Sunday, December 23, 2018

Right Of First Sale Does Not Apply To Digital

A copyright owner has the exclusive right to publish, reproduce, and distribute her work. This applies to music files, and to ebooks.

Fair use is, apparently, a rule that was created by a judge and later made law by Congress. However, fair use applies to limited portions of a work, not to an entire book or to an entire song (or tune).  If someone creates a copy, and sells it in competition with the legal version created by the copyright owner or copyright holder, that is not fair use.

One of the best (most readable, most well-articulated) explanations of copyright infringment with regards to digital files is:

https://www.lexology.com/library/detail.aspx?g=f3689487-3eb8-4cab-b61f-3f5ca29e5e35&utm_source=Lexology+Daily+Newsfeed&utm_medium=HTML+email&utm_campaign=Lexology+subscriber+daily+feed&utm_content=Lexology+Daily+Newsfeed+2018-12-21&utm_term=

and is penned by Samuel J. Zeitlin   and Bruce Rich   legal bloggers for the law firm Weil Gotshal and Manges LLP

If you see that you have to register and log in to read the article, look for the orange text link below the invitation to "register" and click on the orange text to read the original.

Here is the orginal
https://www.weil.com/~/media/mailings/2018/q3/alertsecond-circuit-shuts-down-resale-of-digital-music-files-redigir.pdf

Now, if only someone would do something about this:

https://www.ebay.com/itm/Fantastic-Beasts-The-Crimes-of-Grindelwald-by-J-K-Rowling-2018-eBooks/192756806118?_trkparms=aid%3D555018%26algo%3DPL.SIM%26ao%3D2%26asc%3D20160908110712%26meid%3D8e5df7aec01147c2af7b6045aed0b1ef%26pid%3D100677%26rk%3D3%26rkt%3D30%26sd%3D233049677965%26itm%3D192756806118&_trksid=p2385738.c100677.m4598.

Porter Anderson reports on the same court ruling.

https://publishingperspectives.com/2018/12/association-american-publishers-capitol-records-redigi-digital-resale-ruling/

As does Michael Cader for Publishers Lunch,

https://lunch.publishersmarketplace.com/2018/12/once-again-court-thoroughly-rejects-redigis-scheme-for-used-digital-goods-marketplace/

Also, Publishers Weekly

https://www.publishersweekly.com/pw/by-topic/digital/copyright/article/78807-appeals-court-shoots-down-digital-resale-in-redigi-case.html

It is also worth remembering that Amazon has a patent on digital resale.

https://www.worldipreview.com/news/amazon-granted-second-hand-digital-marketplace-patent

All the best,
Rowena Cherry

Thursday, December 20, 2018

Acceptable Breaks from Reality?

The TV Tropes site has a page called "Acceptable Breaks from Reality," about the "unrealistic" things regularly allowed to happen in fiction and film in order to move the story along, even though the elements aren't true to life:

Acceptable Breaks

This trope came to mind when I watched last week's episode of NCIS, a favorite series I've faithfully followed since its inception (even though I didn't completely like the star, Gibbs, at first and could hardly stand Agent Tony DiNozzo for the first season or two). Despite my fondness for the show, I'm often distracted or outright exasperated by some of their routine plot devices. One of the most "acceptable," which bugs me anyway if I stop to think about it, falls under the TV Tropes category "The Main Characters Do Everything." They seem to have only one medical examiner, Dr. Mallard, and one assistant, Dr. Palmer, doing all the autopsies. This large, busy organization has only one forensic technician, who literally does everything, including conducting DNA tests instead of sending them out to a specialized lab. In one episode, while the forensic tech was absent for some reason, two of the regular agents temporarily took over her lab and analyzed evidence. With no training or certification in that field? Yikes. Yes, I realize programs want to keep the focus on the stars and don't want to pay a lot of actors to play minor characters just to make the staff look realistically large. How much would it cost, though, to have a group of extras in the background or walking in and out of the picture so that the spaces devoted to autopsy and forensics would appear to be populated in a lifelike way? The program does that for the main NCIS office. In those scenes, the stars are far from the only people on the set.

