{Put This One on Your TBR List}
Book Review: Wildwood by
Colin Meloy; illustrated by Carson Ellis
by Karen S. Wiesner
Wildwood is the first book in The Wildwood Chronicles, a 2011 children's fantasy series written by Colin Meloy (a member of the indie folk-rock band The Decemberists), illustrated by his wife Carson Ellis.
I found this beautiful little book with quirky artwork in an even quirkier bookstore. When I initially started reading it, I was reminded of a similar English children's series that I'd read to my son when he was young. Although it came out around the same time the Series of Unfortunate Events books were being released, I can't find them in my own library or in any successful internet search. In any case, the point is that I've never forgotten these uproariously hilarious stories filled with unlikely, improbable, and outlandish characters and situations. Everything in these tales was so ludicrous, there was nothing to do but laugh until you felt like your sides would split.
The crazy humor of the characters in Wildwood was a bit like that, enough to hope that good things were coming. But the thing this unforgettable series that I ironically can't remember the names, titles, or author of had one thing that I didn't find in Wildwood: There was a built in believability factor to them. I can't really explain why it was in that outlandish series other than that the reader was just never given a choice about swallowing the premise or any other part of those books. You went with it, and the fun insanity of it all carries you through the story without questioning the events that transpired.
Undeniably, Wildwood was well-written and I especially liked the unique illustrations interspersed throughout the off-beat tale. But the introductory scenario was one I just couldn't accept. In the opening chapters, a 13-year-old girl named Prue was handed off her baby brother by their parents to care for all day and night. This is done as if 1) it's Prue's job to do so, and 2) she has the degree of responsibility to do such a thing, whether she volunteered or not. Prue has a weirdly shocking sense of humor, which was appealing, and her laidback attitude was also a good setup. However, she had a blasé attitude about her brother. She thrusts Mac (an infant from what I'm understanding) in the naked "bed" of a red wagon which is attached to her bicycle. Prue proceeds to pull the wagon like a bat out of hell all over Portland. Readers are apparently supposed to believe no children could be seriously harmed in this way.
I found it harder and harder to suspend belief as the reader followed Prue around on her careless trek with a brother she didn't seem to want to be taking care of, nor really exercised any care in babysitting. I wasn't surprised because the back cover blurb of the book told us that Mac was stolen, plucked right out of wagon, by a murder of crows and taken into Portland's Impassable Wilderness.
I have a sense of humor. But, if any of this was supposed to be amusing, it simply wasn't written that way. But that's not the end of it. Add to this disturbing scenario yet another, equally unsettling and unbelievable one: Prue decides the best course of action after her brother is kidnapped is to go home, fool her parents into thinking Mac is already asleep in his crib, and she'll get around to rescuing him tomorrow.
First, I couldn't imagine the parents of an infant not checking on him personally before retiring for the night themselves, instead taking their teenage daughter's word for it that he was fine, fed, and off in la-la land, not to be woken by fawning parents.
Second, that Prue didn't think to involve her parents, immediately, who should have called the police, immediately, put me off entirely for anything like a fun, breathtaking fantasy fairy tale with a protagonist fitting the description of a young girl with an "admirable and amazing independent streak". (Prue is based on the author and illustrator's niece, who has these qualities, according to them.) While I was initially intrigued by Prue, I found that she didn't develop as a character in the ways I wanted her to. Yes, she did go after her brother eventually, proving that maybe she cared for him, though she initially seemed more concerned about getting in trouble for losing him, from what I could tell.
Perhaps Prue's unwelcome sidekick, Curtis, would have been much more
sympathetic, compelling, and worthy main character, but he did get his share of
pages in this first book of the series.
Explanations that could and should have come earlier in the story probably would have convinced me to invest more in the story, to see it as hilarious and entertaining instead of negligent and alarming. I think people of various ages who have no children might enjoy this sometimes violent, shocking story, but that begs the question: Who is the target audience? I wasn't entirely sure at any point, least of all now.
Aside from those aspects, the fantasy setting of Wildwood, which is based on the real Forest Park and much of its actual terrain, should delight lovers of Neil Gaiman-like, parallel world fiction. There are two more Wildwood series titles available now, along with rumors that it's being made into a stop motion film, coming in 2025 boasting a cast of all-star voice actors.
Karen Wiesner is an award-winning,
multi-genre author of over 150 titles and 16 series.
Visit her website here: https://karenwiesner.weebly.com/
and https://karenwiesner.weebly.com/karens-quill-blog
Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor
Visit
her publisher here: https://www.writers-exchange.com/Karen-Wiesner/