Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

Sunday, September 06, 2009

Feeling a little alien?

Sooner or later, most of us will feel a little alien... and although this is an alien romance blog, I am not talking about sexually groping a diminutive being from Mars, or Europa, or Deneb.

I am talking about cultural dissonance. I make no apologies for using an ambiguous headline to make a point. The news media does it all the time.

Cultural dissonance is (IMHO) one of the most fertile and promising sources of internal and external conflict for heroes and heroines in alien/human romances, and we can all identify on some level with it. How far do we go in researching it?


What Is Cultural Dissonance?

Dissonance is a difference in point of view (or a lack of agreement) about how the world, or society, or a community works or how it ought to work.

We see it in politics, religion, the sciences, and probably in economics. Feelings run high, people feel uncomfortable, not least because they cannot understand why those who do not agree with them --apparently-- fail to see the superior good sense and fairness and reasonableness of their own position.

Cultures differ. If you live in a melting pot, you must expect the pot to boil over. That was a strength and a weakness in the Babylon 5 series. I particularly appreciated the point that there had been four Babylons before Babylon 5.

‘Cultural dissonance’ describes
a sense of discomfort, discord or disharmony arising from cultural differences or inconsistencies which are unexpected or unexplained and therefore difficult for individuals to negotiate. Dissonance can be experienced by all parties in the cultural interchange and attempts to resolve discordant issues can be bewildering or distressing.


Teachers know all about cultural dissonance, and how hard it is to teach children from different cultures and to make appropriate allowances for differences in the values, knowledge, skills, and learning styles that children bring to the classroom from their homes.

I suppose most people assume that their own views, habits, lifestyles, expectations are mainstream. Finding out that this is not the case can be deeply disturbing and infuriating.

How realistic are your favorite aliens when they visit Earth, or your humans when they are transported to another planet? Are they adequately angry, frightened, confused, baffled, outraged? Do they know when to keep quiet, and when (if at all) to hash out "where they are coming from"?

What sort of research do you do, or can you visualize your favorite alien romance author doing?

Possibly, this is not a propitious time to try going to a political meeting held by members of a party with whose policies you violently disagree for the sake of research. Safer might be to join a social networking group with whom you have nothing in common. Hang out with the nonogenarians subgroup on Eons, or with the young texting Haters on GoodReads, or the extremely sexually adventurous subgroup on TBD, or in a "pirates" chat room can be quite a good way to glimpse what it might be like to be an alien.


Happy researching.

Rowena Cherry

Monday, August 20, 2007

Close Encounters of the Zombie Kind: Teaser from The Down Home Zombie Blues

Since in my last blog we played with Jorie's reaction to Earth, I thought I'd share Theo's--our intrepid Florida homicide detective's--reaction to working with a Guardian Force team. Essentially, commandos from another planet. Now, Theo's trained. They're trained. But training can mean two different things when it comes to fifteen-foot tall mech-organic monsters. However, office politics never seem to change...


From THE DOWN HOME ZOMBIE BLUES by Linnea Sinclair
Coming from Bantam books Nov. 27, 2007


Theo had spent the last several years of his BVPD career interrogating people who lied—either by accident or design, out of fear, greed or stupidity. It was one of the first rules he’d learned as a rookie: Out here, everybody lies. Yet Theo wasn’t ready to brand Jorie Mikkalah a liar. At least, not quite.

She just wasn’t telling him the complete truth. Which fit in exactly with the corollary from Rookie Rule Number 1: Always know that you are never, ever being told the whole story.

He wasn’t. Not about the implant in his shoulder, not about the zombies and not about her plans. And especially not about whatever was going on with her team of space commandos.

He thought of that as he drove west on Twenty-second Avenue toward the mall. Jorie, still clad in her oversize sweater, was perched in the front passenger seat.

It was almost three forty-five in the afternoon. The ETA for the zombies was now less than an hour. A surge of adrenaline shot through him every time he thought about that. He tamped it down. Be calm. Think. He’d handled a zombie before, with far less preparation. He could do it again. His Glock was secured on his right hip, his zip-front sweatshirt keeping it and his gun belt with extra ammo hidden from sight. He’d also donned his black tac vest, very aware that something that could so easily trash a car wouldn’t be hampered by it. But he had to wear it—and his smaller Glock in the ankle holster. For extra protection, his assault rifle was racked in its usual place.