Most of the time, I don't think about this issue while watching the show. Nor do I gripe too much about the "murder of the week" template, despite the fact that real NCIS agents (as far as I know from having been a Navy wife for thirty years) work more on such crimes as burglaries and assaults in Navy housing than on murders and terrorist conspiracies. The former types of investigations, admittedly, wouldn't be very exciting unless a body turned up before the first commercial. Some other "breaks from reality," however, actively grate on me. For instance,the agents frequently travel to other countries in the course of investigations, although they're based in the Washington, D.C. area, their presumed jurisdiction and operational purview. And they often go to other cities for brief interviews with potential informants instead of calling on the phone. That office must have a lavish travel budget! Last week's episode included several of my "pet peeves." Usually, the number of days covered by an episode isn't specified, so the audience may assume, with a little indulgence, that enough time has elapsed for lab tests to get done. This one, however, explicitly begins and ends on Christmas Eve. The forensic tech uses her superhuman skills to determine whether an unidentified baby is the child of a dead murder suspect. In real life, DNA analysis takes between 24 and 72 hours to complete. (I looked it up.) Yet she gets a result from the DNA paternity test in only an hour or two, judging from how much story time the rest of the episode spans.

Throughout the series, the agents constantly delve into official records that they shouldn't be allowed to access without warrants. Maybe that issue can be overlooked in the interests of streamlining the action. Entering private dwellings without warrants, however, is a more glaring violation. In the referenced episode, two agents talk the suspect into letting them into his apartment, even though they don't have a search warrant. So far, okay. But then they force their way into a closed room he has forbidden them to enter. No warrant, no permission from the occupant, no probable cause. In an actual case, any evidence they found would be tainted. At some point the suspect produces a gun, and one of the agents shoots him dead. We never hear a word about her being suspended pending investigation, as she would be, or even a passing comment about that possibility. For that matter, throughout the series the agents are continually involved in car chases and shootouts with no apparent repercussions.

Then there are the often unintentionally humorous "flyover country" slip-ups in occasional episodes. I know that in many movies and TV series, southern California stands in for almost everywhere. But couldn't film technology have deleted the mountains from the background of a scene allegedly set in Norfolk, Virginia (on the Atlantic coast, a half-day's drive from the nearest mountain range)? As a resident of Maryland, I was especially amused as well as mildly annoyed by an incident when the agents visited the Carroll County sheriff. (Why, I don't remember; that seemed like another interaction that could have been handled by phone.) According to its website, that department is "a full service law enforcement agency" with a staff of 260 employees. To the writers of NCIS, the word "sheriff" must have been free-associated with "Mayberry." They have the sheriff claiming he can't leave the office because there's nobody on the premises except himself and one deputy.

Minor "breaks from reality" to avoid slowing down the story are one thing, but critical research failures or the appearance of just not caring are another. What unrealistic details in movies and TV programs can you overlook for the sake of plot streamlining, and which ones make your teeth grind in exasperation?

Margaret L. Carter

Carter's Crypt

Tuesday, December 18, 2018

How To Use Tarot And Astrology In Science Fiction Part 1 - Real History

How To Use Tarot & Astrology In Science Fiction
Part 1
Real History 

Tarot and Astrology Just For Writers are indexed here:

Tarot:
https://aliendjinnromances.blogspot.com/2017/10/index-to-posts-about-or-involving-tarot.html

Astrology:
https://aliendjinnromances.blogspot.com/2010/03/pausing-for-you-to-catch-up-with-me_30.html

The Fantasy genre has focused on two major plot-drivers (some call these tropes).
1) Who Gets To Be King (depicting government by Aristocracy)
2) A Secret Society Of Magicians Co-exists With Normals (Muggles)

The secret, underground society that works hard to keep itself un-noticed by mundanes (muggles) tends to dominate "Urban Fantasy" these days.

That concept symbolizes the blurring effect we see with Neptune Transiting Pisces -- which Neptune "rules" -- and thus blurring the edges and meaningfulness of "facts."  This has made "fake news" a feature of daily life, but each points the finger at the other screaming "fake."  That's NEPTUNE on the loose, and is actually not the way Neptune functions best.

That is the "vice" of Neptune.  Each Astrological planet has a way of manifesting as a "Vice" (an anti-life function) and a "Virtue" (a pro-life function).

Neptune is the planet of the "reality" behind reality, the astral plane where one simply thinks and believes and it is so.  Thus as noted so many times in these posts, Neptune is the signature planet of the years of a person's life where Romance dominates.

