Karen S Wiesner: {Put This One on Your TBR List} Book Review: Heart's Blood by Juliet Marillier

{Put This One on Your TBR List}

Book Review: Heart's Blood by Juliet Marillier

by Karen S. Wiesner

A rare single title novel by New Zealand author Juliet Marillier, Heart's Blood was published in 2009. This historical fantasy is loosely based on Beauty and the Beast but it's a richer, more complex tale with a heroine, Caitrin, who flees a home life much more terrifying than anything she might encounter in her search for a safe haven. Her chief ability and means of employment is as a scribe, not a skill most young women in the time period possess. Her father taught his daughter his craft before his death.

Caitrin flees to Whistling Tor and its crumbling hilltop fortress. The chieftain, Anluan, is feared and repulsed by the townsfolk because of the dark curse over the ghost-filled woods that enthralls him. Not surprisingly, Caitrin causes a stir in the shroud that hovers like a dense mist over the household, bringing unexpected light and promise to most of the staff--and the reclusive master of the house caught in the web of sorcery that destroyed his ancestors and will soon claim his life as well. To free Anluan will also release Whistling Tor from the evil surrounding it, but to do so will require sacrifices and something perhaps more terrifying than misfortune: Hope.

This was a beautifully written tale, despite how slow moving (to the point of, at times, plodding). Complete with complicated, fully fleshed out characters and a rich, wonderfully elaborate setting, the Gothic atmosphere of creepiness in a dark castle surrounded by a forest haunted by spirits that may or may not be malevolent kept me guessing about who was actually trustworthy. I was interested, as well, in the plant in Anluan's garden called "Heart's Blood". I found out after reading this book that there's a flower commonly called bleeding heart, Lamprocapnos spectabilis, that's supposed to signify rejected or unrequited love. Too bad the beautiful woodland plant didn't make it to the cover of the book. It's really quite striking! 

Incidentally, while Heart's Blood is sometimes referred to as part of the "Whistling Tor series", the author's website states emphatically that it was intended as a standalone and no follow-up is planned. Bit of a letdown there, as this is an amazing world I would have liked to enter again. But the author does have six other series to immerse her readership in, and I highly recommend giving them a try.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Historian by Elizabeth Kostova

{Put This One on Your TBR List}

Book Review: The Historian by Elizabeth Kostova

by Karen S. Wiesner

A novel that took 10 years to write, completed in January 2004, sent to a literary agent in March of that year; two months later (and two days after sending the manuscript to publishers), the first-time author is offered a deal…that she refuses! The rights are auctioned off and finally bought for $2 million. That alone sounds like something made up. Add to the unrealistic quality of such a testament: Elizabeth Kostova's debut novel The Historian was published in June 2005, landed at #1 on The New York Times bestseller list in its first week, and by August of that same year, it'd sold in excess of 900,000 copies and gone through six printings.

I love vampires, Dracula (historical and fictional), and literary novels about people who love books--a particular theme in this book, as described by the main character Paul: "It is a fact that we historians are interested in what is partly a reflection of ourselves we would rather not examine except through the medium of scholarship; it is also true that as we steep ourselves in our interests, they become more and more a part of us." The history and folklore of Vlad Tepes and his fictional equivalent Count Dracula are explored in narratives told by Paul, a professor; his mentor Rossi; and Paul's daughter (who's never named), while utilizing letters and oral accounts, and covering 1930s, 1950s, and 1970s timelines. The goal is to find Vlad's tomb.

Described as a mash of genres including Gothic, adventure, detective, travelogue, postmodern historical, thriller, and epistolary, The Historian's origin centered on the author's father (a professor) telling her "real history" vampire tales when she was a child. Her librarian mother's love of books also had a profound effect on Kostova. Later, the author had a notion to write about a father spinning tales about Dracula tales to an entranced daughter with Dracula listening in--because Dracula's still alive. Two days later, Kostova started writing.

Interestingly, Kostova never wanted her novel to be classified as a horror, nor was she pleased with the comparisons it got with Dan Brown's Robert Langdon series. [Ironically, the reason for the bidding war for the rights to publish The Historian stemmed from the houses believing "they might have the next Da Vinci Code within their grasp" (according to Publishers Weekly).] While I can understand the connection to comparing The Historian to Brown's historical thrillers, better comparisons, I think, would be to Charlie Lovett's The Bookman's Tale or Arturo Perez-Reverte's The Club Dumas, both fantastic novels that won't disappoint readers.

