Presidential Politics Alien Style

Folks:

This is a blog about Alien Romance, but a while ago someone asked about the writing technique known as Worldbuilding -- and for most of my posts since, I've been developing a long instructional piece on how to do the kind of thinking native to SF while still telling a whopping romance story.

Most people think of worldbuilding as having to do with science -- and sometimes they dare to include sociology or psychology. But the real point of all the science (how big is the world you're building, what's its gravity, what kind of sun does it have, moons?, cycles and seasons, evolutionary pressures, contact with other worlds in this galaxy or another etc. etc) the real point is to start with the physics of the star's makeup, project what kind of worlds would circle that star, start with a raw dead hunk of rock and develope an environment conducive to life.

Then you have to populate that environment with plants and animals (or some bizarre equivalent) from single protein molecules on up -- then figure what pressures that environment would put on life to force the development of intelligence -- THEN decide what sort of Divine intervention actually happened to produce people, or what sort of Divine intervention those people postulate and/or believe solemnly.

And the point of all this -- ROMANCE!

The point of thinking through each step from raw sun to rock to life to intelligence is to postulate how physiology and environment combine to generate cultures.

Yes, Alien Romance is inherently about intercultural communication -- which may often include conflict. And where there's conflict, there's STORY.

But what good is all that hard work if the people who read your story don't understand it or care to try to understand it?

Your story has to say something about today, humanity, life on earth, our cultures and their conflicts. A story has to be relevant to its times (no matter if set in the future like Star Trek or set in the past like a time-travel romance).

The whole point of writing a story at all is to arouse the reader and provide an emotional experience they couldn't get from "real" life. But they must return to "real" life with some new point of view, some new idea, (this is SF Romance or Romantic SF -- any way you slice it Alien Romance is primarily SF and thus the Literature of Ideas - so readers must return to reality with an IDEA to think about and explore.)

You want to get famous as a writer? Produce ideas your readers will TALK about to their friends, thus inducing people to read your books.

So where do writers get those kinds of ideas? SF ideas?

Just watch the evening news!

We just saw an election in France that promises to change the political course there -- toward building a more capitalistic economy and edging away from the kind of economy that failed in Japan where laws made it hard or impossible for corporations to fire people. Strangely, the inability to fire people means that unemployment goes up and up and UP and the government crashes down in revolution -- or as in Japan, things get changed on the government level.

Now the USA faces a truly important Presidential Election. No matter which side you're already on, you know that the choice we make in 2008 will change things in the whole world.

Nearly a year before the first primary we have a field of 18 candidates - 10 of them Republican.

Hundreds of millions of dollars are going into this presidential campaign. It's a spectacle to rival the Roman Circus!

What's an SF writer looking for an Alien Romance story to do if the source of ideas is the evening news? And all that's on is Presidential Debates?

Sit back, put on your alien ears, and just listen to what these people are saying. Oh, yeah, they're all politicians. Like preachers, they have learned a certain "cant" -- a chant, a tune, a manner of speaking and a set of phrases, jargon, and so on, mostly incomprehensible to someone who's not American or maybe British (though I have to admit I don't understand British politics at all.)

Well, I did this exercise the other night and I've been watching the sound-bytes and reading some articles online -- and one thing leaps out at me more starkly even than in prior campaigns.

These characters all try to distinguish themselves from each other by WHAT they will FIGHT FOR -- not about their attitude toward fighting in general.

"Elect me and I'll fight for your right to X, Y, Z."

They'll fight global warming; they'll pledge to fight whatever people don't like at the moment.

How would that sound to someone from that planet we invented above, the planet upon which a species evolved to produce a major Hunk our Earthling can fall in love with while hating or rescuing him?

How we choose the SUN around which this bare rock forms -- (yes, worldbuilding goes that far back -- how you choose the sun) -- will determine whether politicians from those civilizations FIGHT or whether they PROBLEM SOLVE instead.

Do they argue instead of negotiate? Do they keep arguing until they convince everyone -- are their elections about finding out what is right instead of who is right?

