Romancing the (SF Shy) Romance Reader

Other side of the coin this week, kidlings.

I've often said that writing Science Fiction Romance is like being the bastard child of two genres who never much liked each other in the first place. Traditionally (as noted last week), science fiction readers get the yips at any mention of romance. And romance readers get the ickies when the word science fiction is mentioned.

Now granted, romance readers--in my humble experience--are far more likely to at least give SF a chance. But there are still those--and they invariably end up at my table at a book signing--who state: "Science fiction in a romance? Oh, I could never read that! Because [pick one or more and yep, I've heard all these excuses]:

1 - I'm not smart enough
2 - It's too full of strange words
3 - I failed science in high school
4 - I only read about familiar places
5 - It's all about weapons and ships

and so on and so forth.

This baffles me, as much as I'm baffled by SF readers who balk at romance, never considering that romance is as much a part of our existence as gravity, never considering how--duh--they came to exisit in this world (you think what, Immaculate Conception?).

But let's take them one by one:

Not Smart Enough - Egads, what a horrible thing to say. "But you DO read books?" I ask (being we're in a book store, it's an obvious conclusion though they could be there for the coffee). "Oh, I love books!" Ima Dummy answers and rattles off a list of authors from the NYT and USA Today best seller lists. Aha, so you can wrap your mind around a who-dunnit set in London or follow a family saga with more players than the Super Bowl, but you're can't read SF.

Strange Words - And "reticule" isn't? (if you all read my parting comment on last week's post then you know this already). Surcoat? Are "gainsay" and "fortnight" words you routinely use (well, maybe Rowena does). When's the last time you had ratafia or orgeat?

Those are all terms routinely found in historical romances. If the reader can wrap her brain around them, what's so problematical about "transporter"?

Failed Science in School - Did you fail People 101 as well? SFR books are about people. Granted, some may be androids or have blue skin, but they're people: people striving for something, people getting into trouble, people falling in love, people facing danger.

Remember, to YOUR grandmother or great-grandmother, your current existence in 2006 is high-tech. Wouldn't your grandmother be interested in reading your life story?

Familiar Places - I often respond to that with: "Ever read or watch the tv movie, Shogun?" And follow it with, "And the last time you went to Japan was...?" Now, once in a while I get someone who goes there routinely. Like dear 747 Captain Susan Grant. But Sue reads and WRITES science fiction romance (damn good ones, too!). So she's excused.

But how about 16th century Scotland? That's certainly not familiar. Or present day Moscow, Sao Paulo, Oslo or Amsterdam? Point is, one of the reasons we read is to explore unfamiliar places. I'm sure if I went to the outbacks of Australia it would be as bizarre to me as the red deserts of Riln Marin.

And a space station? Try going to the Sawgrass Mills Outlet Mall (Ft Lauderdale FL), especially around the winter holidays. Talk about an enclosed CITY with every conceivable language! I did a book signing there last winter and, sitting in the entry way of Books-A-Million, between hearing Russian, Yiddish, Spanish, Haitian, French (Canadian and Continental), Portuguese (Brazilian and Continental) and at least four other languages I couldn't identitfy AND watching the teenagers lope by in their Goth outfits... my own space station of Cirrus One (An Accidental Goddess) seemed damned bland and normal by comparison.

Bang bang, Zoom zoom - All about weapons and ships? No, it's about people but yes, there could be weapons and ships. And those pirate romances you love to read are, what, set in a lounge chair with feather wands? Okay, so maybe you're never been in a starfreighter, but I've never been in a hansom cab or a coach-and-four or a chariot. And I'll bet dollars to doughnuts there are a lot more among us who haven't ridden a horse than have. Or a camel. Or a donkey.

Reading is all about expanding our experiences. Well, let me back up for a moment. Reading is about fun. But after the fun it's also about expanding our experiences, stepping into someone else's shoes (or gravity boots), tasting their fears, feeling their joys. Seeing life through a different set of eyes.

To me, there's no better palette to create with than science fiction romance where I'm immersed in a new world and everything comes to me fresh and untested. In the same way that 17th century England is new and unusual to me. I just don't know why some romance readers can't see that correllation.

So, what are your thoughts, your suggestions for bringing the wary romance reader to our books? I look forward to your input.

