Mental Illness in Horror

The Horror Writers Association's monthly newsletter has started running a column about the treatment of mental illness in horror fiction -- how it's been done wrong in the past and how to do it realistically, sensitively, and compassionately. Too often in such stories, neurodivergent people or sufferers from mental and emotional disorders have appeared as stereotypically monstrous figures such as deranged serial killers. Yet it's hard to imagine the genre without Poe's neurotic or perhaps delusional narrators, Renfield in DRACULA, Lovecraft's protagonists driven mad by cosmic terrors, Robert Bloch's PSYCHO, and works such as Theodore Sturgeon's brilliant SOME OF YOUR BLOOD (a short epistolary novel featuring a rather pitiable blood-drinking sociopath, who, with only two exceptions, kills only small animals he hunts in the woods). THE SILENCE OF THE LAMBS presents the sociopathic genius Dr. Hannibal Lecter, more of a fairy-tale monster with almost magical powers than a realistic criminal, and the serial killer "Buffalo Bill," murdering women to sew a "girl suit" out of their skins. The latter has been criticized for giving the toxic impression that transgender men are inherently unstable and probably dangerous. Lecter explicitly says "Bill" isn't really transgender and has been rejected by more than one sex change clinic (as the procedure was labeled at that time); nevertheless, the impression lingers.

There's little room to doubt that the innumerable fiction and film portrayals of people suffering from psychosis and other mental or emotional disorders as insane killers have negatively affected the public's distorted perception of actual human beings with similar problems. Also, the pulp fiction and horror film trope of the "mad scientist" probably reinforces too many people's distrust of real-life science nowadays, often with potentially disastrous real-world results.

As the panel discussion articles in the HWA newsletter point out, horror writers don't have to stop including mentally ill and neurodivergent characters in their works. Those characters can be drawn as three-dimensional figures with credible virtues and flaws, even if they're sometimes the antagonists in their stories.

I recently read Stephen King's latest novel, HOLLY, which I enjoyed very much. Like King himself, I've been fond of Holly ever since her first appearance in MR. MERCEDES. Through the rest of that trilogy, the spin-off novel THE OUTSIDER, and the novella "If It Bleeds," she has believably evolved as a character. When we first meet her, she's nervous, shy, perpetually anxious, and at least mildly obsessive-compulsive. Even then, her suppressed intelligence shines through. She also seems to be high-functioning autistic, although the texts never explicitly state that diagnosis. As seen in HOLLY, she has grown in confidence, competence, and bonding with people she has come to love, while her core personality remains the same. She still displays the same quirks, including that touch of OC, exacerbated by the need for COVID precautions. She's a well-rounded character whose strengths and weaknesses we can empathize with, yet a true hero when circumstances require. She strikes me as an outstanding example of a non-neurotypical protagonist done well.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Karen S. Wiesner {Put This One on Your TBR List} Book Review: The Ritual by Adam Nevill

{Put This One on Your TBR List}

Book Review: The Ritual by Adam Nevill

by Karen S. Wiesner

The Ritual by Adam Nevill is a supernatural horror novel published in 2011. Four males who were in college together decide to take a trip together on the cheap (because the main character Luke can't afford anything else). They strike out into the Scandinavian wilderness of the Arctic Circle. While the old chums begin with intentions of escaping their individual lives (and their problems that come to light as they spend more time together in a harsh environment) as well as reconnecting as friends, it soon becomes clear that these men can barely tolerate each other's company. With conflicts surmounting between and all around them in the deepening disquiet of gloom, they foolishly decide to take a shortcut to get out of the forest. Two of the members of the party are injured and none of them possess anything that passes as survival experience or skills. Soon, they're lost, starving, and all but swallowed up by the dark, ancient forest that's remained largely untouched for millennia.

The thing this book has in spades is atmospheric setting. Here, the natural world is depicted in such a way that the reader's breath is stilled in the lungs, hesitant to reach toward exhale or inhale for fear of meeting a monster whatever way is turned. One reviewer commented (emphasis mine) on the "isolation, dreariness, and enormous age of the Swedish forest setting", which I heartily agree with because I felt that almost tangibly. The isolated, primal world around the characters becomes oppressive, suffocating, blacker and more menacing the farther in they get, growing to almost painful proportions of horror as their waking and dreaming hours are filled with nightmares that are as real as the enormous trees.

I read through most of this book enraptured by the predicaments of the characters. Mainly, I was spellbound with the setting and the imagery the author conjured in my mind. The anticipation I had was buoyed by a strong sense of expectation about where everything was heading. That crawled to a very abrupt halt somewhere near the three-fourths mark of the novel, where I was filled with startled disappointment at unforeseen and unimaginable events that, for me, came out of nowhere and hijacked the story. One minute, I was hurling headlong into a reader's dream come true and the next I was staring dumbly, going, "Um…what now?" If you don't want a spoiler, skip the next paragraph, which I've placed in very small print so it'll be hard to read without concentrated effort. If you don't mind,  you can read on:

The main character Luke wakes in a strange bed in a house literally in the middle of nowhere, all his friends gone, only to find that instead of discovering the road to salvation and rescue, he's a prisoner of a heavy metal band that worships a creature that requires blood sacrifices. What the actual heck?!

