Linnea defined Intimate Adventure very well:
You'll find my view at
http://www.simegen.com/jl/intimateadventure.html
Linnea Sinclaire wrote MAY 21 2007:
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What does it take to push beyond those boundaries? What does it take to tell your parents, your village, your society to take a hike, get lost, leave me alone and let me love? What does it take to risk it all, to throw away everything that has heretofore defined you as a person? What does it take to open your heart, fully expecting rejection?
What kind of person is that?
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That is a hero on the road to Intimate Adventure, that's what kind of person that is.
It takes more courage to be emotionally honest (especially with yourself about WHO and maybe WHAT you are) than it does to be physically honest -- to admit mistakes, wrong-doing, or bad judgement, or to impose your idea of right upon others by your mighty sword.
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Kimber An commented on Linnea's blog entry of Monday May 21, 2007:
I wondered what would drive a girl to do something she knows will get her killed if she's caught? My thought is that her home life must be so devoid of love and joy that when she finds it somewhere else, she grabs it for all she's worth. All human beings need love.
I wondered why would it be the death penalty for a girl to fall in love with someone? My thought on that is that a girl represents an unused sexual object. Men are terrified of being rejected by those they want to have sex with. Most men develop the courage to cope. In some societies and individuals, they don't. Rather than risk rejection, the girl's basic human right to choose her own sexual partner is taken from her. Like a non-sentient animal, she's not allowed control over her own body. To say nothing of her heart. This is rape, but some people dress it up in a religion or whatever.
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Kimber An has the makings of a field-changing author! (not just writer; AUTHOR).
This is the kind of thinking we all need to be doing on so many levels.
Deep inside what Kimber An has said here lies the key to World Peace.
And that really has nothing whatever to do with sexuality or choosing a mate. It has to do with taking an idea (such as Linnea tossed out for discussion) and turning it over, inside out, analyzing Linnea's idea and synthesizing it with other bits acquired elsewhere, to create another idea.
Science Fiction is the Literature of Ideas.
Science is nothing more than the organization of knowledge that's been verified by cross-checking (peer review journals being an example). Ideas can't just sit there. They get organized, rearranged, strangely juxtaposed, and turned upside down.
Fiction is all about finding the invisible shape of things that lies within the interlaced and overlapping fog of tiny ideas and facts. We swim in a sea of trivia, bits and pieces and shards and pebbles of nothing much all clumped around and thus hiding nuggets of Infinite Joy.
The writer's job is to pare away the dross and expose that underlying, intrinsic, meaningful pattern of true joy. That is, generally speaking, what art is for, what artists do.
The universe is such that the bits of dull matter and negative energies (which includes most acts people tag as evil) we swim in are attracted to the bright Joy, clump around Joy, cling to it and disguise it -- not destroy, disguise. As a result, it's very easy to live your life convinced the world is nothing but angst, boredom, overbearing men, and pointless toil because that's what you see on the surface.
It takes the penetrating gaze of the mystic to spot the hidden Joys. And then it takes the Artist to portray that Hidden Joy emerging from hiding in such a way that ordinary people can go out and about their lives and actually SEE Joy they never knew was there.
From there, it's possible for the oridinary person to internalize and experience that Joy for themselves.
That's why we read Romance Novels -- in any sub-genre. We know that our lives can be changed if we can SEE what's really there rather than the husks of dullness and negativity accreted around our joys.
Finding the right mate is only one of those many Joys in life, but let's look a little closer at what Kimber An has said.
Now why would a girl (woman even, maybe) be willing to risk her very life for something different than she has right now? How terrible does it have to be for you to prefer death to continuing?
That might be the wrong question.
It isn't how bad conditions are here and now that drives people to risk death. It's how GOOD they think it MIGHT (fantasy-romance?) be elsewhere.
Look at the Mexican and Hispanic illegal immigrants -- they come seeking a BETTER life, not fleeing the life they have. If the USA weren't their northern neighbor, dangling all that forbidden fruit before them on TV signals, would they be flooding north?
But look at Iraq - it's bleeding population to every surrounding country, people walking out with what they can carry, desperate for a place to live that isn't exploding all the time.
But though they are refugees, they aren't moving because conditions are horrid where they are.
They are moving because they believe conditions are better WHERE THEY ARE GOING.
If the other countries were in the same or worse shape, they wouldn't move.
They are trying to "get away from" horrid conditions -- and that means being able to imagine that conditions are better where they are going. Look at all those still sitting in the mud. They're the ones who can't imagine conditions are better elsewhere.
Look at those who are sticking it out in Iraq, (likewise the Balkans, Northern Ireland, various African countries, Darfur comes to mind). Horrid conditions don't make them move. Why? Things will get better here by and by, and then things will be horrid "there" (wherever there might be) eventually. Home is always better. For some people.
Some people can imagine the Joy hidden within the layers of angst in their current position. Sometimes that Joy isn't really there -- but people are more motivated by imagination than by facts.
People are more sensitive to LURES than to GOADS.
It's a psychological principle. You get people to alter behavior faster by offering rewards, not punishments. Even works with dogs.
Confidence Operators use that principle.
So women denied the right to choose their own mate won't leave, won't murder the power-mad whip-wielder, won't murder the unwanted husband or legally licensed rapist, and won't strike against the system.
Why? Because conditions are horrid in the marriage system? No. Because they can't see that it's BETTER anywhere else, or how any other system might work better. "All men are the same."
However, because of TV, photos, the internet, tourist travel, telephone etc. etc., women the world over are being exposed to other ways of looking at the problem, other solutions, places where things work better, where they can imagine it's better, where they can imagine Joy exposed to their sight.
And so the world is changing. That change is causing a backlash against "Western Civilization." There are those who are striking out hard against freedom to choose, even to choose wrongly.
But make no mistake. In the animal -- birds, squirrels, dogs even -- it's always the female who gets to choose the mate.
Just watch in your yard or in the park at this time of year and you'll see female birds rejecting randy males, just flittering away before they can mount. And the poor male has to sit there and watch her fly away. (saw this the other day and felt so sorry for that piteously drooping male bird -- then he went after a different female.)
Human civilization will swing back to accomodate this pattern because it's inherent.
So as SF writers, we should be wondering what would happen if some Alien Species landed on the UN Plaza and offered women something BETTER. What if so many women left Earth that it put the species in danger?
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Tuesday, May 22, 2007
Monday, May 21, 2007
Love Beyond Boundaries
Continuing a subject touched on by Margaret in a previous blog...
Love beyond boundaries. A romantic relationship, a deep romantic committment that pushes past the edges of the ordinary envelope. The grist of many science fiction romances (and futuristics and RSFs, to be sure) but is it really all that foreign?
Centuries ago, on our planet, a romance between a high-born person and a commoner, a peasant and a landowner, was scandalous in many socieities. Unthinkable. For even longer, different religions didn't mingle, let alone marry. To marry outside your village, sect, caste, religion or region was cause for banishment.
We've come farther--but not vastly so. In my grandparents' and even my parents' worlds (1900s-1940s), it was still expected that a nice National Catholic Polish boy marry an nice National Catholic Polish girl. My mother is part Swedish, part German, part Polish and Roman Catholic. My Polish grandmother never fully accepted her.
There are still countries today where marrying outside your religion--or marrying someone not chosen by your parents--is tantamount to a death penalty. Interracial marriage has gained some acceptance but still has a way to go. Same sex marriage is a hot-button topic.
And some people look oddly at me when I say I write science fiction romance. And then wonder where I get my ideas.
How and why we--or a society--define love, and how and why we--or a society--permit love tells me a tremendous amount about us and about that society. Love is just the other side of the prejudice coin, and in many instances, is woven into the prejudice coin. Loving, liking, having sex with, working with, admiring, supporting this person is acceptable. That person is not and must be shunned.
Gabriel's Ghost is the novel where I address that situation most directly, both through the characters of Ren--an empathic Stolorth whose telepathic, pacificistic culture is viewed with suspicion by the human-controlled Empire; and through the Takan characters, who are forced into an almost child-like state and belittled by a religious system that purports to 'care' for them. It also forms the basis of the relationship between Sully and Chaz: can Chaz love someone she was taught to hate?
Because I do write romance, the theme of who and what and why and how we love someone is constant in my books. One of the male protagonists in Games of Command is a cybernetic human, stripped of the ability to love--or so his creators believe. Or so everyone who encounters him believes. So Branden Kel-Paten has to struggle to overcome not only his internal anti-love programming (and how many of us feel we're unworthy of love because of our own "internal" programming?) but also chance disbelief and ridicule from those around him when he finally admits that, yes, he has feelings.
What does it take to push beyond those boundaries? What does it take to tell your parents, your village, your society to take a hike, get lost, leave me alone and let me love? What does it take to risk it all, to throw away everything that has heretofore defined you as a person? What does it take to open your heart, fully expecting rejection?
What kind of person is that?
I write about those kinds of persons. Chances are, you read about them (since you've found this blog). And if you read about them, then you know that emotional heroism can be the most gripping, terrifying, most poignant and most rewarding experience on the page. Moreso than laser pistol battles. Moreso than cars hurtling over cliffs. Moreso than the secret spy trapped in a locked room. The severed arm will heal (and more quickly in SF). The lost secret formula will at some point be recovered (or recreated). Political scenarios shift with the wind.
But the instinct to love--and I do believe in humans and in many other species, it is instinct--cuts deeper than any light-sabre. A broken heart may never heal and a lost love may never be recovered. When you add the cultural or societal pressures on top of that--can a human love a shape-shifter? A cybernetic half-man, half-machine?--you, as writer or reader, venture into a vastly more dangerous landscape.
It's the landscape from which my books sprout.
And I hope this answers one recent question posed to me, and also a general comment I read recently on a blog.
The question was whether I'd ever write science fiction without a romance element. The answer is no. I can't conceive of a world without emotions as one of the driving forces in the story.
The blog comment--in a thread about Linnea Sinclair's books but addressing science fiction romance in general--was that SFR was "the kind of crap" the blogger "could write in my sleep." My comment back is go ahead, do it. Pen a really good, gripping SFR novel. Explore the depths of love beyond boundaries in a fully invented world, an unfamiliar landscape. Put your characters--and yourself--through the paces. Then submit it to my agent. She constantly gets queries from publishing houses looking for "more books like Linnea Sinclair's."
Namaste, ~Linnea
Love beyond boundaries. A romantic relationship, a deep romantic committment that pushes past the edges of the ordinary envelope. The grist of many science fiction romances (and futuristics and RSFs, to be sure) but is it really all that foreign?
Centuries ago, on our planet, a romance between a high-born person and a commoner, a peasant and a landowner, was scandalous in many socieities. Unthinkable. For even longer, different religions didn't mingle, let alone marry. To marry outside your village, sect, caste, religion or region was cause for banishment.
We've come farther--but not vastly so. In my grandparents' and even my parents' worlds (1900s-1940s), it was still expected that a nice National Catholic Polish boy marry an nice National Catholic Polish girl. My mother is part Swedish, part German, part Polish and Roman Catholic. My Polish grandmother never fully accepted her.
There are still countries today where marrying outside your religion--or marrying someone not chosen by your parents--is tantamount to a death penalty. Interracial marriage has gained some acceptance but still has a way to go. Same sex marriage is a hot-button topic.
And some people look oddly at me when I say I write science fiction romance. And then wonder where I get my ideas.
How and why we--or a society--define love, and how and why we--or a society--permit love tells me a tremendous amount about us and about that society. Love is just the other side of the prejudice coin, and in many instances, is woven into the prejudice coin. Loving, liking, having sex with, working with, admiring, supporting this person is acceptable. That person is not and must be shunned.
Gabriel's Ghost is the novel where I address that situation most directly, both through the characters of Ren--an empathic Stolorth whose telepathic, pacificistic culture is viewed with suspicion by the human-controlled Empire; and through the Takan characters, who are forced into an almost child-like state and belittled by a religious system that purports to 'care' for them. It also forms the basis of the relationship between Sully and Chaz: can Chaz love someone she was taught to hate?
Because I do write romance, the theme of who and what and why and how we love someone is constant in my books. One of the male protagonists in Games of Command is a cybernetic human, stripped of the ability to love--or so his creators believe. Or so everyone who encounters him believes. So Branden Kel-Paten has to struggle to overcome not only his internal anti-love programming (and how many of us feel we're unworthy of love because of our own "internal" programming?) but also chance disbelief and ridicule from those around him when he finally admits that, yes, he has feelings.
What does it take to push beyond those boundaries? What does it take to tell your parents, your village, your society to take a hike, get lost, leave me alone and let me love? What does it take to risk it all, to throw away everything that has heretofore defined you as a person? What does it take to open your heart, fully expecting rejection?
What kind of person is that?
I write about those kinds of persons. Chances are, you read about them (since you've found this blog). And if you read about them, then you know that emotional heroism can be the most gripping, terrifying, most poignant and most rewarding experience on the page. Moreso than laser pistol battles. Moreso than cars hurtling over cliffs. Moreso than the secret spy trapped in a locked room. The severed arm will heal (and more quickly in SF). The lost secret formula will at some point be recovered (or recreated). Political scenarios shift with the wind.
But the instinct to love--and I do believe in humans and in many other species, it is instinct--cuts deeper than any light-sabre. A broken heart may never heal and a lost love may never be recovered. When you add the cultural or societal pressures on top of that--can a human love a shape-shifter? A cybernetic half-man, half-machine?--you, as writer or reader, venture into a vastly more dangerous landscape.
It's the landscape from which my books sprout.
And I hope this answers one recent question posed to me, and also a general comment I read recently on a blog.
The question was whether I'd ever write science fiction without a romance element. The answer is no. I can't conceive of a world without emotions as one of the driving forces in the story.
The blog comment--in a thread about Linnea Sinclair's books but addressing science fiction romance in general--was that SFR was "the kind of crap" the blogger "could write in my sleep." My comment back is go ahead, do it. Pen a really good, gripping SFR novel. Explore the depths of love beyond boundaries in a fully invented world, an unfamiliar landscape. Put your characters--and yourself--through the paces. Then submit it to my agent. She constantly gets queries from publishing houses looking for "more books like Linnea Sinclair's."
Namaste, ~Linnea
Sunday, May 20, 2007
The forbidden underbelly of alien romance
Twelve hours ago, at three in the morning, I "Twittered" about whether or not my alien romances blog today would be about aerodynamic snot.
When one's husband is a car guy, one's daughter is multi-allergic, Elm pollen is in the air, and juvenile coughing wakes the family so it is necessary to get out the nebulizer, then the pre-dawn conversations sometimes sink to a rather low --but terminologically precocious-- level.
I venture to say that being a mother is a brutalizing influence. Pre-motherhood, I doubt that I'd have laughed with malevolent glee at the thought of a burly dustman fainting over the whiff of someone else's thoroughly-used diaper (nappy) in the trash.
Snot. Allergies. Aliens.
