Karen Wiesner: The Stories Behind Classic Fairy Tales (Woodcutter's Grim Series), Part 2

WOODCUTTER’S GRIM SERIES—

Classic Tales of Horror Retold, Volume I Collection

 by Karen Wiesner

Four Supernatural Fantasy Romance/Mild Horror Novellas

This is the second of eight posts focusing on my Woodcutter's Grim Series and the stories behind classic fairy tales.

For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless…and the terrors would escape to the world at large.Ts collection includes Books 1-3 in the series along with The Final Chapter: 

"Papa", Book 1

 ** A horrifying rendering of “Hansel and Gretel” in which revenge is served up sweet...Less than a year after Rand left his family for Amy, his ex-wife and two children are killed in an accident. Ever since then, Amy has had terrible nightmares in which Rand's children return to exact revenge. When Rand convinces her to come away with him to an isolated cabin in the woods, Amy's guilt-filled nightmares turn into pure horror. **

The Woodcutter's Grim Series started officially when my family went camping and everyone was telling scary stories around the fire one night. The idea for a terrifying “Hansel and Gretel” is what I came up with. The scariest part of my pitifully weak rendition around the campfire that night was Hansel and Gretel calling in their thin, ghostly voices, “Papa” to their father, who’d abandoned them. After this, I had a nightmare about a spooky town that seemed completely deserted. The only thing the hero could find were little piles of sugar everywhere. Later, he realized those were all that were left of the townspeople. That was the jumping off point for the story “Papa”.

The basis of the fairy tale "Hansel and Gretel" is a deeply disturbing, tragic story of famine, disease, and infanticide but could also have had something to do with a successful female baker in the 1600s that another baker (a male) grew jealous of and so accused of being a witch. You can probably guess the rest, but if you want to know more details about this travesty, visit: https://www.huffpost.com/entry/fairy-tale-true-story_b_6102602.

"Blood of Amethyst", Book 2

** A bloodcurdling answer why Rumpelstiltskin wanted a child of his own... Amethyst's father disappears and Sheriff and Guardian Gabe finds him drained of blood. When Amethyst herself grows pale, cold, wakes only in the night when her taste for blood overwhelms her, Gabe becomes aware something in the woods is stealing her life. He'll face his deadliest foe yet when the woman he loves falls prey to a nameless creature who wants her very soul. **

Okay, so who doesn’t wonder why the childhood fairy tale creature "Rumpelstiltskin" wanted the queen’s child for his own? His reasons couldn’t be good. They had to be horrifying. I’d always wondered about the answer to that question, and so it was natural in this “a modern rendering of a classic fairy tale” to explore that angle, as well as establish the inner workings of the fairy tale horror town Woodcutter’s Grim first introduced in “Papa”. Since Sheriff Gabe Reece (leader of the Protectorate) made his first appearance in that story, it seemed natural to make that character the focus of this one.

Another thing I've always wondered is where the name "Rumpelstiltskin" came from and what it means. There are several ideas about the origin. One idea is that it stems from a childhood game in which children took turns assuming the role of a noisy goblin with limp. The word could also describe a mischievous poltergeist. There's also a crude suggestion that the name has a phallic interpretation in the story. In other words, an impish creatures forces a woman to "make gold" with him and then tries to take her firstborn. This story could have been a warning to easily manipulated young women of the time. Check out the full attempt to discover the origin of the classic tale here: https://www.pookpress.co.uk/project/rumpelstiltskin-history/.

"Dancing to the Grave", Book 3

** Loosely based on “The Pied Piper of Hamelin”. The children of Woodcutter's Grim are changing...and only one person, music teacher Diane Anders, realizes the truth. Can she and her husband, Kurt Jones, a member of the ancient lineage of the Protectorate's Chosen Seven, save them and the future of their town? **

 Another children’s fairy tale that’s always fascinated me is the "Pied Piper of Hamelin". Why would he want to lure all those children away? I came up with an explanation here in this modern retelling. Isn't having all your children taken away the very definition of horror? I also liked exploring the early phases of a couple reuniting after one of them had cheated. The title was another no-brainer, since it was based on the Pied Piper story.

 I hope to never have to research rats again! That was pretty unpleasant and made me itchy the whole time I was writing the story. The heroine Diane was allergic to rats, and I have the same condition, but it's not relegated to just rats. At the time I was working on this story, we lived in an older house, and I kept smelling something dead in the basement, where my office and computer were. My husband wouldn't believe me, but we found a newly deceased carcass of a bat not long later…when a bunch of live bats started flying around my head one night while I was working down there! Needless to say, my office was moved upstairs the very next day.

