Trusting the Experts

I'm rereading FOR HER OWN GOOD: TWO CENTURIES OF THE EXPERTS' ADVICE TO WOMEN, by Barbara Ehrenreich and Deirdre English (actually, the first edition, titled "150 Years of..."):

For Her Own Good

The book deconstructs medicine and psychology in particular, as one would expect, but also new disciplines such as "domestic science" (aka home economics, invented in the late nineteenth century). The venerable doctrine that overuse of the mind, especially in pursuit of "masculine" fields of study, ruined women's physical health and rendered them unfit for their natural purpose, reproduction, is only the most blatantly appalling of the now-discredited theories exposed in this historical survey.

The book serves as a reminder of how "science-based" recommendations offered to the public can change from century to century, decade to decade, and sometimes year to year. Around 1900, American housewives were encouraged to protect their families' health by obsessive cleaning in an attempt to make the home germ-free (an impossible goal in a normal household anyway). Nowadays, it has been discovered that an excessively clean environment in childhood promotes allergies. In the first half of the twentieth century, some doctors recommended smoking as a weight-loss strategy (as mentioned in Stephen King's novella "The Breathing Method"). In the same period, mothers were urged to put their babies on rigid schedules and told that picking up a baby between feedings or cuddling and playing with him or her would lead to all sorts of mental and moral ills. At the time of my first pregnancy, obstetricians badgered pregnant women to starve themselves into a weight gain of twenty pounds or less (not only almost impossible for most women but unhealthy). Eggs used to be considered evil because of their cholesterol content. Now we know dietary cholesterol has little or no direct effect on blood cholesterol; the main culprits are trans fats.

That's what we know now, at least. What guarantee do we have that the latest findings of modern science will remain THE authoritative truth instead of being superseded as many earlier truths have been? Yet the average layperson has to trust the experts, since she doesn't have the background to evaluate the research herself. (And then there are pseudo-scientific fads, which the Internet sometimes makes hard to distinguish from legitimate science.) The best we can do is exercise critical reading and thinking skills as we compare claims—which a liberal education is supposed to teach us to do, as mentioned in last week's blog post. Faith in the pronouncements of authorities is often scorned as a fallacious mode of thought, but we all accept authority as the basis for many of our beliefs. Even the most widely educated genius can't be an expert in everything.

I once came across mention of a story (don't know the author or title) in which the magicians of the world "came out" and revealed that all the alleged technological marvels of modern society were, in fact, created by magic. For many of us in relation to many fields of technology, "a wizard did it" would sound just as plausible as the scientific explanation.

Margaret L. Carter

Carter's Crypt

Mother Nature

That's the title of a 1999 book by anthropologist Sarah Blaffer Hrdy. (No, that's not a typo.) The phrase has at least a double meaning, referring both to maternal instincts and behavior in nature and to the nature of motherhood.

Some animals practice semelparity, putting all their literal eggs in one metaphorical basket by breeding only once in a lifetime. Examples include the salmon who swims upstream to spawn and die or the spider whose newborn young eat her body. More commonly, "higher" animals practice iteroparity (what a cool-sounding word), like us and our primate kin—reproducing multiple times. A female in an iteroparous species has to balance the welfare of the newest infant against her prospects for maximizing the number of offspring who survive over the long term. "Nurturing" is only one trait of the ideal mother in nature; she may also compete against other females for the status and resources that give her children the best chance to thrive or even make hard choices about cutting her losses with one baby for the sake of future babies who will have better prospects for survival.

A culture of sapient aliens in which the dominant female's pheromones suppress ovulation in the other females in the group, as among some social mammals on Earth, would have a very different family structure from ours. Among sapient aliens with biology like that of the above-mentioned spiders, a female who devised a way to survive the birth of her children might be condemned as scandalously immoral.

Female primates during their fertile periods often mate with numerous males so that those males will protect the resulting offspring rather than threatening them. It's not uncommon for males of many social species (lions, for instance) to kill infants sired by other males in order to bring the females into estrus immediately. In some human hunter-forager cultures, people believe a fetus is built up gradually by repeated infusions of semen from multiple acts of intercourse. Women deliberately consort with several men during pregnancy, and everyone who's had sexual relations with her during that time is deemed a father to the baby. Suppose an alien species existed in which this belief reflected biological reality, so that a baby really did have multiple fathers? In their society, polyandry would probably be the norm.

Among the vast majority of primates (including Homo sapiens in most cultures), males take little part in caring for infants. A satirical novel about a women-ruled planet I've read, however, takes the logical position that because women bear the burden of pregnancy and nursing, the father should do all the rest of the work of child-rearing. Men in that society stay home to care for the house and the babies, while after giving birth women don't do much with infants besides breast-feed them.

In hard times, some pregnant animals can re-absorb or spontaneously abort embryos at an early stage. Some species even have the power to alter the sex ratios of their offspring by selectively miscarrying embryos of one sex, according to which sex has the best opportunity for reproductive success depending on the availability of resources in a particular breeding season. Think what an advantage would belong to an intelligent species that could consciously perform this kind of "natural" birth control.