There's a long literary tradition of aliens succumbing to Earthly ills. It's not surprising. In the olden days, missionaries and colonists unintentionally killed off isolated, "primitive" communities by exposing them to "civilization's" diseases.
If this happens on our own planet, imagine how an alien would suffer if he visited us and encountered airborne irritants and allergens which were new to his immune system.
I've read that allergies may be worse in the modern western world because we keep our homes too clean, and our toddlers no longer hunt, gather and consume worms fresh from the soil.
Contact suits would protect the alien from the dreadful spores, fibres, chemicals, dander, powders, and other bits and bobs that fill the air we breathe, but how many hunky aliens wear them?
How many hunks walk about sporting a surgical mask? In Japan, out of courtesy, people who have a cold wear surgical masks in public to help keep their germs to themselves. That would make Japan a very good beach-head for a stealthy alien invasion, wouldn't it?
Sneezing and coughing isn't romantic, so we alien romance authors are encouraged to gloss over it, just as Regency Romance authors are not pressed to talk about the logistics of chamber pots, the driveway hazards of collapsing cess pits, and the summer stench of the Thames.
I was looking at someone's wonderfully romantic MySpace site the other day. It showed image after image of tall (usually hirsute and unkempt) knights in armor, clutching swooning and flimsily clad females to their steel-breastplates... and (apparently) persisting in an attempt to inflict a french kiss --do you think the French call it that?-- on the insensible lady. I couldn't help wondering whether the ladies were fainting because the Knightly breath was devastating.
My own olfactory senses are quite acute, so are those of my aliens. The notion --mentioned on television last night-- of "smellyvision" appalls me. Life is quite enough of an intrusion without adding compulsory smells to the entertainment media! But, I'm giving further serious thought to a hayfevered alien heroine.
Best wishes,
Rowena Cherry
Insufficient Mating Material (release in the UK 5/25/2007)
Heroine with rash, alien berries.
Forced Mate
Heroine with smoke sensitivity, nicotine allergy
When one's husband is a car guy, one's daughter is multi-allergic, Elm pollen is in the air, and juvenile coughing wakes the family so it is necessary to get out the nebulizer, then the pre-dawn conversations sometimes sink to a rather low --but terminologically precocious-- level.
I venture to say that being a mother is a brutalizing influence. Pre-motherhood, I doubt that I'd have laughed with malevolent glee at the thought of a burly dustman fainting over the whiff of someone else's thoroughly-used diaper (nappy) in the trash.
Snot. Allergies. Aliens.
There's a long literary tradition of aliens succumbing to Earthly ills. It's not surprising. In the olden days, missionaries and colonists unintentionally killed off isolated, "primitive" communities by exposing them to "civilization's" diseases.
If this happens on our own planet, imagine how an alien would suffer if he visited us and encountered airborne irritants and allergens which were new to his immune system.
I've read that allergies may be worse in the modern western world because we keep our homes too clean, and our toddlers no longer hunt, gather and consume worms fresh from the soil.
Contact suits would protect the alien from the dreadful spores, fibres, chemicals, dander, powders, and other bits and bobs that fill the air we breathe, but how many hunky aliens wear them?
How many hunks walk about sporting a surgical mask? In Japan, out of courtesy, people who have a cold wear surgical masks in public to help keep their germs to themselves. That would make Japan a very good beach-head for a stealthy alien invasion, wouldn't it?
Sneezing and coughing isn't romantic, so we alien romance authors are encouraged to gloss over it, just as Regency Romance authors are not pressed to talk about the logistics of chamber pots, the driveway hazards of collapsing cess pits, and the summer stench of the Thames.
I was looking at someone's wonderfully romantic MySpace site the other day. It showed image after image of tall (usually hirsute and unkempt) knights in armor, clutching swooning and flimsily clad females to their steel-breastplates... and (apparently) persisting in an attempt to inflict a french kiss --do you think the French call it that?-- on the insensible lady. I couldn't help wondering whether the ladies were fainting because the Knightly breath was devastating.
My own olfactory senses are quite acute, so are those of my aliens. The notion --mentioned on television last night-- of "smellyvision" appalls me. Life is quite enough of an intrusion without adding compulsory smells to the entertainment media! But, I'm giving further serious thought to a hayfevered alien heroine.
Best wishes,
Rowena Cherry
Insufficient Mating Material (release in the UK 5/25/2007)
Heroine with rash, alien berries.
Forced Mate
Heroine with smoke sensitivity, nicotine allergy
Saturday, May 19, 2007
Great Read
I just read a book called The Silver Spoon for a quote. It's kind of a Starman, V type story with a really sweet hero name Caelen and a feisty heroine named Zara.
Here's my quote. "A fantastic story that captures you from page one. I loved it." Colby Hodge
You can get it here at echelon press http://www.echelonpress.com/
Aliens Among Us
Zara Mitchell's nightmares began when the Observers landed. These strangely vivid visions still haunt her nightly and leave her terrified of the silver-eyed visitors and their true intentions. When one of the eerily beautiful beings shows up at her diner with the local sheriff, her world changes forever. The Observer insists that she come with him. He claims her life is in danger. But can he be trusted?
A Prophecy Fulfilled
After two years, Caelan's search is finally over. He's found her, the human female from the prophecy. She is the one thing he recognizes from his life before Earth. His only link to the truth. Now all he has to do is keep her alive long enough to find the clues to a past he can't remember and a future she fears.
Thursday, May 17, 2007
Meet the Jetsons
One of the faithful visitors to this blog recently posted a comment that referred to the "suburban housewife on Mars" motif. The phrase reminds me of the old TV series THE JETSONS. Aside from the robot maid and gadgetry such as personal space shuttles instead of cars, the Jetson household looked like a stereotypical middle-class American family of the 1950s, as seen on dozens of mundane sitcoms. It effect, it simply projected that family structure forward in history just as THE FLINTSTONES projected it backward. In earlier decades, classic SF writers didn't always use any more imagination in this area. The original STAR TREK fell short of its potential in this regard. Except for the occasional standout character such as the Vulcan matriarch in “Amok Time,” many of the adult alien females encountered by the Enterprise seemed to exist mainly for Captain Kirk to seduce. In Robert Heinlein's HAVE SPACE SUIT, WILL TRAVEL, Earth has a permanent settlement on the moon, but the teenage protagonist's mother appears to be a fifties-style housewife. In Heinlein's PODKAYNE OF MARS, Podkayne's mother is a career woman, but female spaceship officers seem to be relegated to supporting rather than commanding roles. His later work allows more scope for experimentation in family structures, however; in the former penal colony of THE MOON IS A HARSH MISTRESS and the distant future of TIME ENOUGH FOR LOVE, all careers are open to both sexes, and various forms of marriage in addition to traditional monogamy are common.
I have no doubt that as long as our species remains recognizably human, we'll have marriage and family in some form, for the mutual emotional and financial support of adults and the care of offspring. The evolution of the Israeli kibbutz system has shown that, given a choice, most people do want to bring up their children in family units rather than a communal arrangement. The biblical book of Genesis contains stories of love and marriage that we have no trouble identifying with. If those social institutions haven't become unrecognizable or extinct over the past three or four thousand years, they aren't likely to vanish in the next century or two as a result of technological changes that are trivial compared to the shift from an economy of desert nomads to the global computer culture of our time. Still, it seems unlikely that marriage and reproductive patterns of future eras will look exactly like those practiced by our parents or grandparents, or even ourselves. In today's Baltimore SUN there's a story about a court decision allowing a birth certificate to be issued with the mother's name left blank (analogous to the way it has been possible to leave a father unidentified all along). A single man had hired an egg donor to conceive and a surrogate gestational mother to bear his baby, and both he and the surrogate wanted to ensure that she would have no legal obligation to the baby. So part of the BRAVE NEW WORLD reproductive future has already arrived. In the imagined future of PODKAYNE OF MARS, it's not uncommon for young parents to conceive and gestate babies as close together as the mother's health allows, then have them frozen (placed in cryogenetic suspended animation) until the parents' career patterns allow them to provide the children with optimal amount of attention as well as material resources; as Heinlein's narrator puts it, this plan resolves the conflict between the best biological stage to bear offspring and the best social and economic stage to rear them. I doubt that any such technological innovations will become the norm for the majority. Compared to the old-fashioned way of pregnancy and birth, they're too much trouble and, for the foreseeable future, will probably remain too expensive for many working parents.
What about alternate marriage patterns? In pre-industrial centuries, "family" comprised all the inhabitants of a household, including apprentices and slaves. We tend to define "family" as the nuclear household unit of parents and children, so we invented the phrase "extended family" to talk about grandparents, uncles, aunts, etc. Polygamy has been legal throughout history over much of the world, usually polygyny (one man with several wives), although a few cultures practice polyandry (a woman with two or more husbands, typically a pair of brothers). In an earlier post I mentioned the potential economic and reproductive advantages of legalizing polyandry in our own culture (not likely to happen outside an SF novel!). Wyo Knott in THE MOON IS A HARSH MISTRESS was formerly married to a pair of brothers. Heinlein's futures include a variety of line marriage and group marriage patterns. Suppose your hero or heroine becomes involved with a lover who belongs to an even more complicated type of household? In the Sime-Gen series of Jacqueline Lichtenberg and Jean Lorrah, anyone who falls in love with a Companion knows that the Channel whose need the Companion serves has priority. The Channel-Companion transfer relationship doesn't necessarily involve sex (indeed, it seems that more often than not each partner in the transfer relationship has a separate love interest), yet in a way it can be more intimate than a marriage. Octavia Butler's short story "Bloodchild" takes place on a world where human colonists, to survive, have accepted a symbiotic relationship with the natives of the planet, who look something like giant centipedes. Typically, a human household gets adopted by an alien female, who lays her eggs within the bodies of the young men of the family, to be removed (if all goes well) before the newly-hatched grubs can devour their host.
Other aliens might look humanoid but have three or more sexes instead of our standard two. Or they might change sex over a lifetime, as Heinlein's Martians in RED PLANET and STRANGER IN A STRANGE LAND (and some Earth species of fish) do. How would a human hero or heroine in a romance handle falling in love with one of these people? The difficulties in loving a member of the symbiotic species in the STAR TREK universe, where the symbiont switches between male and female bodies several times over its very long lifespan, look simple in comparison.
Tuesday, May 15, 2007
LepreCon - SF Convention near Phoenix
Folks:
This past weekend I did a couple of panels at LepreCon which was held at a Marriott hotel in Tempe, AZ.
I didn't stay over at the hotel (it's just up the road from me about half an hour) -- but drove in for Sunday. I did a 10AM Sunday panel -- (notorious for sleepy people) -- and a 3PM close of the day panel. I ended up moderating both panels.
The 10AM panel was billed thusly:
Sunday Ballroom C 10:00 AM I have Seen the Digital Future and It is Full of Fans
Once we were the proud and lonely few. But here in 2007, SF tropes are everywhere, and the interactions of the internet -- blogs, livejournals and so on -- feel like fanzines reinvented for the digital age. Except these days, everyone seems to be doing it. Are we no longer special?
Judith Herman, Emily Hogan, Ernest Hogan, Jacqueline Lichtenberg, Michael R. Mennenga, Ken St Andre
And the 3PM like so:
Sunday Ballroom C 3:00 PM Spirituality and Writing
How much spirituality do you need to write with depth? Can you prevent too much from seeping through? Does your religion affect your writing?
Jacqueline Lichtenberg, Will Shetterly, David Lee Summers, Karen Traviss
After the first panel, I had an hour-long discussion on the craft of novel writing in the hallway, then went to the Green Room and talked some more -- could barely pull myself away from a fascinating conversation about everything in order to go to a Dr. Who panel.
They were showing the trailer for the 3rd season of the New Doctor -- I can't wait! And we discussed where Dr. Who fits into the SF reader's world. Then I had to run to my 3PM panel.
You'd think there'd be no connection, but it all fell together with the main topic of this blog - Alien Romance.
In the morning we talked about the vision of the paperless future that Margaret posted about on this blog a few days ago. Today the new generation is not going to cons because they get all the "intelligent conversation" they need online. "fanzine" fandom now posts online.
So the panel concluded that we won -- fandom of old has won. We have become the general public. If fans aren't a majority -- we are at least a respectable minority.
But that "fandom" was always about associations, about communication, about forming relationships.
In between I talked about the blog post I made here a couple months ago I think -- about fat fantasy novels that wildly invent everything-and-the-kitchen sink worlds which aren't thematically focused. And I concluded that these novels too are "art" in that they depict the kind of information-overload confusion that real people experience in the real world.
The digital information age presents the world as chaotic.
This led into the discussion of spirituality -- and we only scratched the surface of that, never getting into how a writer's religion might affect a novel ostensibly not about religion.
We talked about James Blish's A CASE OF CONSCIENCE and other famous novels that investigate relgion. I think I touched on C. J. Cherryh but can't recall in which conversation.
Religion is part of worldbuilding -- the anthropological part, the xenology part -- and so we discussed the human impulse or need to "worship" -- and that if there isn't a God concept handy, people will worship science, or technology, or something, because humans somehow just do that.
We just barely touched on questions about how humans could explain our religions or spiritual concept of the world to aliens. But I did mention this blog.
So this convention was a full day of non-stop talking and talking -- which is generally what cons are all about. But again, it was sparsely attended compared to say 15 years ago.
Hotels are expensive, travel is expensive, time is just not available, and so people are getting their convention experiences via the internet.
During this weekend, a news item surfaced about the advent of the virtual office -- where the entire office environment can be simulated at home via internet connection and a vast majority of office jobs could be done without the gasoline burning commute.
Someone in the audience commented that SF writers like Isaac Asimov were only off a little in predicting a future where we all sit in our sterile little cubicals of a home and never actually touch another person.
Maybe I'm old fashioned, but I think touching, even eyeball to eyeball conversation, can't be replaced.
What will we do when we have a free CHOICE about whether to go out "in public?"
Jacqueline Lichtenberg
http://www.simegen.com/jl/
This past weekend I did a couple of panels at LepreCon which was held at a Marriott hotel in Tempe, AZ.
I didn't stay over at the hotel (it's just up the road from me about half an hour) -- but drove in for Sunday. I did a 10AM Sunday panel -- (notorious for sleepy people) -- and a 3PM close of the day panel. I ended up moderating both panels.
The 10AM panel was billed thusly:
Sunday Ballroom C 10:00 AM I have Seen the Digital Future and It is Full of Fans
Once we were the proud and lonely few. But here in 2007, SF tropes are everywhere, and the interactions of the internet -- blogs, livejournals and so on -- feel like fanzines reinvented for the digital age. Except these days, everyone seems to be doing it. Are we no longer special?
Judith Herman, Emily Hogan, Ernest Hogan, Jacqueline Lichtenberg, Michael R. Mennenga, Ken St Andre
And the 3PM like so:
Sunday Ballroom C 3:00 PM Spirituality and Writing
How much spirituality do you need to write with depth? Can you prevent too much from seeping through? Does your religion affect your writing?