By comparison, the weapons the space commandos wore seemed strangely small and light. Jorie was decked out in much the same manner as when he first saw her: headset with its eyepiece (swiveled down for the moment), dual laser pistols, and various gizmos attached to a belt (all hidden by the sweater). Her high-tech rifle rested on the floor.

Oddly, it wasn’t their weaponry that was foremost in his mind at the moment. Their camaraderie—or lack of it—was.

He glanced at the passengers in his backseat through the SUV’s rearview mirror. There was a power struggle under way. He’d been with BVPD too long not to recognize one. But this one centered on him and the lives of everyone he knew.

A detective’s sixth sense told him he’d been off the mark in his initial appraisal of Commander Mikkalah. She was responsible for his kidnapping and that damned thing in his shoulder, but, despite that, he was beginning to see that Jorie did take people’s lives into consideration. That same sixth sense told him Rordan didn’t.

And that, he suspected, was where the lines were drawn. The players had chosen their sides.

On Jorie’s was Tamlynne Herryck, now wearing his old black and white Tampa Bay Lightning T-shirt over her sleeveless uniform top. Tammy, he’d dubbed her. But Jacare Trenat—Jack, wearing one of Theo’s Old Navy T-shirts—had sided with Kip Rordan. Theo didn’t speak a word of Alarsh, but he knew if he dubbed Rordan Pompous Asshole he wouldn’t be too far off the mark—though Uncle Stavros would probably call Rordan a malaka. Too bad he’d loaned Rordan his Bucs jersey. He hoped like hell he’d get that back.

Jack, it seemed, was doing all he could to get his nose far up Rordan’s butt. Though to be fair, Jack was young. Just a rookie. He had that bright, shiny look in his eyes that was a combination of a desire to please and a belief that he could save the world.

And Rordan, with his swagger, was just the kind of malaka a rook like Jack would admire.

Of course, saving the world—Theo’s world—was Jack’s job. If it hadn’t been his own world at stake, Theo might have found the entire situation amusing: intergalactic space commandos falling prey to petty office politics. He just hoped Jorie Mikkalah was up to the task of not only the zombies but whatever Rordan was planning as well.

He stopped for a red light. Jorie had been focused on her scanner gizmo since they’d left his house but she looked up at him now.

“Ten minutes,” he said, anticipating her question.

She nodded. “I need to position Rordan and Trenat first before we remove your people.”

“And Tammy?”

“Tammy?”

He inclined his head toward the Tampa Bay Lightning fan seated behind her.

“Lieutenant Herryck and I will take the opposite position. You can return to your structure. We’ll meet you back there in about one sweep.”

“Whoa, wait a minute.” The light turned green. He stepped on the gas. The SUV stuttered, then surged forward. “I’m part of this mission, remember? And it’s a long walk—”

“We’ll use the PMaT to transport back to the ship when the juveniles have been dealt with.”

Peemat? Oh, that damned thing that spins your guts out through your eyeballs, then puts you back together again as you go from Point A to Point B. A thought struck him. “Why do you need me to drive you to the park if you have that transporter?” It was certainly quicker and more efficient, though nauseating.

“Zombies track PMaT,” came Rordan’s answer from behind Theo. Another glance in the rearview showed a slight smirk on the man’s face.

Yeah, okay, so I’m a stupid nil. Theo returned Rordan’s reflected smirk with one of his own. “Skata na fas, malaka,” he said under his breath. Eat shit, asshole.

“Because all PMaT transits are unshielded,” Jorie said as if Rordan hadn’t commented. “Zombies have what we call a sensenet. Through that, they’re aware of surges created by unshielded tech. And they react.”

“But you said you’re going to transport back—”

“The zombies will be neutralized at that point,” she continued. “But to engage the PMaT in the proximity of a forming portal holds danger.”

Rordan said something in Alarsh, short and quick.

Theo saw Jorie shrug. Her answer was equally short and sounded—though he had no idea of the content of the exchange—casual, almost offhand. But her fingers were tight around her scanner.

He didn’t like not understanding their language. He liked it even less that Rordan understood his. He hoped this was just petty office politics and that they were all on the same side when it came to the zombies.