Following the event you may or may not have read about in the last paragraph, the story did get back to something of the hopes I had for a clever twist ending. Other reviewers also found fault in this pre-cursor to the end of the novel, so I'm not entirely sure if I'm in the minority feeling like that aspect didn't live up to the captivating beginning. I also kind of feel like both the book and the Netflix film adaptation (which was pretty faithful) de-evolved into something of a gore fest, something that doesn't really appeal to me.

Here's a legitimate question: Is a book worth reading if the end is disappointing? There's another author I hope to review in this column in the future where it happens with every single one of his books: I'm enthralled all through the story, but the end is without fail a huge disappointment. Was it worth reading if I found out that it ultimately didn't live up to the promise it initially had? My answer is that, yes, if I've taken something worthwhile out of the reading, it is worth the time I've taken, and maybe even the investment. After all, I thoroughly enjoyed three-fourths of the story. In the case of The Ritual, I ended up liking the very end of the novel. It was just that weird blip that ripped me whole out of the story and kind of "harshed my buzz" for a short time before getting back on the road I was anticipating.

Check out my latest novel!

 

https://karenwiesner.weebly.com/bloodmoon-cove-spirits-series.html

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Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S. Wiesner {Put This One on Your TBR List} Book Review: Bird Box by Josh Malerman

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Book Review: Bird Box by Josh Malerman

by Karen S. Wiesner

Bird Box is a post-apocalyptic horror thriller published in 2014. Most people know of the story because of the 2018 Netflix movie starring Sandra Bullock, something that is actually a very worthy adaptation of the novel. However, being a proponent of "the book is usually better than the movie", I had to read it before I watched it. Discovering that this was the debut novel of a singer/songwriter in the Detroit band The High Strung was a bit of a surprise to me. Josh Malerman wrote 14 novels between shows on the road with his band. A high school friend of his in the book business encouraged him to submit something, and the rest is history.

The main character in Bird Box is Malorie. The present story--4 years into the situation referred to as "The Problem"--is woven with flashbacks from two other time periods. The first is when Malorie discovers she's pregnant from a one-night stand. This happens alongside international news reports of people seeing some undefined creature outside that causes them to go mad, then kill others before killing themselves. The second time period is after Malorie is forced to leave the home she'd been living in with her sister in order to seek shelter with other survivors. One of the other women in the safe house is also about four months pregnant (a bit unbelievable, if I'm honest, especially when the two women go into labor almost exactly at the same time). While sequestered with all the windows covered, they discover they can use birds in a box as an alarm system in case anything comes near the house.

In the present, Malorie is alone, raising another woman's child and her own and not distinguishing one from the other in any way. In fact, the reader doesn't know for most of the story which one is her kid. In order to keep them save, she's used harsh training techniques (one being the use of a blindfold) that have heightened the senses of the four-year-olds. She refers to the children as only "Boy" and "Girl". When they have no choice but to seek out a refuge Malorie has heard of that has medical supplies, food, and safety, they venture out into the world again--blindfolded the entire time they travel, even while in a boat.

This is a very intense, suspenseful novel centered around an unlikely scenario that wouldn't have worked at all if it wasn't written as a character driven story. The plot would have fallen apart in a second if not for that, in large part because, as one reviewer said, "The reason for all the bloodshed is never explored or explained."

The main character's choices do prove to be problematic for me, as do some of the scenarios that stretched belief a little too far. First, the "harsh training techniques" give me pause. Malorie is only once shown to be physically abusive toward the children. Outside of that, she's just cold with them, withholding affection. I'm bothered by this because, of course, it makes no sense to me why someone would think that treating others poorly actually makes them physically safer. Maybe it selfishly makes Malorie emotionally safer because she's lost a lot and it would be hard for her to trust again after that. That would have been a better motivation for her than that she actually thought it made the children safer. Additionally, after four years raising these children completely alone--raising them from newborns--I find it 100% unrealistic that she wouldn't have developed a strong, loving, affectionate bond with them. She must have had to hold and feed (breastfeed, I'm sure) both of them. It would have been nearly impossible for her to separate herself from the tenderness a mother feels naturally doing that. Also, because she can't draw attention to herself, she must have had to soothe them both often to prevent excessive crying. But the other part that didn't strike me as realistic is how she managed to keep them safe all by herself for so long. She would have had to either leave them alone or bring them along to get supplies. How she did that was skirted over by telling instead of showing, so it didn't play a large part in the tale. But I found it more than a little unlikely.

Still, as a whole I bought the premise of Bird Box and went along with it because it really is a well done story. I was caught up with Malorie's life and the situation, regardless of the dubiousness of the minor moot points I mentioned earlier. Many times while I was reading the book and watching the movie, I thought it worked extremely well that the source of the horror wasn't revealed in more than fleeting glimpses. Often, when a shadowy corner has been brought into the light, we discover there's nothing to fear lurking in it. Instead of heightening the terror by seeing it fully, sighting it dissolves the tension. In this case, it was much better to almost see the monster through the cracks between our fingers--or, more aptly, in peeks stolen through the top or bottom of a blindfold. That puts the reader on a constant knife-edge of uncertainty.