Jacqueline Lichtenberg, Will Shetterly, David Lee Summers, Karen Traviss
After the first panel, I had an hour-long discussion on the craft of novel writing in the hallway, then went to the Green Room and talked some more -- could barely pull myself away from a fascinating conversation about everything in order to go to a Dr. Who panel.
They were showing the trailer for the 3rd season of the New Doctor -- I can't wait! And we discussed where Dr. Who fits into the SF reader's world. Then I had to run to my 3PM panel.
You'd think there'd be no connection, but it all fell together with the main topic of this blog - Alien Romance.
In the morning we talked about the vision of the paperless future that Margaret posted about on this blog a few days ago. Today the new generation is not going to cons because they get all the "intelligent conversation" they need online. "fanzine" fandom now posts online.
So the panel concluded that we won -- fandom of old has won. We have become the general public. If fans aren't a majority -- we are at least a respectable minority.
But that "fandom" was always about associations, about communication, about forming relationships.
In between I talked about the blog post I made here a couple months ago I think -- about fat fantasy novels that wildly invent everything-and-the-kitchen sink worlds which aren't thematically focused. And I concluded that these novels too are "art" in that they depict the kind of information-overload confusion that real people experience in the real world.
The digital information age presents the world as chaotic.
This led into the discussion of spirituality -- and we only scratched the surface of that, never getting into how a writer's religion might affect a novel ostensibly not about religion.
We talked about James Blish's A CASE OF CONSCIENCE and other famous novels that investigate relgion. I think I touched on C. J. Cherryh but can't recall in which conversation.
Religion is part of worldbuilding -- the anthropological part, the xenology part -- and so we discussed the human impulse or need to "worship" -- and that if there isn't a God concept handy, people will worship science, or technology, or something, because humans somehow just do that.
We just barely touched on questions about how humans could explain our religions or spiritual concept of the world to aliens. But I did mention this blog.
So this convention was a full day of non-stop talking and talking -- which is generally what cons are all about. But again, it was sparsely attended compared to say 15 years ago.
Hotels are expensive, travel is expensive, time is just not available, and so people are getting their convention experiences via the internet.
During this weekend, a news item surfaced about the advent of the virtual office -- where the entire office environment can be simulated at home via internet connection and a vast majority of office jobs could be done without the gasoline burning commute.
Someone in the audience commented that SF writers like Isaac Asimov were only off a little in predicting a future where we all sit in our sterile little cubicals of a home and never actually touch another person.
Maybe I'm old fashioned, but I think touching, even eyeball to eyeball conversation, can't be replaced.
What will we do when we have a free CHOICE about whether to go out "in public?"
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Monday, May 14, 2007
Games of Command - Deleted CH 15 scene
From the original 2001 file, so don't mess with me on style or typos or inconsistencies or such, okay? ;-) This is raw, unedited shhhhtuff.
MAIN LIFT, I.H.S. VAXXAR
Sass heard Kel-Paten’s hard bootsteps come up behind her just as the lift doors opened.
"You’re off duty until I tell you otherwise, Sebastian," he said as they stepped inside.
"Ah. And who died and made you C.M.O.?"
"If I see you on the Bridge any time today I will forcibly carry you back to your quarters."
Could be interesting, Sass noted. Then: Naah.
"You don’t have to keep looking at me," she told him after the lift doors closed. "I’m not going to keel over on you again."
"I should have realized you weren’t well yesterday."
"You shouldn’t have realized anything. You can’t keep track of all four hundred fifty of us on board. That’s Eden’s job. If anything, I should’ve checked in with her earlier when I didn’t feel well." Those letters. Those damn letters and the way he’d looked at her when he’d walked into Sickbay. It made her stomach tense and she knew it was guilt knocking at her conscience’s back door. He’d thought she was dying. Cal Monterro had hinted how miserable Kel-Paten had looked.
"All the more reason you are not to be on active duty today."
"Kel-Paten--!"
"There’s been... a lot of stress accompanying this transtion, with the new Alliance," he said, ignoring the daggers she visually flung at him. "We’ve only this Serafino situation to wrap up right now and when that’s finished, well I think you might want to take some time off."
Oh no. Oh no. This wasn’t heading where she thought it was heading. Not now. Not so soon! "I really don’t think---"
"Perhaps just a couple of days. Some light R & R ." He wasn’t looking at her, but watching the digital deck numbers flash on the wall of the lift.
No. No, Sass pleaded. Please don’t mention T’Garis. Please. I can’t handle this right now!
"Have you ever been to T’Garis?" he asked just as the lift doors pinged.
She stepped out onto the Deck 2 Corridor. "No, I’ve never been to T’Garis," she said through clenched teeth. "You wouldn’t let me, remember? Something about a little inconvenient war going on. Damn tough to bust through the neutral zone with the Vax on my tail all the time."
She lay her hand against the door scanner. "But," she continued brightly as the door slid into the wall, "I’ll probably get there sometime. I know A.T. wants to go. I’ll mention it next time I talk to her." She nodded at him. "I’ll be in my office after lunch. Not on the bridge, Admiral. In my office." And she hit the manual override on the inside of the door frame, closing the door in his face.
From his position on the back of her couch, Tank perked up his fluffy ears and murrupped several times.
"Don’t ask, fidget, you don’t want to know," she told him, then stripped off her jacket and fell promptly asleep on her bed.
then same chapter, a few pages later...
BRIDGE, I.H.S. VAXXAR
Brynar Kel-Paten sat in the command chair, one elbow on the armrest, his chin in his hand and watched, without watching, the movement of his senior officers at their stations. No one spoke to him, which was just as well. His mind was on other things.
She thought he still doubted her allegiance to the Alliance, because she’d known Serafino years ago, when she was a card dealer at a nighthouse of questionable repute. Queenies. He’d never been there, but he’d been to the higher-priced versions the Empire had to offer. That Sass knew more about a darker side, a very much less legal side, of life, he had no doubt.
That that was also what created an ease between Sass and Serafino was also a logical conclusion. They’d spent their formative years in similar circumstances.
But Kel-Paten was afraid there might be more than just that. Everything about Jace Serafino when he was around Sass-- the way he moved with a controlled grace; the way he talked as if every word were intimate; the way he looked at her with anticipation-- everything said something more was going on.
But what it was he couldn’t prove, yet. Other than the one thing he did know was that Serafino would, given the chance, strip Kel-Paten of whatever he valued, whatever he held dear.
Because he’d been the one who had found out about Serafino’s sister. And he’d been the one who had relayed that same information to the Defense Minister, all the while uncomfortably knowing that the young woman and her son were innocent bystanders.
He wanted very much to believe that they had been taken into protective custody and were safely relocated.
But he’d never been able to prove that.
And Serafino had never mentioned that. But he knew; he knew Serafino knew he had been the one to find his sister.
And he also knew Serafino would stop at nothing to get revenge.
~Linnea
http://linneasinclair.com/gamescover.htm
Sunday, May 13, 2007
Smoking Characters
I don't have any Mothers' Day thoughts for alien romances. Of course, aliens ought to have high days and holidays that they celebrate. Whether they have special days to honor various family members would depend on their social structure.
Would a society that is organized like a group of Bonobo, or like Emperor Penguins, or like a pride of lions --or a harem of hens-- celebrate Mothers' Day?
So, I think I'll default to the other burningly topical issue this weekend. Smoking!
In FORCED MATE, the alien hero --Crown Prince Tarrant-Arragon-- has his first reflective moment alone with the disreputable human mercenary who has been hired to be his driver and tour guide.
Grievous is a smoker. Tarrant-Arragon is not. You wouldn't expect someone who lives in a closed environment like a spaceship to indulge in the recreational slow burning of plant matter.
However, Tarrant-Arragon has seen movies. He knows what a cigarette is. He also understands machismo and one-upmanship. When a subordinate and a lesser being offers him a cigarette along with a critique of his romantic prowess, he is not going to wimp out.
-----
"I'd say we've frightened her, Sir."
"I cannot imagine how, or why. I told her I wanted to mate."
"Yup. That might have done it." The Earthling tapped two cigarettes out of a battered paper packet. "Want one, Sir?"
Tarrant-Arragon accepted it, and watched Grievous to see whether it mattered which end of the cigarette went into his mouth.
.....
(advice about Tarrant-Arragon's vocabulary and use of English follows)
.....
"Ah, well, I dare say you've had more young ladies than I've had cups of tea, Sir. But does this one know your ways, Sir? Eh? Or does she think like one of us Earthlings?"
Tarrant-Arragon didn't reply. He blew a perfect smoke ring, and watched its wavering ascent.
"Oh, splendid, Sir! Where did you learn to do that?" Apparently, Grievous thought flattery was expected.
Tarrant-Arragon grinned. "I've watched Earthling movies off your satellites, mostly for pointers on your courting customs. I find this smoking somewhat intoxicating. Will it adversely affect my breath for kissing?"
"It might, Sir. I shouldn't let that worry you. A girl will put up with all sorts of ill treatment if she knows she's going to marry a prince."
"No doubt," Tarrant-Arragon said, savaging the cigarette under his heel.
"Oh, that's right!" Grievous slapped his forehead. "You don't intend to inform her of her great good fortune, do you, Sir? It's going to be romantic, like Beauty And The Beast. Next thing we know, you'll be wanting her to love you for your sweet nature and kind heart."
-----
If blowing smoke rings is a measure of a smoker's excellence, Tarrant-Arragon manages to prove himself superior to Grievous, before he finds a plausible and macho reason to extinguish the cigarette.
I think this is my only "smoking" scene in my books. Just as movie actors of a certain generation liked to smoke because smoking provided a compact activity, so authors need some kind of "business" for their characters to engage in while they are delivering dialogue.
It's not always easy. Characters cannot constantly be drinking, or having sex (though those are favorite activities when something really important needs to be said). Eating presents logistical problems in a romance, alien or otherwise. You don't want people talking with their mouths full. Having a bath works within reason, but other bathroom activities may be frowned upon. Exercising is a good one, or sewing, card-playing, or staring into space (through a Bridge window).
What do you like your alien romance characters to be doing while they have a heart-to-heart?
Happy Mothers' Day!
Thursday, May 10, 2007
Paperless World?
At my day job, copyediting in the Department of Legislative Services for the General Assembly of Maryland, we're struggling to adjust to the (latest) "new" system for processing bills, the House and Senate journals, etc. This go-round it's Microsoft Word, which displays serious limitations when forced to perform as a publishing system. When I started in this job, veterans from the earliest days of legislative proofreading told me that upon the introduction of computers it was predicted that soon proofreaders wouldn't be needed. You probably won't be surprised to learn that every legislative session we hire new staff, and horizontal surfaces throughout the office constantly sprout veritable mountain ranges of paper. The vision of the "paperless office" is still a long way from fulfillment in reality.
Personally, I have no ambition to eliminate paper from my life. I don't trust electronic storage that much. One little electrical surge could obliterate it. Whenever I want to keep a piece of information, I always print a hard copy. Likewise, I can't see the attraction of reading the newspaper online. To look up specific articles, sure. But not as a substitute for sitting at the breakfast table while browsing the whole paper and reading the comics. Online access works better for some functions, but not all. If I had to read the paper by clicking on links instead of flipping pages, I'd surely miss a lot of articles that might otherwise catch my eye. What about books? As an e-book author, I'm naturally in favor of the widespread adoption of electronic texts. Given a cheap, durable, user-friendly e-reader, electronic books will eventually become as common as cell phones and iPods. That reader doesn't exist yet, unfortunately, but some form of PDA or iPod-like device will probably evolve to fill the niche. I've noticed that among avid readers of e-books, the Palm Pilot-type product seems to be the favored reading medium. Already, many people who haven't yet discovered e-books keep their calendars, address books, and memos on handheld devices. (Another trend that leaves me unenthused, personally. Why would I prefer to switch on an electronic gadget when it's much easier to open a paper calendar and jot a note in pen? And the old-fashioned pocket calendar has no risk of batteries dying or memory crashing.)
However, I don't expect e-texts to drive paper books into extinction. Each form has its advantages. E-books, for example, take up less space, are cheaper (if the publisher is marketing them properly instead of expecting consumers to pay near-hardcover prices—and then using the resulting low sales as "proof" that nobody wants e-books in the first place), and can be read in the dark. They're clearly the wave of the future for textbook publishing—inexpensive, easily updated, and virtually weightless. Yet for some purposes, e.g. flipping through pages at random to browse the contents, they imperfectly mimic what bound books do well. (There's a good reason why the codex replaced the scroll back in the Dark Ages.) Even in future worlds such as the Star Trek universe and J. D. Robb's "In Death" series, where e-texts have become the norm, true bibliophiles still collect bound volumes, too.
TV, videos, and DVDs haven't abolished theatrical movies. Earlier, TV didn't drive radio out of existence. Thousands (if not millions) of devotees still play dice-and-paper Dungeons and Dragons despite the allure of World of Warcraft. Even vinyl records, I've heard, are making a comeback. Old media don't necessarily die; they simply adapt to new technological and marketing environments. In my ideal future, new media would become readily and cheaply available to everyone without loss of the old.
Tuesday, May 08, 2007
Presidential Politics Alien Style
Folks:
This is a blog about Alien Romance, but a while ago someone asked about the writing technique known as Worldbuilding -- and for most of my posts since, I've been developing a long instructional piece on how to do the kind of thinking native to SF while still telling a whopping romance story.
Most people think of worldbuilding as having to do with science -- and sometimes they dare to include sociology or psychology. But the real point of all the science (how big is the world you're building, what's its gravity, what kind of sun does it have, moons?, cycles and seasons, evolutionary pressures, contact with other worlds in this galaxy or another etc. etc) the real point is to start with the physics of the star's makeup, project what kind of worlds would circle that star, start with a raw dead hunk of rock and develope an environment conducive to life.
Then you have to populate that environment with plants and animals (or some bizarre equivalent) from single protein molecules on up -- then figure what pressures that environment would put on life to force the development of intelligence -- THEN decide what sort of Divine intervention actually happened to produce people, or what sort of Divine intervention those people postulate and/or believe solemnly.
And the point of all this -- ROMANCE!
The point of thinking through each step from raw sun to rock to life to intelligence is to postulate how physiology and environment combine to generate cultures.
Yes, Alien Romance is inherently about intercultural communication -- which may often include conflict. And where there's conflict, there's STORY.
But what good is all that hard work if the people who read your story don't understand it or care to try to understand it?
Your story has to say something about today, humanity, life on earth, our cultures and their conflicts. A story has to be relevant to its times (no matter if set in the future like Star Trek or set in the past like a time-travel romance).