But he couldn’t be sure and he couldn’t ask. He could only remember what she’d told him earlier, denying—lying about— tampering with her tech to change what the zombies did. He gleaned from their conversations on her ship that’s what had turned Wayne, her agent, into a parchment Mr. Crunchy with moist eyeballs.

And here she was doing the same thing because Rordan—and intergalactic office politics—prevented her from saving lives at a crowded mall during Christmas week.

So Theo decided to do the only thing he could: tilt the balance in Jorie’s favor. He made his decision as he dropped Rordan and Jack at the far end of the park by the tennis courts, then Jorie and Tammy at the other, next to the baseball field. A quick trip around the perimeter announcing—via his PA system, with blue strobe going—the possible sighting of a rabid raccoon cleared away the few remaining joggers.

Theo pushed the traffic gates shut, then set the Park Closed sign in place. Jorie had told him to go home once the park was clear. But he was not going home until this batch of zombies was dead and that PMaT thing was spewing Rordan’s unworthy molecules all the way back up to the ship.

He turned the lumbering vehicle back toward the ball field, parked it just behind the row of low bleachers, and got out. Jorie trotted toward him, frowning. He leaned on the front of his SUV, arms folded across his tac vest.

“I’m staying.”

She glared at him. He glared back. When she flung her arms wide in exasperation and let out a now familiar sounding string of Alarsh curses, he knew he’d succeeded. A mixture of elation and relief washed over him.

Which ended a split second later when a discordant wail erupted from the scanner in Jorie’s hand—and echoed out of one dangling off Tammy Herryck’s hip.

Jorie favored him with one last hard glare—partially obscured by her eyepiece—as if to let Theo know he was now edging his way to the top of her shit list, then she thrust one of her small laser pistols into his outstretched hand.

“Opticals, remember?” she asked, teeth gritted. She swung her rifle around. “And legs. Stay with me.”

Opticals. Eyes. And legs. And writhing energyworms and long, flailing, razor-sharp extenders. He sprinted after her to where red-haired Tammy stood, rifle in one hand, scanner in the other, then stopped. Both women’s heads were bent over their scanners but, damn it, no one was looking around. Someone should be. He remembered the green glowing circle, the thing oozing out—impossibly—from its center. He turned, squinting through his sunglasses into the late afternoon light.

Something slammed him from behind, crushing him to the ground. Grass, dirt, and gravel were pushed into his face, and he heard his sunglasses crack. Then, with sickening clarity, Theo realized he could no longer breathe...

Monday, July 30, 2007

Polly Wants A Cracker, or The Issue of Trust in Romantic Science Fiction



The past few posts, such as Barbara Karmazin’s most recent one on alien sex, has raised a number of very interesting questions (an ideas) for writers and reader of romantic science fiction. Jacqueline Lichtenberg—here on this blog as well—has often referred to the RSF/SFR genre as “intimate adventure” and in viewing these posts, the reasons why that label is so apt can become clear.

The posts to date have for the most part explored the arena of human and alien in a first encounter or first contact situation.

But where do the stories—and the characters—go when aliens are not so alien?

Let me digress a moment and talk about parrots. (Yes, I’m tired, behind deadline and packing for Archon but bear with me, I will make sense eventually). It’s been my experience that most humans are uncomfortable with large birds. Sharp claws, large beaks and fluttering wings make us a bit timid. Children who willing stick their fingers through the bars around a kitten’s or puppy’s cage at the pet store stand with hands behind their backs in front of the parrot’s cage. “CAUTION: HE BITES” is often tacked to the cage.

The reason parrots bite are many but very often come down to two things. One, a finger thrust into their view is looked upon as potential food (based on instinct, which is why you always offer a parrot a fist, not a finger). More likely, though, is the fact that a parrot’s beak is used as a third foot. This is something most (non-parrot) people don’t realize and something I’ve learned after many years of being owned by feathered friends.
You put your hand into the parrot’s cage. He leans his head down and latches firmly on to your arm with his beak. NOT to bite (but he will if you jerk your hand away) but to steady himself so he can climb on.

It’s the jerking-away reaction that causes the bite, you see. The fear by the human who doesn’t understand the parrot’s methodology and mind set.