Incidentally, while writing up this review, I discovered a sequel was released in 2021 called Malorie, which I'll be buying ASAP, and hopefully reviewing here sometime in the future. It sounds like with that follow-up, "the reason for all the bloodshed" is finally explored and explained. Additionally, a spin-off sequel called Bird Box Barcelona debuted on Netflix in July 2023. It doesn't star the same cast, though it has exactly the same premise as the previous movie, only with a male parent and his child searching for a refuge from The Problem. I do intend to watch that as well to see if it's any good.

Bird Box is a unique take on horror that should have readers not wanting to put the book down.

Check out my newly released novel!

https://karenwiesner.weebly.com/bloodmoon-cove-spirits-series.html

https://www.writers-exchange.com/bloodmoon-cove-spirits-series/

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S. Wiesner {Put This One on Your TBR List} Book Review: The Death of Jane Lawrence by Caitlin Starling

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Book Review: The Death of Jane Lawrence by Caitlin Starling

by Karen S. Wiesner

In the 2021 Gothic romantic horror The Death of Jane Lawrence, Caitlin Starling presents an imaginary, dark-mirror world version of post-war England, approximate 1890s. Jane Shoringfield is a war orphan. Her parents were killed when "Ruzka" began gassing Camhurst, capital of Great Breltain. She was young and given into the care of the Cunninghams, who raised her. After attending Sharpton School for Girls until she was 15, she's been handling Mr. Cunningham's finances for the last six years. Jane is nothing if not practical. Being of a marriageable age and realizing her guardians will be moving to Camhurst within the month for Mr. Cunningham's new judgeship position, she's done her homework. Rather than engage in courtship that would require a level of foolishness she can't abide, she proposes to marry for convenience. Finding a partner who will merit from the practicality, if not the passion, of an arranged marriage becomes her goal.

The rumored reclusive Dr. Augustine Lawrence is ideal. This skilled surgeon could command a lucrative, lofty position anywhere, yet he's mysteriously chosen to set up a small-town family practice in Larrenton in the last several months. Jane submits to her potential fiancé a written business proposal that will benefit both of them.

The first chapter, with Jane meeting with Augustine for the first time to discuss the written marriage proposal she'd sent earlier, struck me as unrealistic, strange, and very nearly lost me. However, the Gothic setting with the mysterious hero who could equally qualify as the villain and the driven, practical Jane falling in love practically at first sight when she didn't expect to at all is what kept me reading. Whether initially against my will or voluntarily step by drudging step, I was drawn into this story from that point on and could hardly put it down.

At first, Augustine is taken aback by Jane's very unromantic proposal, but she quickly proves that her business acumen tempered with unfailing commonsense and her steady hand in the surgery are boons for any man who's avoided marriage as long as Augustine unfathomably has. The fact that the two of them are attracted to each other from the start disturbs both of them. But an agreement is quickly reached between them: Following their wedding, Jane will live in town at his practice while Augustine returns to his ancestral home, Lindridge Hall, alone each evening.

An unfortunate series of events forces the newlyweds to Lindridge Hall, where Jane has no choice about spending the night in the ruin and wreck of a house filled with ghosts and previously unimagined horrors. It's there that her brand new husband becomes transformed from the intelligent, compassionate man she'd assumed she was marrying into a agitated, broken figure with a tragic, dangerous, and even immoral past. The clues to Augustine's downfall begin to manifest with a padlocked basement, the red-eyed spirit of a betrayed lover, to the coven of doctors who dabble in black magic that show up on his doorstep.

One wonders if Jane's tenacity in attempting to fix the fractures that make up the man she rapidly falls for--despite her fear of him, his lies, and all he might have done to deserve the catastrophes he's brought upon himself--is wise or even warranted. Part of Jane's problem is that math rules her world just as the promise of magic once ruled her husband's. Instead of seeing math as magic, magic is seen as math in Jane's eyes, and this is an equation that she alone must balance--at all cost.

One of the most memorable scenes of The Death of Jane Lawrence came early on, and it was unknowingly a foreshadowing of all that was to come. When Augustine's patient dies, Jane, who has never before assisted in a surgery, blames herself for her inexperience and the way it distracted the doctor while he was trying to save a life. His reply captures the heart of this novel: "Jane, if the fault lies in anybody, it lies in me. I am the one with training and, more than that, I was the one in charge of the operating room. You cannot blame yourself. That shame is a path you cannot come back from, once you start down it…"

The author describes the difference between shame and guilt in this way (emphasis is mine): "Guilt is over something you have done; shame is over something that you are." In The Death of Jane Lawrence, shame is both a motivator and a horror that drives the pragmatic heroine to seek redemption for her beloved--even if he's a monster who may not deserve the forgiveness she seeks to procure for him, nor the happily ever after she wants for the two of them.

I admit, the end of the story became a frenzied, uncertain, blood-soaked mess in which I was never quite certain what was going on. I didn't believe for a second a joyful resolution was possible, yet strangely the author's love of "not happy endings" but "endings with potential" ultimately satisfied me.