The whole point of writing a story at all is to arouse the reader and provide an emotional experience they couldn't get from "real" life. But they must return to "real" life with some new point of view, some new idea, (this is SF Romance or Romantic SF -- any way you slice it Alien Romance is primarily SF and thus the Literature of Ideas - so readers must return to reality with an IDEA to think about and explore.)
You want to get famous as a writer? Produce ideas your readers will TALK about to their friends, thus inducing people to read your books.
So where do writers get those kinds of ideas? SF ideas?
Just watch the evening news!
We just saw an election in France that promises to change the political course there -- toward building a more capitalistic economy and edging away from the kind of economy that failed in Japan where laws made it hard or impossible for corporations to fire people. Strangely, the inability to fire people means that unemployment goes up and up and UP and the government crashes down in revolution -- or as in Japan, things get changed on the government level.
Now the USA faces a truly important Presidential Election. No matter which side you're already on, you know that the choice we make in 2008 will change things in the whole world.
Nearly a year before the first primary we have a field of 18 candidates - 10 of them Republican.
Hundreds of millions of dollars are going into this presidential campaign. It's a spectacle to rival the Roman Circus!
What's an SF writer looking for an Alien Romance story to do if the source of ideas is the evening news? And all that's on is Presidential Debates?
Sit back, put on your alien ears, and just listen to what these people are saying. Oh, yeah, they're all politicians. Like preachers, they have learned a certain "cant" -- a chant, a tune, a manner of speaking and a set of phrases, jargon, and so on, mostly incomprehensible to someone who's not American or maybe British (though I have to admit I don't understand British politics at all.)
Well, I did this exercise the other night and I've been watching the sound-bytes and reading some articles online -- and one thing leaps out at me more starkly even than in prior campaigns.
These characters all try to distinguish themselves from each other by WHAT they will FIGHT FOR -- not about their attitude toward fighting in general.
"Elect me and I'll fight for your right to X, Y, Z."
They'll fight global warming; they'll pledge to fight whatever people don't like at the moment.
How would that sound to someone from that planet we invented above, the planet upon which a species evolved to produce a major Hunk our Earthling can fall in love with while hating or rescuing him?
How we choose the SUN around which this bare rock forms -- (yes, worldbuilding goes that far back -- how you choose the sun) -- will determine whether politicians from those civilizations FIGHT or whether they PROBLEM SOLVE instead.
Do they argue instead of negotiate? Do they keep arguing until they convince everyone -- are their elections about finding out what is right instead of who is right?
If so, then our elections and our Presidential Politics will look pretty ridiculous or incomprehensible -- "How can you settle a war by fighting? It makes no sense."
Thus our glorious Hunk looks upon the Love of His Life who is running for President of the USA on the pledge to FIGHT FOR GALACTIC PEACE, and runs for the hills!
Ooops. Back to choosing the right sun to build our world around.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
This is a blog about Alien Romance, but a while ago someone asked about the writing technique known as Worldbuilding -- and for most of my posts since, I've been developing a long instructional piece on how to do the kind of thinking native to SF while still telling a whopping romance story.
Most people think of worldbuilding as having to do with science -- and sometimes they dare to include sociology or psychology. But the real point of all the science (how big is the world you're building, what's its gravity, what kind of sun does it have, moons?, cycles and seasons, evolutionary pressures, contact with other worlds in this galaxy or another etc. etc) the real point is to start with the physics of the star's makeup, project what kind of worlds would circle that star, start with a raw dead hunk of rock and develope an environment conducive to life.
Then you have to populate that environment with plants and animals (or some bizarre equivalent) from single protein molecules on up -- then figure what pressures that environment would put on life to force the development of intelligence -- THEN decide what sort of Divine intervention actually happened to produce people, or what sort of Divine intervention those people postulate and/or believe solemnly.
And the point of all this -- ROMANCE!
The point of thinking through each step from raw sun to rock to life to intelligence is to postulate how physiology and environment combine to generate cultures.
Yes, Alien Romance is inherently about intercultural communication -- which may often include conflict. And where there's conflict, there's STORY.
But what good is all that hard work if the people who read your story don't understand it or care to try to understand it?
Your story has to say something about today, humanity, life on earth, our cultures and their conflicts. A story has to be relevant to its times (no matter if set in the future like Star Trek or set in the past like a time-travel romance).
The whole point of writing a story at all is to arouse the reader and provide an emotional experience they couldn't get from "real" life. But they must return to "real" life with some new point of view, some new idea, (this is SF Romance or Romantic SF -- any way you slice it Alien Romance is primarily SF and thus the Literature of Ideas - so readers must return to reality with an IDEA to think about and explore.)
You want to get famous as a writer? Produce ideas your readers will TALK about to their friends, thus inducing people to read your books.
So where do writers get those kinds of ideas? SF ideas?
Just watch the evening news!
We just saw an election in France that promises to change the political course there -- toward building a more capitalistic economy and edging away from the kind of economy that failed in Japan where laws made it hard or impossible for corporations to fire people. Strangely, the inability to fire people means that unemployment goes up and up and UP and the government crashes down in revolution -- or as in Japan, things get changed on the government level.
Now the USA faces a truly important Presidential Election. No matter which side you're already on, you know that the choice we make in 2008 will change things in the whole world.
Nearly a year before the first primary we have a field of 18 candidates - 10 of them Republican.
Hundreds of millions of dollars are going into this presidential campaign. It's a spectacle to rival the Roman Circus!
What's an SF writer looking for an Alien Romance story to do if the source of ideas is the evening news? And all that's on is Presidential Debates?
Sit back, put on your alien ears, and just listen to what these people are saying. Oh, yeah, they're all politicians. Like preachers, they have learned a certain "cant" -- a chant, a tune, a manner of speaking and a set of phrases, jargon, and so on, mostly incomprehensible to someone who's not American or maybe British (though I have to admit I don't understand British politics at all.)
Well, I did this exercise the other night and I've been watching the sound-bytes and reading some articles online -- and one thing leaps out at me more starkly even than in prior campaigns.
These characters all try to distinguish themselves from each other by WHAT they will FIGHT FOR -- not about their attitude toward fighting in general.
"Elect me and I'll fight for your right to X, Y, Z."
They'll fight global warming; they'll pledge to fight whatever people don't like at the moment.
How would that sound to someone from that planet we invented above, the planet upon which a species evolved to produce a major Hunk our Earthling can fall in love with while hating or rescuing him?
How we choose the SUN around which this bare rock forms -- (yes, worldbuilding goes that far back -- how you choose the sun) -- will determine whether politicians from those civilizations FIGHT or whether they PROBLEM SOLVE instead.
Do they argue instead of negotiate? Do they keep arguing until they convince everyone -- are their elections about finding out what is right instead of who is right?
If so, then our elections and our Presidential Politics will look pretty ridiculous or incomprehensible -- "How can you settle a war by fighting? It makes no sense."
Thus our glorious Hunk looks upon the Love of His Life who is running for President of the USA on the pledge to FIGHT FOR GALACTIC PEACE, and runs for the hills!
Ooops. Back to choosing the right sun to build our world around.
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Monday, May 07, 2007
More "Lost" Games of Command scenes
Okay, this one isn't so much lost (it's part of Chapter 7) as it was pared down. This is the uncut version from 2001, so pardon some of the inconsistencies. The book was originally a series, you know. Poor thing's been through hell...
BRIDGE, THS VAXXAR
“All I know, admiral, is that Doctors Fynn and Monterro still have tests to perform on Serafino. They don’t want anything to occur that could cause him to relapse.”
Kel-Paten glanced down at the small woman standing next to him on the bridge. Her face was in profile to him. She watched the starfield flowing by the large forward viewport as the Vaxxar traveled at sub-light speed towards the nearest Fleet Base on Panperra Station.
He hated when he couldn’t see her eyes when she spoke. He was learning, sometimes the hard way, to read her expressions, the nuances between her words and thoughts. True, he’d been trained-- he liked that word better than programmed-- to correctly interpret over one hundred and forty human facial expressions and another sixty-seven non-human ones. But these classifications were useless when it came to Tasha Sebastian.
He needed to know more than the fact that her facial expression designated, for example, mild amusement. He needed to know if that amusement was directed at him or against him; if it were an amusement she felt he’d understand and wanted to share with him; if something he said or did was the source of that delightful and often pixie-ish smile. He needed to know if he made her feel something.
And nothing in his progr-- his training allowed for that.
Right now, the little he could see of her face told him she’d adopted her “professional expression”-- a noncommittal, almost bland mien. She simply reported the facts as she knew them, and had no opinions of same.
Or else she had deep opinions and was not about to share them with him. He’d known her long enough, studied her long enough, to see that also as a viable option. It was at those times he felt the most left out. She didn’t trust him enough to share her concerns with him. Or, like most of his crew, she believed he wasn’t capable of caring.
He was. She’d taught him that, too.
So he probed, asked a few more questions about Serafino’s condition and got nowhere. Except that now she thought he didn’t have any faith in Fynn’s medical abilities.
“I assure you, Sebastian, I have a great respect for the doctor’s assessment here. However, her focus is different from ours.” He liked that as soon as he said it. It aligned Sass with himself under the heading of “Command”, breaking from her usual allegiance with the CMO.
“As I understand it, we’ll have nothing to focus on if Serafino is comatose again. Or dead.” She looked at him briefly, a slight raising of one eyebrow as if to say, ‘Are you following me on this, fly-boy?’
She hadn’t called him “fly-boy” since the peace talks. Before that, it had been one of the names she’d taunted him with from the bridge of the Regalia. Fly-boy. An ancient aviator term for heavy-air fighter pilots. The first time she’d leveled it at him he’d taken offense but she’d used it so often after that that it became almost a term of endearment. At least, he liked to think of it that way.
Now, all he rated was the raised eyebrow.
“I only intend to question the man, not torture him,” he told her.
“At least not yet, eh, Kel-Paten?” she replied, her voice lowered a bit and with a hint of a smile.
“Sebastian.” He paused.
“Kel-Paten,” she replied and then paused.
It was the ‘name game’, one of their few rituals that had continued after the peace talks. He would say her name, followed by the appropriate warning-filled pause whenever something she said or did warranted his supposed disapproval. And she would reply with his name, either matching his warning tone or, more often, mocking it.
This time it was the latter.
“When we reach Panperra he’ll be turned over to Adjutant Kel-Farquin,” he said, watching her carefully for her reaction. “That should be torture enough.”
She choked back a laugh at his comment, which told him she remembered what he did. Homer Kel-Farquin’s whining, nasal voice and supercilious manner had been one of the low-points in the peace talks. Kel-Paten would steeple his hands in front of his face every time the Adjutant would launch into one of his obnoxious diatribes. After one such painful session, Sass had sarcastically complimented Kel-Paten on his ability to appear so focused on Kel-Farquin’s every word.
“I am not focused,” he’d told her without expression. “I am sleeping.”
He’d been rewarded then with one of her-- heart stopping-- smiles. Not dissimilar to the one now teasing across her lips.
“Why Admiral Kel-Paten,” she drawled. “I heard you were so impressed with Kel-Farquin’s oratory talents that you ordered copies of every one of his speeches.”
“I believe,” he countered dryly, “that would be grounds for a Section Forty-Six.”
“Unless one had a justifiable reason for ordering them. You know,” she said, continuing their verbal game, “those tapes may contain the very thing we need to defeat the Illithians.”
He thought for a moment. “A subliminal transmission of their contents into Illithian space could be very effective,” he posited, matching her feigned concern.
“Or considered cruel and inhumane methods.”
A slight shrug. “Who would be left to complain?”
“There might be a few. After all, I found copious amounts of gin to be an workable antidote.”
He glanced down at her. “I slept.”
“And well I remember your ingenious defense. Better than mine. No hangover.”
“It’s a methodology I developed after a long association with Triad politicians. Let my experience be your guide.”
She clasped her hands behind her back and rocked on her heels. “I’ll keep that in mind for your next staff meeting.”
Had he misread her? Was she aligning him in her mind with the likes of Homer Kel-Farquin? He wasn’t sure until she grinned up at him. “Gotcha!” she said softly.
He couldn’t help it. He felt a small smile form on his lips but she was turning away from him, her attention on a nav-tech on the lower tier of the bridge. There was a problem with some incoming data. She stepped quickly down the stairs.
Some of her warmth, however, lingered behind.
Gotcha.
Yes, indeed.
~Linnea
www.linneasinclair.com
BRIDGE, THS VAXXAR
“All I know, admiral, is that Doctors Fynn and Monterro still have tests to perform on Serafino. They don’t want anything to occur that could cause him to relapse.”
Kel-Paten glanced down at the small woman standing next to him on the bridge. Her face was in profile to him. She watched the starfield flowing by the large forward viewport as the Vaxxar traveled at sub-light speed towards the nearest Fleet Base on Panperra Station.
He hated when he couldn’t see her eyes when she spoke. He was learning, sometimes the hard way, to read her expressions, the nuances between her words and thoughts. True, he’d been trained-- he liked that word better than programmed-- to correctly interpret over one hundred and forty human facial expressions and another sixty-seven non-human ones. But these classifications were useless when it came to Tasha Sebastian.
He needed to know more than the fact that her facial expression designated, for example, mild amusement. He needed to know if that amusement was directed at him or against him; if it were an amusement she felt he’d understand and wanted to share with him; if something he said or did was the source of that delightful and often pixie-ish smile. He needed to know if he made her feel something.
And nothing in his progr-- his training allowed for that.
Right now, the little he could see of her face told him she’d adopted her “professional expression”-- a noncommittal, almost bland mien. She simply reported the facts as she knew them, and had no opinions of same.
Or else she had deep opinions and was not about to share them with him. He’d known her long enough, studied her long enough, to see that also as a viable option. It was at those times he felt the most left out. She didn’t trust him enough to share her concerns with him. Or, like most of his crew, she believed he wasn’t capable of caring.
He was. She’d taught him that, too.
So he probed, asked a few more questions about Serafino’s condition and got nowhere. Except that now she thought he didn’t have any faith in Fynn’s medical abilities.
“I assure you, Sebastian, I have a great respect for the doctor’s assessment here. However, her focus is different from ours.” He liked that as soon as he said it. It aligned Sass with himself under the heading of “Command”, breaking from her usual allegiance with the CMO.
“As I understand it, we’ll have nothing to focus on if Serafino is comatose again. Or dead.” She looked at him briefly, a slight raising of one eyebrow as if to say, ‘Are you following me on this, fly-boy?’
She hadn’t called him “fly-boy” since the peace talks. Before that, it had been one of the names she’d taunted him with from the bridge of the Regalia. Fly-boy. An ancient aviator term for heavy-air fighter pilots. The first time she’d leveled it at him he’d taken offense but she’d used it so often after that that it became almost a term of endearment. At least, he liked to think of it that way.
Now, all he rated was the raised eyebrow.
“I only intend to question the man, not torture him,” he told her.
“At least not yet, eh, Kel-Paten?” she replied, her voice lowered a bit and with a hint of a smile.