The story behind the fairy tale "The Pied Piper of Hamelin" might be just what you'd expect, following the story closely to events that took place in 1264 in a Germanic village. When the town elders reneged on the deal, one potential explanation (or myth) is that children could have been compelled by the piper into missionary service, via the Children's Crusade. Did they in fact cross the sea to convert Muslims to Christianity, or did they never reach their destination, either starving or being sold into slavery? https://www.huffpost.com/entry/fairy-tale-true-story_b_6102602https://www.worldhistory.org/Children's_Crusade/

"The Amethyst Tower", The Final Chapter

** Loosely based on “Rapunzel”. The isolated maiden meets her knight in a time-traveler who's come into the future to rescue her from the Warlock Lord holding her captive in the amethyst tower. Where else but in the fairy-tale-horror town of Woodcutter's Grim? **

While I really wanted to come up with more Woodcutter's Grim Series stories, I didn't really have any ideas and so assumed it would end with four novellas. But, later when I unexpectedly dreamed up more stories to fit in this series, "The Amethyst Tower” gave me a focal point and a boundary to write the rest of the “middle” stories inside, knowing where the series would end.

At the time when I was outlining "The Amethyst Tower", I’d been lamenting for years that Disney still hadn’t done a movie for the fairy tale "Rapunzel" (Tangled came out years later), so I wanted to do a scary version. The end of “Dancing to the Grave” provided the perfect segue into "The Amethyst Tower". The hero in the story, Prince, wasn't someone I wanted to make a typical hero. For countless years, he'd tried to fulfill the prophecy about him being a savior, with no idea how to go about it. He was discouraged and depressed, not to mention a little defeated. It wasn't until much later that I realized how important this story was to the series when I tried to "write backwards" with new tales that fit before the events of "The Amethyst Tower". Trust me, there is nothing fun about painting yourself in a corner and having to stay within it to tell the rest of the stories in a series.

Some fairy tales are based on sad tales of religion gone wrong, as is the case with Rapunzel. A pagan merchant father couldn't bear to have his daughter marry (his reason for that can't be good) so locked her in a tower. After she converted to Christianity, her prayers were so loud, the merchant was informed of them by those in the town below. When he dragged his daughter in front of the Roman pro-consul, he was told he either had to behead her himself or he'd have to give up his fortune to shut her up. Can you guess what he decided to do? Sigh. But at least he got his just due when he was struck by lightning right after the evil deed against his own child was done. https://www.huffpost.com/entry/fairy-tale-true-story_b_6102602

Reviews and Honors for WOODCUTTER'S GRIM SERIES, Volume I:

2008 Dream Realms Award Winner

Best Book of 2010 Nominee from Siren Book Reviews

Recommended Read from Dark Angel Reviews

5 star review from Howling Good Books

5 star review from BTSemag

5 star review from Linda's Reviews

5 star review from author Jenna Whittaker

4 1/2 star review from Siren Book Reviews

4.25 star review from Huntress Reviews

4 star review from RT Book Reviews

4 star review from Paranormal Romance Reviews

4 star review from Coffee Time Romance

4 star review from The Romance Review

Do you love telling or hearing scary stories around a campfire? Have you ever dreamed about something that made you want to write a story on the basis of the dream? Leave a comment to tell me about it!

Happy reading!

Find out more about this collection and Woodcutter's Grim Series here:

http://www.writers-exchange.com/woodcutters-grim-series/

https://www.amazon.com/dp/B08MLBYBH1

Karen is an award-winning, multi-genre author of over 140 titles and 16 series. Visit her here:

https://karenwiesner.weebly.com/

http://www.facebook.com/KarenWiesnerAuthor

https://www.goodreads.com/karenwiesner

http://www.writers-exchange.com/Karen-Wiesner/ 

http://www.writers-exchange.com/blog/ 

https://www.amazon.com/author/karenwiesner 

Karen Wiesner: The Stories Behind Classic Fairy Tales (Woodcutter's Grim Series), Part 1

WOODCUTTER’S GRIM SERIES—

Classic Tales of Horror Retold

by Karen Wiesner

Supernatural Fantasy Romance/Mild Horror

For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless…and the terrors would escape to the world at large. 

This will be the first of eight posts focusing on my Woodcutter's Grim Series and the stories behind classic fairy tales.

Since I was a child, I had a love for all things supernatural. HOW TO CARE FOR YOUR MONSTER was a book I read over and over when I was young. It was written by Norman Bridwell (the guy who wrote the Clifford the Big Red Dog series). I wore that book out. Funny thing is, my husband also said it was one of his favorite books when he was young, too. I’d never known anyone else who’d ever read it. Meant to be, huh? 

Some of the earliest horror books I remember reading were an out-of-print series of teen horror called TWILIGHT: WHERE DARKNESS BEGINS, YOU'LL LIKE MY MOTHER by Naomi A. Hinze (gothic horror, which I adore), and DRACULA, of course. Stephen King books were the cornerstone reading of my teenage years. One of my all-time favorite horror novels since becoming an adult is THE RUINS by Scott Smith—an unusual horror novel that has no chapters whatsoever and is 384 pages you literally cannot put it down from start to finish. Brilliant! 

My Woodcutter's Grim Series started when I was putting together a proposal for my promotional group Jewels of the Quill’s first Halloween anthology, SHADOWS IN THE HEART. I'd always wanted to write a horror/fantasy series, and I spent quite a few years considering how to go about it. My mind went first to childhood fairy tales. Most of them are, by nature, horror stories sometimes mirroring real-life events that were probably the stuff of nightmares at the time they were written. So I knew I wanted to create a fairy tale horror/fantasy town in which those old tales came to life in terrifying ways. Calling the town Woodcutter's Grim seemed completely logical. All of the stories in the Woodcutter’s Grim Series are loosely based on popular or traditional fairy tales, nursery rhymes, poems, folktales, parables, mythology, and other "lore".

