on an isolated farm with a warm, caring family.  In fact, her background profile is pretty much like Clark Kent's!

Dark Passages is a heart-melting historical Vampire novel.  You don't want to miss this one.

And if you've missed the Reaper-Jones novels, pick up a copy.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Should You Make Up A Pen Name? Part I

Last week we talked more about changes in publishing, and how long established, famous writers are retrieving the rights to their own novels from the big publishers and issuing them as ebooks on their own.

http://aliendjinnromances.blogspot.com/2011/05/doranna-durgin-on-changes-in-publishing.html
The organization that Duranna Durgin (oh, you gotta read her books) founded is Backlist Ebooks, just for writers trying to learn the ropes of self-publishing.  The dues are steep but worth it, as with any organization of professionals. 

Yes, famous writers with big followings are self-publishing!

And in fact, some writers just now breaking into print are having a problem selling titles they post themselves, or titles published via indie or e-book-only publishers because the big publishers are now flooding the market with the newest books by big names, while the big names are posting their own backlist titles.

It's sometimes hard to tell the difference when shopping an ebook catalogue, so various entrepreneurs have launched various projects to re-engineer the fiction delivery system.  Everything is changing so fast that new writers -- and even long established writers -- need to think carefully before wading into the chaos.

Not all members of Backlist eBooks are using Kindle. Some just post their novels on their own website. Some distribute to a lot of formats through smashwords, and hit Kindle that way.

Doing all this self-publishing work requires climbing a very steep learning curve, and takes a lot of time away from producing actual new novels.

Along with covers, and ISBN numbers, and formatting for this-and-that system, and other such mysteries, comes the decision of whether to republish a novel under the same byline it was originally published under.

Many writers have several bylines, or pen names, as they were called in the days of pens.

How does that happen? If you've never published anything yet, should you create a bunch of bylines?  Do you have to do it? Should you stop doing it?

The name you put under the Title of your work is a "brand" -- as marketers are teaching writers to call it these days. Writers have to be branded as well as genre'd!

For example, my Agent decided I needed a different byline for my Military Science Fiction novels just when he read them. He decided to market them with the challenge to the editor, figure out who wrote this from the style. The editor who bought the two couldn't figure it, then decided I should pick a male byline for them.

They are Hero and Border Dispute, which came out as Ace Mass Market novels at the peak of the military SF boom under the byline Daniel R. Kerns (before Daniel Kerns made a name for himself - that Daniel is not me).

So because of the similar and confusing byline issue, when I reissued the two novels as an omnibus Kindle edition, I put my own byline on them even though they're not the usual science fiction romance I write. They are relationship driven, human/alien stories. The problem that drives the relationship is an interstellar war -- but not against an "enemy." That's the SF twist that's so Lichtenberg -- rethink the entire meaning of "war" and "action."  Find them here.

Hero & Border Dispute

So that's an example of a science fiction byline bleeding over into a sub-genre, military science fiction. Many wouldn't consider military science fiction a "sub" genre at all since science fiction started as a male-action sub-genre. Do you need a new byline for a sub-genre?

Can one byline work over many genres, and for fiction and non-fiction as well -- for non-fiction in different areas (such as Biography vs. say, Tarot)?

This is an especially sensitive question for writers of SFR, Science Fiction Romance or PNR, Paranormal Romance, vs. plain contemporary Romance, vs. Historical Romance.

My main topic on this blog has been how to raise the level of respect for the various Romance Genres in the minds of the general public -- even people who don't like or read Romance should view the genre as a high precision, demanding genre that arouses the thirst for education in a wide variety of highly regarded professions.  Today, though, a byline known in the Romance genres carries a stigma that is not honorable.  So should you use your own legal name?  Or make up a name for your byline? 

Publishers have a "legacy wisdom" from the days of printing presses, that insists one byline famous for Romance simply will not sell to Mystery readers. A byline famous for Mystery might sell to Science Fiction (Asimov comes to mind as the exception that proves all these rules) but a byline famous for Science Fiction will never, ever make it in Westerns or Romance.

The more famous your byline in one area, the more resistant publishers are to using it in another.

Take Nora Roberts for a big example of how that legacy wisdom is not applicable any more.