The author intended to write a chilling Victorian ghost story. She chose the figure of a vampire for many reasons, not the least of which was because "our fear of Dracula lies in the fear of losing ourselves, of relinquishing our very identities as human beings." Not surprisingly, the main characters in The Historian become obsessed, all but losing their individual identities in their quest to discover the dark side of human nature in the complex figure of Dracula.

While this novel is large enough to be overwhelming to some readers (nearly 700 pages in the trade paperback), I found myself so riveted by the adventures these learned bibliophiles undertake that span the globe, I barely noticed the pages flying by. It's very hard to imagine that this was the author's very first book, considering how masterfully it's constructed and written. If you haven't already, I highly recommend reading The Historian. If you've already enjoyed it once, maybe it's time to re-read this timeless novel? I've already put it back on my TBR pile.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Travelling Bag and Other Ghostly Stories and Farthing House and Other Stories by Susan Hill

{Put This One on Your TBR List}

Book Review: The Travelling Bag and Other Ghostly Stories

and

Farthing House and Other Stories

by Susan Hill

by Karen S. Wiesner

Susan Hill is one of those authors that effortlessly puts you directly into the fictional settings and personal lives of her characters with so much atmospheric reality, you're convinced of the authenticity of everything. While many of her stories are ghost and/or horror, as in the case of the first collection I'll review today The Travelling Bag and Other Ghostly Stories, others are simply brutally realistic and disturbing vignettes of the darker side of life, as we'll see in Farthing House and Other Stories. One reviewer describes Hill's work as "locating the horrific in everyday life". Simply put, few other authors capture such haunting qualities that linger on in the memory long after reading as Susan Hill does consistently.

 

The Travelling Bag and Other Ghostly Stories was published in 2016 and contains four short stories. The 2017 edition also included a fifth story, "Printer's Devil Court", which I reviewed previously in this column. The title story is classic Susan Hill, when revenge takes on a new supernatural twist. A wife searching for answers to her husband's untimely death brings in a psychic detective to find out the truth by utilizing the deceased doctor's favorite travelling bag. This is as good of a story as any Hill has written. The focus of the story is a man seeking revenge on his apprentice who stole his life's work while he was besieged by illness. The unexpected denouement really makes this story clever.

"Boy Twenty-One" harkens back to two of Hill's stories I reviewed previously "The Small Hand" (2010) and "Dolly" (2012), adding a hair-raising element to the slightly disturbing, undying friendship of a young boarder at a boys' school with a fellow student who doesn't return after the summer holiday. This particular tale got bad reviews. One in particular said of it that "it feels more like indecision on the writer's part, as though she is still playing with ideas", adding that it wasn't "fully realised". I, on the other hand, believe the faltering is what added to the creepy aspects of the story. The narrator had trouble establishing friendships, finally found of soulmate of sorts, and unfathomably lost that friend. The story ended abruptly in a way that felt shocking, incomplete, unresolved--just as it needed to in order to realistically portray the events and the character's stunned uncertainty combined with an unwillingness to let go.

The story "Alice Baker" is a strange, tragic little tale. Office workers are using an old building that harbors a forgotten origin while a better one is being constructed for them. An odd new employee brings both curiosity and dread to co-workers. All the senses come alive in this lovely little spine-chiller.

"The Front Room" is menacing and goes against everything we're taught is good and right. A couple is inspired by a sermon about feeding the hungry and being a blessing to the destitute. They invite the husband's aged stepmother Solange to live with them and their growing family. The woman they remember, but weren't particularly fond of, has changed almost beyond recognition. What a wonderfully warped, ominous (but intriguing) story that might draw from it a lesson opposite of what the Good Samaritan parable tried to establish.

All of these tales are perfect for Halloween or when you're just in the mood for really good, short ghost stories.

Most of the nine stories included in Farthing Hill and Other Stories aren't supernatural or have little to do with such mystic meanderings, although "Farthing Hill" itself is, "Kielty's" has an edge toward the strange, "Red and Green Beads" is the quintessential ghost story, and maybe "Mr Proudham and Mr Sleight" could be considered otherworldly but I honestly didn't understand that particular story at all enough to figure out what it was intended to be. Oddly enough, given my love of all Susan Hill's other ghost stories, the weird, extramundane stories in this collection are the ones I liked least (though I did enjoy all but the latter one I mentioned).