And now I think I'll down a quick ratafia, grab my reticule and head out for the nearest jumpgate in my huntership...

Hugs all, ~Linnea

YE ALIEN GODS!

Is he a god from outer space? Or is he --or she-- simply perceived to be a god because his or her technology is so superior, and because he (or she) can do things we can't explain away?

At some point, the reader is going to want to understand what this person does that makes him or her be recognized--or mistaken--for a god or goddess.

It's not enough to call a Regency hero a rake if he isn't sexually active. If the romantic hero is a pirate, he really ought to attack another ship. If he is a highwayman, he has to rob someone. If he is an alien, he probably ought to have different morals, and believe (rightly, if he's here!) that his own civilization is superior and more advanced than ours. Would he think we're cute? Quaint? Backward?

If he can read minds, how can the heroine keep any secrets? If he is all-knowing, where is the internal conflict? If he does mind sex, how does he feel about the common or garden variety?

So, if the hero is supposed to be a god....
What does an author of good taste and delicacy do?

Is it enough to say he is a god, and maybe have him indulge in a bit of shape-shifting, like Zeus? The Greeks and Romans have such great precedents! If he's only THOUGHT to be a god because he's an alien with superior technology, and a better body, how much does he need to do to convincingly maintain his status while he is visiting?

So far, my alien djinn romances haven't shown my alien "gods" at home. Apart from staging impressive displays of apparent "levitation" and secretly surveilling everyone, they've been too busy with their sex lives, reinvigorating a decadent gene pool, and dealing with various political crises including assassination attempts and royal weddings that don't go off with the proper dignity, pomp and splendor.

I think I'm onto something with the wire-tapping, though, if my next hero is going to be --to coin a phrase-- the answer to a maiden's prayer. Maybe not my "next" hero. I'm trying to write a swordfighting hero's story, but the incorrigible Djohn-Kronos (from MATING NET) keeps rearing up and demanding his own Happy Ever After.

Happy 4th everyone!

Rowena Cherry

Making it up as I go

The one truly cool thing about writing in this genre is that you get to make things up. The hard part about that is making sure that the reader understands what it is you're saying.

So I try to come up with creative names for metal since I figure that in the future that technology would advance. Also new slang is always fun, especially since I try to keep the cursing to a minimum in my books. My mom is going to read them. The latest wip has a new put down for my characters to call each other in exasperation. After all they are brother and sister so it's not as if they call each other sweetie and darling.

Joss Whedon is really good at this. In Firefly his characters cussed in Chinese and had great slang. I thought the entire thing was "Shiny"

But the best thing the my creative juices have invented is the Murlaca. Yep, even made up the name. The Murlaca was introduced in Stargazer and is a gladiator type match fought between two men. Their only weapons are a series of hooked blades that they wear on their forearms and use to slash each other to pieces. The government uses the Murlaca to assasinate its criminals. My evil race of witches, the Circe uses the Murlaca to get rid of their enemies and in Phoenix, my current work, my two heroes will wind up unknowingly fighting each other in a death match.

Its all kind of bloody. But I'd love to see it on the big screen.

Monstrous Matings

I've been a fan of H. P. Lovecraft since I first started reading horror at the age of twelve and discovered HPL through "The Dunwich Horror" in an anthology. Like Arthur Machen's "The Great God Pan" (to which a character in the Lovecraft story alludes), it concerns a woman impregnated by a monstrous deity from another dimension—in the Machen story, through a mad scientist's experiment, and in the Lovecraft story, through a dark ritual. I'm totally out of sympathy with HPL's mechanistic-materialist world view, but I love the Cthulhu Mythos with its ancient lore, forbidden tomes, and tentacled monsters from outside our universe. (I've written an article about how Stephen King uses Lovecraftian motifs in the framework of a different philosophy in IT; the article, "The Turtle Can't Help Us," is archived on www.strangehorizons.com.)