She wanted to write a series of sort-of-SF-Romance novels set almost in the future, called the IN DEATH series (I really like that series a lot!) So the publisher and/or Agent, or someone, decided she needed to avoid sullying her prominent Nora Roberts brand name with that icky science-fiction crap.

I don't know if it was her idea or theirs, but they put the J. D. Robb byline on the In Death Series and hid the Nora Roberts attribution from most readers.

IN DEATH didn't sell well at all, even though it was Nora Roberts style and made it into most libraries in paperback.

That's an object lesson in marketing. Content doesn't matter to sales. Brand does.

So after a few In Death novels, they "came out of the closet" (rumors abounded online about "who" J. D. Robb really was) and put the Nora Roberts byline on the front covers.

And they sold.  Are still selling, big time.

Isn't that interesting? Against all legacy wisdom of publishers, science fiction romance sold to an enthusiastic Romance readership -- not so much at all to the science fiction readers, and not to the fantasy readership.

Something changed, and I think it's an important something.

Now, I have to be a nasty critic here and state that the IN DEATH series is really crummy science fiction, if you judge it as SF. (I don't, so I actually like those novels!)

It's plain vanilla Nora Roberts romance, hitting the middle of the Romance market - nothing much to talk about except "I keep buying these things and I don't know why."

So is IN DEATH different enough to warrant another byline? Apparently not. And that was in 2004. Note IN DEATH #1 is now on Kindle, and has over 200 reviews on Amazon.

Here's Treachery in Death

Note the high price on the Kindle edition whereas many members of Backlist eBooks are posting their own novels for $2.99 (and many write as well or better than Nora Roberts in my not-so-humble opinion)..

Byline and branding is all marketing, not supply and demand. After all, ebooks come with unlimited supply. Stores don't run out of copies!

Now, about the byline problem.

Which brings us back to the stigma problem.

I think the major publishers have the computerized sales results to substantiate their insistence on separate bylines for separate genres, but especially for authors who sully their brand with SCIENCE FICTION.

So I'm going to talk about a friend of mine, Sarah A. Hoyt -- we're friends on facebook. She's been sending me review copies of some of her books for a while now. Her publishers don't understand why a reviewer for a New Age Magazine (me) would rave about murder mysteries, steampunk, historicals, etc etc. But I can find something esoteric in anything because the reality behind the art is all about Love Conquers All.

I reviewed some historical mysteries Sarah A. Hoyt wrote under a different byline Sarah D’Almeida about the Musketeers:

http://www.simegen.com/reviews/rereadablebooks/2009/

and in 2010
http://www.simegen.com/reviews/rereadablebooks/2010/

Death of a Musketeer by Sarah D’Almeida, Berkley Prime Crime Mystery, 2006

Dying By The Sword by Sarah D’Almeida, Berkeley Prime Crime Mystery, 2008

There are a couple more and Sarah expects to get them out as ebooks with new ones in that series. (see the problem? Sarah who?)

Here's a note from her about bylines:
----------
The mysteries are an open pen name. Also, the first musketeer's mystery has been re-released with a small press: http://nakedreader.com/

Amazon it should have this version up by now. If it does well, I will finish novel #6, The Musketeer's Confessor. I've just delivered A Fatal Stain (the third of the refinishing ones.) I'm now working on Darkship Renegade, which apparently will have a "sister book" that takes place on Earth with different characters. (I didn't know this. The character mugged me one fine morning... :/ so now I have to write him.)
-----

That's how writers keep up with each other's work -- notes on facebook.

And then there's a series of well, Steampunk-ish novels Sarah did that I loved -- more or less fantasy, maybe.

Heart of Light is one of the titles.

Here's a whole list of Hoyt titles:

Sarah A. Hoyt

I've just read DARKSHIP THIEVES by Sarah A. Hoyt, and it's REALLY GOOD SF-Romance in the Linnea Sinclair tradition -- a lot of running around in space ships and space stations, but no non-humans. This one is a break-off human colony with genetic modification issues. And a really good star-crossed lovers story.

FULL DISCLOSURE - you all know I'm a reviewer, and I get free copies. I don't review everything sent to me, only 5-star worthy items.

However, there's a bit of a brag on this one - there's a quote from me on the back cover of DARKSHIP THIEVES.