Lovers of Gothic fiction complete with (if not loveable than nevertheless) likeable, compelling lead characters, and extreme amounts of horror and epic romance will enjoy this unconventional walk on the macabre side of love as much as I did.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S. Wiesner {Put This One on Your TBR List} Book Review: The Expanse Series by James S. A. Corey

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Book Review: The Expanse Series by James S. A. Corey

by Karen S. Wiesner

I started reading The Expanse Series when I found the boxed set with the first three novels in Orbit Books newsletter. I love science fiction, especially when it's combined with horror, similar to the Ridley Scott Alien franchise, which, not surprisingly, was a major influence for this particular series. The short story, "Drive", is the prequel to the entire series, and James S. A. Corey (authors Daniel Abraham and Ty Franck, using the joint pen name) offered a free download of it from their website, which I printed and read after I'd finished the first three novels. From that point on, I purchased each novel and short story/novella as it was released. In the years the authors actively worked on this series, I followed it, purchasing each book in hardcover, since that was the fastest way to get it ASAP after release.

The premise of The Expanse Series is that future humanity has colonized most of "The Solar System", but they don't yet have interstellar travel. Mankind has settled in the asteroid belt (Ceres and Eros), Mars and the moon with domed settlements; and some outer planets (several Jupiter moons including Ganymede and Europa; Saturn's Phoebe; and Uranus's Titania). In the time the series is set, tensions are rising. Earth's United Nations and Mars' Congressional Republic are the superpowers that exert their combined hegemony over Belters--those who populate the asteroid belt. Because of the low-gravity environments they live, their bodies tend to be longer and thinner than other humans. Belters (who use a form of modified Creole speech) are the blue collar workers of the galaxy, working to provide the system with the natural resources needed by all, and, as such, they're disrespected by other humans in the galaxy. In order to fight exploitation at the "Inners" hands, Belters have formed loose military groupings within the Outer Planets Alliance (OPA). The OPA is considered a terrorist organization by other humans.

In Leviathan Wakes, Book 1, readers are introduced to several of the core characters in this series. James "Jim" Holden, a former UN Navy officer from Earth, is XO of an ice hauling ship called Canterbury along with chief engineer Naomi Nagata, a Belter; pilot Alex Kamal, who's a Martian navy (MCRN) veteran; and engineer Amos Burton with a background that, let's just say, grows more interesting with each installment. These four become the original members of the Rocinate or Roci, a state of the art Martian frigate they claim as their own. A distress signal leads them to a derelict transport vessel, the Scopuli, and from there to Julie Mao, the rebellious daughter of a wealthy magnate.

At the same time, a washed-up detective named Josephus "Joe" Miller, a Belter from Ceres Station's Star Helix Security, is also searching for Julie Mao.

The investigation of Jim and his crew and Miller converges on Eros, where Julie is found…afflicted with an alien organic biohazard growth that quickly spreads across the entire station. Life as anyone knows it will change from this moment forward when humanity gains access to thousands of new worlds via the use of an artificially constructed ring network created by a long-dead race of aliens. The number of directions that this series goes as it explores all of this potential boggled my mind as the saga became bigger and bigger with each book.

While the characters mentioned above comprise the major players, there were so many fascinating, richly embellished, unique cast members. While Jim Holden always came across as a good, incorruptible man and, as such, was my favorite, so many of the characters were so complex, it was hard to pin short-sighted labels like "good" or "evil" on any of them. They were each completely human with all the moments of cringe-worthy regret and heroic larger-than-life altruism. Amos was another favorite who compelled me to think deeply as he evolved into the person he became at the end.

Some other intriguing players that make frequent appearances throughout the books are Bobbi Draper, a Martian gunnery sergeant in the MCRN; the foul-mouthed Chrisjen Avasarala, UN Assistant Undersecretary of Executive Administration on Earth; Fred Johnson, the leader of the OPA, who's a former UN marine (and the subject of the short story "The Butcher of Anderson Station"); Marco and Filip Inaros, father and son with Marco commanding a radical OPA branch called the Free Navy; Camina Drummer, chief security of Tycho Station; and Clarissa Moa, another daughter of the magnate that Amos calls Peaches.

The first installment in the series is the one that I binged-read in a matter of days because the biohazard aspect utterly fascinated me, as did pretty much anything Jim Holden did from start to finish in every story he was in. But several other stand-out offerings were "The Churn" novella and the eighth novel in the series, Tiamat's Wrath.

At the announcement of the last one, Leviathan Falls, I know I wasn't the only obsessed reader who felt we'd only touched the tip of the iceberg in exploring all the saga had to offer. The series left me wanting more while at the same time satisfying all my main requirements. I simply wasn't ready for it to end, though I suspect the main crew of the Roci might have, given what they went through in the countless years that encompass the whole of this exciting sequence.

As most probably already know because many sci-fi readers prefer a more visual medium over book format, The Expanse became a TV series that went through countless upheavals and ended far too soon, not covering as much ground as the book series did. The perfectly chosen cast gave it their all, and I applaud the show for how well they portrayed something so big, it was hard to contain it the way they had to. Both the novel and TV series are well-worth your time, and they've got a permanent place on my keeper shelves. Comic versions, board and roleplaying games are also available for the series.

One of the most defining factors about The Expanse was just how realistic it all seemed. I was sold completely on the premise, and I can easily imagine so many aspects of the "science" and politics to this series happening in the near future just as they're portrayed in this saga.