It would take only a slight tilting of the viewpoint angle to change "The Dunwich Horror" from horror into a first contact story. Viewed objectively, what's so dreadful about mating with an intelligent entity of a different species? (Of course, this plot premise has roots in the early twentieth-century visceral horror of degeneration and miscegenation, a driving force behind the exclusionary, racist immigration laws of the time—sentiments shared by HPL—but that's a whole other topic.) Marion Zimmer Bradley was heard to say indignantly of half-human Wilbur Whateley in "The Dunwich Horror," "What's so terrifying about a poor deformed boy?" I've speculated about what sexual union with a Cthulhu Mythos entity would be like (perhaps analogous to a love affair with a deity in classical myth—Zeus visited his lovers in numerous nonhuman shapes) and how a half-human character fathered by such an entity would experience the world. My collection HEART'S DESIRES AND DARK EMBRACES (www.amberquill.com) includes a story in which the hero was fathered by an extradimensional entity but chooses his human side for love of the heroine. Currently I'm working on a novel about a woman whose little boy was begotten by a Lovecraftian "deity" possessing the body of the hero, her boyfriend.

The concept of a child's having two fathers, one of them not human, isn't completely outside the realm of SF plausibility. Look up "chimera" on the Internet, and you'll find that fusion of two zygotes within the womb to form a single organism can occur naturally, and fusion of the embryos of different animals has been done artificially. A Chinese experimenter actually created a hybrid rabbit-human embryo. (It wasn't allowed to grow, of course.) While this sort of experimentation has to proceed under stringent ethical limitations in the real world, imagine what a vast, amoral entity with superhuman intelligence could do along these lines.

quest cover

Susan Kearney's THE QUEST

When I wrote THE QUEST, I knew I wanted Kirek for the hero.

I'd introduced him in THE CHALLENGE as a baby with extraordinary mental powers.

In THE DARE readers saw Kirek as a 4-year-old Oracle.
And in THE ULTIMATUM, Kirek served as a sex slave,
not an easy task for a Rystani Warrior.

So THE QUEST would be Kirek's story and for this wonderfully complex character,
I needed two things---a plot that would do him justice and a woman who might not.

Kirek's mission-- to destroy the Federation's deadliest enemies---
makes him question his moral and ethical values.
He's a warrior who believes in peace, a warrior who doesn't like to kill.
A warrior who must defeat the Federation's greatest enemy or billions will die.
And oh does he need help.

Captain Angel Taylor's going after the biggest salvage haul of her career.
Fiercely independent, she joins up with Kirek, but she has her own plans---
and they don't include him.

However, Kirek has a way of getting to a woman.
Together Angel and Kirek cross the galaxy and you can join them on THE QUEST
by watching their booktrailer at http://www.susankearney.com/ .

I decided to try a booktrailer so readers would get a visual synopsis of the book
and I was so pleased at the way this turned out.

The spaceships is cool, the hero is yummy and after watching the booktrailer
for just thirty seconds readers can get a feel for the book.
Instead of reading about the story, you can see it.

My publisher Tor came up with a fabulous cover and I'm so excited about this book.
And even if you've never read a Susan Kearney book,
you can start with THE QUEST and feel like part of the crew.

As a kid I read Heinlein and Clark and I dreamed of what it would be like
to actually go into space, visit other planets and see other cultures.
And now I can do that---in my imagination.
And I'm inviting you to come along with me on THE QUEST
where the men are bold and the women more than hold their own.

After reading my books, readers frequently ask me how I thought up the "suit,"
which is technology left by an ancient race that allows my characters
to go into space or underwater without special equipment.

The suit is run by psi power and it clothes, washes and keeps out viruses
and bacteria as well as translates language.

Why did I create the suit?
It started because I really don't like to describe clothing and it just evolved
into part of my Universe. I often wish I had a suit of my own.

And several readers have written to ask me where they could buy one.

Sorry. So far the suit is strictly from my imagination.
However if you read THE QUEST, you too can imagine having one of your own.
But even better you can have my best hero yet.

Kirek is fun-loving and has a genius IQ and of course he has a Warrior's body, too.