(Totally aside, in Amber Benson's new Ace Fantasy, Serpent's Storm (a Calliope Reaper-Jones novel), there's a quote from me on the front-inside-page with many other reviewer quotes, but that one only credits The Monthly Aspectarian, the magazine I review for. -- the point being reviewing is not an "objective" business.  You can get my attention by quoting me and by giving me freebies. As far as I know Amber Benson doesn't have any other bylines. This is the actress/director/writer Amber Benson, a brand name in itself.

As Sarah A. Hoyt says above, she's working on a sequel for DARKSHIP, and that too would be for Baen.

Oh, and I'm not done with Sara yet. Hold your hat.

She's ALSO a mystery writer with byline Elise Hyatt!!! That's the reference to "refinishing" above. (and yes, this, too is great stuff you ought to read, and nevermind the genre label).

Elise Hyatt publishes with Berkley Prime Crime mass market paperback, two titles I've seen so far,

Dipped, Stripped and Dead,

and

French Polished Murder

The series, subtitled A DARING FINDS MYSTERY is contemporary setting, ho-hum yawn normality -- but the lead character is a woman who's divorced and raising a boy from her first marriage as she gets involved with a new boyfriend.

I think these 2 books made me a fan of "Cozy Mystery" -- there's nothing hard-edged, and a lot of character depth. The Relationships while dramatically charged, are more "normal" than I've been seeing lately.

Here's the thing - DARING FINDS is science fiction in disguise.

Why? Because this lead character, Candyce Dare, is living on subsistence income from refinishing furniture and selling it on the "antique" market.  Her attitude is pure SF-Hero stuff.

Trust me, there's more than one science involved in her body of knowledge. It was a hobby she cultivated while married, and now is making a living from it, learning the hard way, gaining associates in this industry, and showering us with the science of it.  This is the oldest, classic SF motif of a young person without format education in a subject becoming an expert with "outside the box" thinking. 

Without the extraordinary skill at science fiction worldbuilding and information feed (topics I've discussed at length in these blogs -- you can find most of my blog entries on aliendjinnromances.blogspot.com by searching for the tag Tuesday), these Elise Hyatt mysteries would be incredibly boring. Instead, DARING FINDS is a series with a luscious hook, and page-turning fascination, sizzling romance angle, and lots to learn.

The DARING FINDS mysteries is the very best science fiction romance with a mystery plot. Both books satisfy on every level.

OK, you don't get to the HEA because it's a series, but you know you will get there. The writer's hand is so firm and disciplined, it's like riding with a supremely accomplished rally driver.

Good grief, by now you're so confused you don't know which writer I'm talking about.

See?

Brand. Byline. Stigma. 

Readers want to grab hold of a SYMBOL and know that anything sold under that symbol delivers what the other things under that symbol deliver.  And that's the re-engineering of the fiction delivery system that Backlist eBooks is participating in.  How can a reader navigate this avalanche of ebooks and find just what they want when they want it? 

Publishers want to know which readership to spend money promoting a byline to -- mystery, SF, Fantasy, historical -- marketers see these as separate readerships. My contention is that this was true, but is less true with every passing year.

So here we have Sarah A. Hoyt, Sarah D’Almeida (also from Berkley Prime Crime, notice?) and Elise Hyatt, and there are other bylines of this author.

On the Elise Hyatt byline, she says:
-----------
I wanted to use Alice (my name pre-citizenship was spelled Alice, pronounced Elise, hence Elise Hyatt for Daring Finds, because I will answer when called that.) Alice Rye... because they asked for "white bread" -- I'm a horrible woman. Mind you my pre citizenship name was Alice Maria da Silva Marques De Almeida, (my grandfather spelled it D'Almeida) which means there is A LOT there to use. But... no. It had to be "white bread." Ugh.
-----------

But - (hold your head and groan) - she's starting yet another byline! Here's what she says about the new one:

----------
I've also just sold (but not announced yet) a series under Sarah Marques which also has the musketeers but very different musketeers than the mysteries (like alternate versions of them. Yes, it's weird to have both in my head, but no, it's not confusing) I don't have samples up, yet. The first book is called Sword And Blood.

SWORD AND BLOOD: the first in a series in which the Three Musketeers battle vampires in an alternate France where Cardinal Richelieu is one of the undead. In order to "save" France, a deal has been made to turn the churches and a good deal of the power over to the damned. Athos himself has been turned by the wife he thought he'd killed, who is in fact one of the vampires, and must fight his bloodlust while battling for his soul.