If so, then our elections and our Presidential Politics will look pretty ridiculous or incomprehensible -- "How can you settle a war by fighting? It makes no sense."

Thus our glorious Hunk looks upon the Love of His Life who is running for President of the USA on the pledge to FIGHT FOR GALACTIC PEACE, and runs for the hills!

Ooops. Back to choosing the right sun to build our world around.

Jacqueline Lichtenberg
http://www.simegen.com/jl/

Thoughts on the Non-human Hero

Thoughts on the Non-human Hero
By Jennifer Ashley / Allyson James

Rowena kindly asked me to guest blog here with thoughts about non-human heroes, since lately I’ve been writing many of them: Immortal demigods, dragon shapeshifters, were-panthers, genetically enhanced males, and my own made-up creatures.

I have to say that when I read or write paranormal or futuristic heroes, I never think: “But these guys aren’t human!” Perhaps this is because I’ve been reading fantasy and scifi since age twelve, and I’m used to alternate universes and allegorical worlds, but it never occurs to me to dwell on the non-humanness of heroes (or heroines).

I look at each hero, human or non, as a character. Whether he is a Regency cavalry captain or an Immortal demigod or a logosh from my Nvengarian series, I approach each the same way--he (or she) is a character with a history--wants, needs, quirks, flaws, and strengths. All characters have a background that makes them them. Whether or not they are homo sapiens sapiens doesn’t bother me at all.

Before I start a novel, I love to write my hero’s autobiography, beginning with where he was born, who were his parents, were they good parents or bad (or dead), what he had to struggle with while growing up, and how that shaped him.

It’s amazing what comes out when I free-flow a hero’s bio--I become him for a time. Whether he was raised in a rigid Regency household with an uber-strict father, or he’s a two-thousand-year-old warrior who learned to fight in a Roman legion--each hero’s background shapes him into something unique.

I think the most fun heroes I’ve created are the Shareem characters I write as Allyson James. These men were born in a factory from a mixture of donated DNA (no parents), then they were sexually enhanced and raised for one purpose only--to pleasure women.

The scientists claim they’ve taken all emotions from these men and turned them into the ultimate slaves--but of course they haven’t. Each of the Shareem has a distinct personality and a different way of dealing with their lives and fighting their genetic programming.

I am amazed at how much scope for character the background to the Shareem gave me. These men are not human, or maybe they’re super-human, but underneath, they are the most human characters I’ve ever created.

Do I have a point? Probably not. But I thought I’d share some of my techniques for creating heroes who are richly layered and unique. The alpha hero is the most popular type of romance hero (he really is), but he doesn’t have to be the same-old, same-old.

Dig into his background, figure out what happened to him in all the years before the story, and you’ll have a memorable character, whether he’s human or vampire or were-thing or an alien born in a vat.

Role Playing

Some of us here at Alien Blog are doing a pod-cast on Sunday night. I'll let Rowenna post the details since my mind is still trying to get around the idea that I will be Princess Arielle of Oasis for the good part of the weekend. After all I've got to get into the zone.



This is Elle. And a little bit about her.

He was the only man she’d ever loved. The one who’d roused her innocent girlhood passions . . . the one she held responsible for her brother’s death. So when Boone’s starship was shot down over a faraway planet, Elle resolved to forget him, to devote herself to her duty as the future ruler of Oasis. She focused her formidable mind on honing her powers, until the day she witnessed a pair of sweat-sleek, breathtaking gladiators facing each other down in the vicious fight-to-the-death of the Murlacca. Here were the two men she’d thought lost to her forever, and one last chance to save them. It was up to Elle to outwit the Circe witches who held Boone and Zander prisoner, so she could claim a love that had once seemed as elusive as . . .Star Shadows

So what does Elle do? She kicks some butt. She's deadly with her Sais. And she's learning that there are things bigger than power...like true love. YOu can read all about her this November. But Sunday night you can find her hanging out in a bar with Hell and Sass and a cat that can't keep its tail out of the beer. Come join us!