When Neptune makes a transit contact with key points in a Natal chart, the person's perception of reality shifts -- kind of like the optical illusions that have become such popular memes.  Blink, and it's one thing, blink and it is the opposite -- so "which is it?" becomes the question.

People rage into emotional arguments over optical illusions.

The argument over whether there exists such a thing as Soul Mate, or Happily Ever After, has the same emotional-rage flavor.

Consider whether the cause of the emotional-rage, adamant advocacy for one side or the other, both arise from the same "place" inside the human makeup.

Some philosophers give up and just declare that there is no such thing as "reality" at all -- everything is illusion.

Some adopt the idea that there exists an objective, hard fact, reality that can be discovered by Science -- therefore, "settled science" is to be obeyed if you want to survive.  See the raging, terror-driven argument over Climate Change -- listen to the tone of voice advocating each side -- does it sound the same to you as the argument over "Fake News" or the argument over "Happily Ever After?"

Are all these emotion-fueled raging, adamant, life-or-death depends on forcing the other to accept, believe, act upon, MY VIEW OF REALITY?




Look at the Religious Wars raging around the Globe.  We had the Catholic vs Protestant war in Northern Ireland spilling into London with bombings.

Now we have the Moslem Religion torn apart, sides taken aligning with whichever son inherited The Prophet's mantle, and as far as I've been able to discern the issue, it's all about which side gets the Divine Privilege of destroying all the Jews, ridding the world of that People and bringing the Islamic version of the Messiah.

On another front, we have serious shooting wars raging in skirmishes around the globe, brewing and stewing up Revolution - the exact same emotional tenor and tone as the "Fake News" argument over what is real (Saturn) and what is not (Neptune.)

Writing teachers teach that story is story -- throughout time, always the same -- because human nature never  changes.

"Human Nature Never Changes" is an adamantly declared Universal Truth one must believe in to sell fiction.

Classics of Literature are "classic" because they outline, starkly showcase, some element of Human Nature that all of us must understand to be educated and wise.

As you all know, my series, Sime~Gen, (14 volumes and still growing) is a science fiction series based on the premise that Writing Teachers -- and High School reading teachers, and university Literature Teachers are just plain wrong.

https://www.amazon.com/Sime-Gen-14-Book-Series/dp/B01N4SG08Q/

Human Nature has changed, is changing, and will change.

Not only that, but we (as humans with that nature) get to choose what aspect of us to change into which aspect -- whether to go forward or backward in our Nature Evolution.

We can revert to unmitigated savagery, or we can progress toward unmitigated Kindness.

Sime~Gen is built on the premise that if we, as humans, don't choose to advance in Compassion, then we will be hammered into accepting Compassion, Soul by Individual Soul, whether we like it or not.

We must change our Nature, or it will be changed for us.

The premise that our Professors (what Fantasy Genre based on government by Aristocracy would term our "betters") are just plain wrong is formulated by using the thinking process of the science fiction genre.  Thus the result (whatever esoteric, or fantasy elements might be included) is pure science fiction.

You do the same thing with any branch of science -- What If "They" (Authority) Is WRONG?

What If...
If Only ...
If This Goes On ...

Those are the speculations that science fiction is based on.

"If Only..." is the essence of Neptune's perception of reality.

Many esoteric thinkers regard Neptune influenced opinions as based on a "higher reality" -- a perspective of reality from farther away, from an angle which reveals the interlaced fundamentals of Body and Soul, the juncture of the spiritual and material.

Many call those who see that juncture, "Wise."

Tarot and Astrology are very old disciplines, much older than Science.

Tarot and Astrology are the science of the Unseen (unsee-able).

If you study the historical development of Science, you find that Alchemy is the predecessor of Chemistry.  Now, Chemistry (and Physics) can do much of what Alchemy was believed to do.

In every way, the thinking processes that led to these early attempts to gain ascendancy over Mother Nature -- agriculture, genetics, materials science (flint, copper, iron, bronze) -- all lead to today's "science."

And all of them are rooted deeply into Tarot and Astrology -- but their social acceptance relies on their refutation and rejection of Tarot and Astrology.

Tarot and Astrology are about Human Nature evolving and changing upon interaction with the physical world studied by Science.

Science is about Mother Nature evolving and changing upon interaction with Science.

In other words, they are two halves of a whole.