They'll come out under Sarah Marques simply because I think my Baen sf fans would choke if they picked that book up by accident. What do I mean choke? Well... it has a lot of sex. Woman-on-top (well, vampire on top) sex. Which hasn't been in my other books. Because of THAT I think it's fair to give fair warning. As it were. So I'll let people know it's mine and it's coming, but why it's under another name. THAT one was my choice. (The book also features a pagan priestess, the battle of evil having forced the good sides to unite, as it were, and forget their differences -- she's Madame Bonacieux and the religion is meticulously researched and reconstructed, not the least from the local workings I grew up with, which, while not in France, had a lot of the remains of Celtic religion [I come from a region known as Heights Of Maia -- Alto da Maia -- which was a Cultic center of the Celtic Common Wealth as well as the site of an annual bardic festival in pre and I presume early Roman times.] Although there's still humor in this book, it's quite different from the humor in the Musketeer Mysteries. One of my friends called this the "laughing in the teeth of H*ll" type of humor.

As for why I write so much? Heaven help me if I know. Rumor has it I'm compulsive. Of course, I never believe rumors.

-------------

This multi-byline author has also been discussing in public a Marlowe and Shakespear guy-on-guy thing she wants to write but doesn't think anyone would buy it. If it sells, though, that would likely need yet another byline.

Academics discussing this writer are going to have several Excedrin Headaches at once.

To help you track down some of these items, the author gives us a whole list of URLs with samples and descriptions:

----------

Here's a web page with her novels and she gives us a list of URLs with sample chapters.


----------------
http://sarahahoyt.com/novels.html

Samples of Darkship Thieves: http://darkship.sarahahoyt.com/dst-excerpt.html

Magical British Empire: http://empire.sarahahoyt.com/

Musketeer Mysteries: http://musketeers.sarahahoyt.com/

Daring Finds: http://daringfinds.sarahahoyt.com/

Shifters -- I have a third one due this year, and so far what I know for sure is that by the end of the book, Kyrie is pregnant (whee) -- http://shifters.sarahahoyt.com/

My career started with this, which now reads incredibly clumsy to me: http://shakespeare.sarahahoyt.com/

-------------

IT'S ALL GREAT STUFF YOU SHOULD READ!!!

Now, this byline musical chairs thing is a marketing ploy that the big guys have been very successful with.

This is very old traditional methodology, and there are times when it makes perfect sense if you understand byline as brand.

In fact, in the Science Fiction magazines of the 1930's and 1940's -- you'll see a table of contents with 4 or 6 bylines, and it's all by 2 people.

Pen Names are one of the oldest inventions in publishing, going back to hand-copied manuscripts.  

Are they still a relevant marketing tool today, in the world of Amazon, Kindle, Nook, B&N, etc. etc.?

If you're starting a writing career, consider carefully.

Is it cheating your reader to change the book title and re-issue it? (believe me, that's an old tradition in science fiction publishing!) Is it cheating your reader to change the byline and reissue it? Will you have to do that at some point in the distant future?

Do you want to be known for doing that?

Will you ever want to tie your body of work together under one byline?

Asimov and Heinlein, and now C. J. Cherryh and some others write "future history" -- a single universe, many novels with different genre-signatures, but hidden underneath it all, a single vision, so they all need a single byline.

Sarah A. Hoyt admits she, too, has constructed a "future history" but only because she thought it was required.

How will your fans find and follow you?

And what happens if fiction delivery system technology changes in ways you can't anticipate now?

For more considerations and dilemmas of other writers forging the way ahead, see Part II next week.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Amber Benson: Tara on Buffy The Vampire Slayer

And my point here is that Amber Benson is also a screenwriter, director, producer, webisode involved, AND an on-paper novelist too. This is a woman to study (Google her up). She has a lot to teach. So let's see if we can learn.

The last few entries I've done here have been long and full of abstract advice and arcane demands on writers to do the impossible (sometime before breakfast at least if not before coffee).

Now once again, lets get back to the practical by looking at a writer, her novel and the background she brings to the craft.

How does a writer actually WRITE? Where does the flowing poetry of images and words come from? What level of an Urban Fantasy needs poetry, or poetic justice, and where do you put the dense philosophy of the theme? Do you dare touch Religion?