“Sebastian.” He paused.
“Kel-Paten,” she replied and then paused.
It was the ‘name game’, one of their few rituals that had continued after the peace talks. He would say her name, followed by the appropriate warning-filled pause whenever something she said or did warranted his supposed disapproval. And she would reply with his name, either matching his warning tone or, more often, mocking it.
This time it was the latter.
“When we reach Panperra he’ll be turned over to Adjutant Kel-Farquin,” he said, watching her carefully for her reaction. “That should be torture enough.”
She choked back a laugh at his comment, which told him she remembered what he did. Homer Kel-Farquin’s whining, nasal voice and supercilious manner had been one of the low-points in the peace talks. Kel-Paten would steeple his hands in front of his face every time the Adjutant would launch into one of his obnoxious diatribes. After one such painful session, Sass had sarcastically complimented Kel-Paten on his ability to appear so focused on Kel-Farquin’s every word.
“I am not focused,” he’d told her without expression. “I am sleeping.”
He’d been rewarded then with one of her-- heart stopping-- smiles. Not dissimilar to the one now teasing across her lips.
“Why Admiral Kel-Paten,” she drawled. “I heard you were so impressed with Kel-Farquin’s oratory talents that you ordered copies of every one of his speeches.”
“I believe,” he countered dryly, “that would be grounds for a Section Forty-Six.”
“Unless one had a justifiable reason for ordering them. You know,” she said, continuing their verbal game, “those tapes may contain the very thing we need to defeat the Illithians.”
He thought for a moment. “A subliminal transmission of their contents into Illithian space could be very effective,” he posited, matching her feigned concern.
“Or considered cruel and inhumane methods.”
A slight shrug. “Who would be left to complain?”
“There might be a few. After all, I found copious amounts of gin to be an workable antidote.”
He glanced down at her. “I slept.”
“And well I remember your ingenious defense. Better than mine. No hangover.”
“It’s a methodology I developed after a long association with Triad politicians. Let my experience be your guide.”
She clasped her hands behind her back and rocked on her heels. “I’ll keep that in mind for your next staff meeting.”
Had he misread her? Was she aligning him in her mind with the likes of Homer Kel-Farquin? He wasn’t sure until she grinned up at him. “Gotcha!” she said softly.
He couldn’t help it. He felt a small smile form on his lips but she was turning away from him, her attention on a nav-tech on the lower tier of the bridge. There was a problem with some incoming data. She stepped quickly down the stairs.
Some of her warmth, however, lingered behind.
Gotcha.
Yes, indeed.
~Linnea
www.linneasinclair.com
Sunday, May 06, 2007
Astronaut kidney stones
If the label at the Johnson Space Center in Houston gave proper attribution to the astronauts who kindly donated their kidney stones for the public to peer at, and wince over, I did not notice it.
One specimen on display was the size of my little toe!
I don't know whether I can make much of astronautical (should that be a word?) kidney stones in my "Forking" books (the sequels to my alien romances in the Gods of Tigron trilogy). With Forced Mate, the carefully (but not personally) researched military uses for urine were left on the cutting room floor. However, I don't think my hero is going to want to be weightless for any long period of time. I'll have to upgrade his mothership.
That means that there wouldn't be a lot of point in tying him into one of those cool, grey, astronaut sleeping bags, which had seemed to me to have some vaguely sexy possibilities... While alluding to bondage, I'd never, previously, given much thought to the fact that astronauts in a zero gravity environment have to be tied down in order to exercise.
As for floaters, did you know that astronaut toilets have a rear view mirror, so astronauts can check before leaving the throne that they are not about to be pursued around the spacecraft?
If you ever thought that an airliner's toilet made efficient use of space, with every surface a repository for some compactly-stowed item, imagine the space shuttle as an airline toilet... without gravity, and without the running water.
Every pull-out drawer had a net inside it, to stop the drawer's contents escaping whenever the drawer was opened. The different space suits were interesting. One which had chilled water pumped through it reminded me powerfully of the costumes worn in "Dune". Another made the astronaut look like a human lobster.
I've thought of "contact suits" for visiting aliens, but never before had I realised that a stiff and bulky (and sealed) headmask would mean that one could not contemplate ones own navel ... or chest. Astronauts have small mirrors on the insides of their wrists, so that they can read the dials in the control packs on their chests and other places. That means, any instructions have to be in "mirror writing".
Of course, this would not be an issue if an alien language was in symbols like our H or O or X which read the same whether upside down or backwards. Then, they'd have to have a Yoda-like concept of grammar, where word order did not matter.
Much as I love Tolkein, I don't think I'll take world-building to the extent he did, and actually invent (and use) a complete language for my alien worlds. Until every book is an e-book --and there will come a day when it is illegal to cut down trees-- pulp fiction allows a writer ever fewer pages to tell a story.
Best wishes,
Rowena Cherry
Insufficient Mating Material
One specimen on display was the size of my little toe!
I don't know whether I can make much of astronautical (should that be a word?) kidney stones in my "Forking" books (the sequels to my alien romances in the Gods of Tigron trilogy). With Forced Mate, the carefully (but not personally) researched military uses for urine were left on the cutting room floor. However, I don't think my hero is going to want to be weightless for any long period of time. I'll have to upgrade his mothership.
That means that there wouldn't be a lot of point in tying him into one of those cool, grey, astronaut sleeping bags, which had seemed to me to have some vaguely sexy possibilities... While alluding to bondage, I'd never, previously, given much thought to the fact that astronauts in a zero gravity environment have to be tied down in order to exercise.
As for floaters, did you know that astronaut toilets have a rear view mirror, so astronauts can check before leaving the throne that they are not about to be pursued around the spacecraft?
If you ever thought that an airliner's toilet made efficient use of space, with every surface a repository for some compactly-stowed item, imagine the space shuttle as an airline toilet... without gravity, and without the running water.
Every pull-out drawer had a net inside it, to stop the drawer's contents escaping whenever the drawer was opened. The different space suits were interesting. One which had chilled water pumped through it reminded me powerfully of the costumes worn in "Dune". Another made the astronaut look like a human lobster.
I've thought of "contact suits" for visiting aliens, but never before had I realised that a stiff and bulky (and sealed) headmask would mean that one could not contemplate ones own navel ... or chest. Astronauts have small mirrors on the insides of their wrists, so that they can read the dials in the control packs on their chests and other places. That means, any instructions have to be in "mirror writing".
Of course, this would not be an issue if an alien language was in symbols like our H or O or X which read the same whether upside down or backwards. Then, they'd have to have a Yoda-like concept of grammar, where word order did not matter.
Much as I love Tolkein, I don't think I'll take world-building to the extent he did, and actually invent (and use) a complete language for my alien worlds. Until every book is an e-book --and there will come a day when it is illegal to cut down trees-- pulp fiction allows a writer ever fewer pages to tell a story.
Best wishes,
Rowena Cherry
Insufficient Mating Material
Admin ... Can the dinosaur brain adapt?
I think I may have fouled up.
While I was in Houston for the Romantic Times booklovers convention, and inspired by all the good and positive things I heard about group blogging, I started a cross-genre blog for authors who love to write animal characters into their books. (Males-And-Other-Animals).
This morning, having noticed that my "new" co-bloggers hadn't put up their own websites and other urls of interest, I went stabbing around in the virtual dark, taking my responsibilities as site owner seriously, you see.
Before long, I realized that I didn't have to "do" HTML. This was inconvenient, because I couldn't copy and paste half a column of hrefs. However, there were compensations.
Book videos/book trailers, for instance, can be permanently lodged in the footer. What you do, having uploaded yours simply by title, is doubleclick on it, and then scroll to the top of the blogpage to watch it.
"I'm done watching this" will appear above the video. For a few moments, I was taken aback until I realized that this is not someone else's snark about my Insufficient Mating Material book trailer, but a handy link to stop the video.
Seductive!!! Linnea and Susan, take note. I think there may be links for podcasts and tv shows, too.
I tried to be responsible. I experimented on another blog that I control. The upgrade warning warned me that I'd lose any changes I'd made to colors and fonts. It also promised to save my original indefinitely. (Of course, I can't now find the original).
Too late, I find that I seem to have "lost" our silver heart logo. (Jacqueline, it is still on the old, unimproved, Survival-Romances site, so all is not lost)
I apologize for the inconvenience.
Best wishes
Rowena Cherry
While I was in Houston for the Romantic Times booklovers convention, and inspired by all the good and positive things I heard about group blogging, I started a cross-genre blog for authors who love to write animal characters into their books. (Males-And-Other-Animals).
This morning, having noticed that my "new" co-bloggers hadn't put up their own websites and other urls of interest, I went stabbing around in the virtual dark, taking my responsibilities as site owner seriously, you see.
Before long, I realized that I didn't have to "do" HTML. This was inconvenient, because I couldn't copy and paste half a column of hrefs. However, there were compensations.
Book videos/book trailers, for instance, can be permanently lodged in the footer. What you do, having uploaded yours simply by title, is doubleclick on it, and then scroll to the top of the blogpage to watch it.
"I'm done watching this" will appear above the video. For a few moments, I was taken aback until I realized that this is not someone else's snark about my Insufficient Mating Material book trailer, but a handy link to stop the video.
Seductive!!! Linnea and Susan, take note. I think there may be links for podcasts and tv shows, too.
I tried to be responsible. I experimented on another blog that I control. The upgrade warning warned me that I'd lose any changes I'd made to colors and fonts. It also promised to save my original indefinitely. (Of course, I can't now find the original).
Too late, I find that I seem to have "lost" our silver heart logo. (Jacqueline, it is still on the old, unimproved, Survival-Romances site, so all is not lost)
I apologize for the inconvenience.
Best wishes
Rowena Cherry
Saturday, May 05, 2007
The Big Bang
I had the extreme pleasure of presenting a workshop with some of the other outstanding authors on this blog and my part of it was on world building which I thought I share here today.
How to build a Universe.
Keep is simple. You do not want to spend the entire book explaining things.
Stargazer: page 181\
He slid the canvas away and ducked as a squeal and the slapping of skin came toward his head.
“Worrats,” he spat out in disgust. “They always stay away from the lighted areas.”
Without describing the “Worrats” you know what they are. Just add a few words here and there, enough to make it “sound” futuristic.
Shooting Star: page 132
Everything was so primitive. There wasn’t a piece of pexi or tunstun in sight.
Where does your story take place? On a planet? On a ship? Set the scene
Stargazer: the planet Oasis: page 56
They soon came out of the darkness of space and into the clear blue skies of Oaisis. Shaun found a set of eye shields; the air was so clean that it made the color more intense, and his eyes were still not accustomed to the brightness. They were soon flying over fields that were abundant with crops. The landscape was a myriad of bright color as the greens and golds of grains contrasted sharply with the pinks, purples, and reds of fields of flowers. In the distance glittered what looked like a huge diamond. It turned out to be a city of pure white granite that rose up from the landscape as if it had been carved from a mountain. It was surrounded by lush gardens full of flowers of every possible color, which stood out in sharp contrast against the pure whiteness of the walls of the city.
“We use every part of our planet; nothing goes to waste,” Lilly said, proud of her homeland.
Shooting Star: the planet Lavign: page 120
His door was one of three that led off the big room. There was a door in the middle of one wall that led outside. All he saw beyond it was green.
“This way,” Boone said and turned Ruben toward the back of the house. They made their way into another room where Tess was standing over a stove that had to be older than time. He saw flames shimmering beneath a pot that she stirred.
“Where am I?” he said again as he hobbled through with Boone and Ky’s help towards another door. “What is this place?”
They walked out onto a covered porch and he saw a garden, a large tower with metal blades slapping around in the breeze and some other buildings that he did not have the time or inclination to figure out at the moment.
Boone pointed to a narrow shack at the end of a trail of smooth stones.
“The necessary,” he announced.
Ruben quirked an eyebrow as they hobbled down the path. As he opened the door his nostrils were assaulted with a horrible smell and he realized that there was nothing there beyond a hole in the ground and a wooden seat. The bright sunlight that streamed though two cuts in the exterior wall did nothing to cheer up the interior.
“When you’ve got to go, you’ve got to go,” he told himself as he stood before the hole.
It wasn’t until he saw that the fluid coming out of him was bright blue that he realized he was in trouble.
Transportation
What do your cars look like? Your ships? Firefly used space ships and horses. Once again there is no need for indepth description unless you character is just arriving to your invented world
Food Sources
Grown normally? In space on giant asteroids? Manufactured in a factory?
Social Status
Royalty? Slavery? Just a regular guy? Outlaw? What are the crimes and the penalties?
Entertainment
I created The Murlacca…A gladiator type battle fought with hooked blades. The champions are treated like the athletes of today but it also used as execution for political prisoners. If you feel the need to explain the rules of the game have one of your viewers be witnessing it for the first time while the companion explains it.
Slang
That’s where you can really have fun. My teenagers in Star Shadows use Gank for Nerd, Geek, Jerk. Just make something up and slip it into the conversation as you would a current word. The readers will figure it out.
Politics
This is where it can get complicated. All worlds have some sort of political structure. This is where notes come in handy. If you’re writing a series then maintain continuity. My Star series has three political factions struggling for control.
How to build a Universe.
Keep is simple. You do not want to spend the entire book explaining things.
Stargazer: page 181\
He slid the canvas away and ducked as a squeal and the slapping of skin came toward his head.
“Worrats,” he spat out in disgust. “They always stay away from the lighted areas.”
Without describing the “Worrats” you know what they are. Just add a few words here and there, enough to make it “sound” futuristic.
Shooting Star: page 132
Everything was so primitive. There wasn’t a piece of pexi or tunstun in sight.
Where does your story take place? On a planet? On a ship? Set the scene
Stargazer: the planet Oasis: page 56
They soon came out of the darkness of space and into the clear blue skies of Oaisis. Shaun found a set of eye shields; the air was so clean that it made the color more intense, and his eyes were still not accustomed to the brightness. They were soon flying over fields that were abundant with crops. The landscape was a myriad of bright color as the greens and golds of grains contrasted sharply with the pinks, purples, and reds of fields of flowers. In the distance glittered what looked like a huge diamond. It turned out to be a city of pure white granite that rose up from the landscape as if it had been carved from a mountain. It was surrounded by lush gardens full of flowers of every possible color, which stood out in sharp contrast against the pure whiteness of the walls of the city.
“We use every part of our planet; nothing goes to waste,” Lilly said, proud of her homeland.
Shooting Star: the planet Lavign: page 120
His door was one of three that led off the big room. There was a door in the middle of one wall that led outside. All he saw beyond it was green.
“This way,” Boone said and turned Ruben toward the back of the house. They made their way into another room where Tess was standing over a stove that had to be older than time. He saw flames shimmering beneath a pot that she stirred.
“Where am I?” he said again as he hobbled through with Boone and Ky’s help towards another door. “What is this place?”