The tale that stood out most for me was titled "The Custodian". For a good portion of the story, I had no idea why it was named as it was. An old man sacrificially takes on the care of his young grandson. The old man is good to the young boy, and they learn and enjoy their time together. Everything changes when the boy's father returns unexpectedly. What a devastating, forlorn glimpse of a life and what a sad commentary about putting all of one's self into another being--and yet this is the very thing that can give life meaning and purpose. There's no good reconciliation to this existential quandary. I was left gasping at the contradiction and simple summary of life as we know it.

"The Albatross" is another mournful story of an 18-year-old boy with disabilities who's taking care of his wheelchair-ridden mother. The mother is hard and harsh and does everything in her power to keep her son with her, even when the home environment becomes toxic and the breaking point is reached. While not much sympathy can be roused for the mother, I nevertheless found it easy to imagine feeling helpless in her condition. To be alone when there's no one to care for or about you, or to share your life is a terrifying, lonely thought--not that it justifies her behavior toward her son. I appreciated the efforts of secondary characters to intervene, but sometimes in life we learn there is just no way to turn something horrible into something good.

"Halloran's Child" moved me with this shameful tale of a family treated badly and shunned without justification by fellow townsfolk. I've always been disturbed about the "levels" in society and how badly people can treat others in the name of social status. The rich, the poor, the middle-class--we're all guilty of this kind of thing. Why can't we just genuinely show respect and kindness to everyone around us, not setting ourselves up as more worthy than anyone else? Sigh. This story really brings mankind's cruelties home, but it's told from the point of view of a human being who's simple, humble, and even sweet, so the despicable events are that much more shocking and dismaying.

"How Soon Can I Leave?" is another odd little slice of life revealing two women who share a strange relationship that both enriches and hinders their lives. We're only in the point of view of one of them, and you can't help but see in this tragic tale how a person can lie to herself and manipulate her own mind to believe what she wants to about herself, her motives, and those of others.

"The Badness Within Him" shares the sadness of the previous installments in this collection with a boy considered the black sheep of the family, but there's a twist that I didn't expect at the end. It really made me think and grieve about similar things I've her about and experienced.

Susan Hill's stories consistently highlight the bleak darkness inherent within the commonplace; the sinister, preventable failures, wrong-headed foibles, and fragile beauty in a life where least expected. In these two collections, this author nails those bitter, heart-rending and life-changing concepts.

Note that these stories are published separately as well as in the author's other collections.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

The Practice of Benevolence {A Reflection on Dickens' A Christmas Carol} by Karen S. Wiesner

The Practice of Benevolence

{A Reflection on Dickens' A Christmas Carol}

by Karen S. Wiesner

One of my all-time favorite stories is and always will be Charles Dickens' A Christmas Carol, first published in 1843. I imagine it's a story nearly everyone everywhere has heard in one form or another. For my part, I try to read the novella and watch one of the countless film adaptations every year around Christmas. Dickens wrote, "I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it."

The messages in this story are timeless. I did an internet search asking what the major themes in this undeniable classic are, and almost none of the offerings that came up could focus on just one because there are so many good messages in this one little tale. Here's my attempt at coming up with a motif for the story:

The spirit of benevolence and goodwill toward our fellow human beings throughout the year is in the eternal need for compassion, kindness, and mercy to all, as well as the transformative power of change coming from within.

Benevolence is the disposition to do good, embodying a genuine desire to promote kindness, charity, and positive attitudes toward others along with an inclination to perform acts of goodwill or extend help to those in need. A benevolent person actively seeks opportunities to benefit others, often without expecting anything in return.

Our world and the people in it often aren't a very good reflection of that description, wouldn't you agree? Selfishness, putting one's desires first, despising one another because of our differences looks like the norm in this day and age--as, in truth, it was at the time Dickens wrote the story and probably has been all throughout time. Does this description of Scrooge (written 180 years ago!) from the narrator of the story sound like anyone you know? I can think of several (including myself) who fit some or all of the points:

"Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster… But what did Scrooge care! It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance..."

I thought it would be illuminating to explore the many good lessons taught, in quotes, by the characters in A Christmas Carol as they reflect on life. Draw what conclusions you will from each quote, but I think most of the truths are self-evident.

Jacob Marley's Reflections of Life:

“I wear the chain I forged in life. I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it."

"...no space of regret can make amends for one life’s opportunity misused!"

"Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”

Fred 's (Scrooge's Nephew) Reflections of Life:

"...I am sure I have always thought of Christmas time...as...the only time I know of...when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave..."

“…his offences carry their own punishment… I am sorry for him; I couldn’t be angry with him if I tried. Who suffers by his ill whims! Himself, always."

Bob Crachit's Reflections of Life:

Bob told them of the extraordinary kindness of Mr. Scrooge’s nephew… "…he is the pleasantest-spoken gentleman you ever heard… 'If I can be of service to you in any way,’ he said, giving me his card, ‘…Pray come to me.' "Now, it wasn’t for the sake of anything he might be able to do for us, so much as for his kind way..."

Ghost of Christmas Past's Reflections of Life:

"Darkness is cheap, and Scrooge liked it…

 “What!” exclaimed the Ghost, “would you so soon put out, with worldly hands, the light I give? Is it not enough that you are one of those whose passions made this cap, and force me through whole trains of years to wear it low upon my brow!”

Ghost of Christmas Present's Reflections of Life:

“There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name, who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.”

“Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!”

Ghost of Christmas Future's Reflections of Life (note: this ghost didn't actually speak out loud, but Scrooge inferred its intentions based on the things shown to him by it):

"Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand was open, generous, and true; the heart brave, warm, and tender; and the pulse a man’s. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal! … No voice pronounced these words in Scrooge’s ears, and yet he heard them when he looked upon the bed. He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard-dealing, griping cares? They have brought him to a rich end, truly! … He lay, in the dark empty house, with not a man, a woman, or a child, to say that he was kind to me in this or that, and for the memory of one kind word I will be kind to him... “Spirit!” he cried, tight clutching at its robe, “hear me! I am not the man I was. I will not be the man I must have been but for this intercourse. Why show me this, if I am past all hope! ... Assure me that I yet may change these shadows you have shown me, by an altered life!”

Ebenezer Scrooge's Reflections of Life:

“Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead. But if the courses be departed from, the ends will change.”

“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach!”

Narrator's Reflections of Life:

"He became as good a friend, as good a master, and as good a man, as the good old city knew…"

We live in a world that's ever in need of the very things that are least evident in it. Hatred, intolerance, and violence over things that shouldn't but inevitably and inescapably do divide us against our fellow human beings have become our daily bread. Every day, each one of us commits offenses against others in some way, shape, or form. As I reflect on this sad commentary, I often consider how much good benevolence would have on us and our world throughout the year, if only we practiced it.

Instead of fighting over all the wrong we see others doing, what if we as a whole didn't specify wrongdoing (as in transgressions, flaws, weaknesses, vices, and regrets) into its unlimited categories, instead generalizing wrongs as "wrongs"? We're all carrying around a big bag of those wrongs. If we didn't look inside everyone's "bag of wrongs", wouldn't we have to conclude that we're all equal in the eyes of God as well as each other? Would we then conclude--since we're all carrying around a bag of wrongs, regardless of what's inside--that maybe we should have compassion on one another and accept that we individually are not the only one in need of grace, forgiveness, and unquantified mercy? At that point, could we minister, show kindness and empathy for each other in the name of goodwill toward all? Consider also that, if we realize it's not our place to punish others for their perceived wrongs, a tremendous weight is lifted from our shoulders, leaving us free to pursue peace instead.

We're all on the road to death, and every single road in life inescapably leads to that conclusion. If we're all on even ground, then no one is better or more righteous than the next one, right? In the same vein, no one is more sinful than another either. We're all the same. If we each deserve unilateral hatred and scorn, then, by the same token, don't we all deserve unbiased love and tenderness? Shouldn't we then practice benevolence as our common ground? In this way, respect and courtesy could and should be given to every single person on the planet regardless of who we are and what's inside our particular bag of wrongs.

For as long as breath remains in our lungs, life in our bodies, blood in our veins, it's not too late to live out the benevolence of A Christmas Carol to the world around us every single day. In this way, we each do our part in sowing the world with life immortal.

Read A Christmas Carol free here: https://www.gutenberg.org/files/46/46-h/46-h.htm#link12.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her here: https://karenwiesner.weebly.com/

https://karenwiesner.weebly.com/karens-quill-blog

http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Woman in Black and Printer's Devil Court by Susan Hill

{Put This One on Your TBR List}

Book Review: The Woman in Black and Printer's Devil Court 

by Susan Hill

by Karen S. Wiesner

Susan Hill is one of those authors that effortlessly puts you directly into the fictional settings and personal lives of her characters (many of her stories are ghost and/or horror) with so much atmospheric reality, you're convinced of the authenticity of everything. Two stories that seem to go together extremely well are The Woman in Black and Printer's Devil Court. Both are haunting (forgive me but it's fitting) ghost stories that linger on in the memory long after they're read.