If you'd like to meet him, please go to www.susankearney.com
or pick up Susan Kearney's THE QUEST
Susan

Dating Androids

The newest issue of SCIENTIFIC AMERICAN MIND has an article about a humanoid robot built by a Japanese designer. She looks like a very pretty Asian woman. The object of the project is apparently to make an android with whom people will feel, as much as possible, that they are interacting with a human being. I was disappointed to learn that the robot doesn't, in fact, carry on a conversation. She has a repertoire of programmed responses. She's essentially a highly advanced analogue of the Disneyland animatronic figures. It seems the field of artificial intelligence hasn't yet reached the point where a computer complex enough to pass the Turing test can fit into a human-size body. Before discussing the robot's capabilities, the article gave some background on the Turing test -- whether one can tell by conversing with an unseen "person" whether that person is human or a computer. If one can't unmask the computer by talking with it, so the theory goes, the computer is intelligent. Remember Eliza, the psychologist program that "reflected" the subject's feelings back in dialogue that, up to a point, was convincingly realistic? E.g., if you said, "My father didn't understand me," the program would say, "Tell me more about your family." However, if you said, "I believe all things are relative," the program would probably respond with the same sentence! Years ago we had a similar program on our home computer. The kids discovered that if you said, "I need/want [blank," the "doctor" would respond, "I am not here to serve your need for [blank]." They spent many fun hours putting ever more outrageous things in the blank. They also discovered that if you told the doctor, "Say [blank]," he'd obey. So they would fill in that blank by typing numbers 20 or 30 digits long and listen to the voice program pronouncing them. Anyway, this new robot doesn't do anything like that. She does, however, according to the reporter who interviewed her creator for the magazine, give a fairly convincing impression of a live woman. The inventor mentioned that her eye movements aren't natural enough yet. For that, he'll need a larger body to hold the hardware and software. Therefore, his next robot is going to be a man, probably a duplicate of himself.

Intimacy between human beings and robots or androids, of course, goes back a long way in science fiction, to the pulp classic "Helen O'Loy" and probably further. Robert Heinlein has computers in TIME ENOUGH FOR LOVE who decide they want to become human and move their personalities and some of their memories -- of course there wouldn't be nearly enough space for all the memories -- into cloned bodies. I've never written a robot or android story myself, but I think these characters certainly fall under the "alien" theme -- the most interesting kind of alien, to me, the kind who is enough like us to identify with but intriguingly different, with a skewed perspective on human existence.

Margaret L. Carter

Why do SF readers boldly go everywhere...but the bedroom?

Okay, first let me state that I'm not talking about ALL SF readers. So put your laser pistols back in their holsters. Second, I can't take credit for the subject line. I filched it from author Barbara Karmazin and maybe I can talk her into responding here.

But the point is this: I'm a long time and avid reader of:
Mystery
Romance
Science Fiction /Fantasy
(not necessarily in that order) and it's only in the SFF venues do I see an author's novel being trashed for including a romantic plot or subplot.

I certainly have never seen a romance reader trash a novel for including a mystery or speculative fiction plot or theme. And I've never personally seen a mystery reader trash a novel because the detective had a love interest.

But put a love interest in an SF novel and...duck! Incoming photon torpedoes! Ion cannons firing at will (poor Will, why does everyone fire at him?)! A segment--a certain segment of SF readers go totally ballistic. Their beloved genre has been sullied. Damaged. Insulted. A LOVE INTEREST? LOVE? That...that...::shudders:: four letter word? LOVE?

It baffles me.

Or maybe it doesn't. We live on a planet in which love is equated with weakness. Hatred, violence, bigotry and criminal activity are "manly". Strong. Bad is good. Caring and compassion are for weaklings. You know: wimmin.

What baffles me even more are the wimmin SF readers who uphold this philosophy. Romance in SF/F is bad. Sex is SF/F is punishable by tarring and feathering. Some arguments I've seen by those who support this is that a female character in an SF story who falls in love is being 'objectified' or manipulated into a stereotypical cultural norm (ie: wimmin fall in love as if that's the only thing they can do).

Well, my characters fall in love. I personally can't envision a future (if the SF is set so) or a planet/star system I'd want to spend time in (and that's what you do when you read a book) that doesn't value companionship. That doesn't recognize the importance of emotional intimacy, physical intimacy. (I'm not saying I can't ENVISION an emotionless society. I'm just saying I don't want to spend ALL my time there.)

So one of the things that my characters experience in my books is falling in love.