Maximizing the number of surviving offspring to carry her genes doesn't mean a mother necessarily nurtures every infant she bears. In the case of a too-large litter, females of some species may abandon the weakest, maybe even eating them to "recycle" their substance as nourishment for the mother herself and her favored young.

We might find it difficult to accept as "civilized" a planet where mothers have a duty to cull sickly newborns and where eating the culls is considered perfectly reasonable. Or a society that has institutionalized and ritualized the practice of dominant males killing the children of their predecessors, as the mating duel to the death is ritualized in the Vulcan Pon Farr ceremony.

Imagine encountering a species of advanced aliens who practice one or more of these pragmatic "nature red in fang and claw" customs. Think of the Martians in Heinlein's STRANGER IN A STRANGE LAND, whose culture shocks the human characters for several reasons, not only that the Martians practice ritual cannibalism (among other things) but that they cast their young out into the desert to fend for themselves and prove their worthiness to survive. As Mike, the human "Martian," explains, among his adoptive people competition for fitness happens in infancy and childhood rather than adulthood. (We get a glimpse of this process in the earlier novel RED PLANET, which appears to be set on the same version of Mars.) Another kind of struggle for fitness among children occurs in Suzy McKee Charnas's MOTHERLINES. Upon weaning, children leave their mothers and join the "child pack." They grow up wild, learning to provide for themselves and form rivalries and alliances among their age-mates. Only at adolescence are they reclaimed by their mothers and readmitted to adult society.

Adjusting to intelligent aliens with customs like these might be more shocking to our sensibilities than the three genders and male pregnancies of the TV series ALIEN NATION.

Margaret L. Carter

Carter's Crypt

Reviews 17 by Jacqueline Lichtenberg Alien Separation by Gini Koch

Reviews 17
by
Jacqueline Lichtenberg
Alien Separation
by
Gini Koch

Today we're going to look at a genuine Science Fiction Romance with what seems to be Fantasy elements -- that turn out to be alien-advanced-science.  This series is popularizing mixed genre. 

Alien Series Book 11 from DAW Science Fiction, ALIEN SEPARATION by Gini Koch. (534 pages of small print)




Last week and the week before, we looked at Why We Do We Cry At Weddings. 

http://aliendjinnromances.blogspot.com/2015/08/theme-symbolism-integration-part-2-why.html

http://aliendjinnromances.blogspot.com/2015/08/theme-symbolism-integration-part-3-why.html

While I was writing those two posts on why we cry at weddings, I was itching to cite Gini Koch's series because it is a case in point. 

In 2011, the 3rd in Gini Koch's Alien Series was all about The Wedding after two of the hottest Alien Romance novels you will ever read, and was aptly titled Alien In The Family.  I loved the Wedding Dress on the cover.



Here is Gini in 2011, Gini in the foreground and me in the background, at the con where we first met in person.  Photo curtesy of Marsheila Rockwell. 

Gini Koch and Jacquelne Lichtenberg

Only up to Book 3 in this series, and I already admired what Gini was doing with a story that was complex and thus difficult to tell.

Yet, she turned this galaxy-spanning tapestry into a follow-your-nose page-turner plot using elegantly simple techniques but orchestrating them into a symphony. 

These novels illustrate how a text-only writer can use the techniques developed by camera-directors for big screen cinema to create close-up reader engagement.

The tight use of Point Of View enhances the emotional impact because all the things that happen, and all the consequences of actions taken by Kitty-Kat (the main POV character - a human woman with morphing genetics) are felt sharply by the reader.

As I've noted previously, the novel writer's medium is not "words" but "emotion."  These 11 novels are crafted of the emotional spectrum that a modern, well educated, intelligent woman would experience when hit by the inexplicable, the bewildering, and the confounding.

Kitty-Kat's theme song is, "But What Is Really Going On?" 

Think about that theme -- This Is What I See, But What Is Really Going On? 

That is the seminal question of our everyday lives right now. 

Last week, we looked at several scientific reports detailing the 7 Primal Emotions or Primary Emotions as in Primary Colors.  And we looked at one list that reduced that 7 emotions to 4.  None of these lists pinpointed LOVE.  Then we contrasted those scientific lists with a different list that started with LOVE and used love as the driving force behind all the other 6 primary emotions. 


In other words, we did a Kitty-Kat exercise of "What is really going on here?"

We look at the world as it is painted in the News, at the "excuses" employers use for hiring/firing/promoting/transferring workers, at the kinds of cars everyone in your current traffic jam are driving, at what your neighbor's house just sold for, at what your doctor just billed your insurance for, at the endless lists of declared Presidential Candidates, and we think, "Wait a minute!  What's really going on here?"

So we all relate to Kitty-Kat's double-takes and we wish we could penetrate the blurry flog surrounding us the way she solves galactic riddles.

The close following of Kitty's Point of View gives us the perspective on our own problems, and makes each of these novels a treasure of a Good Read. 

The real delight in the series as a whole, a long series of long novels, is how the Romance starts with Love At First Sight, continues through harrowing adventures and desperate combat to the Wedding, and then after the Wedding the Romance continues to get more intense, the "tall, dark stranger in Armani suits," more mysterious and more dear.