Since being owned by a variety of large and small parrots (that's our Amazon, Bird, above), my husband and I often now find ourselves being feathered-friend rescuers, for the simple reason we’re not afraid to approach any kind of bird or parrot. We understand a bit more about them—and their beaks. We’ve handled injured egrets, baby terns, seagulls, Muscovy ducks, lovebirds and cockatiels. We understand the beak, like a human’s hand, is primarily for grasping. It can, like the hand, also injure. But we don’t come into the situation with that mindset.

Which brings me back to alien sex, or romantic adventures with someone who is not a Terran of the human variety.

What if the aliens in your novel aren’t totally alien? What if they’re like parrots? Not feathered, though I wouldn’t rule that out. But what if they’re just another species or race that shares some of the same breathing space your human characters do, but without complete familiarity?
We’re very aware of birds in our environment on this planet. But most of us have no information or experience in interacting with them.

Think of Chewie in Star Wars. Han Solo—a human—was definitely very at ease with Chewie. There was no perceived human-parrot reaction (ie: I’ve seen you but I don’t really understand you). I don’t know if in Lucas’s universe there are any human-Wookiee couples, but given Han’s comfort level with Chewie, it wouldn’t surprise me. (And the image here is from fabulous artist Dave Dorman's site.)

I structured Ren, the gilled Stolorth in my Gabriel’s Ghost, more on the parrot mold. Chaz Bergren, the female human protagonist, knew of Stolorths and had seen many in her life but never really knew one. She knew what she’d been taught about Stolorths. She knew what others said about Stolorths. But until life (and my plot) threw her in close contact with Ren, Stolorths were—for all their visibility in her existence—still “other.” Alien. Extending your hand could as likely get your bit, as not.

Part of Chaz’s growth in the book was her replacing Ren’s “alien” label with one of “person.” Someone she was capable of understanding and trusting. And Ren was not the love interest in the plot (for those of you who haven’t read the book). But Chaz’s extension of trust to Ren paralleled and mirrored (and foreshadowed) the issues she had with Sully (the love interest and male protagonist).

And it turns out, of course, that Sully is far more “alien” than she suspected. A parrot in human clothing, if you will.

Captain Tasha “Sass” Sebastian also faced that issue (gee, you think it’s one I like?) in Games of Command. Branden Kel-Paten was a bio-cybe, a man/machine construct, his human familiarity now blurred by the knowledge of his cybernetic augmentations. Like me yet not like me. A known unknown. “Can I trust him?” was a huge issue for Sass even though Kel-Paten’s very “alien” qualities were created by humans.

Can we trust an alien of our own making?

One of the reasons I so enjoy C.J. Cherryh’s FOREIGNER series is that—excerpt for the first book—her aliens are a known alien to the human, Bren Cameron. Differences and lack of full information about each other are acknowledged and the extension of trust has begun. We’ve learned that a finger may get bit but a closed fist can tolerate the pressure of the (potentially injurious) beak.

That’s Lesson One and I think it’s a big lesson. Not that “You’re so totally different and alien that all I can do is react in fear” but “You’re different and alien but we have some commonalities, I’m learning some of your ways and looking forward to exploring more.”

The exploring more is the reason I write what I write.


~Linnea
http://www.linneasinclair.com/

Wednesday, June 20, 2007

What does a vampire have in common with Spock

Margaret L Carter is out of town, and I was looking through my saved Blogspot email folder to check on something and I discovered to my horror that last August I'd offered to add some links and labels to her blog, and I'd forgotten!

So, I thought the least I could do was re-publish her post and insert the labels and links.

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What does a vampire have in common with Spock on STAR TREK? No, I'm not suggesting that the average vampire has a hyper-rational mind, pointed ears, or green blood. For me, however, the appeal of these two figures is similar. Both epitomize the allure of the Other in a form I find particularly attractive. When I first read DRACULA at the age of twelve, I was fascinated by the vampire because of the sensuality of blood-drinking. The scene in which the Count forces Mina to drink his blood was my favorite from the beginning. Many years later, I figured out that I responded this way because sharing blood represents the ultimate intimacy, and I still find such scenes deeply stirring. But I'm also drawn to vampires because of the same reason I love Spock. In each case, the character occupies the liminal position of "almost human but not quite," a person who looks a lot like us, yet with enough physical differences to appear exotically attractive, and thinks something like us but differently enough to embody a skewed perspective on the human condition.