Science reveals "the truth" about the physical reality in order to give humans complete command over their environment.  That is why the Earth's climate responding to "human activity" is something so terrifying, so horrifying, that these very scientists who measure it can not accept it - the Earth is "out of control" -- and science must control.

Human Nature, on the other hand "never changes."

"What if ..." when human nature refuses to change, and insists on hammering Mother Nature into shape, Mother Nature responds by hammering back?

What if the solution is not to control Earth's Climate but to adapt human nature to the ever-shifting climate?

Look back into pre-history, using archeology and paleontology.  Over many shifts of climate, we see primates adapting and adapting until we find "modern man."  And "Modern Man" migrates and adapts, creates shelter, clothing, hunting tools, agriculture etc etc.

And through all that adapting of human nature (including learning to fight each other with ever-more-powerful weapons), we also developed the studies and wisdom of Tarot and Astrology (which are now disparaged).

So why aren't we accepting climate change and adapting - moving our cities back from the edges where water will rise, building habitats under water, mapping where the arable land will move to as ocean currents shift (farming tropical fruit at the poles?), learning to use the ocean as food source, etc.

Wait a minute.  Who says we won't do this, eventually?  Haven't the survivors of cataclysm done exactly that throughout pre-history?

What do we, today, know that they didn't know?

In Astrology, we know of the existence of planets beyond Saturn.  In Tarot, we know that humans have Free Will and shape fate by choices.  In Religion, we know that the choices that matter involve the Relationship with God developed over a lifetime.  (We know that those who are in critical illness, or dire trouble, benefit when others pray for them.)  Compassion matters. Kindness matters.  We can't quantify it, but Love matters.

There is another dimension where all living things are "stitched" together into some sort of pattern we, with ordinary consciousness, can't see.

So a writer can "reveal" this interface between the esoteric dimensions of creation and the everyday, concrete world studied by Science, using both plot (events in the real world) and story (Character changes on impact of real Events).

The best genre for revealing esoteric truth is Science Fiction Romance -- a science challenge, "what if authority is wrong?" coupled to a Character Arc where the impact of one Character's Soul upon another Character causes them both to change in ways shaped by their ability to understand the sequence of Events.

One good example of this process is the TV Series, X-Files.

So what might such a couple learn as they become a couple?

Look carefully at our Neptune Transiting Pisces (its own sign) shaped world.  Note also that currently Pluto is transiting Capricorn (not at all its own sign).

Neptune's vice is confusion, and Pluto's vice is power run amok (war).

We've noted above how Neptune's illusion and blurring of reality is sowing confusion over the whole globe.  It's not a problem.  It does that periodically, and humanity has survived it -- even learned a thing or two in the process.

Pluto cycles are about 248 years.  Neptune cycles about 165 years, give or take.

So look at now, then look back at Pluto transits and History.  Pluto was only recently "discovered" but that doesn't mean it wasn't active before that (many astrologers accept the idea that a planet is active in human affairs only after it has been discovered -- what if that's not true?)

When the USA was formed, Pluto was in Capricorn (where it is now).  The USA was formed in revolutionary war, and immediately launched a foreign war (Tripoli of Marine Corps Hymn fame).

The USA Natal Pluto is at the end of Capricorn, so the expansion of the 1800's was accompanied by the transit of Pluto into Aquarius, the sign of the USA's Moon and MC.  Aquarius is about Freedom, sudden explosive change, independence, and the "Flower Children's" mission of "Finding Yourself" (otherwise known as the Australian walkabout.)

After stewing through the Articles of Confederation phase, then the intense conflict over writing a Constitution to govern two incompatible ideologies, the Colonies launched a campaign of exploration, conquering the continent.  It was the era of the Mountain Man, the Buffalo Hunter, Gold Discovery in California, Wagon Trains, Oklahoma Land Rush, and of course Indian Wars.

If you know Astrology, you see immediately how all the historical elements in that list are manifestations of Pluto.

The incompatible ideologies that are blended in the USA Constitution are:
A) Government Is Order Imposed By Aristocrats Who Know Better Than the Uneducated In Classics And Science (they wanted George Washington to be King)
B) Government is Order That Protects Citizens From Government (domestic or foreign).  (they wanted Freedom)

The dichotomy is rooted in two incompatible takes on Human Nature.  A) Human Nature Never Changes, and B) Human Nature Rises To The Occasion

A) Humans can't be trusted to govern themselves, but the best among them can Rule better because they are educated.