I do have to comment that the titles of the novels are annoying obscure and really have nothing whatsoever to do with the stories within them. Whenever I try to remember which story belonged in which novel, I'm completely lost--and that's a direct result of the fact that the titles that were saddled on the novels in the series seem arbitrary and not clearly defined. If there was a trick to understanding why they were named as they were, the authors should have given readers a clue what it was to prevent us from becoming lost and confused. That is the sum total of my complaint with this series. Incidentally, the shorts all had titles that made sense and described the stories contained within.

A quick word about the book order, which is a bit of an issue since short stories and novellas were published between the main novels that don't necessarily follow the main storyline chronologically. Frequently, the shorts covered past events as well as pivotal character backgrounds. The publisher suggests reading them in the order they were published since that way characters first introduced in the novels gain further background characterization through the shorts. With prior knowledge and familiarity, the novellas can be enjoyed and understood in context. Also, the shorts may contain spoilers to the novels, which could be a deal-breaker to some. That said, the suggested reading order is this:

1.     Leviathan Wakes, Book 1

2.     "The Butcher of Anderson Station" (set before Leviathan Wakes)

3.     Caliban's War, Book 2

4.     "Gods of Risk"

5.     "Drive" (set before Leviathan Wakes)

6.     Abaddon's Gate, Book 3

7.     "The Churn" (set before Leviathan Wakes)

8.     Cibola Burn, Book 4

9.     Nemesis Games, Book 5

10.  "The Vital Abyss" (set between Abaddon's Gate and Cibola Burn)

11.  Babylon's Ashes, Book 6

12.  "Strange Dogs"

13.  Persepolis Rising, Book 7

14.  Tiamat's Wrath, Book 8

15.  "The Last Flight of the Cassandra" (set during Leviathan Wakes)

16.  "Auberon" (set between Persepolis Rising and Tiamat's Wrath)

17.   Leviathan Falls, Book 9

Note that all of the shorts are all published in a compilation called Memory's Legion that's well worth investing in for collectors.

 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

The Purpose of Horror

What is horror fiction (whether in print or on film) good for? My parents certainly took a dim view of my fervent interest in the genre, beginning at the age of twelve with my first reading of DRACULA. A familiar physiological or biochemical hypothesis proposes that reading or viewing horror serves the same purpose as riding a roller coaster. We enjoy the adrenaline rush of danger without having to expose ourselves to any real risk. Personally, I would never get on a roller coaster except at gunpoint, to save someone else's life, or to earn a lavish amount of money. I'm terrified of anything that feels like falling and don't like any kind of physical "thrill" experience. Yet I do enjoy the vicarious fears of the horror genre. Maybe real-life thrill rides or extreme sports feel too much like actual danger for my tolerance level, whereas artistic terror feels controllable.

H. P. Lovecraft famously asserts, "The oldest and strongest emotion of mankind is fear, and the oldest and strongest fear is fear of the unknown." Therefore, horror is a legitimate subject for art, even though he believes its appeal is restricted to a niche audience. We might link Lovecraft's thesis to the physiological model, in that the feared unknown becomes manageable when confined within the boundaries of a story.

In DANSE MACABRE, Stephen King suggests that all horror fiction has roots in our fear of death. Embodying the threat of death in the form of a monster entails the hope that it can be defeated. I think it's in 'SALEM'S LOT that a child character says, "Death is when the monsters get you."

In an interview in the October 2022 LOCUS, author Sarah Gailey maintains that "horror is designed to put the reader in touch with an experience of the body, where that experience is one that they typically would not wish to have." Our culture separates body and mind from each other, while, Gailey says, "Horror serves to remind us that those things aren’t separate. The ‘I’ who I am is absolutely connected to the physical experience of my body and the danger that body could face in the world, and horror does an incredible job of reminding readers that we live in bodies, we live in the world, and we are creatures."

This comment reminds me of C. S. Lewis's remark that the truth of our nature as a union of both the spiritual and the physical could be deduced from the existence of dirty jokes and ghost stories. Bawdy humor implies that our having fleshly bodies is somehow funny, shameful, or incongruous. No other species of animal seems to find it funny just to be the kind of creature it is. Supernatural horror highlights the sense that separation of body and soul, which should form a single, unified entity, is deeply unnatural. Hence we get the extremes of zombies (soulless yet animated bodies) and ghosts (disembodied spirits).

Margaret L. Carter

Carter's Crypt

Classics and Monsters

Following the success of PRIDE AND PREJUDICE AND ZOMBIES (2009), numerous mash-ups of public domain classic novels with horror creatures and tropes were published in the few years immediately following. I've recently reread LITTLE VAMPIRE WOMEN and A VAMPIRE CHRISTMAS CAROL. Are such adaptations worth reading except as bizarre novelties? Their main appeal, judging from the types of books that have been adapted, seems to be incongruity, with fiction as unlike the horror genre as possible being transmuted by the insertion of supernatural threats into the original stories. Some others, for example, are JANE SLAYRE, SENSE AND SENSIBILITY AND SEA MONSTERS, LITTLE WOMEN AND WEREWOLVES, and WUTHERING BITES.