They walked out onto a covered porch and he saw a garden, a large tower with metal blades slapping around in the breeze and some other buildings that he did not have the time or inclination to figure out at the moment.
Boone pointed to a narrow shack at the end of a trail of smooth stones.
“The necessary,” he announced.
Ruben quirked an eyebrow as they hobbled down the path. As he opened the door his nostrils were assaulted with a horrible smell and he realized that there was nothing there beyond a hole in the ground and a wooden seat. The bright sunlight that streamed though two cuts in the exterior wall did nothing to cheer up the interior.
“When you’ve got to go, you’ve got to go,” he told himself as he stood before the hole.
It wasn’t until he saw that the fluid coming out of him was bright blue that he realized he was in trouble.
Transportation
What do your cars look like? Your ships? Firefly used space ships and horses. Once again there is no need for indepth description unless you character is just arriving to your invented world
Food Sources
Grown normally? In space on giant asteroids? Manufactured in a factory?
Social Status
Royalty? Slavery? Just a regular guy? Outlaw? What are the crimes and the penalties?
Entertainment
I created The Murlacca…A gladiator type battle fought with hooked blades. The champions are treated like the athletes of today but it also used as execution for political prisoners. If you feel the need to explain the rules of the game have one of your viewers be witnessing it for the first time while the companion explains it.
Slang
That’s where you can really have fun. My teenagers in Star Shadows use Gank for Nerd, Geek, Jerk. Just make something up and slip it into the conversation as you would a current word. The readers will figure it out.
Politics
This is where it can get complicated. All worlds have some sort of political structure. This is where notes come in handy. If you’re writing a series then maintain continuity. My Star series has three political factions struggling for control.
Thursday, May 03, 2007
New Release: Undine in Love
My erotic fantasy romance novelette "Aquatic Ardor" has just been published in the Amber Heat line of Amber Quill Press (www.amberquill.com). It was inspired by the legend that an undine (a water elemental) wins a human soul if she falls in love with a mortal. (I suspect Hans Christian Andersen had this story at least partly in mind when writing "The Little Mermaid.") But what if the last thing she wants is to become human? And she falls in love anyway? Since my favorite theme is intimacy between human and nonhuman beings, I had fun with my heroine's adjustment to the "alien" world of dry land and the thrills and terrors of love. I always like “fish out of water” stories, and though Melia isn't a fish, she certainly has problems with being out of water. :)
Here's an excerpt from the beginning of "Aquatic Ardor":
Alien sounds rippled over the water and filtered through it to stir the pondweed and stargrass on the floor of the lake. Voices. Her senses, permeating the liquid that embodied her, resonated with one of those voices. She had heard and seen land folk walking on her banks from time to time, but most of them had been strangers. Could this person be her boy?
No, not a boy. He had been a man for a long time. Human time flowed so swiftly that she lost track of the years. How long had she waited, one with the water of her home, to hear that voice? Why did he come here so seldom now? The vibrations emanating from him woke her memory. Yes, he had visited as a man, but not often enough. No wonder she’d forgotten the changes in him.
The weeds on the lake bed undulated as if swept by a gust of wind. A miniature whirlpool coalesced into a slender, four-limbed shape topped with hair and a face. Slowly Melia gathered her substance from all parts of the lake to concentrate it into human form. Now she saw only what fell within range of her eyes, but her vision became clearer, less diffuse. She could still hear the voices talking. Now, when she raised her head above the surface in woman’s shape, she could understand their language.
“One-acre waterfront lots,” said one of the men. A stranger. “The houses will get snapped up as soon as they’re built. Of course, there’s septic permits and stuff like that to take care of, but I don’t anticipate any problems.”
“I haven’t definitely decided to sell.” That voice reverberated through Melia like a summer thunderstorm. “I’m still thinking about it.”
It’s him. Adam.
“You’d be crazy not to,” the first man said. “Lakefront property an hour’s drive from Richmond? We’re looking at units priced in the high six figures, easily. That’s why I can make you such a great offer.” A low chuckle. “Not holding out for more, are you?”
Her man answered with a hint of warm laughter in his voice. “Hardly. Not a thing wrong with the offer. I just have to be completely sure first. This land has been in my family since 1931.”
“It’s not like I’m going to ruin the place. I’m talking low density, scenic views, sailboats. And you get to keep your house and a good-size slice of land around it.” The voices grew fainter, drifting away from the shore. “I’ll be in touch again soon, and meanwhile, you’ve got my number.”
Submerged up to her chest, surrounded by floating water lilies, Melia leaned against a bank under a weeping willow, her chin pillowed on her folded arms. She understood little of what she’d heard, with most of her knowledge of the human world limited to snatches of conversation she’d listened to over the years. She got only one clear impression…that change threatened her home. The strange man wanted to replace part of her woods with human dwellings. Although she’d missed her boy—no, her man—during his long absences, she didn’t want dozens more mortals tearing up trees and plants, bringing noise and artificial odors with them. She sighed with pleasure at the breeze stirring the humid air and inhaled the green aromas of leaves and pine needles. Now that the men had walked out of hearing range, the only sounds were the chirping of birds and the skittering of squirrels in the branches. She wanted to keep her lake exactly like this, sharing it with nobody except the man who’d at last returned from wherever he’d gone.
As a child, he had spent weeks here every summer. Vaguely aware of his parents and the young friends he’d sometimes brought with him, Melia had focused her attention on Adam. Although she’d cherished a mild fondness for his father and grandfather and even dallied with them in their youth, he was the only one who’d come here often enough for her to truly know him. She had watched him grow from year to year. She missed the fun of making the water swirl and eddy around him, startling him with splashes and miniature waterspouts. She’d enjoyed the sensation of enveloping his strong, blood-warmed flesh and sliding over his skin, making him shiver with delight. As he’d changed from a half-grown boy into a young man, she’d reveled in his body’s response to her liquid caresses. Catching him alone, she’d often teased one part of him to urgent hardness. She’d submerged him up to the neck and yearned to draw him below the surface where she could embrace him completely. But she knew no mortal could survive that total union.
-end of excerpt-
Tuesday, May 01, 2007
A Different Solution To Global Warming
The debate is still open on how much of Earth's temperature rise is due to the natural glaciation cycle and how much to human activity.
But it's pretty definite that we're in a very steep warming cycle, and losing species fast.
I read recently that there are a number of human-food species in our oceans that are in danger of sudden collapse.
The bees from a number of continents are dying off -- here there's some kind of infection in commercial hives, and the move northward of killer bees that don't pollinate but do invade domestic bee hives and destroy them.
The cost of food is rising because of the cost of renting bee hives to pollinate. A worldbuilding writer could forecast famine.
A huge number of frog species are going extinct. Amphibians seem to be reproductively sensitive to something that's killing them off. Fast. They're a vital link in the food chain.
Rise in temperature is causing migrations -- and the creep of tropical diseases north and southward from the equator.
Some of this is due to global warming -- changing habitats and water availability. Some is due to pollution. Some to the increase of UV from atmospheric pollution done decades ago when nobody believed aerosols could cause a problem in the arctic -- and nobody cared about the antarctic because it was so far away.
So an sf writer who wants to do some worldbuilding futurology has to look at what changes the increase in global temperatures may bring -- and it's not just ocean levels rising.
To cope with these conditions, humans will develop better buildings against storms, better flood control, and cheaper air conditioning.
But the really big profits will be in terraforming Earth -- trying to control the glaciation cycles, to reverse the damage from global warming.
Clearly, of course, we will try to preserve the genetic specimens from species going extinct. And we'll try to re-breed and rebuild those species.
We'll have to study and breed and release microbes -- and no doubt we'll make mistakes.
But there is one response to global warming that I can't recall ever being discussed on TV or in magazines.
We are all set to spend money looking for cheap renewable energy resources and to control the greenhouse gas emissions of power plants and vehicles.
But that may not be an effective approach. It may not target the actual cause.
RESTRICTING human activity and trying to eliminate greenhouse gas production might not work. Instead, we should be looking at the other side of the problem -- not restricting our emissions but increasing the Earth's ability to recycle greenhouse gases.
Today, human activity has reduced the Earth's ability to absorb and recycle Co2 -- cutting down the Brazlian rain forrest (and forrests in the USA early in the 18th century), and spreading oil slicks and other chemicals on the oceans which is killing plankton and other ocean surface plants that absorb CO2 and release O2.
We need to stop destroying the Earth's ability to recycle greenhouse gasses more than we need to pull back on our production of them.
Suppose industry saw a profit to be made in increasing Earth's ability to absorb and recycle pollutants to match our production of them?
The richest people in the world would be those who could produce trees, plankton, and other plants with more acre-feet of leaf surface and faster C02 recycling.
In our current world, a goodly number of people are convinced that the Western industrial lifestyle is wrong, or even just plain evil. Their response is to make an all-out effort to destroy Western economies that are based on such absolute immorality.
Here you can listen online to some of their reasons and decide for yourself if they're wrong.
http://www.obsessionthemovie.com/index1.php
Now do some SF worldbuilding and visualize the future they are driving toward.
Jacqueline Lichtenberghttp://www.simegen.com/jl/
But it's pretty definite that we're in a very steep warming cycle, and losing species fast.
I read recently that there are a number of human-food species in our oceans that are in danger of sudden collapse.
The bees from a number of continents are dying off -- here there's some kind of infection in commercial hives, and the move northward of killer bees that don't pollinate but do invade domestic bee hives and destroy them.
The cost of food is rising because of the cost of renting bee hives to pollinate. A worldbuilding writer could forecast famine.
A huge number of frog species are going extinct. Amphibians seem to be reproductively sensitive to something that's killing them off. Fast. They're a vital link in the food chain.
Rise in temperature is causing migrations -- and the creep of tropical diseases north and southward from the equator.
Some of this is due to global warming -- changing habitats and water availability. Some is due to pollution. Some to the increase of UV from atmospheric pollution done decades ago when nobody believed aerosols could cause a problem in the arctic -- and nobody cared about the antarctic because it was so far away.
So an sf writer who wants to do some worldbuilding futurology has to look at what changes the increase in global temperatures may bring -- and it's not just ocean levels rising.
To cope with these conditions, humans will develop better buildings against storms, better flood control, and cheaper air conditioning.
But the really big profits will be in terraforming Earth -- trying to control the glaciation cycles, to reverse the damage from global warming.
Clearly, of course, we will try to preserve the genetic specimens from species going extinct. And we'll try to re-breed and rebuild those species.
We'll have to study and breed and release microbes -- and no doubt we'll make mistakes.
But there is one response to global warming that I can't recall ever being discussed on TV or in magazines.
We are all set to spend money looking for cheap renewable energy resources and to control the greenhouse gas emissions of power plants and vehicles.
But that may not be an effective approach. It may not target the actual cause.
RESTRICTING human activity and trying to eliminate greenhouse gas production might not work. Instead, we should be looking at the other side of the problem -- not restricting our emissions but increasing the Earth's ability to recycle greenhouse gases.
Today, human activity has reduced the Earth's ability to absorb and recycle Co2 -- cutting down the Brazlian rain forrest (and forrests in the USA early in the 18th century), and spreading oil slicks and other chemicals on the oceans which is killing plankton and other ocean surface plants that absorb CO2 and release O2.
We need to stop destroying the Earth's ability to recycle greenhouse gasses more than we need to pull back on our production of them.
Suppose industry saw a profit to be made in increasing Earth's ability to absorb and recycle pollutants to match our production of them?
The richest people in the world would be those who could produce trees, plankton, and other plants with more acre-feet of leaf surface and faster C02 recycling.
In our current world, a goodly number of people are convinced that the Western industrial lifestyle is wrong, or even just plain evil. Their response is to make an all-out effort to destroy Western economies that are based on such absolute immorality.
Here you can listen online to some of their reasons and decide for yourself if they're wrong.
http://www.obsessionthemovie.com/index1.php
Now do some SF worldbuilding and visualize the future they are driving toward.
Jacqueline Lichtenberghttp://www.simegen.com/jl/
Monday, April 30, 2007
Houston, we have lift off...
As you're reading this, I'm more than likely airborne or just landing. The ginormous (thank you, JC Wilder, who taught me that word this week)RT Booklover's Convention is over and I'm one of the last to leave here Monday morning (trust me, there's a method to my madness).
As always, it was wild. A crush. A zoo. Faboo. The most fun you can have with your clothes on. Exhausting. Draining. Silly. Enlightening. It was a total hoot meeting my readers, my Yahoo loopies ::waves to David:: and reuniting with old friends.
I'll post pictures on my website this week but I wanted to share with you all a wonderful thing: I met noted SFF author Barbara Hambly, one of my longtime favorite authors. I more than met the esteemed Ms. Hambly. I sat and talked with her for several hours.
I am--to quote my UK friend Lynne Connolly, who was also at the convention--gobsmacked.
I've read Ms. Hambly for years. The Silicon Mage is a top ten favorite. But there are so many others: Stranger at the Wedding, the Sunwolf and Starhawk books, her Star Wars and Trek books...oh, the hours of joy! You can see her booklist here: http://www.barbarahambly.com/hambooks.htm
Several times during the conversation I had to mentally pinch myself. Holy Crap. I'm talking to Barbara Hambly.
She is a gentle, gracious woman with large eyes behind round glasses. She listens intently and has that writer's slight perpetual puzzled expression that is a combination of thoughtfulness and curiousity. We talked industry talk, we talked of her new projects and mine. The whole paranormal romance thing interests her. I'm so very glad. I would love nothing more for a noted writer such as Barbara Hambly to come play in my pond. It would be a boon to this cross-genre.
And, holy crap, I met Barbara Hambly.
She's going to be Guest of Honor at Archon in St Louis this coming August. I'll be there as well, along with author Stacey Klemstein and, I hope, author Isabo Kelly. And another noted author: Jacqueline Lichtenberg.
I will definitely be gobsmacked.
~Linnea
www.linneasinclair.com
As always, it was wild. A crush. A zoo. Faboo. The most fun you can have with your clothes on. Exhausting. Draining. Silly. Enlightening. It was a total hoot meeting my readers, my Yahoo loopies ::waves to David:: and reuniting with old friends.
I'll post pictures on my website this week but I wanted to share with you all a wonderful thing: I met noted SFF author Barbara Hambly, one of my longtime favorite authors. I more than met the esteemed Ms. Hambly. I sat and talked with her for several hours.
I am--to quote my UK friend Lynne Connolly, who was also at the convention--gobsmacked.
I've read Ms. Hambly for years. The Silicon Mage is a top ten favorite. But there are so many others: Stranger at the Wedding, the Sunwolf and Starhawk books, her Star Wars and Trek books...oh, the hours of joy! You can see her booklist here: http://www.barbarahambly.com/hambooks.htm
Several times during the conversation I had to mentally pinch myself. Holy Crap. I'm talking to Barbara Hambly.