B)Humans don't need Rulers.  Humans, even the uneducated in classics and science, are good at judging the Nature of other humans, and thus can choose who to hire to run government according to their assessment of Character.

Putting these two incompatible ideologies together was the Pluto in Capricorn innovation (Pluto's virtue is innovation, vice disruption).  A new form of government was established, and to date, at the verge of the USA Pluto return to its place, no other Nation has adopted this Constitution.

So a new governmental form launched a century of Exploration of The Unknown Continent.  And in that century, the 1800's, many other governments went exploring, searching for minerals and resources, and conquered peoples.

The Science Fiction Writer looks at this Pluto through Capricorn and into Aquarius as it manifested last time, and looks back and back through many cycles, seeing innovation and exploration (and war) periodically through history -- usually over resources which were hidden or revealed by advancing or retreating glaciers.

What will happen to human civilization as the oceans rise once again, glaciers retreat revealing what?

Do you see the potential for Science Fiction Romance in postulating what might be revealed by retreating glaciers?  Buried civilizations, UFO, time-travelers time machine?

https://medium.com/@heilygrave/usaf-veteran-films-ufo-flying-at-mach-17-sends-4k-video-to-nasa-49d72bb7ed9e

Tracing the cycle of Pluto backwards through the epochs when it was in Aquarius, extrapolate what might come about this next time, in the 2000's?

Surely we will explore space.  We already are sending robots and remote-controlled devices to planets, asteroids, moons, and telescopes or probes beyond our solar system.

https://www.space.com/42131-asteroid-ryugu-mascot-landing-new-images.html

There may be other planets to discover, too.  Maybe that long-long cycle of outer-planets will trace the way Human Nature has changed and point the way toward future changes. Are we becoming more vicious and ferocious, or are we becoming more kind and compassionate?

Or are some of us becoming one, and some the other?

Does encountering Reality change the human Soul?  Or does encountering a human Soul change Reality?  Or both?

Formulate an answer to those questions and you can create a THEME which will support a very long series, such as the ones I've been reviewing for you here.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com






Sunday, December 16, 2018

EBay is still profiting from copyright infringement

After all these years...  Ebay is still profiting from and facilitating copyright infringement, or so it appears.

https://www.ebay.com/itm/Fantastic-Beasts-The-Crimes-of-Grindelwald-by-J-K-Rowling-2018-eBooks/192756806118?_trkparms=aid%3D555018%26algo%3DPL.SIM%26ao%3D2%26asc%3D20160908110712%26meid%3D8e5df7aec01147c2af7b6045aed0b1ef%26pid%3D100677%26rk%3D3%26rkt%3D30%26sd%3D233049677965%26itm%3D192756806118&_trksid=p2385738.c100677.m4598

Do the sophisticated people at ebay seriously believe that Scholastic gives or sells licenses to Ebay sellers to sell up to ten copies at a time of a legal ebook?

Moreover, their "have one to sell" appears, in the context, to solicit copyright infringement.

"Bad Command" And The Perils of Petitions

If a petition has very few signatures, a reasonable observer might assume that not a lot of people agree with the petition.  Likewise, if an online petition has thousands of signatures, it suggests that the petition has tremendous support.

Apparently, if the petition is online, there may be other reasons for lack of support, or overwhelming support.

For instance, last evening, this writer was mildly inclined to sign a petition asking the new Congress to support copyright owners. How many times, though, does a mildly enthusiastic person keep going back to sign a petition (for the first and only time) when entering the first couple of letters of ones first name crashes ones computer, logs one out of all sites, and closes ones browser?

https://copyrightalliance.org/get-involved/add-your-voice/ 

I tried four times before giving up on my right to support copyright. Interestingly, it was the "firstname" block that was boobytrapped. If one started with ones zip code, nothing happened.   Apple called the issue a "Bad Command".

Imagine a dystopian world where one tries to vote, but if one votes in a way that ones internet provider or a sponsor of the site opposes, that vote would be called a bad command, and would be blocked.