It may come as no suprise to you that I'm happily married. Very happily. Since 1980. And while yes, my husband is an enormous center of my life, I've also been a tape-recorder-wielding news reporter and a gun-totin' private investigator. Love didn't diminish my abilities in either of those careers. So I rather figure if I can do these things--and be all these things--so can my characters.

One last thing. I've often wondered if those SF readers who recoil from SFR also recoil from listening to rock/pop music in which the lyrics plainly are about the singer's feelings for someone else? And I'm not talking Barry Manilow type music, either. But Springsteen. Billy Joel. Led Zepplin. Van Halen. (Does anyone think "Hot For Teacher" was about an arsonist?) ZZ Top. (Oh, "Legs" was about fried chicken, right?) . The list (and the beat) goes on...

Hugs all (because yeah, my characters aren't the only ones who have emotions),
~Linnea

A week's adventures in blog-land

Folks:

Well, I suppose it was inevitable. I had resisted the whole idea of doing a blog, but Rowena Cherry is an irresistible force -- so I joined this blog on Alien Romance.

And she invited me to the companion blog focused Survival Romance -- a theme that's got my imagination running overtime already.

Then she advised me to get onto Amazon Connect where authors are allowed to post to their readers -- a new feature I had neglected to pay attention to.

That's quite a hassle -- they make you get your publisher or agent or publicist to verify that you really wrote the books you did write. I can see why! I'm just wondering if somehow that will help their computer sort away books written by others with similar names.

So yesterday I put up my first Amazon Connect post -- and already got 3 votes and a reply! The thing actually works!

You may note that the Amazon post I did is about a new Amazon Review for my Vampire Romance, Those of My Blood -- which asked a number of questions the answers to which may make up into a new story!

So while the last thing I need in my life is more story ideas, blogging has certainly unleashed a new flood of them. I don't know what to do first!

Jacqueline Lichtenberg
http://www.simegen.com/jl/

Shot down on an alien planet ....

Hot off the drawing board is the official
cover of Insufficient Mating Material.

Writers don't write in a vacuum

Hello Everyone!

Every novel I've sold has had some kind of strong Relationship driving the plot, though working in the science fiction field before Paranormal and Futuristic Romance, I had to hide that fact.

I grew up on science fiction written for teenage boys, and eventually became a protege of Marion Zimmer Bradley, one of the first women in this field (went professional in the mid-1950's). Her first published story was CENTAURUS CHANGELING, and those literary analysts among you can work out the connection between that story and what you are publishing today in Alien Romance.

Eventually, I sold a Witch World story about a vampire to Andre Norton for her Witch World anthologies (it's in #2 of the series). Now, I've been writing prequels to that story, developing a vampire character -- and of course, eventually he's got to have a definitive soul-mate encounter.

So there are a large number of writers who have strongly influenced me -- from "I have to learn to write like that!" all the way to "I have to show them that's the wrong way to write!"

And I've been at it for decades now. You'll find my biography and bibliography linked from my homepage along with links to free chapters for all my in-print books, and a whole lot of free stories to read online.

Here is a short list of writers who influenced my work:
http://www.simegen.com/sgfandom/welcommittee/influenc.html One day I'll get up essays about each of those people -- I've known most of them personally.

Recently, while I was doing an interview for an online Star Trek and Australian convention publication, I had also just read a wonderful novel by Moira J Moore called RESENTING THE HERO. I googled up her website and emailed her that I would review her book and please ask her editor to get Ace to send me the sequel. I had forgotten the Ace publicist had sent the book -- many times authors arrange to have books sent to me. She replied in such a way that I knew she had heard of me, and might have read something of mine.

So while I was keyboarding the answers to interview questions, I happened to think of how many authors had influenced all my work (my Star Trek fan fiction, Kraith, posted now in simegen.com/fandom/ for free reading is Marion Zimmer Bradley's Darkover universe added to aired-Trek) and then I thought of the growing number of authors that I have influenced, that I haven't been keeping track of at all properly.

So I quick wrote back to Moira J. Moore and asked for a quote to include in my interview, and in the nick of time, I got it and plugged her work.

That was the day I was invited to contribute to this blog.

And I knew what I had to do. I have created a quick page for my homepage listing authors who are willing to admit in public that my work influenced them -- early in life, later, whatever. It could be either "I want to write like that" -- or "I have to show the world how wrong that is!"