In my opinion, those kinds of books turn out better if they involve a certain amount of actual rewriting. From what I remember of PRIDE AND PREJUDICE AND ZOMBIES, it's fun to read once but not transformative enough to comprise much more than Jane Austen's original work with zombies thrown in at suitable intervals. Granted, though, the image of Elizabeth as a trained zombie-slayer has a certain zany charm. LITTLE VAMPIRE WOMEN and A VAMPIRE CHRISTMAS CAROL, on the other hand, rewrite their prototypes more extensively, although some undigested lumps of Alcott's and Dickens's prose do stand out.

A VAMPIRE CHRISTMAS CAROL raises the question of whether the entertainment value of such crossovers fades a bit when the source text already contains elements of supernatural horror. It strikes me as not too much of a stretch to have Mr. Scrooge stalked by vampires as well as haunted by ghosts. WUTHERING BITES falls into a similar category. Vampiric motifs pervade WUTHERING HEIGHTS, with Heathcliff explicitly compared to a vampire in one line. Turning him into a literal vampire-human crossbreed, cursed by the heritage of his monstrous half, fits fairly well into the original plot. In that case, the "co-author" can't depend solely on the appeal of incongruity; she has to create a believable story with an anti-hero who inspires genuine sympathy as well as horror.

A step removed from those books, which might be considered a peculiar sort of fanfic, we find "secret histories" such as ABRAHAM LINCOLN: VAMPIRE HUNTER, which I discovered to be better than I'd expected. The criterion for such novels is that the action must remain faithful to the historical person's biography as publicly known, while inserting supernatural elements into the hidden corners of his or her life, so to speak. Queen Elizabeth, H. P. Lovecraft, Lizzie Borden, and many others have received similar fictional treatment. A January 2022 release, THE SILVER BULLETS OF ANNIE OAKLEY, by Mercedes Lackey, will introduce magic into the career of the famed sharpshooter. I don't object to this type of fiction as long as the author does conscientious research into the historical background and treats the protagonist with respect.

Margaret L. Carter

Carter's Crypt

Karen Wiesner: I Have Dreamed a Little Dream (Authors and Dream Inspiration), Part 4

I Have Dreamed a Little Dream, Part 4

by Karen Wiesner

"Believe in your dreams. They were given to you for a reason." ~Katrina Mayer

As a writer, the question I get most often is where my ideas come from a lot. While I can honestly say everywhere, more often than not, dreams play a huge role of my fiction writing. Something about that twilight between sleep and dreams is a veritable playground for imagination! Bloodmoon Cove Spirits Series is one of my series, in particular, in which many of the stories within it stemmed from a fragment of a dream that I was able to develop into a story. In a series of posts, I've revealed how these nightmarish gifts from the ether came to me. 

This is the final of four posts focusing on my Bloodmoon Cove Spirits Series and the vivid nightmares or ideas that inspired the titles.

Karen Wiesner's Bloodmoon Cove Spirits Series

** Nestled on Lake Superior in northern Wisconsin is a small, secluded town called Bloodmoon Cove with volatile weather, suspicious folk…and newly awakened ghosts.

Don’t close your eyes… **

What's coming up next in the series:

One of the things I love the most as I'm developing this series is that the characters from previous books make solid (i.e. not simply "glimpses" from one book to the next) appearances in later books. Considering how small Bloodmoon Cove is and how involved they are in each other's lives, it makes sense that the developing characters would be seen all through subsequent stories. I can hardly wait to write each one of these books in order to expand the world I'm creating with them. I hope readers will also be just as excited in seeing more from this series as I am.

BONE OF MY BONE, Book 7 

(release date estimate: April 2022)

** When Bennet was eight, he fell for Ice despite how she concealed who she was and where she came from. When they were 19, she disappeared. Still grieving a year later, he's floored at her return. Her comment about "how to bury what won't stay dead" compels him to solve her mysteries. But how does a mortal fight creation's first murderer when the entity bears an immortal seal and made a pact with the devil? **

I've outlined and I'm currently writing this novel. This is a newer idea I had for the series. At the end of 2020, I couldn’t stop coming up with notes for after a very vivid dream I had of the first “scene” in the story. I already had the title and had some very loose ideas about the story before I had the dream. At that point, I was sure that, with this much material, I could move right into outlining it. Past experience has taught me that, if I can complete an outline, I always know I can write the story. If I can't outline it, I'll either take it off my list of Works in Progress or simply reschedule the release date and work on it at a later time, when hopefully I'm more inspired after a great deal of time trying to brainstorm new ideas for it.

LOST AND FOUND, A Bloodmoon Cove Spirits Series 2-in-1 including "Lost", Book 8, and "Found", Book 9 

** "Lost": Damaris remembers nothing of the past 48 hours. A retired couple found her in their woods. Their remodeling efforts uncover a hidden enclosure that cages what they don't dare set free.

"Found": What does a lifelong bachelor do when the woman of his dreams steps into his sanctuary and he finds all he's been missing…but revealing the truth behind their meeting could tear them apart for all time? ** 

The main characters in both books (I'm unsure whether they'll be novellas or novels at this point) will work for the library, so LOST AND FOUND was a great title that played on that. The idea for "Lost" came from a nightmare I'd had about a woman whose car broke down on the edge of the woods and she woke up in a cabin deep in the woods owned by an older couple without technology who are digging up something in the basement of their home. The idea for "Found" came about when my sister was talking about a story she wanted to write about a ghost in a library. 