Hacking democracy happens. Online polls and referenda have been manipulated.
http://theconversation.com/referendum-petition-hack-shows-even-democracy-can-be-trolled-61862

Previously, there's been news about tricky campaigns where people who are not eligible to lobby someone elses parliamentary representative (even one in another country) find ways to geek around the rules.

https://thetrichordist.com/2018/12/09/boaty-mcboatface-uses-fight-for-the-future-dialer-tool-to-lobby-rand-paul-on-hr-1695-fromscotland-music-technology-policy/

Kentucky Senator Rand Paul does not really need to worry about how someone in Scotland would like him to vote on copyright issues.   And European MEPs (apology for the tautology) should not be tricked into voting according to the wishes of someone with very busy fingers and geek skills who is domiciled in California, USA.

Even more shocking is this allegation about foreign political fund-raising at the expense of American taxpayers:

https://thetrichordist.com/2018/12/11/is-pirate-party-mep-coordinating-with-group-committing-criminal-charity-fraud/


However, there is another peril of petitions and surveys. The petition launchers and survey creators may sell your private information and your private opinions to unscrupulous others.

https://mic.com/articles/175333/want-to-save-money-heres-the-surprising-reason-why-you-should-never-sign-an-online-petition#.4MG54KBq7

One outfit that appears to purchase petition and survey results could be mylife.com.  Check it out. They display the most intimate results about individuals (which are not always accurate), and offer to suppress this "information" for a monthly fee. The foreign operatives of this site will ask dissatisfied customers not to contact their credit card providers. Be sure to disregard such requests.

All the best,

Rowena Cherry

Thursday, December 13, 2018

The Monsters of Christmas

On Facebook I came across a link to an article about the dark side of the Christmas season in many European folk traditions. It includes some creepy illustrations:

Why Monsters Haunt Christmas in Europe

The page describes Black Piet, Krampus, Belsnickel, and several other horrifying creatures that roam the world around the time of the winter solstice. It quotes some observations by Stephen Nissenbaum, author of my favorite nonfiction book about the holiday season, THE BATTLE FOR CHRISTMAS. Before the nineteenth-century reforms that converted the REAL "old-fashioned Christmas" into a family-centered occasion for giving presents to children, Yuletide was "a disorderly time" dedicated to celebrating the post-harvest leisure period with feasting, drinking, making noise, wassailing (begging from door to door), and dressing up in grotesque costumes. In this period of "misrule," the social order often got turned upside down, with ritual defiance of authority. A tamer remnant of that pattern, mentioned by Nissenbaum, survives in the custom of officers in the British Army waiting on enlisted men on Boxing Day / St. Stephen's Day (December 26), as depicted in one Christmas episode of the TV series MASH.

Works that showcase the scary side of Christmas include the movie NIGHTMARE BEFORE CHRISTMAS and Terry Pratchett's Discworld novel HOGFATHER, in which Death has to substitute for the vanished Hogfather (that world's Santa figure). Not surprisingly, Death's idea of a suitable winter holiday is a bit odd. This book, by the way, has been filmed:

Hogfather Movie

Here's a page devoted to all things Krampus, where you can find, among other features, a list of cities that hold Krampus celebrations:

Krampus

On reflection, it's obvious that grim figures such as Black Piet serve a useful purpose in the celebration of Christmas. If St. Nicholas has a dark sidekick who punishes naughty children, Santa himself doesn't have to bear the burden of the punitive role implied by "he knows if you've been bad or good." Instead, he can be the completely benevolent gift-dispenser.

Margaret L. Carter

Carter's Crypt

Tuesday, December 11, 2018

Reviews 43 - The Late Great Wizard by Sara Hanover

Reviews 43
The Late Great Wizard
by
Sara Hanover 


The Reviews have not been indexed yet.

The success of the Romance Genre in penetrating Science Fiction and Fantasy genres is beautiful to see.

The Soul Mate issue, and all the aspects of Relationship that are fueled by or form the foundation of Love (True Love), are working their way into plot, story, and world building.

In Reviews 41,
https://aliendjinnromances.blogspot.com/2018/11/reviews-41-empire-of-silence-by.html

we discussed Empire of Silence by Christopher Ruocchio, and how the Galactic Civilization is depicted using a loose, sprawling style, making the book much thicker than it had to be.  It is a story about a guy, an aristocrat, who gets tossed into the lowest, grimiest level of his civilization, and climbs back up.  Along the way, he meets a girl he really loves - then she dies and he goes on.  But her memory is one of the driving forces that propels him to galactic significance again.