She is a gentle, gracious woman with large eyes behind round glasses. She listens intently and has that writer's slight perpetual puzzled expression that is a combination of thoughtfulness and curiousity. We talked industry talk, we talked of her new projects and mine. The whole paranormal romance thing interests her. I'm so very glad. I would love nothing more for a noted writer such as Barbara Hambly to come play in my pond. It would be a boon to this cross-genre.
And, holy crap, I met Barbara Hambly.
She's going to be Guest of Honor at Archon in St Louis this coming August. I'll be there as well, along with author Stacey Klemstein and, I hope, author Isabo Kelly. And another noted author: Jacqueline Lichtenberg.
I will definitely be gobsmacked.
~Linnea
www.linneasinclair.com
Sunday, April 29, 2007
It's time to honk
Linnea, Susan, Cindy, and yours truly (as I like to sign off some of Insufficient Mating Material's blogs) are at the Romantic Times Booklovers' convention in Houston Texas.
Linnea organized an Intergalactic Bar and Grille party for readers, where ten authors of science-fiction romance did a spaced out version of wheel of fortune, and the house was packed. Not only that, those who came were ready and able to answer great (and not-to-challenging) questions about our books.
Janet Miller, Barbara Karmazin, Isabo Kelly, Susan Grant, Linnea Sinclair, Susan Kearney, Evangeline Anderson, Deidre Knight, Colby Hodge, and Stacey Klemstein (and I) put together thee or four gravity defying questions and a few fun prizes.
Susan Kearney, Susan Grant, PC Cast, Anne Groel, Deidre Knight, Colby Hodge, and yours truly were on Linnea's Starships and Swordfights panel workshop. Susan Kearney made a huge impression on the room (I hope!) when she told readers and writers that it is time science fiction romance came out from under the wing of paranormal... time science fiction romance lovers stood up to be counted.
The reason I am blogging today about what Susan said is that I had a jaw dropping conversation with a powerful gentleman (industry strength, not cover model) during the massive BookFair run by Katy Books in the Imperial Ballroom.
In effect, there seems to be a perception in some parts that there is a literary glass ceiling for science fiction romance, and it is in the avian armpit of paranormal. Now there is a mixed metaphor. It makes more sense if you think of paranormal as a big speckled hen with lots of multi-colored chicks.
While I was working on reviving my smile, three readers almost in succession came up to me and expressed their joy over science fiction romance as a genre. That is why I say that it is time to honk if you love aliens and space-faring humans in your romances.
Now, I'm off to look at the space center.
Linnea organized an Intergalactic Bar and Grille party for readers, where ten authors of science-fiction romance did a spaced out version of wheel of fortune, and the house was packed. Not only that, those who came were ready and able to answer great (and not-to-challenging) questions about our books.
Janet Miller, Barbara Karmazin, Isabo Kelly, Susan Grant, Linnea Sinclair, Susan Kearney, Evangeline Anderson, Deidre Knight, Colby Hodge, and Stacey Klemstein (and I) put together thee or four gravity defying questions and a few fun prizes.
Susan Kearney, Susan Grant, PC Cast, Anne Groel, Deidre Knight, Colby Hodge, and yours truly were on Linnea's Starships and Swordfights panel workshop. Susan Kearney made a huge impression on the room (I hope!) when she told readers and writers that it is time science fiction romance came out from under the wing of paranormal... time science fiction romance lovers stood up to be counted.
The reason I am blogging today about what Susan said is that I had a jaw dropping conversation with a powerful gentleman (industry strength, not cover model) during the massive BookFair run by Katy Books in the Imperial Ballroom.
In effect, there seems to be a perception in some parts that there is a literary glass ceiling for science fiction romance, and it is in the avian armpit of paranormal. Now there is a mixed metaphor. It makes more sense if you think of paranormal as a big speckled hen with lots of multi-colored chicks.
While I was working on reviving my smile, three readers almost in succession came up to me and expressed their joy over science fiction romance as a genre. That is why I say that it is time to honk if you love aliens and space-faring humans in your romances.
Now, I'm off to look at the space center.
Thursday, April 26, 2007
The Latest About Life on Distant Worlds
Have you all read about the discovery of a potentially Earthlike, life-bearing planet orbiting a distant red dwarf star? That's an encouraging step toward the refutation of the pessimistic view that the reason the aliens haven't contacted us is that there aren't any—that life as we know it is so rare throughout the cosmos that it's statistically unlikely for any advanced extraterrestrial civilization to spring up during the lifespan of our species. Recent discoveries have refreshingly suggested that planets are a not uncommon feature of the life cycles of stars. Now we have concrete reason to hope that Earthlike planets aren't uncommon, either.
How likely, however, is it that their inhabitants, even if intelligent, will resemble us? Some xenobiologists maintain that the humanoid shape, bipedal with manipulative limbs free to handle objects and with a head at the top to house the brain and sensory organs, is a logical body design likely to be replicated many times over on a multitude of planets. That view might be cast in doubt, though, by the reminder that right here on our own planet, lots of creatures who share our favored habitat don't look anything like us. Cats, dogs, spiders, roaches, and ants, for example, live quite contentedly in our houses. And I see no intrinsic reason why, given a nudge in a different direction, evolution couldn't have produced sapient felids or canids rather than sapient primates. Nor would they necessarily have to become bipeds. In Heinlein's delightful novel STAR BEAST, it's assumed that Lummox, the hero's eight-legged alien pet, can't be kin to an intelligent species that otherwise resembles her because she doesn't have hands. Well, surprise, she develops manipulative forelimbs with maturity. What about non-mammals? On land, crustaceans, cephalopods, and arthropods (insects, spiders, etc.) seem poor candidates for brains large enough to harbor intelligence. In water, however, such species don't have size limitations. Sapient giant squids or crabs look perfectly feasible in an aquatic environment. The Creator (or the creative process working through evolution, depending upon your viewpoint) is capable of almost infinite variety. So should we expect a STAR TREK universe inhabited by dozens of alien races who look almost like us except for cosmetic variations? Or should we prepare for extraterrestrial neighbors in a myriad of forms we can only begin to imagine?
As a writer of spec fic romance, I of course opt for the former, because I want aliens my human characters can plausibly fall in love with. In paranormal romances, for example, I'm perfectly willing to suspend disbelief in extraterrestrial vampires who can pass for human. But in the primary-world cosmos, I suspect the latter will prove more likely.
Tuesday, April 24, 2007
Life's Scutwork
Folks:
There was an article recently in the news about compensating the sibling who ends up living with an elderly parent and being the final care-giver while the other siblings live their lives.
Such a sibling sacrifices career building prospects, personal funds, and a huge swatch of their emotional well-being (i.e. the internal image of the parent held dear for the rest of life.)
Truths come out that don't otherwise impact the child's life.
So, this article suggested legal documentation (such as the Will) should provide compensation for the care-giver sibling.
In most families this would be considered a horrible travesty -- such care is given from love. If it's for money or material wealth, then the care itself is sullied.
So it's one of those situations that has to be thought about from all points of view (thus of course making it fodder for story ideas -- plot-bunnies under the bed.)
Our society has distanced this dying process by providing "hospice" care either in the home (by choice usually -- but it's the cheaper choice though it requires a family member be there at night at least) -- or in a hospital like environment. I've seen a couple really LOVELY hospice buildings, but I feel them as lonely and isolated. Family and friends visit seldom and for short times -- it's depressing.
But Linnea brings up a very interesting point in this regard. In Japan I think -- or maybe it's Microsoft or a combination -- there is a household chores robot in development. It's already pretty good and will be affordable - at least to rent when you really need it.
I've toyed with the dramatic elements of the emotional impact of being relegated to the care of machines.
A.I. shows some promise, but a real "personality" a human being can interact with is a long way off. Our robots show no signs of becoming "alive" as in the film NUMBER FIVE IS ALIVE.
But we have a very small generation getting set to give final care to a huge generation - the Boomers.
SF and Romance both have a great deal to say about the permutations and combinations of situations that could arise.
How about if a sibling care-giver is so badly "stuck" with a parental situation they can't physically manage, have put their own life on hold and feel they're getting older too fast -- and gets seduced into voluntarily becoming a vampire?
What if such a turned care-giver accidentally drank their parent dry? (or on purpose?)
How could the law deal with that? How could the siblings deal with that?
What if this happened a century ago and everyone in that situation is long gone except the vampire-caregiver? What emotional toll would that take?
What if there's a disease that evolves (like a virus) that kills vampires but not humans. After all, if vampires multiply and associate with each other, there's an empty ecological niche waiting for something to crawl in and occupy it, vampire infections.
Now the care-giver who voluntarily became a vampire gets this disease (he/she probably helped evolve) and another vampire has to give the last century of care to this sick elder (postulating a vampire would take a long time to die of a virus.)
Could love resolve that conflict? Maybe -- if ghosts are real in this built world.
At any rate, I think the plight of the final care-giver abandoned by family to go-it-alone should be closely examined and fiction is a good tool for that job.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
There was an article recently in the news about compensating the sibling who ends up living with an elderly parent and being the final care-giver while the other siblings live their lives.
Such a sibling sacrifices career building prospects, personal funds, and a huge swatch of their emotional well-being (i.e. the internal image of the parent held dear for the rest of life.)
Truths come out that don't otherwise impact the child's life.
So, this article suggested legal documentation (such as the Will) should provide compensation for the care-giver sibling.
In most families this would be considered a horrible travesty -- such care is given from love. If it's for money or material wealth, then the care itself is sullied.
So it's one of those situations that has to be thought about from all points of view (thus of course making it fodder for story ideas -- plot-bunnies under the bed.)
Our society has distanced this dying process by providing "hospice" care either in the home (by choice usually -- but it's the cheaper choice though it requires a family member be there at night at least) -- or in a hospital like environment. I've seen a couple really LOVELY hospice buildings, but I feel them as lonely and isolated. Family and friends visit seldom and for short times -- it's depressing.
But Linnea brings up a very interesting point in this regard. In Japan I think -- or maybe it's Microsoft or a combination -- there is a household chores robot in development. It's already pretty good and will be affordable - at least to rent when you really need it.
I've toyed with the dramatic elements of the emotional impact of being relegated to the care of machines.
A.I. shows some promise, but a real "personality" a human being can interact with is a long way off. Our robots show no signs of becoming "alive" as in the film NUMBER FIVE IS ALIVE.
But we have a very small generation getting set to give final care to a huge generation - the Boomers.
SF and Romance both have a great deal to say about the permutations and combinations of situations that could arise.
How about if a sibling care-giver is so badly "stuck" with a parental situation they can't physically manage, have put their own life on hold and feel they're getting older too fast -- and gets seduced into voluntarily becoming a vampire?
What if such a turned care-giver accidentally drank their parent dry? (or on purpose?)
How could the law deal with that? How could the siblings deal with that?
What if this happened a century ago and everyone in that situation is long gone except the vampire-caregiver? What emotional toll would that take?
What if there's a disease that evolves (like a virus) that kills vampires but not humans. After all, if vampires multiply and associate with each other, there's an empty ecological niche waiting for something to crawl in and occupy it, vampire infections.
Now the care-giver who voluntarily became a vampire gets this disease (he/she probably helped evolve) and another vampire has to give the last century of care to this sick elder (postulating a vampire would take a long time to die of a virus.)
Could love resolve that conflict? Maybe -- if ghosts are real in this built world.
At any rate, I think the plight of the final care-giver abandoned by family to go-it-alone should be closely examined and fiction is a good tool for that job.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Thursday, April 19, 2007
Scutwork in the Future
Here's a link to an article by Ruth Rosen, "Why Working Women Are Stuck in the 1950s," on what she calls the "care crisis," connected to the way our culture has defined as "women's work" the routine maintenance of a household:
http://www.alternet.org/story/48370
Linguist and SF author Suzette Haden Elgin's blog recently discussed this article over several days, generating hundreds of comments. Go to http://ozarque.livejournal.com and check the archives beginning March 3.
How will our descendants deal with this issue? The most optimistic images of the future envision true equality between the sexes. Later series in the Star Trek universe portray women filling the same professional, military, and political positions as men. I don't remember ever seeing a cleaning crew on any of the Enterprises. Probably robots performed that function. Replicators produced food, at least later in the chronology of the universe, although Neelix on Voyager often cooked from fresh ingredients. Surely not all civilians could afford replicators and robots, though. The protagonist of Robert Heinlein's DOOR INTO SUMMER invents cleaning robots, intended for the average middle-class family, but his earlier models do only a few specific tasks. In J. D. Robb's futuristic mysteries, set in the 2050s, women perform the same kinds of work as men (women officers are even addressed as "Sir"), and droids do household labor. In this universe, such inventions serve only the affluent. In less prosperous households, some human being must be doing the scutwork (defined by Peg Bracken in her I HATE TO HOUSEKEEP book as "chores any boob can do"). American society in Robb's universe includes an official, paid (presumably by the government) career of "professional parent." (A concept I approve of, since it would remove the "welfare leech" stigma for the subsidizing of stay-at-home parenthood, while recognizing that people who choose to bear children are performing an indispensable service for society as a whole. SOMEBODY has to produce a younger generation to keep the economy going when the rest of us get too infirm to work full-time.) But it's not implied that this person necessarily does all the cleaning and other chores as well as parenting. And even with robots (or human servants, for that matter) somebody has to organize and direct the work, maintain the schedules for family members, etc.
In the future, the achievement of true gender equality would, one hopes, render obsolete the assumption that household upkeep is "women's work" -- her responsibility to arrange, even if she doesn't personally do most of the tasks. It would also be nice to see the "scutwork" decoupled from the primary-parent role. If parenthood is recognized (with or without pay) as a full-time job, then it should follow that the person in this role shouldn't necessarily be expected to handle all routine maintenance just because he or she happens to be hanging around the house. Until the advent of universal access to robot servants, though, who will do this work? Would chores be divided according to the number of hours each adult works outside the home? Inversely proportional to income contributed to the household? According to personal preference? (What about the jobs nobody likes?) By a rotating schedule, a point system, or a lottery? These are a few potential solutions discussed on Elgin's blog.
As for the "care crisis" in general, one way to ameliorate the situation would be to make polyandry legal. Aside from moral and spiritual considerations (as a Christian, I of course believe in monogamy), a marital unit of one woman and two men would pragmatically solve a number of problems. (Why not polygyny? Because the female is the reproductive bottleneck, so to speak, and more women in a household would mean potentially more babies, so care-crisis-wise you'd be right back where you started. Besides, historically the harem system has NOT been associated with female empowerment.) Three adults per household would provide three incomes, a big plus in areas with high housing costs. You'd have three people among whom to divide the tasks of daily life. If babies and small children needed care, the role of stay-at-home parent could be rotated, with two income-producing adults always working. Moreover, the average man can't keep up, sexually, with the average healthy woman. Two men to one woman would be just about the right ratio. (Of course, there are down sides to this system. We'd end up with an even greater imbalance between single women and eligible men than we have now. And the male biological tendency to sexual jealousy might disrupt a polyandrous marriage. We can't expect all adult males to behave like the blissful participants in the group marriages of such novels as Heinlein's STRANGER IN A STRANGE LAND and TIME ENOUGH FOR LOVE.)