Where do ideas come from and how do you organize them into fictional formats that can be understood by readers?

As I keep telling you, it's the writer's subconscious that does most of the work. And as I learned from Red Skelton and Jack Benny, the best material is stolen. The trick is to steal only from the best.

But after you've stolen your ideas from say, The Bible, or Isaac Asimov, what do you do with them?

You put them into your subconscious. You've watched me say that a lot.

Amber Benson's novel Death's Daughter is a flawless amalgam of her background, her life, and her career coming to high focus in a blazing burst of artistic freedom. It's just not so easy to see that art that comes from a well stocked and disciplined subconscious. But if you can see it, how do you do it?

I have no clue how she did it other than her public biography, but I do know how others have done it. Each person has to store stuff in their subconscious via a different mechanism. Writing (un-storing the stuff in your subconscious) is the opposite of the storing procedure, but they are related.

So HOW do you store stuff in your subconscious? How do you train your subconscious to regurgitate these marvelous classic ideas all wrapped up and organized to be just like something famous, but different.

What is the mechanism within the human mind that can achieve this feat?

If you can explain how you do it, please drop a comment on this post.

Meanwhile, I want to talk a little bit about the various ways I've seen accomplished writers do it, how I was taught, and how I find it works best for me.

This process of programming the subconscious to produce Art you can sell is a "feat" -- like an athletic feat, or like an adagio dance exhibition, a Chopin concert at Carnegie Hall, or recording a perfect operatic aria. It is a feat you must train for. And even so you might not equal or break a world record ever in your lifetime.

First you must establish a regimen in communicating with your subconscious.

The relationship between conscious and subconscious is, as I see it, best described by THE STRENGTH CARD, of the Tarot. It's usually a picture of some kind of beast (a lion or mythic creature known for ferocity) being petted and gentled (and dominated quietly) by a "defenseless" Maiden figure.

The beast represents the subconscious. The Maiden represents some part of the conscious mind -- perhaps the level of CUPS or perhaps WANDS. (or both)

There was an article recently on research into dog intelligence.

http://news.aol.com/article/dogs-as-smart-as-2-year-old-kids/609181

A dog may be as smart as a 2.5 year old, but the dog will be socially mature and still be only that smart.

Studies have shown that if a dog's owner is aggressive, the dog will become aggressive.

Dogs are copy-cats. (oy)

My dog learned the household routine. Even though I was never aware of how very routinely identical my daily procedures had become (I've since changed to inject variety) until my dog showed me by EXPECTING what would ordinarily come next.

Dogs recognize patterns and get disturbed if the pattern is broken.

Art is all about patterns. Poetry is about patterns. Poetic justice is all about patterns. If there isn't poetry inside your novel, the novel is missing an important ingredient because our real, normal world runs on poetry.

Dogs maybe can't "learn" in the way humans do but they can be trained, just like your toddler can be trained but not really "taught" (yet).

A toddler is not going to respond to all these magnificent abstractions I love to indulge in. The reasons for holding your hand crossing a parking lot don't mean a thing to a toddler. The statistics about toddlers killed in parking lots, the statistics about toddlers kidnapped, the stats on those maimed for life, zilch, nada, nothing.

But insist the first time, and never miss insisting on that little hand in yours, and next thing you know the 3 year old will force his hand into yours. The 5 year old - not so much - but dogs don't get to the 5 year old level (though some primates do!).

And your subconscious is about 2-3 years old, give or take. Forever.

Your subconscious doesn't CARE about all my beloved abstractions and meta-cognition and subtle value system comparisons. Subconscious is totally primal (which is why Blake Snyder kept saying make it PRIMAL).

The subconscious is where the "helpless" nightmare comes from, and why horror novels are so popular! We all have a scared little 2 year old inside somewhere who doesn't understand the world and still nurses lingering echoes of infancy's true helplessness. Adults still have some of that, which is why dark- mysterious- incomprehensible- insurmountable makes such a great movie!

So subconscious can be trained but not taught.

How do you train subconscious to produce poetry, art, music and stories complete with theme and structure?

It's that pattern recognition function built in as a survival mechanism!

Dogs have pattern recognition, even through time. (this comes after that) And people do too, on just that same very primal level where "reason" is not a factor.

