Writer's Craft Article by Karen S.
Wiesner
Based on
Writing Blurbs that Sizzle--And Sell! by Karen S.
Wiesner
Blurbs Series, Part 6:
Series Branding
This is the last of six
posts focusing on writing effective blurbs for your books.
In the previous
part, we talked about blurb sizing and branding. Let's continue.
Series Branding
Rule 1: Associate the Series With Each Title
To me,
this one is so out-and-out obvious, I feel a bit foolish even mentioning it. If
your readers don’t know that your book is part of a series, what’s going to
prompt them to look for the next one and the next one and the next one after
that? It should be so blatant, yet this is the number one series rule I see
broken most frequently, and it’s such a missed opportunity. Look at the website
of any book distributor, and you’ll often have a hard time finding out if a
book is even part of a series. A few publishers are diligent about this, but
most don’t bother.
Make
sure the title of the book is always, always, always associated with the series. In other words, never allow
yourself or your publisher (if you can help it) to include just the title of
your book. For instance, I never refer to my book Shards of Ashley simply by its title. Always, I refer to it as Shards of Ashley, Book 5 of the Family
Heirlooms Series. Notice several things about this: I include the title of the
book, the book number in the series, and the series title. In this way, new
readers and long-time fans immediately recognize the information they need to
know.
A new
trend in the industry that needs to be addressed here is that many distributor
websites are becoming sticklers about how your cover and title page have to
match in terms of how the title, series and book number are listed. I've had
books rejected for distribution because the cover creatively has the title in one place, the series in another,
and just the number in some kind of artistic "seal" elsewhere.
Because the title page has the book listed as, say, Shards of Ashley, Book 5 of the Family Heirlooms Series, the book
is rejected as "not matching". This is beyond ridiculous, in my
opinion, since they're clearly the same, though automated systems may be too
dumb to realize it and you'll have to ask that a human at the place of
distribution look into it. When this inquiry has been undertaken in my case,
approval is always forthcoming. But authors and publishers need to be aware
this is a growing trend and adjust accordingly.
Additionally, my publisher for Writing Blurbs That Sizzle--And Sell! (and my fiction), Writers Exchange, always lists the series
name first, followed by the title and the book number in the series, as in:
Family Heirlooms Series, Book 5: Shards
of Ashley. Her very sound logic is that, with the series name first, all
the books tend to be listed together (and almost always in the correct order)
on websites that list only based on the title in alphabetical order. If you
have the title of the book first, the other books in that series can end up on
totally different pages, which isn't ideal.
For
those readers who try to follow a series, it’s extremely helpful to include the
book number in the series whenever you talk about a particular title. On the
listservs I patrol, I’ve heard a huge number of series readers say they won’t
skip around in a series—they start at the beginning and read chronologically.
Very few readers will skip around. Having the book number associated with the
title (and even on the spine and/or front and back cover, as we’ll talk about
soon) ensures that readers know exactly where this book falls in the series.
Make a point of being consistent in the use of the title of each book and
trilogy/series name by ensure that the whole
title of the book is always associated with the series.
Even in
the process of working with your editor, continue stressing this point to
enforce to her that you see all the stories as part of the series—one book
can’t be separated from the other because they belong together. Self-publisher
authors need to do that themselves.
While
publishers and self-published authors utilize distributors for getting the
books out to the customers, the people in control of publishing provide all the
information necessary for distributors to sell the books. Hence, those people
doing the publishing tend to not provide series information at all, or only
incompletely, along with the basic book information. Talk to your
editor/publisher about associating the series name and book number for every
single title. Self-published authors, make sure you're doing this. Make sure this
information makes it to distributors consistently.
If your
publisher isn’t diligent in this regard, you can change your information at
Amazon.com, BarnesandNoble.com, and other online distributors. While you’re
logged in to these sites, the page for your book may have a section labeled
with something like "Update This Information". Sometimes publishers
won’t allow anyone to change the book information, but if you find that you can
change it yourself, do so!
Take my
advice: If your publisher won’t follow through on this particular branding,
rigorously follow the advice yourself. For every scrap of promotion you do for
the series, make sure you include the complete series information for every
title. Absolutely do this for your website. You might even consider putting a
list of series on your website with the title in each series and the book
number—and maybe even making this list printable. That way, your most avid
followers can get the information they need without too much hassle. Remember,
you can lose sales by making basic information hard to come by.
Rule 2: Utilize Series Blurbs
It’s
necessary to utilize series blurbs as much as possible to create brand
awareness for it. Don’t underestimate the appeal of the series blurb. New and
longtime series readers alike want to know how the current book connects with
others in that series. If the series blurb is effective, those sentences will
accurately reflect the premise of every book in the series in a concise,
intriguing summary. Series blurbs can sell books just as surely as story blurbs
can. An author would never consider skipping a story blurb—a publisher wouldn’t
either. While some publishers write and use their own series blurbs, the series
blurb is often underrated and underutilized—to our detriment.
This is
the second most common series branding rule I see broken. In this case, it’s
not just the publishers who neglect to utilize the series blurb. Recently, I
wanted to find out more information about a certain bestselling author’s
series. The series had been around for a while, and several books were already
available. I went to the publisher’s website, the author’s website, and even
distributor websites trying desperately to find out what the series was about.
The story blurbs were fine, but they didn’t tell me enough about the
connections between the individual books to really appeal to me. (Not to
mention that none of the books had numbers, so I had no idea about the order of
the series, so finding out where to begin would have been a headache.) When I
buy a series, I look first at the series blurb, since that tells me what I’m
getting into. If that entices me, I’ll read individual story blurbs (in order).
If I like those, I’ll make a purchase. In this case, the information I needed
was nowhere to be found. I got tired of chasing after it, and this author (my
apologies if none of this was her fault) lost the sale of all of these
particular series’ titles.
I do
feel bad about that, because I know authors who aren't self-published have little
if any control over aspects of publication when working with mass-market (and
sometimes even small press) publishers. But that particular author did have
control of her own website, and she failed to give me the information I needed
to make a purchase enticing, or even inevitable.
Utilizing
your series blurb is critical to branding. It is part of what convinces a
consumer to begin your series. If she likes what she reads, she may buy every
single book in the series. But if she doesn’t know what she’s getting into, she
may never bother. If enough consumers have this attitude because the publisher
and/or author make it a hassle to obtain vital information, your series will
fail to gain readers. A series isn’t like a single-title book. If you lose readers
from the beginning or anywhere in the middle, you’ve lost them for its
entirety. Some series authors never recover from this.
Bottom
line, the only reason for shortening a blurb that's already effectively good is
because we're forced to because of publishing and marketing considerations and
limitations, and blurbs are an important part of the branding package of
author, books and series.
In this
series of articles, we went over the most basic considerations in crafting
blurbs that not only sizzle but can sell your books.
Karen S. Wiesner is the author of Writing
Blurbs That Sizzle--And Sell!
Volume 7 of the 3D Fiction Fundamentals
Collection
http://www.writers-exchange.com/3d-fiction-fundamentals-series/
https://karenwiesner.weebly.com/writing-reference-titles.html
Happy writing!
Karen Wiesner
is an award-winning, multi-genre author of over 140 titles and 16 series. Visit
her here:
https://karenwiesner.weebly.com/
https://karenwiesner.weebly.com/karens-quill-blog
http://www.facebook.com/KarenWiesnerAuthor
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