When I wrote and published the first collection of "classic fairy tales retold in modern times as horror or fantasy", few others were doing anything like it. Right after that, a slew of projects similar to this came about, including the TV shows GRIMM (which was amazing) and ONCE UPON A TIME (not as inspiring to me but nevertheless interesting), and many movies turning fairy tales into deep characterization horror fests with a twist, such as SNOW WHITE AND THE HUNTSMAN (and the sequel) with Charlize Theron and Chris Hemsworth, and RED RIDING HOOD with Amanda Seyfried and Gary Oldman. 

What are some of the most memorable books and authors of the supernatural you read as a child? Do you love to read or watch tales of fairy tales reimagined? Leave a comment to tell me about your favorites! 

Happy reading! 

Find out more about Woodcutter's Grim Series here:

http://www.writers-exchange.com/woodcutters-grim-series/

https://www.amazon.com/dp/B08MLBYBH1

Karen Wiesner is an award-winning, multi-genre author of over 140 titles and 16 series. Visit her here:

https://karenwiesner.weebly.com/

http://www.facebook.com/KarenWiesnerAuthor

https://www.goodreads.com/karenwiesner

http://www.writers-exchange.com/Karen-Wiesner/ 

http://www.writers-exchange.com/blog/ 

https://www.amazon.com/author/karenwiesner 

Theodora Goss's Fairy Tales

Fantasy author Theodora Goss has just released a new collection of stories and poems that retell and reflect on fairy tales, SNOW WHITE LEARNS WITCHCRAFT (with an introduction by Jane Yolen).

On her blog, Goss discusses the importance of fairy tales:

Writing Fairy Tales

Fairy tales, she says, "tell us fundamental truths about the world," which we "don't get from other places." Their darkness and irrationality reflect children's experience of a large, mysterious world. The traditional stories also reflect the adolescent experience of exploring the mysteries of the opposite sex. "All marriages are to animal brides and bridegrooms. . . . You are as strange and unknowable to your spouse as a swan bride, a bear groom."

The first piece in SNOW WHITE LEARNS WITCHCRAFT, the poem for which the book is titled, speaks in the voice of an aged, widowed Snow White musing on what she should do with her life now that she's liberated from the strictures of being "the fairest" and consort of the king. When women grow "old and useless," she decides, they should "Become witches. It's the only role you get to write yourself."

Similarly, all these poems and stories question "What if. . .?" or "What comes next. . .?" They make the familiar tales new and strange by switching viewpoints from "hero" to "villain" or changing time and/or place to a different milieu. To mention only a few: For instance, the poem "The Ogress Queen" offers the perspective of the prince's cannibalistic mother from the second part of "Sleeping Beauty," the follow-up that never seems to get into children's books and movies. "The Rose in Twelve Petals" explores "Sleeping Beauty" from a variety of viewpoints, including that of the witch who casts the "curse"; beginning in what appears to be a nineteenth-century setting, it concludes a century later, when the "prince" breaks through the thorn hedge on a bulldozer instead of a horse. The poem "The Clever Serving Maid" reflects on the exchange of identities between the princess / goose girl and her maid from the viewpoint of the maid, who doesn't want to marry a prince anyway. In "The Other Thea," the heroine has to visit the castle of Mother Night in the Other Country to reunite with her lost shadow. The poem "Goldilocks and the Bear" portrays Goldilocks and the young bear as childhood friends who grow up to get married, while "Sleeping with Bears," a comedy-of-manners story, features a wedding between a human girl and the scion of a wealthy bear family. In the poem "The Gold-Spinner," the miller's daughter, who actually spun straw into gold on her own, makes up the tale of a strange little man to get out of marrying the king. In the story "Red as Blood and White as Bone," set in an imaginary central European country in the first half of the twentieth century, the narrator, an orphaned kitchen-maid in a nobleman's castle, befriends a strange woman she believes—under the influence of fairy tales—to be a princess in disguise. The "princess" turns out to be something quite different but equally mysterious, on a mission that doesn't involve marrying the prince. A witch tells the heroine of "Seven Shoes" that she will get what she wants after wearing through seven pairs of shoes; the poem follows her through successive stages of her life to the point where, having worn out many types of shoes, she attains her dream of becoming a writer. (That one moved me to tears.)

In this blog post, Goss explores the value of fantasy and why she was drawn to reading and writing it:

The Horns of Elfland

She says she "read books about imaginary countries to belong somewhere," a yearning most fantasy devotees can probably identify with. As for stories "about magic happening in our world," they offer the promise "that our real world had the possibility of magic in it." I love her observation that writers, like witches, "cast spells"—"both witchcraft and writing are about using language to alter reality."

What is your favorite fairy tale? Mine is just about any version of "Beauty and the Beast." All its variants nourish my appetite for Intimate Adventure relationships between human and Other.

Speaking of romance, happy Valentine's Day!

Margaret L. Carter

Carter's Crypt