HELL HATH NO FURY, Book 10

(release date estimate: April 2023)

** Eager to get a cake decorating business up and running, Isabelle inherits an old house in Bloodmoon Cove that seems like a boon…until she pieces together the tragic story of a poor immigrant who lived in this house and the woman he scorned. When Kesara committed suicide over his rejection, her heart-broken mother plotted revenge. Newly awakened to the legacy Isabelle has inherited, two ghosts plan to finish what they started a hundred years before. **

This story came from another dream I had about a young immigrant who came over to America because of lack of opportunity in his own country and fell in love with the daughter of the man who employed him. The bakery angle with the man's ancestor being willed the house the immigrant and his wife lived in wove itself into the story, given my love for TV shows focused on baking.

 

HAUNTED LEGACY, Book 11

(release date estimate: October 2023)

** After a teenage pregnancy, Danielle and Andy unsuccessfully made a go of marriage. After the split, Andy started a business while Dani’s art career took off with the help of Douglas Marx, whose reputation is spoken of in the same hushed tones as black magic. When Doug invites her to join him in Bloodmoon Cove, Dani notices a painting that haunts her as the figure in the painting becomes familiar—more and more like her own… **

The idea for this story has been with me for many, many years, titled for most of that time GILDED PROMISES and a contemporary romance without any supernatural aspects. I had the idea to make the story a suspense with Dani’s art agent being a villain. A little later, the painting I had in the outline I'd started (though never finished) made me wonder how I could make this a supernatural kind of story. I love Susan Hills THE MAN IN THE PICTURE, and who isn't deeply disturbed by Oscar Wilde's THE PICTURE OF DORIAN GRAY? I wanted to put a paranormal spin on my original idea, and merging it into my Bloodmoon Cove Spirits Series seemed natural. The title changed, stemming from the concept that not only would Dani’s agent be a villain but he would have a supernatural aid in his villainy—a painting handed down from father to son for generations that “captures” and drains the life from a victim, thereby transferring it to this creature.

ELDRITCH JUSTICE, Book 12

(release date estimate: January 2024)

** Rafe Yager (of CROOKED HOUSE, Book 3) has settled in Bloodmoon Cove with his wife Corinne. Given his former ghost hunting, he can't put aside his paranormal past as easily as he'd like to. He's been following the trail of a law firm that caters to the dead with unfinished business. His quest leads to the sinister Thoth, scribe of the underworld and Ma'at, justice personified …and the weighing of his own heart on the scale against the feather of truth. **

Rafe and Cori's story started in CROOKED HOUSE, but I wasn't ready to let go of them when I was finished with that tale, nor of an intriguing plot thread that actually started earlier in the series about a lawyer that caters to the dead with unfinished legal business (RETURN TO BLOODMOON MANOR, Book 4).

GHOSTLY TALES FROM ERIE COUNTY including "Bad Blood", "Dead Man's Road", "The Haunting of Desolation Cottage", "Keeper of Grimoire", "Cappy's Cupid", and "The Ancient One"

(release date estimate: October 2024)

** Short, haunted stories set in Bloodmoon Cove and Grimoire, Erie County, Wisconsin. **

I knew as soon as I conceived of Bloodmoon Cove Spirits Series that I'd want to do a collection of ghost short stories with the volume covering some of the early years of the town as well as following up on the previous novels. The characters--main and secondary--introduced in all that came before will make appearances in the shorts.

Dreaming fragments of a story has happened to me so many times now that I've taken to having a tablet and pen in my nightstand so I can write down everything I remember immediately after waking up. The longer I wait, the more chance I'll forget something that will drift back into the twilight, never to be grasped again. I never know when these pieces might become full-fledged stories. Sometimes it feels a lot like I'm making lemons into lemonade with these gifts from the ether, but isn't that the essence of what being a writer is?

Do you have a pen and paper by your bedside just in case you wake from a compelling dream and need to write it down fast, before it floats away? Leave a comment to tell me about it!

Find out more about Bloodmoon Cove Spirits Series here:

https://www.writers-exchange.com/bloodmoon-cove-spirits-series/

https://www.amazon.com/dp/B08MLBJ7XP

Happy reading!

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series. Visit her here:

https://karenwiesner.weebly.com/

http://www.facebook.com/KarenWiesnerAuthor

https://www.goodreads.com/karenwiesner

http://www.writers-exchange.com/Karen-Wiesner/ 

http://www.writers-exchange.com/blog/ 

https://www.amazon.com/author/karenwiesner

Karen Wiesner: I Have Dreamed a Little Dream (Authors and Dream Inspiration), Part 3

I Have Dreamed a Little Dream, Part 3

by Karen Wiesner

"Believe in your dreams. They were given to you for a reason." ~Katrina Mayer

As a writer, the question I get most often is where my ideas come from a lot. While I can honestly say everywhere, more often than not, dreams play a huge role of my fiction writing. Something about that twilight between sleep and dreams is a veritable playground for imagination! Bloodmoon Cove Spirits Series is one of my series, in particular, in which many of the stories within it stemmed from a fragment of a dream that I was able to develop into a story. In the course of the next several posts, I'll be going over how these these nightmarish gifts from the ether came to me.