I put Moira J Moore right on top and a couple others that I thought of off the top of my head, and the last on the list is Linnea Sinclair.

If I get a quote from Linnea and her URL I'll link it onto that page. I hope she reads this!

And anyone else who reads this who would like to be on that page can send me a quote and their URL to ambrovzeor@aol.com

I think creating a permanent record of these invisible links among us all is a worthy project. I think every author's homepage should contain such a page and personal essays where possible.

Is there anyone who agrees with me about this? Do readers want this as well as writers?

Jacqueline Lichtenberg
http://www.simegen.com/jl/

Am I insane?

Yes at the time I thought it was pretty good idea. One book, two heroes, two heroines. But now as I write it I have to wonder if I was insane when I decided to do it. The title of the book is Phoenix and it's the third book in my Star series. The story centers around Zander, who is Shaun's son (Stargazer)and Boone who is Ruben's adopted son (Shooting Star) Best friends, both after the same end, but something terrible has to happen doesn't it? (Add evil laughter here)

The problem is how do I make them different. Don't hero's have the same genetic make-up? Won't the reader get bored reading the same hero type Point Of View from chapter to chapter? And what about the heroines? One is Elle, Zander's twin. The other is Mara who so far has only been seen in Zander's dreams and only briefly. As I said I must be insane. Wish me luck.

Politics and messing with people's names

If you want to know what I've been up to --or even if you don't-- I'll tell you.

I'm in the middle of an editing exercise that I'm finding fascinating. Recently... (actually May 31st -- I'm the sort of person who simply has to check facts) my Dorchester editor, Alicia Condon, emailed that she liked my suggestion that maybe the heroine of Insufficient Mating Material ought to have a nickname.

The heroine has a royally long, formal, hyphenated name. I began to feel that constantly repeating the full name was a bit tedious, but I didn't have time before my deadline to put sufficient thought into shortening it. I'm doing so now.

Have you ever given much thought to nicknames? Just because a hunk comes into the heroine's life, and he decides to call her "Ro" (for example) doesn't mean that she thinks of herself as "Ro" all of a sudden, when she has spent thirty years as Rowena, or Ro-Ro, or Janey, or I.

The rest of her friends and family won't suddenly start thinking of her as "Ro" or addressing her as "Ro".

Will the hunk introduce Rowena to his friends as "Ro" or "Rowena"? How will Rowena feel about mere acquaintances using the "private" name?

Is this an alien idea?

Different nationalities have different sensibilities about how they are addressed, and by whom. My Japanese friends are scrupulous about calling me Rowena-san. When I lived in Germany, it was considered important to address a lady as "Frau" plus her last name whether or not she was married... unless of course, the lady had a title such as "Graefin". In England, I would never have dreamed of calling my teachers anything other than Miss ... or Mrs. ... or Mr. ... . I admit that I am secretly taken aback that six-year-old schoolchildren call me "Rowena".

When in Rome... OK. But I'm writing about an alien world which is far from a modern, American democracy (or even republic).

Factor in that the nicknamee is a member of a royal family, and life becomes really interesting.

Up the ante. Suppose the nickname isn't a variant of her given name... "Sugarpuss"? Suppose there's a slightly rude innuendo?

So, maybe only the hero uses the nickname. Does he ease into using it? At first, does he substitute "Ro" in conversation, where before he might have addressed the heroine as "Princess Rowena-Jane"? At what point does he wonder whether "Ro" can cook, and what "Ro" is like in bed. You might suppose that he wondered such things from a distance before he even learned the heroine's name!

Anyway, for what it's worth, this is what I'm wrestling with this week.

Best wishes,
Rowena

When Intergalactic Aliens Hijack Your Novel...

Ah yes, another voice checking in from the Far Reaches, which is--as most of you know--in United Coalition space just a smidge past Garchan-3... I'm a far more experienced starfreighter pilot than I am a blogger, so bear with me as I learn the ropes here.

Writing the average novel with the average cast of characters is tough enough. Writing an SF novel with unique and strange characters and settings is tougher still. Writing SFR--science fiction romance--in which one must satisfy the desires of two sets of readers (SF and romance) is lunacy.