Anyway, unless we eventually become cosmic disembodied intelligences as in Arthur Clarke's CHILDHOOD'S END (a prospect I don't find at all appealing), we'll always have the scutwork to deal with somehow.
Tuesday, April 17, 2007
The Dresden Files Interview with Jim Butcher
Folks:
Sunday, I spent an hour with Jim Butcher, creator of The Dresden Files then sat through his talk at a local bookstore, The Poison Pen in Scottsdale AZ. (he's a very good speaker -- and very funny too!)
It was very informative and enjoyable -- maybe 45 or 50 people turned out in a smallish bookstore.
He was born in 1971 and grew up on Anime, Spiderman movies, and modern adult fantasy - thinks visually of story in Anime and film terms and likes the Anime style of deep relationships and screaming hot action.
Patric asked a good question which I posed to Jim:
Is he satisfied with how his books were translated to the screen.
Jim said yes he is, the only real changes were cosmetic and for practical TV filming purposes.
The two we discussed were the switch from Dresden driving a VW Beetle to a Jeep -- and the reason was that a 6Ft+ guy getting in and out of a Beetle on screen would be funny/awkward every time it was shot whereas in his novels he can play it for laughs only when appropriate.
The reasoning for choosing a Jeep was consistent with the background point that Dresden's body field fries fancy electronics. Also the VW Beetle would be harder to shoot from various angles and catch Dresden's image inside -- but the Jeep is easy and thus cheaper. So he accepts that change.
The other visual change was the long duster changed into a fireman's jacket -- and Jim says that's fine since it's in keeping with the way Dresden uses fire. On the other hand he and I agree the jacket just doesn't have the right look -- the flowing leather duster would look better. I'm not sure of the reason for that change.
The wand becoming a hockey stick he can live with easily enough. The blasting rod we didn't discuss -- we only had an hour. But basically I agree that so far the TV version has only superficial changes necessary to make the budget work (fewer characters, less animation, fewer sets). If they do a second season and onwards I do hope they can increase the budget.
I have philosophy and writing-lesson material for several columns and the final episode of the first season airs tonight. I want to see that and then write some columns. They'll decide by June whether to do a second season - no word on the DVD yet. Of course as author of the books, Jim is the last to know!
I'm working on the July 2007 column and a few more that will feature bits from this interview.
My review column, ReReadable Books (because it's not worth its cover price if it's not re-readable) is published on paper in The Monthly Aspectarian, then posted to their website lightworks.com then archived on simegen.com/reviews/rereadablebooks/ so you can always look up prior columns.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Creator of the Sime~Gen Universe
where a mutation makes the evolutionary
division into male and female pale by comparison.
Sunday, I spent an hour with Jim Butcher, creator of The Dresden Files then sat through his talk at a local bookstore, The Poison Pen in Scottsdale AZ. (he's a very good speaker -- and very funny too!)
It was very informative and enjoyable -- maybe 45 or 50 people turned out in a smallish bookstore.
He was born in 1971 and grew up on Anime, Spiderman movies, and modern adult fantasy - thinks visually of story in Anime and film terms and likes the Anime style of deep relationships and screaming hot action.
Patric asked a good question which I posed to Jim:
Is he satisfied with how his books were translated to the screen.
Jim said yes he is, the only real changes were cosmetic and for practical TV filming purposes.
The two we discussed were the switch from Dresden driving a VW Beetle to a Jeep -- and the reason was that a 6Ft+ guy getting in and out of a Beetle on screen would be funny/awkward every time it was shot whereas in his novels he can play it for laughs only when appropriate.
The reasoning for choosing a Jeep was consistent with the background point that Dresden's body field fries fancy electronics. Also the VW Beetle would be harder to shoot from various angles and catch Dresden's image inside -- but the Jeep is easy and thus cheaper. So he accepts that change.
The other visual change was the long duster changed into a fireman's jacket -- and Jim says that's fine since it's in keeping with the way Dresden uses fire. On the other hand he and I agree the jacket just doesn't have the right look -- the flowing leather duster would look better. I'm not sure of the reason for that change.
The wand becoming a hockey stick he can live with easily enough. The blasting rod we didn't discuss -- we only had an hour. But basically I agree that so far the TV version has only superficial changes necessary to make the budget work (fewer characters, less animation, fewer sets). If they do a second season and onwards I do hope they can increase the budget.
I have philosophy and writing-lesson material for several columns and the final episode of the first season airs tonight. I want to see that and then write some columns. They'll decide by June whether to do a second season - no word on the DVD yet. Of course as author of the books, Jim is the last to know!
I'm working on the July 2007 column and a few more that will feature bits from this interview.
My review column, ReReadable Books (because it's not worth its cover price if it's not re-readable) is published on paper in The Monthly Aspectarian, then posted to their website lightworks.com then archived on simegen.com/reviews/rereadablebooks/ so you can always look up prior columns.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
Creator of the Sime~Gen Universe
where a mutation makes the evolutionary
division into male and female pale by comparison.
Monday, April 16, 2007
More from the Cutting Room Floor : Games of Command
More from the "cutting room floor"...deleted scenes from GAMES OF COMMAND:
ADMIRAL’S OFFICE, I.H.S. VAXXAR
He knew how she took her coffee just as he knew how she took her gin and what vegetables she liked and how seedless black grapes, chilled, were one of her favorite snacks. After eleven years of following her, challenging her and studying her, he knew all of those minute, concrete details.
But he still, no matter how hard he tried, didn’t know how to read between the lines of those light-hearted quips of hers. You promise me coffee and I’ll do anything.
He wanted desperately to believe that even a mild flirtation existed in those and many other things she said to him, as he tried to ignore the fact that she also frequently traded quips with others. He wanted desperately to believe he wasn’t the “Tin Soldier” to her, was not a cybernetic construct that so many of his crew viewed as simply another extension of the ship. He wanted to be real and warm and as human as he could to her, and had no idea how to do that without making more of a complete fool of himself than he already had.
So as much as possible, he kept her with him, in unscheduled meetings, extended conferences, detailed inspections and whatever other ways he could think of to commandeer her time.
He heard her step through his office door just as he was retrieving two hot cups of coffee from the replicator set in the far wall. He held one out. She accepted it with a bright smile and sipped at it gratefully as he stood in silent, appreciative appraisal in front of her. Then she moved towards the chair in front of his desk, and there was the light, seductive scent of sandalwood in the air around her. He could see where her short cropped hair was still slightly damp around at the nape of her neck. He had to willfully restrain himself from reaching out to touch it.
He took his own chair and placed his cup on the desk to the right of the datafiles he had pulled as an excuse for this discussion. He granted himself another moment of the silent pleasure of just looking at her before clearing his throat, and selecting a thin crystalline file, pushed it into the appropriate data slot. “As long as we have to be on Panperra, we might as well acquaint ourselves with some of the Adjutant’s recent projects.”
Sass groaned loudly and leaned back in the chair. “If this is one of Kel-Farquin’s reports, I’m going to need a lot more than just coffee to get through.”
“If this were Kel-Farquin’s, I would have brought pillows,” he replied blandly, his tone hiding the deep pleasure he felt at her responding wide smile. “No, this is some data on the recent ion storm activity which Panperran sensors were in prime position to record. Now...”
And then Sass leaned forward, as he knew she would, in order to better read the data on the desktop monitor. And for the next forty minutes he had her total attention, and physical presence, all to himself.
www.linneasinclair.com
ADMIRAL’S OFFICE, I.H.S. VAXXAR
He knew how she took her coffee just as he knew how she took her gin and what vegetables she liked and how seedless black grapes, chilled, were one of her favorite snacks. After eleven years of following her, challenging her and studying her, he knew all of those minute, concrete details.
But he still, no matter how hard he tried, didn’t know how to read between the lines of those light-hearted quips of hers. You promise me coffee and I’ll do anything.
He wanted desperately to believe that even a mild flirtation existed in those and many other things she said to him, as he tried to ignore the fact that she also frequently traded quips with others. He wanted desperately to believe he wasn’t the “Tin Soldier” to her, was not a cybernetic construct that so many of his crew viewed as simply another extension of the ship. He wanted to be real and warm and as human as he could to her, and had no idea how to do that without making more of a complete fool of himself than he already had.
So as much as possible, he kept her with him, in unscheduled meetings, extended conferences, detailed inspections and whatever other ways he could think of to commandeer her time.
He heard her step through his office door just as he was retrieving two hot cups of coffee from the replicator set in the far wall. He held one out. She accepted it with a bright smile and sipped at it gratefully as he stood in silent, appreciative appraisal in front of her. Then she moved towards the chair in front of his desk, and there was the light, seductive scent of sandalwood in the air around her. He could see where her short cropped hair was still slightly damp around at the nape of her neck. He had to willfully restrain himself from reaching out to touch it.
He took his own chair and placed his cup on the desk to the right of the datafiles he had pulled as an excuse for this discussion. He granted himself another moment of the silent pleasure of just looking at her before clearing his throat, and selecting a thin crystalline file, pushed it into the appropriate data slot. “As long as we have to be on Panperra, we might as well acquaint ourselves with some of the Adjutant’s recent projects.”
Sass groaned loudly and leaned back in the chair. “If this is one of Kel-Farquin’s reports, I’m going to need a lot more than just coffee to get through.”
“If this were Kel-Farquin’s, I would have brought pillows,” he replied blandly, his tone hiding the deep pleasure he felt at her responding wide smile. “No, this is some data on the recent ion storm activity which Panperran sensors were in prime position to record. Now...”
And then Sass leaned forward, as he knew she would, in order to better read the data on the desktop monitor. And for the next forty minutes he had her total attention, and physical presence, all to himself.
www.linneasinclair.com
Sunday, April 15, 2007
Sarcasm, Irony... aliens don't "get" it
You Earthlings (humans, Terrans) are a funny lot. You don't speak the same language. You fight incontinently. You don't have a one-world government. You can't decide on one individual to lead you all --you don't even try!
It's no wonder we aliens shrug and go home when our extremely reasonable request "Take Me To Your Leader" causes such confusion and such unsatisfactory and inconsistent responses.
It's never the same leader. It usually turns out that whoever the leader is, he's not the Leader of all leaders. There was once a "she"... We had hopes of her.
And then, there's the human sense of humor. It makes no sense to us. In fact, there isn't just one sense of humor shared and enjoyed by all humans, which would be logical.
Any sentient being can understand that sudden bursts of malodorous gas and floating droplets of unmentionable matter in a confined space (and almost no gravity) are just cause for venting one's strongest and most appropriate swear words or else for laughing in manic despair.
But some of you cannot even talk sense. How is a highly intelligent alien supposed to know when you are using sarcasm or irony?
Do you mean what you say, or don't you? Sometimes, an alien could be forgiven for his confusion. It would be helpful to your alien cousins if you would show your teeth and heave your upper bodies to show that you think you are being pleasantly funny, and that you either do --or do not-- mean what you just said.
Sarcasm is when you Terrans say exactly what you mean, but in such a way that it makes your auditor uncomfortable.
The modern "Duh!" is much more useful.
"No sh-t!" is an obscenity which offends us beyond words, for reasons this alien has delicately hinted at above.
A --presumably rhetorical-- question, such as "Is the Pope Catholic?" or "Does a bear sh-t in the woods?" presumes that aliens have a wide understanding of your different cultures and the sanitary practices of wilderlife.
Besides which, a polar bear on an ice floe probably does not have that luxury. Nor for that matter does a captive bear in a concrete habitat mysteriously known as a zoological garden.
Irony is when you Terrans say the opposite of what you mean, but in such a way that it makes your auditor uncomfortable.
Making someone else uncomfortable, or finding "humor" in thoughts of another's discomfort seems to be a repeating theme.
Now this alien thinks about it, "pleasantly funny" may be an oxymoron ... a logical contradiction in terms.
We will leave you now. But We will be back!
Posted on behalf of a fascinated alien by,
Rowena Cherry
author of the Gods of Tigron trilogy
(Forced Mate, Mating Net, Insufficient Mating Material)
Thursday, April 12, 2007
Talking with the Animals
I've just bought a DVD of the live-action film of CHARLOTTE'S WEB, one of my favorite stories. Its theme (as explicitly stressed in the voice-over of this new version) is the value of friendship. I especially like this book because of the way it portrays friendship across species lines, centering upon the marvelously improbable devotion between a pig and a spider. Eventually, all the inhabitants of the barn, even the unsavory rat Templeton, get drawn into the circle of friendship. Here's my pet theme of "intimacy across gulfs of difference" again, or as Spock would say, "infinite diversity in infinite combinations."
Tolkien says in his classic essay "On Fairy-Stories" that the other creatures of nature are like foreign countries with which humankind has broken off diplomatic relations. He suggests that one desire satisfied by fairy tales, through the motif of talking animals, is the yearning to re-establish that lost connection with the other species who share our world. A taste of dragon's blood gifts the mythic hero with the language of beasts, thus helping him in his quest. Dr. Doolittle talks to the animals and gains a fresh perspective on the human race. WATERSHIP DOWN immerses the reader in rabbit culture and language. In CHARLOTTE'S WEB, Fern is still young enough to understand the animals' conversations, although it's implied that she is poised on the cusp, soon to outgrow that connection with nature. Primate researchers conduct simple dialogues with symbol-using apes. Many people believe dolphins have true language.
Of course, we might not like what we'd hear if our pets could speak to us. Garfield thinks of Jon as "the man who cleans my litter box." Still, imagine what we could learn about our world if we could communicate with creatures (like cats, with their night vision, and dogs, with their extraordinary noses) whose senses perceive the environment so differently from ours.
Tolkien says in his classic essay "On Fairy-Stories" that the other creatures of nature are like foreign countries with which humankind has broken off diplomatic relations. He suggests that one desire satisfied by fairy tales, through the motif of talking animals, is the yearning to re-establish that lost connection with the other species who share our world. A taste of dragon's blood gifts the mythic hero with the language of beasts, thus helping him in his quest. Dr. Doolittle talks to the animals and gains a fresh perspective on the human race. WATERSHIP DOWN immerses the reader in rabbit culture and language. In CHARLOTTE'S WEB, Fern is still young enough to understand the animals' conversations, although it's implied that she is poised on the cusp, soon to outgrow that connection with nature. Primate researchers conduct simple dialogues with symbol-using apes. Many people believe dolphins have true language.
Of course, we might not like what we'd hear if our pets could speak to us. Garfield thinks of Jon as "the man who cleans my litter box." Still, imagine what we could learn about our world if we could communicate with creatures (like cats, with their night vision, and dogs, with their extraordinary noses) whose senses perceive the environment so differently from ours.
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