Karen S. Wiesner: Oldies But Goodies {Put This One on Your TBR List} Book Review: The Physick Book of Deliverance Dane by Katherine Howe

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: The Physick Book of Deliverance Dane by Katherine Howe

by Karen S. Wiesner

Note that this book is also published under the title The Lost Book of Salem. I was drawn to the cover of this book when it first came out in 2009 (see it below, though the reproduction is washed out). The cover you see below the original is a newer version. The first edition, in tones of brown, doesn't include the girl on it. The original, I feel, is such a beautiful cover and the back cover blurb on the slipcover leaves of the hardcover was equally compelling.

I took a chance and purchased it when it first came out. I was very pleased with the wonderfully written story with deep, complex characters and a thrilling mystery. The main character, college student and daughter of the university president, Connie Goodwin, is working on her doctoral dissertation. She's spending the summer clearing out of her grandmother's cottage so it can be put up for sale. While there, she comes across a parchment including the name of one of her ancestors--Deliverance Dane, an accused witch from 1692. From there, Connie hunts for Deliverance's spell book, The Physick Book, and in the process discovers her own, previously unimagined power. (Incidentally, physick--pronounced fizz-ick--is what medicine was called in those times, usually implying herbal remedies.)

I personally love books that are set within halls of academia and scholarly research. (Favorites of mine include Charlie Lovett's books--which have little or no supernatural elements--and are similar to this, just as fascinating.) This one is intertwined with 17 Century witch trial narrative, another fascination for me. Combined with danger and nail-biting suspense, you really can't go wrong. If you've already read The Physick Book of Deliverance Dane once upon a time, it may be time for a second perusal. In the course of writing this review, I discovered there was a sequel called The Daughters of Temperance Hobbs, following Connie's adventures as an expert on America's witchcraft history, which I intend to pick up and possibly review here at a later time.

Next week, I'll review another Oldie But Goodie you might find worth another read, too.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S. Wiesner: Oldies But Goodies {Put This One on Your TBR List} Book Review: Wendy Ward Series by John Passarella

Oldies But Goodies

{Put This One on Your TBR List}

Book Review: Wendy Ward Series by John Passarella

by Karen S. Wiesner

A bit of an explanation: Wither, winner of a Bram Stoker Award for First Novel, was written by the authors John Passarella and Joseph Gangemi (writer of Inamorata) under the pseudonym J.G. Passarella. The rest of the books in the series were written by John Passarella alone. Wither was his very first book, and it was intended to be a standalone. Passarella might be better known for his media tie-novels from the series Supernatural, Buffy the Vampire Slayer, and Grimm.

Wither follows Wendy Ward a college student who's a white witch living in the fictional town Windale, Massachusetts. Elizabeth Wither is a late 17th century witch who, with a murderous coven of witches, terrorized the town. Now she's reawakened and intends to find a human host for herself and her most faithful.

Wendy was an engaging character along with Abby, an abused eight-year-old, and Karen, a pregnant professor. Wanting to see them succeed became more and more intense as the story progressed and on into the follow-up stories. There was something slithering about this series, starting from the very first installment. The terror crept up until all I could do was jump, bite back a scream, and then hold on with clenching fingers. I found a used copy of it, but, before I'd even finished, I rushed out and purchased the next two books in the series, Wither's Rain and Wither's Legacy. Both were equally enjoyable. Additionally, a collection of short stories in the series is published under the title Exit Strategy & Others, but most of these stories are also available in other anthologies as well. According to his website, the author is currently working on a fourth Wendy Ward novel.

   

If you like supernatural terror combined with characters that you can emotionally invest in, this is a great series to read nonstop over the course of a stormy weekend.

Next week, I'll review another Oldie But Goodie you might find worth another read, too.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Considering Adaptations

That is, one adaptation in particular: CONJURE WIFE, by Fritz Leiber. It was first published as a magazine serial by UNKNOWN WORLDS in 1943, later revised and expanded for reprint in book form (in a trio of novels bound together in 1952, then as a stand-alone paperback in 1953). The 1943 version is the one Amazon sells in Kindle format. Wikipedia lists three movies inspired by CONJURE WIFE, the best-known (and the only one that seems to be available) being BURN, WITCH, BURN, with a script by classic horror writers Richard Matheson and Charles Beaumont. Spoilers ahead, although surely the statute of limitations on spoilers has run out for an 80-year-old novel.

The protagonist, Norman, a sociology professor at a small, private college, discovers his wife, Tansy, has been secretly practicing witchcraft to advance his career and guard both of them against the malicious magic of certain older faculty wives. He persuades her to let him burn her protective charms. With those defenses gone, they're assailed by the full force of hostile spells. Norman repeatedly tries to convince himself they're facing only coincidental accidents and the mundane hostility of his professional rivals' wives, as evidence to the contrary piles up. Finally, to save Tansy's life and soul, he has to work a complicated spell himself under her direction. Although the story feels dated at points because of the Freudian approach to psychology Norman and his colleagues take for granted, the quiet horror remains unforgettably chilling.

Aside from the deletion of a few references to World War II, the main thrust of the rewrite tends toward adding ambiguity. The original starts with a discussion among three older witches on whether Tansy knows about them. The book includes several other brief scenes from their viewpoint. As a result, the reader knows from the beginning that witchcraft is real and evil forces are plotting against the protagonist and his wife. The expanded novel, on the other hand, is narrated entirely in the tight third person viewpoint of Norman. He constantly questions and second-guesses apparently magical incidents, regardless of his contrary feelings in the moment and the fact that, by the end, the reality of the supernatural within the text is perfectly clear to the reader.

Even after Norman experiences supernatural evil firsthand in the final confrontation with the older witches, in the revision doubt resurfaces in his mind afterward. In the original version, he concludes by accepting the fact of witchcraft and assuming they're not done with it: “There’s more behind this matter of the Balance than we may realize. There’s a lot we’ll do with this, but we’ll want to go slowly and test every step of the way.” At the end of the rewritten edition, Tansy asks whether he seriously believes in everything that has happened or finds himself reverting to the idea that the whole prolonged ordeal arose from coincidence and delusions. His reply, which constitutes the final sentence of the novel: "I don't really know."

The film BURN, WITCH, BURN deviates from the book at several points. For the most part, I realize why Matheson and Beaumont chose to make the changes they did. On the basic narrative level, naturally much of the background we get from Norman's stream of consciousness in the novel has to be revealed through dialogue in the movie, mainly the competitive tension underneath the smoothly polite conversations in the early scenes with his colleagues and their wives. The script omits most of the small mishaps Norman suffers, to highlight larger potential disasters. Most significantly, the entire climactic episode of Tansy's soul being captured by the senior witch is omitted, no doubt to streamline the plot to fit into the length of a feature film. Also, the writers might have thought that situation too complex to convey effectively through action and dialogue. Probably they figured a magical arson attack was more visually dramatic. Still, I was sorry to lose the deeply horrifying moment at the end of chapter fourteen (ten in the original) when Tansy, as a soulless automaton, answers Norman's magical summons. And, above all, we lose the novel's core premise, that all women are witches even if many of us don't fully understand or wholeheartedly believe in our own powers.

I'd love to see the book fully and faithfully adapted as a miniseries, but that seems like a farfetched daydream. BURN, WITCH, BURN, however, does come pretty close. Any fans of vintage horror would find it well worth their time.

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.