This is the third of four posts focusing on my Bloodmoon Cove Spirits Series and the vivid nightmares or ideas that inspired the titles.

Karen Wiesner's Bloodmoon Cove Spirits Series

** Nestled on Lake Superior in northern Wisconsin is a small, secluded town called Bloodmoon Cove with volatile weather, suspicious folk…and newly awakened ghosts.

Don’t close your eyes… **

RETURN TO BLOODMOON MANOR, Book 4 {sequel to THE BLOODMOON CURSE, Book 2}

** Back into the mouth of hell… Daniel and Hannah are newly married with their first child on the way when Hannah is bequeathed Bloodmoon Manor. After a lifetime of poverty, the wealth associated with that house appeals to her despite that she’d barely escaped it last time with her life. Daniel’s worst fears are justified. They’ve been lured here deliberately, and the horrors that haunt the manor aren’t willing to let Hannah leave ever again… **

Late into the night, I was revising THE BLOODMOON COVE for reissue as Book 2 of my Bloodmoon Cove Spirits Series, and I had some pretty disturbing dreams. When I woke up, I knew I had to write the story of the secondary characters, Hannah and Daniel, from that book. The sequel, RETURN TO BLOODMOON MANOR, was born. I always adore stories where the characters are trapped in a location that lends itself to horror and fright.

Reviews and Honors for RETURN TO BLOODMOON MANOR:

5 star review from Linda's Reviews

5 star review from Huntress Reviews

5 star review from Readers Favorite

5 star review from author Barbara Raffin

REUNITED, Book 5

** Twyla has spent the last three years suffering under the hands of her husband Dominic. His death gives her a new lease on life: Freedom and the chance to fall in love with her old friend Gray, now the Erie County sheriff. But her happiness isn't meant to be. Dominic's vengeful ghost followed her home and he's determined to reunite them in death and the afterlife so she never again forgets who she belongs to… **

The idea of having an abused wife whose husband comes back from the dead to haunt her came to me first. After kicking the idea around inside my head for a few days, I got a lightbulb about how to blend this into the Bloodmoon Cove Spirits Series. In Book 1 of the series, BOUND SPIRITS, the hero John Kotter has a cousin he hung out with in Bloodmoon Park (which belonged to his family). Then I wondered who would best help his cousin Twyla deal with her vengeful, dead husband. I’d already written a sheriff into BOUND SPIRITS and I decided to develop Graham "Gray" Mecham into the hero of this book. When I wrote the first draft, all these things were in place, setting up for REUNITED.

When it came time to write, the story took a turn for the very disturbing, but it works in this story so well. The dark content involved an aspect of life I hope to never be truly familiar with. Honestly, while researching and outlining this book, I didn't want to do too much research. I only did what was absolutely necessary and those few items didn't take me to places I could never erase from my own mind. This is my only book that actually has a content warning on it: Contains mature content that may not be suitable for sensitive audiences. 

Reviews and Honors for REUNITED:

5 star review from Linda's Reviews

5 star review from Readers Favorite

4 star review from Huntress Reviews

HIDDEN, Book 6

** What you don't know can hurt you…

Sybilla marries her much older entrepreneur partner Tobias. Their publishing house produces a book series focused on unusual homes. After suffering memory loss about his past, Tobias inherits an isolated estate at the top of a mountain. Uncovering its mysteries becomes their next project.

The voice of a ghost urges, Find me, leading Syl to hidden rooms and the skeletons of a family desperate to escape its demons… **

HIDDEN is based on a scary dream I had over and over in the course of years, since I was a teenager. Kind of like the Vermeer's painting within a painting, in my dream the heroine has a recurring nightmare over the course of years about moving into a house where there are hidden rooms in which horrors have taken place. In this case, the house she's moving into is Howling Halls, which has been mentioned a few times in previous books in the series. It's one of the only two estates built on Bloodmoon Mountain. (The other was Bloodmoon Manor, featured in Books 1 and 4.)

In the dreams I'd had myself, we were moving into a brand new house, and as I'm unpacking, I realize that the house has so many more rooms than I remembered from when we were touring it in anticipation of buying the house. There's also a terrifying feeling of something evil in some of the new rooms. I also had some dreams about a ghostly child throwing temper tantrums and her grandmother trying to soothe her that I incorporated into this book.

I admit I was wary about writing this story. It’s the first one that I scared the crap out of myself while outlining it. I barely got any sleep those two weeks. It’s a horror, so it makes sense, but when I told my son this, he wanted to document how often horror writers actually scare themselves, lol. I figure, how can you scare anyone else if you can’t scare yourself? But in truth everyone has different levels of what scares them.

Review for HIDDEN:

5 star review from Linda's Reviews

Have you ever a recurring dream? Leave a comment to tell me about it!

Find out more about Bloodmoon Cove Spirits Series here:

https://www.writers-exchange.com/bloodmoon-cove-spirits-series/

https://www.amazon.com/dp/B08MLBJ7XP

Happy reading!

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series. Visit her here:

https://karenwiesner.weebly.com/

http://www.facebook.com/KarenWiesnerAuthor

https://www.goodreads.com/karenwiesner

http://www.writers-exchange.com/Karen-Wiesner/ 

http://www.writers-exchange.com/blog/ 

https://www.amazon.com/author/karenwiesner