In Reviews 42,

https://aliendjinnromances.blogspot.com/2018/12/reviews-42-simon-r-greens-secret.html

we looked at the conclusion of Simon R. Green's two long, intertwined Paranormal Romance series, where the Romance spans the two separate series and unites them.  Night Fall is the title of the combining novel, and it is very strongly driven by the slowly developed Romance.

Now in Reviews 43, let's look at another Fantasy Genre (maybe Urban Fantasy) novel, this one a marvelously good read, a page turner with great promise for a new long-running and complicated Series, The Late Great Wizard by Sara Hanover.



https://www.amazon.com/Late-Great-Wizard-Wayward-Mages-ebook/dp/B0782SQQKH/

The Amazon page indicates a second author, but the pre-publication cover and title page on my ARC copy does not, so I will reference Sara Hanover as the hand behind this (wonderful) book.

The Amazon page also indicates a sub-title, giving this a Series title, Wayward Mages.  The plural Mages, gives me vast hopes.

Hanover demonstrates a writing technique worthy of close study.  She takes a beaten-to-death, modern Urban Fantasy premise -- (among normal people such as you deal with every day, there exist some people who practice magic and other paranormal talents who do everything to keep you ignorant of their existence and affairs (and wars)).

Hanover then mixes in another beaten-to-death modern plot element, The Phoenix, being not a bird or god, but a person, a human, who dies in fire and must use a magical ritual to return fully to life and functioning.

She shakes the mixture and pours out something new.

And as you read, you learn once again the oldest, truest maxim of story craft: Setting, Time, Place, Plot, and Action Do Not Matter.

Reader enjoyment arises from the Characters and their Relationships.

It is the story that matters - and you can write and sell to any genre by telling your story in whatever Setting, Period, or World that genre needs.

Yes, we have discussed, at tedious length, how the World must be integrated with Plot, Story, and Characters.

Characters are shaped by their environment, and morph into hero or victim or bully according to the experiences their World throws at them.

In Romance, we prefer the Character who gets whacked by a Problem, and Rises To The Occasion.

In Science Fiction, likewise, we want a Character who starts off as the last one you'd expect to be able to do something -- then Rises to the Occasion and conquers.

Likewise, in Paranormal Urban Fantasy Romance, we want to see the Character rise to the occasion and do what would have been impossible without confrontation with a challenge.

The element that raises Sara Hanover's new Phoenix novel far above most of the others I've seen lately is that the female lead Character, First Person Narrator, Tessa, is surrounded by deeply knit family.  The Father is currently missing (they find out what's happened to him), but though there were issues with his pre-disappearance behavior, the love is staunch, unflinching amidst the apparent betrayal he perpetrated.

Tessa's goal is to get her college education completed and find her father.

Tessa and her mother are just scraping by in a college town which could be anywhere in the USA, but is near Washington DC, which they visit (a place famous among the esoteric community for its ley lines).

This location is interesting because the author seems to live in New Zealand.

To help out with expenses, Tessa accepts a job delivering (by bicycle) meals to the Elderly.  One of those Elders is "The Professor" -- who turns out to be a Phoenix, and a Wizard being targeted by a warring faction among the supernatural community.  He incinerates himself to avoid a worse development, but reincarnates as a younger man. He staggers into Tessa's presence as he comes to in his back yard, house in cinders, memory gone.  From what we know at that point, "wayward mage" sounds like a reasonable sobriquet.

He is a wizard, but barely knows he has such power. To restore his memory, he must perform a ritual -- the required components are scattered and hidden by his former elderly self.  So Tessa must help with the treasure hunt, hazy lack of memory, and assortment of friends, enemies, frenemies from his paranormal community.

This elderly wizard who was a warm friend is now of her age-group and very handsome.  He knows and admires her for herself, and that basis of relationship matters -- but now there's more.

At the end of this first novel in what I hope will be a long series, Tessa has a much more accurate idea of how her world works, and what's actually going on.  She has the full support of her mother, and a solid notion of what's going on with her father.  She has an Aunt with an odd talent for luck, which Tessa seems to have inherited.  And she's made her mark in the paranormal world.

Now she has to go back to Classes.  How will she concentrate, knowing what she knows?

The very best part of this novel is the Relationship between Tessa and the Wizard, and how plausibly it shifts.  The next shift will come when the Wizard has his full powers back.

Sara Hanover has made two old, out-worn, tired story ingredients into something new.  That in itself makes this book worth reading.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com