As noted in Why We Cry At Weddings, the typical Romance ends before the Wedding Planner is hired.  Gini Koch has crafted a MARRIAGE which is a continuous, ongoing, cliff-hanger Romance (complete with amazing sex scenes).

Kitty-Kat, a human woman from a human family, marries an Alien -- native to Earth, yes, but of off-world ancestry.  The off-world in-laws take a real-time interest in the Wedding, and their political situation on their planet continues to change Kitty-Kat's life, right on through the birth of her first child, and the boomerang genetic effect gestation of that child has on her body. 

Here in Book 11, ALIEN SEPARATION, for the second time, Kitty-Kat and her alien husband are targets of assassins.  That's another theme that runs through Kitty's new life -- she has a very happy marriage still shrouded in Romance, but there's always someone (several someones, usually, and never who you'd expect) trying to kill her, her husband, her daughter, or others who matter to her.

Sometimes, what seems to be an attack actually turns out to be help-in-disguise, or perhaps a cry-for-help.  It gets complicated because there are pure-energy-beings, beings who are native to the inside of worm-holes, hybrid-beings of various types, clones, and mechanical beings.  And you can't quite tell which are "just" animals. 

ALIEN SEPARATION starts out with Kitty, her husband, her daughter, and an ensemble cast of her friends and allies being swept up and transported in a "beam" to an Alice-In-Wonderland-Fantasy world complete with talking animals (or are they animals?).  They land separated from each other, scrambling to survive as they hunt for each other. 

Again, as in the first novel, TOUCHED BY AN ALIEN, the environment and events give the reader the definite impression that this is a Fantasy Series -- when all of a sudden, what is "really going on" begins to re-arrange your assessment of the difference between science and magic. 

If you want to write Alien Romance that reads like Science Fiction to science fiction fans, like Fantasy to fantasy fans, like a Videogame to videogamers, and at the same time, like Romance to romance fans, then make this series your textbook.

Here are some previous posts I've done mentioning or featuring the Alien Series by Gini Koch.

http://aliendjinnromances.blogspot.com/2010/04/turning-action-into-romance.html

http://aliendjinnromances.blogspot.com/2012/09/theme-worldbuilding-integration-part-3.html

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-9-use-of-co.html

http://aliendjinnromances.blogspot.com/2013/05/theme-plot-integration-part-10-use-of.html

http://aliendjinnromances.blogspot.com/2013/11/reviews-2-by-jacqueline-lichtenberg.html

http://aliendjinnromances.blogspot.com/2014/05/reviews-7-by-jacqueline-lichtenberg.html

http://aliendjinnromances.blogspot.com/2014/06/information-feed-tricks-and-tips-for.html

http://aliendjinnromances.blogspot.com/2014/08/reviews-9-sex-politics-and-heroism.html

http://aliendjinnromances.blogspot.com/2014/10/dialogue-part-9-depicting-culture-with.html

http://aliendjinnromances.blogspot.com/2015/03/reviews-12-heroic-point-of-view-in-mass.html

In most of those mentions of Gini Koch, I have noted that absolutely everything about her Alien Series makes it a Must Read, whether you are studying how to blend genres or just looking for a good read.

But every time, I have noted that some readers may find the text wordy in spots, which makes the pacing un-even in an annoying way.  Most readers have a "fast-skim" mode and just skip over of fly through sections where there are too many words used to tell a brief part of the story.

When you write a novel, you have to just let the words flow -- and there will always be too many words here and there.  Second draft sees about 10% cut, and third draft -- or the editor's blue pencil over the manuscript -- soaks another 10% out.  If those cuts are well done, the result is easier to read, and more fun to read, and re-read.

When you have a long story to write and a tight deadline, very often there's no time to do those careful cuts.  To know what to cut, you have to let the manuscript sit for a few months, then re-read it and cut as you go.  If you do not have the time to let it sit, then wordy-structures will get into print.

There is one other way to prevent wordy-structures from making it into print -- don't write them to begin with.  Make a habit of crafting your sentences tightly -- of constructing dialogue without loops and repetitions, without one character recounting to another what the reader already knows (except where a character is lying to another character and you want the reader to know that.)

I don't know how she did it, but Gini Koch achieved a huge reduction in wordy-constructions and looping dialogue with this novel.  The published version would not benefit from another 20% cut. 

Every page is filled with purposeful, plot-advancing, story-enhancing words and nothing else.

It's not terse writing, yet, but it is very different from the previous 10 novels. 

For that reason alone, I recommend that you read these 11 novels in order.  This series is not like Sime~Gen, where you can read in any order.  This is an ongoing saga, a story that unfolds in chronological order, and all about the same characters you get to know in depth.

December 2015 has book 12 scheduled for publication -- ALIEN IN CHIEF. 

Go to Gini Koch's Amazon Page and on the upper left, click the button to FOLLOW her.  Amazon will email you when the next book comes out. 

I love that FOLLOW button!  I follow a lot of series this way.

All in all, Gini Koch's Alien Series is a classic in the making.  It breaks new ground, gives a new perspective, and heralds the shifts in modern publishing and audience taste. 

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com