That's another reason Blake Snyder was always saying get down to the PRIMAL level even a caveman could understand, before technology, before international trade, before Wall Street cartels.

Inside our sophisticated world wise behaviors, we are driven by the most primal issues of love, loyalty, reproduction, life, death, protection, possessing, command of power.

The story comes from the subconscious of the writer, and must be presented in such a way that the subconscious of the reader can recognize the pattern, the primal pattern.

Not SIMPLE pattern. PRIMAL pattern.

Life and Death are very primal, and not at all simple, but still very much what our subconscious is designed to handle magnificently.

That's why life and death are the subject of so many novels, and the stakes in so many plots. You don't have to explain what's so important about it. Using something that primal is almost a cop-out because it's so easy to grab for Life, Death, and Devil archetypes to drape your story on.

But Amber Benson has gotten away with it gracefully in HER NEW NOVEL "Death's Daughter" -



and thereby hangs the tale of a lesson in writing.

And the lesson in writing is READ.

As you train your toddler to hold your hand in a parking lot (pattern recognition triggers habitual action), so you can train your subconscious to steal IDEAS when reading a good PRIMAL novel (pattern recognition triggers habitual action).

The first step in training your subconscious is to sort your to-be-read stack into Good, Better, Best. (some of these will be re-reading projects)

You should pick writers and books that you want to emulate, or that have sales statistics you want to achieve. Most likely, the ones with the sales statistics you want to achieve will contain elements you seriously dislike or balk at. Those elements are very possibly the source of the sales statistics, so study them and reinvent them in new guises that you do like.

There are two kinds of fiction you should read to train your subconscious.

One is the really slick, highly professional, so well synthesized you can't reverse-engineer it to see how it was done.

Another is the awkward, not-quite-right, fumbling, jerky neo-pro product you most often see these days in the e-book form because Manhattan isn't publishing midlist and beginner writers as much as they used to.

That's not casting aspersions on e-books! I've reviewed a number of e-books that are better constructed than you generally find from Manhattan! The e-book has stolen from Manhattan the right to be the home of the mid-list as well as the beginner, launching what will soon be stellar careers.

Manhattan will soon be in financial trouble because they are not fostering the new beginners and will not have their loyalty (loyalty is primal, remember?)

Reading to train your subconscious to write is very different from reading to enjoy a good read.

As you start doing this exercise, your ability to enjoy any novel will falter and may disappear. If you persist, a new and very intense pleasure will emerge as you read interesting novels that also tickle your pattern-recognition nerve.

You start by reverse engineering a number of your most favorite novels until you can see their moving parts as detailed here in previous posts.

One tried and true technique is to take colored highlighters or pens and highlight or underline words, phrases and sentences. Don't do it just mentally. The physical act of marking is what communicates to the subconscious. Just thinking about it won't achieve the same communication level.

Mark DESCRIPTION, DIALOGUE, EXPOSITION, NARRATIVE in separate colors. A really top flight writer like Andre Norton will use all 4 in almost every sentence. Some words will carry both exposition and narrative in one word.

Mark the PROTAGONIST ANTAGONIST and/or NARRATOR.

Later flipping through those pages, you'll see the proportions of words allotted to each character. It's important to get that proportion right.

Mark the BEGINNING, MIDDLE and END of each scene, and note in the margin the SITUATION CHANGE for PLOT and for STORY.

See my two entries on SCENE STRUCTURE at

http://aliendjinnromances.blogspot.com/2009/07/6-tricks-of-scene-structure.html

http://aliendjinnromances.blogspot.com/2009/07/6-tricks-of-scene-structure-part-2.html

And note that my "definition" of scene is echoed in this web page on stage vocabulary.
http://cla.calpoly.edu/~smarx/courses/Vocabulary.html

Note particularly where it says BLOCK A SCENE because we haven't discussed that yet, here, but we have covered the components of blocking. Blocking a scene is very VERY important in action narrative, and when you read DEATH'S DAUGHTER, you should watch for the techniques so smoothly and subtly applied.

Color code 2 or 3 of your favorite novels in each of the categories

1)very advanced that you want to emulate, and

2)beginner's work that you COULD emulate.

DO THE SAME THING watching television. Take a notepad, note down the scenes and how each changes the situation. Capture the plot outline as you watch. (this is where you wish you knew shorthand).