The Woman in Black was published in 1983. Most people have heard of it because of the 2012 film adaption starring (Harry Potter) Daniel Radcliffe, which was excellent but not quite as good as the book. There were changes made to the movie (ones that I think worked there) that weren't in the book, and it’s within the pages of the novel that the story, characters, and unforgettable settings are breathtakingly expanded.

The novel is narrated by Arthur Kipps and follows his life. In this one, we start at the end, and work our way to the beginning. In the initial scenes, we see Kipps settled with his wife and stepchildren. They ask him to tell them his own ghost story. Kipps resists but eventually decides to write it down. He starts at the beginning when he was young  and engaged to be married the following year. As a junior solicitor, Kipps is assigned to attend the funeral of Alice Drablow in Crythin Gifford, a small town on the coast of England. He’s charged with settling her estate, the secluded, desolate Eel Marsh House situated on Nine Lives Causeway, which is surrounded by marshes. At high tide, the property is completely cut off from the mainland.

During the funeral, Kipps sees a mysterious woman in black lurking in the background. As he learns more about his deceased client and her sister, who became pregnant out of wedlock, one of the wealthy landowners from town divulges the horrifying truth that none of the other townsfolk want to talk about--that Jennet has returned often in the years since her death, and a sighting of this “Woman in Black” presages the death of a child.

This story reflects on the deep, indelible impressions death can leave on lives, and the damage that harshness, unforgiveness, and loss can have on the mind. The Woman in Black is everything I love in a ghost tale. It has great potential for re-reading often.

In Printer's Devil Court, a Victorian spooky tale, four medical students discuss the ramifications of interfering with death as it approaches. In truth, they should have talked about whether it's advisable at all. But, in the throes of youth untouched by the taint of regret and uncertainty, so many evils are perpetrated and simply never questioned in the face of imminent exploration and discovery. The experiments the men embark on in the cellar of their lodgings in Printer's Devil Court and a little used mortuary in a subterranean annex of the hospital is unnatural and horrifying.

Hugh, one of the doctors, found he couldn't continue with the unethical undertakings, but years later he's called back to the unpleasant memories of the events he had a unwilling but intrigued hand in bringing about. Now he sees the damage that lives on unceasingly. But is it possible to change the consequences of monstrous actions?

This story reflects on the deep, indelible impressions of life and death, what happens in-between, and how inept man is at playing God in these areas. The reader is forced to consider the frailty and violence inside men. This Frankenstein-like story swept me along, unable to put it down for long. As an author, I couldn’t help marveling at how the author chose the best narrator for this story. If she’d chosen any of the other medical students, the story wouldn’t have any the same impact. Stories like these make for good warnings against getting involved in ambiguous things that make you uneasy and are sure to keep your conscience at full alarm until you extricate yourself.

If you haven’t read a ghost story before or are simply looking for the best of its kind, these two are not to be missed.

Note that these stories are published separately as well as in the author's own collections.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Small Hand and Dolly by Susan Hill

{Put This One on Your TBR List}

Book Review: The Small Hand and Dolly by Susan Hill

by Karen S. Wiesner

Susan Hill is one of those authors that effortlessly puts you directly into the fictional settings and personal lives of her characters (many of her stories are ghost and/or horror) with so much atmospheric reality, you're convinced of the authenticity of everything. Two stories that seem to go together extremely well are The Small Hand and Dolly. Both are unforgettable ghost stories.

The Small Hand was published in 2010. In this story, an antiquarian book dealer gets lost in the countryside after visiting a client and ends up at a derelict Edwardian House. While there, he's compelled to the entrance, where he feels a small hand slip into his own. This experience haunts him over the next several weeks, plaguing him with nightmares, unexpected panic attacks, along with further visits from this disembodied, ghostly small hand. His only choice is to delve deeply into the mystery of the house and its desolate, overgrown garden.

While the description of this story may sound vaguely silly, nothing about the story was that. The mere idea of this experience was always rendered as a genuinely chilling occurrence. I invested myself in this tale, as well as into the point of view of the main character with his investigations. I wanted to know what was going on. The answer wasn’t what I was expecting—the twist was even better than I could have hoped for.