Another appeal of both Mr. Spock and the typical vampire of fiction springs from his special relationship with the heroine. A Vulcan rigidly controls his emotions, never expressing them in the presence of others except during Pon Farr. The average vampire regards himself, with considerable justification, as superior to "mortals" (a term I don't find quite satisfactory, since vampires CAN be killed, but oh well) and views most of us as prey or, at best, pets. The heroine, whether a fan author's Mary Sue alter ego or a vampire novel's unusually strong woman, becomes, through her unique qualities, the Vulcan's or vampire's exception to the way he treats most of us mere mortals. In Suzy McKee Charnas' incomparable THE VAMPIRE TAPESTRY, psychologist Floria Landauer is the ancient vampire Weyland's "exception," just as, to cite an extreme example, Clarice Starling is Dr. Lecter's "exception." Depending on the behavior and attitudes to which our heroine becomes the exception, this situation may open a deeply troubling can of ethical worms, but that topic holds material for another entire essay. That's my main problem with the misnamed film BRAM STOKER'S DRACULA. Unlike many fans, I find Vlad unattractive (well, aside from his physical appearance, which strikes me as silly, not sexy) because his “love” for Mina constitutes making her an exception to the cruel way he behaves toward most other people, including Lucy, a pattern of evil and cruelty the film apparently expects us not to notice.

For a fascinating treatment of the reasons why the Beauty and the Beast motif appeals so strongly to many women, why we love monsters and feel regretful when the Beast turns into a handsome prince, go to Suzy McKee Charnas' website (www.suzymckeecharnas.com) under the “Byways” category and read her enthralling essay “The Beast's Embrace.” You can find these principles explored fictionally in her VAMPIRE TAPESTRY and her unforgettable Phantom of the Opera novella, narrated by Christine telling the TRUE story, “Beauty and the Opera, or the Phantom Beast” (reprinted in Charnas' collection STAGESTRUCK VAMPIRES AND OTHER PHANTASMS).

Another provocative examination of the allure of the alien monster, the Other, is presented in James Tiptree Jr.'s short story “And I Awoke and Found Me Here on the Cold Hill's Side.” A character in this tale, cautioning the narrator against falling prey to the fascination of meeting his “first real aliens,” theorizes that human beings throughout our existence as a species have been erotically attracted to “the stranger” because exogamous mating “kept the genes circulating.” With aliens from other planets, although mating may sometimes occur, interbreeding can't (unlike in the STAR TREK universe). But many people find aliens irresistibly attractive because of the “supernormal stimulus” effect. If we innately desire the Other, we desire aliens most of all because they're EXTREMELY Other. Tiptree's story presents this compulsion as completely negative. The human species is having its soul bled away by this fruitless yearning for aliens.

Needless to say, I don't find the situation quite so hopeless. Friendship or love between human and nonhuman is the central theme of many of my favorite stories. One reason I was a devoted fan of the TV series BEAUTY AND THE BEAST was that there was absolutely no chance of Vincent's ever becoming “normal” in appearance. Vampires appeal to me on the same level. Therefore, I'm always a bit disappointed when a paranormal romance ends with the “cure” of the vampire, which, to me, negates the very aspect of the character that attracted me. Hence, unlike many vampire fans, I don't respond strongly to the resonance of the “repentant bad boy” theme, in which curing or at least reforming the “evil” or “cursed” undead monster plays an integral part. Having the human partner become a vampire doesn't please me much more, in most cases. (There are exceptions, of course. A talented writer can make either of these scenarios satisfying to me for the duration of a novel.) The ongoing challenge of two unlike characters embracing across the distance between them is what I enjoy reading and writing about. My own vampires are members of a different species who appear human and live secretly among us. Like human beings, they have the capacity for ethical choice and can be either good or evil. I've written an entire book of literary criticism about this kind of vampire fiction, DIFFERENT BLOOD: THE VAMPIRE AS ALIEN, published by Amber Quill (www.amberquill.com). The bibliography contains many titles that would interest fans of alien romance. For my own series, all the stories and novels are listed in internal chronological order at the “Vanishing Breed Vampire Universe” link on my website (www.margaretlcarter.com).