If you need to know what a "plot outline" is, I gave you a couple of examples in WHAT DOES SHE SEE IN HIM http://aliendjinnromances.blogspot.com/2009/08/what-does-she-see-in-him.html

Now, after this intense exercise, never let yourself read anything without mentally coloring in the components as DESCRIPTION, DIALOGUE, EXPOSITION, NARRATIVE, scene blocks etc. After you've done the actual coloring, subconscious will begin to spot them for you, and train your conscious not to miss them! (like the 3 year old who will insert a hand into yours crossing a parking lot)

Once subconscious has started to do that, and you can't read anything without being aware of the components, go to sleep assigning your subconscious the task of having AN IDEA when you wake up.

The first few IDEAS it produces will be like a puppy piddling in the corner. Think of the STRENGTH CARD, and remember how you tame the fractious, spoiled, savage beast of the subconscious with kindness, repetition, firmness, consistency, just as you train a toddler. Reward good behavior. Ignore the bad. Make friends.

When an idea comes pre-formulated to the pattern you are training into your subconscious, write it down (that's the reward for subconscious, getting written down). Do the plot outline for the novel, just as we've covered in these posts such as WHAT DOES SHE SEE IN HIM. With practice it shouldn't take more than half an hour, maybe 20 minutes, to jot down the outline (my examples came out as fast as I could type; it just takes practice) and they don't have to be consecutive minutes.

Let subconscious do the part that's "the same" and you do the part that's "different."

Now, where to start training?

AMBER BENSON!!! I just wrote my January 2010 column (that's another lesson in publishing - it's August and I'm late turning in the January column.) And except for a quick Noel Tyl astrology mention, the January column is all about DEATH'S DAUGHTER and why it's an "important" novel in the guise of just another Urban Fantasy.



But one little 1500 word column couldn't begin to scratch the surface of "all about" Death's Daughter. There's so much more to say. We shouldn't get to that until after you've read it and reverse engineered it.

Amber Benson's novel DEATH'S DAUGHTER is a perfectly structured, breezy-easy read targeting the most primal archetypes, Death, Devil, God, normal human woman who just wants a normal life.

The world Benson has built for this novel is soooo Buffy and sooooo Different from Buffy. The world's mechanisms, the tone, the brightness, the attitudes, the philosophy behind everything is all different from that famous TV show, but awakens soothing echoes of the Buffyverse pattern. And yes, there's the constant thrum of a Romance in there too! "What does she see in him" is handled gorgeously.

If you're familiar with the Buffyverse, you will pick this up right away. And you'll see how Benson's universe is unique. You'll also find a purely cinematic structure articulating the skeleton of this novel. And you'll find the poetry, the art, a musical rhythm to the pacing, and so many tightly and smoothly integrated patterns even I couldn't count them all.

DEATH'S DAUGHTER is a leap-for-joy FIND for the writer looking for a really tough nut to crack on reverse-engineering.

But it didn't just spring full grown out of nowhere. Here's Benson's bio from the back of the novel.

“Amber Benson cocreated, cowrote and directed the animated supernatural Web series Ghosts of Albion with Christopher Golden, which they followed with a series of novels, including Witchery and Accursed, and the novella Astray. Benson and Golden also coauthored the novella The Seven Whistlers. As an actress, she has appeared in dozens of roles in feature films, TV movies, and television series, including the fan-favorite role of Tara Maclay on three seasons of Buffy The Vampire Slayer. Benson wrote, produced, and directed the feature films Chance and Lovers, Liars and Lunatics.”

TV, Web production, feature film, print media. And all that experience is neatly, tightly integrated into DEATH'S DAUGHTER.

Christopher Golden once taught me a lot about this structure stuff, and how the subconscious needs to be disciplined to separate material into distinct stories. I don't know that's where Benson learned it, or if she came to Golden already knowing it. Or maybe she was born knowing it (some people are just talented that way).

I highly recommend making DEATH'S DAUGHTER one of your novels to reverse engineer to see what it's made of and how its moving parts are joined by the theme. Yes, it'll be as hard as if it were written by Andre Norton or A. E. Van Vogt because it's so well integrated. But your subconscious may pick up the patterning for the multi-media creation, which could make your fortune.

Jacqueline Lichtenberg
http://www.simegen.com/jl/