In Dolly, published in 2012, the main character is a boy Edward sent to live with his aunt. While there, his like-aged, spoiled cousin Leonora comes to stay for the "holiday" as well. They're the children of siblings who hated each other. Their aunt Kestrel was the older sister of the two siblings. Kestrel's decaying Iyot House is situated in the damp, desolate Fens of Eastern England. Edward is polite and withdrawn, having learned to keep his thoughts private to avoid trouble. What a contrast he is to his bratty cousin who throws a fit about everything and anything. While the reader can't help feeling sorry for her because the girl's mother treats her like possession she's only sometimes in the mood for having around, sympathy can only go so far with such bad behavior. The one thing Leonora has always wanted from her mother is a specific doll. Knowing only that Leonora wants a doll for her birthday, Kestrel makes a special trip to get her a beautiful, expensive one. However, it's not the one Leonora has always wanted. She proceeds to smash it in her terrible rage at again not getting what she wanted (and probably not from the person she'd wanted it from). Edward picks up the pieces and puts it back in the box. All that night, he hears the paper around the shattered doll rustling along with crying. At first he puts the box under his bed, then into a deep cupboard, but the crying so haunts him, he eventually takes it and buries it in the church cemetery not far from the house.

Edward is a character you can’t help but love. The author put us directly into his situation, into his heart and mind, seamlessly. I could feel his shock and even a bit of awe at his cousin, who was beautiful to look upon, but his wariness toward her was warranted. Even as he longed for a companion, she was too selfish and volatile. The story also takes place when they're adult, after their aunt had died and her will is to be read. Even then, the characters are wonderfully brought to life.

The brilliance in this disturbing horror story is in the delicate hand the author displayed in fleshing out the psychology of the characters. Edward and Leonora are opposites--light and dark, good and evil. But light and dark, good and evil aren't easily defined or examined. Using the doll to explore the angle of whether evil is inherent or whether psychological damage causes it leads to a question about forgiveness or the lack thereof passing down through the generations of a family like a dark stain that those who experience it (firsthand, second, and on and on) can never wash off.

Note that both of these stories are published separately as well as in the author's own collections.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor 

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Man in the Picture and The Mist in the Mirror by Susan Hill

{Put This One on Your TBR List}

Book Review: The Man in the Picture and The Mist in the Mirror

by Susan Hill

by Karen S. Wiesner

Susan Hill is one of those authors that effortlessly puts you directly into the fictional settings and personal lives of her characters (many of her stories are ghost and/or horror) with so much atmospheric reality, you're convinced of the authenticity of everything. Two of my favorite stories by this author, though it is very hard to choose, are The Man in the Picture and The Mist in the Mirror.

The Man in the Picture was published in 2007. An oil painting depicting masked revelers at a Venetian carnival has the power to entrap and destroy. This story is told from several points of view as those who have experienced the horror give heartrending testimony about what they've gone through, what they've lost. The overarching message of this very complex and well-written story is, Never underestimate the power of fury or the depths people will sink to in order to get revenge or to achieve their own goals. As an unsuspecting bystander caught up with the excitement of the celebrating crowds (a very apt comparison, considering this particular theme), I become ensnare within this novel and all the chilling events. In the process, I was swept along until I was all but lost in the storytelling. Every part of this tale of terror beguiled me. 

Set in the Victorian age, The Mist in the Mirror was published in 1999. The hero Sir Monmouth's life has been filled with travel. He's lived his life mostly alone, and there's an undeniable innocence about him. He believes unwaveringly in the innate goodness of his fellow man. As the story opens, he arrives in England intending to devote himself to learning more about a fellow explorer from the past, Conrad Vane, and perhaps document the adventurer's life. However, as he sets about following this trail, he's warned by many well-meaning others not to go down that road. Apparently, Vane was a man who plummeted the depths of depravity and cruelty and, even after his death, the foolish one who pursued him would become tainted by his evil. Extraordinary, disturbing events plague Monmouth with nightmares, involving a shrouded little boy and an old woman behind the curtain. Despite all this, he stubbornly continued on his course. Monmouth's quest quickly becomes a relentless obsession that threatens to steal his health, his sanity, even his life. Overarching themes in the story point to care being taken to the one you choose to make your idol, as that person may not be who or what you assume him or her to be.