Another series that fascinates me because of its “alien vampire” dimension as well as the search for understanding between people who differ from yet depend upon each other is the Sime~Gen series by Jacqueline Lichtenberg and Jean Lorrah. It takes place in a distant future when humanity has mutated into two halves (“larities”). Gens look like us but produce the essence of life-energy, selyn. Simes, who look like us except for tentacles on their forearms, need selyn to live but don't produce a measurable amount themselves. They have to draw this substance monthly from Gens or die in agony. You can learn about this universe in depth at www.simegen.com. When the first book, HOUSE OF ZEOR, was newly published, I saw Jacqueline on a TV interview in which she said the novel would appeal to fans of vampires and STAR TREK. It sounded like my kind of book, so I read it, and she was right. In fact, on the Sime~Gen website you can also read about how the “Star Trek effect” shaped the writing of HOUSE OF ZEOR. Which brings us back to vampires and Mr. Spock!




Sunday, April 15, 2007

Sarcasm, Irony... aliens don't "get" it




You Earthlings (humans, Terrans) are a funny lot. You don't speak the same language. You fight incontinently. You don't have a one-world government. You can't decide on one individual to lead you all --you don't even try!

It's no wonder we aliens shrug and go home when our extremely reasonable request "Take Me To Your Leader" causes such confusion and such unsatisfactory and inconsistent responses.

It's never the same leader. It usually turns out that whoever the leader is, he's not the Leader of all leaders. There was once a "she"... We had hopes of her.

And then, there's the human sense of humor. It makes no sense to us. In fact, there isn't just one sense of humor shared and enjoyed by all humans, which would be logical.

Any sentient being can understand that sudden bursts of malodorous gas and floating droplets of unmentionable matter in a confined space (and almost no gravity) are just cause for venting one's strongest and most appropriate swear words or else for laughing in manic despair.

But some of you cannot even talk sense. How is a highly intelligent alien supposed to know when you are using sarcasm or irony?

Do you mean what you say, or don't you? Sometimes, an alien could be forgiven for his confusion. It would be helpful to your alien cousins if you would show your teeth and heave your upper bodies to show that you think you are being pleasantly funny, and that you either do --or do not-- mean what you just said.

Sarcasm is when you Terrans say exactly what you mean, but in such a way that it makes your auditor uncomfortable.

The modern "Duh!" is much more useful.

"No sh-t!" is an obscenity which offends us beyond words, for reasons this alien has delicately hinted at above.

A --presumably rhetorical-- question, such as "Is the Pope Catholic?" or "Does a bear sh-t in the woods?" presumes that aliens have a wide understanding of your different cultures and the sanitary practices of wilderlife.

Besides which, a polar bear on an ice floe probably does not have that luxury. Nor for that matter does a captive bear in a concrete habitat mysteriously known as a zoological garden.

Irony is when you Terrans say the opposite of what you mean, but in such a way that it makes your auditor uncomfortable.

Making someone else uncomfortable, or finding "humor" in thoughts of another's discomfort seems to be a repeating theme.

Now this alien thinks about it, "pleasantly funny" may be an oxymoron ... a logical contradiction in terms.

We will leave you now. But We will be back!


Posted on behalf of a fascinated alien by,
Rowena Cherry
author of the Gods of Tigron trilogy
(Forced Mate, Mating Net, Insufficient Mating Material)

Sunday, March 04, 2007

Thinking outside the box... or laundry appliance

Ever since a great author who is now one of my friends --but we were complete strangers at the time-- told a publisher that she ought to buy everything I wrote, even my laundry list, I have been wondering how on Earth (or in outer space) I could make my laundry list interesting.

I've done it!

I've sold it... my editor just does not know what she is getting, yet. I'm writing at least three more alien romances --one starring a buff alien hero who does not see the need to wear clothes--, and I suppose that polishing and pre-editing him is at the top of my metaphorical laundry list.

When I say "buff", I mean that this hero's issues are a bit more complicated than whether or not Chewbacca ought to have worn shorts. I think my research will take me to contemporary writings from pre-Victorian times for inspiration, to see how diarists felt when the moral authorities decided that table legs looked rude.

Talking of Research, yesterday I got a call from Bobbi Smith, asking me to fill in on an Advanced Writing, pre-convention workshop at the Romantic Times convention. When Bobbi mentioned that she needed someone to talk about research, I jumped at the opportunity.

Best wishes,
Rowena Cherry