While at first blush, this story didn't seem like there could possibly be enough material to flesh out into a full novel, it quickly became larger than life, frighteningly claustrophobic, the protagonist someone to rail against but also to sympathize—even emphasize—with as he lost control of his own compulsion. I read equally compulsively, lost in the fog that this gothic horror story seemed to conjure, blocking out my own reality. When I finished it, I couldn't shake the chill--and the warning to heed the regrets of the main character--that remained.

Both of these stories provide frightening lessons to be learned about taking anything to the extreme. Addictions can so easily steal and usurp purpose in life, so that a person becomes the opposite of what he or she intends or desires.

Note that both of these stories are published separately as well as in the author's own collections.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Karen S Wiesner: {Put This One on Your TBR List} Book Review: The Ladies of Grace Adieu and Other Stories by Susanna Clarke

{Put This One on Your TBR List}

Book Review: The Ladies of Grace Adieu and Other Stories by Susanna Clarke

by Karen S. Wiesner

 

In my past review of Jonathan Strange & Mr Norrell, I talked about how the author Susanna Clarke signed up for a writing workshop in which students attending were expected to come with a short story they'd written. All Clarke had were "bundles" of materials for Jonathan Strange & Mr Norrell. She extracted a piece of it about three women secretly practicing magic who are discovered by Jonathan Strange. That story is the title one in this collection of eight short stories, The Ladies of Grace Adieu and Other Stories, set in the same world as the larger novel, a fictionalized 18th/19th century England in which magic is becoming popular again, thanks to the efforts of Mr Norrell and his pupil (and later rival) Jonathan Strange. In that very in-depth novel, the duo themes are 1) that magic is given or bargained for from powerful and not necessarily moral beings that exist in another realm (faerie) and 2) that magic sometimes manifests in ways the wielder isn't intending.

In all the stories in this "off-shoot" anthology, the overwhelming themes are 1) the commonalities of magic in different time periods, 2) the undeniable (and, at times, even more diabolical) power of "women's magic", something that was taboo in this world, and 3) the ways in which faerie folk infringe on the real world--as if their own isn't exciting enough (and that may well be the case, considering their mischievous deeds).

In the title story, Jonathan Strange visits his brother-in-law, a country parson, where he's challenged by three female magicians. The author has said of this story that she wanted to find a place for these characters within the larger novel but, having read it now, I'm convinced it simply didn't and couldn't fit there. As a short story on its own, it has a compelling connection to the novel that made the author famous.

The second story, "On Lickerish Hill", is an interesting retelling of Rumplestiltskin. The unfortunate, young bride is placed in the demeaning role of wife to a monetary-seeking groom and has to find a clever solution to save herself. While the "archaic spellings" of the plucky heroine's speech were hard to read and decipher, the twist on one of my favorite fairy tales was particularly satisfying.

In "Mrs. Mabb" (the Queen Mab),  an abandoned woman is determined to get her fiancé free of black magic while everyone around her assumes she's hysterical (after being jilted) or insane, which was very common to presume about women of the day.

Interestingly, "The Duke of Wellington Misplaces His Horse" is actually set within the village of Wall, which has its origin in Neil Gaiman's Stardust novel. (For those who didn't read my review of Jonathan Strange & Mr Norrell, the workshop co-host that read the extraction of Susanna Clarke's work from her novel was so impressed by her work, he sent an excerpt to his good friend, fantasy author Neil Gaiman who was astounded by her "assurance" as a writer: "It was like watching someone sit down to play the piano for the first time and she plays a sonata."). In this particular story, I was fascinated by what was considered common women's work being utilized by a pompous duke to bring about a fantastical conclusion.

"Mr. Simonelli, or the Fairy Widower" was a favorite of mine in this anthology, as an amoral faerie aristocrat has to be put down (by his own bastard son!) in order to save five sisters that strongly resemble the distinctive Bennetts from Jane Austen's Pride and Prejudice.

Three other tales cover fairy culture, including a fictionalized account of Mary, Queen of Scots, learning how to use magic to undertake her political machinations, along with featuring a central character in Jonathan Strange (John Uskglass, aka the Raven King) as Christian peasants revolt against pagan faerie.

While Jonathan Strange & Mr Norrell was both compelling and unforgettable, this anthology of parallel stories that were published (separately) while the novel was being edited and prepared for publication and later (after the novel became a hit) collected in one place are much lighter and certainly more subtle--nevertheless, they're undeniably enchanting in their own right.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor 

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/