I love it. Writing, that is. Although lunacy does have its attractions...

As those of you who've read past posts here notice, there's simply something special about writing in this genre. To me, it has more texture, more depth, more flavor, more potential for wow-factor plot lines than any other genre. Writing SFR is like painting with a brush that only knows vivid colors and can paint in vividly colored patterns as well (Photoshop can do that, but I digress...).

One of the elements that makes this so unique is the novel's character(s). More often than not, he or she isn't your next-door neighbor (unless you live on Cirrus One Station). A character's upbringing, his social or cultural setting, her religious background, her political milieu is often different to vastly different from what we experience on this planet.

That's why readers read it. That's why I write it.

Because being hijacked by intergalactic aliens for an hour or three whilst tucked all comfy-like in your den chair is simply wonderful.

The average novel permits the reader to step inside someone else's skin. The SFR or futuristic novel (and yes, they are somewhat different) takes the reader not only inside another's skin but another's star system and often turns everything the reader knows topsy turvy.

What if (and all good stories start with a 'what if?') being blind was considered such a heinous flaw that the blind were put to death? And what if you survived as a blind child by seeking refuge in a nearby monastery whose monks viewed blindess as a sacred gift...but killed telepaths? And oh, you're a blind telepath.

That's the backstory for Frayne Ackravaro Ren Elt--Ren--a secondary character in my October 2005 release from Bantam, Gabriel's Ghost. Now, he's a secondary character--blue skinned aquatic, too--mind you. You can imagine what kinds of troubles the main characters have (they're Sully and Chaz and I invite you to experience them on my site).

But I couldn't build Sully's and Chaz's story without having Ren there. What Ren is directly relates to Sully's conflicts. See, they're long time friends. For a reason. And that reason almost gets them killed.

In SFR, intergalactic aliens, odd cultures, strange political structures aren't one-dimensional backdrops. They are the texture--the warp and weft of the story. And they're not always secondary characters, either. Sometimes they're a main character...

Umm, yep. Sully's not quite what he seems...

Oh, I'm Linnea Sinclair and I write SFR for Bantam Spectra. Look for my books in the science fiction section (not the romance stacks) of your local bookstore. I'm the odd-gal-out here. :-)

Come explore with us.

Hugs all, ~Linnea

Research is like an iceberg ... only not as dangerous to readers

I use an iceberg analogy because --as a rule of thumb--
it is only appropriate for about 10 percent of my
background research to show up in my books.

The other 90 percent looms below the surface.

My numbers may not be everyone's ideal.
But, whether it's ten percent or twenty,
with luck, my readers will never notice that it's there,
beyond perhaps admiring my worldbuilding. :-)

After all, for every cool, alien-seeming flower or fruit, there are lots of
equally exotic plants that aren't useful for the purposes of my story.

For another example, in INSUFFICIENT MATING MATERIAL
(which I recently sold to Dorchester)
my furious hero is stuck on a deserted island
with an unwilling heroine who won't take off her fancy
(but wet) clothes to save her life .... which she should!

According to SURVIVORMAN, Les Stroud, the best way to avoid
hypothermia is to doff the wet duds and share body heat.

So, my hero decides that life will be more tolerable if he can
construct a distillery and a guitar --or a flute.

It doesn't much further the story if my hero then plans exactly how
he will go about fabricating his moonshine still or his instrument,
but the author needs to know, and a true detail here or there gives
the hero something plausible and character building to do
in coming scenes.

Not to mention, his seemingly pointless and illogical activities
are bound to annoy the heroine.

Research is on my mind partly because my "Research" for a desert
island survival romance was the topic of a radio interview I was
given yesterday.

Also, because I have suggested to the organizers of
next year's Romantic Times Convention that I'd like to put together a
workshop on "Research".

And finally, because I am about ready to get
into the Research phase of writing my next book.

Thank goodness for the internet! Imagine walking into a public
library, and asking the librarian to point me to the stacks dealing
with unauthorized exhumations, for example.

I'll leave you with that thought, pretty much.
I'd like to wish you all a prosperous and happy week.

I'll hope to blog on SUNDAYS in future,
in an effort to be more predictable.

Best wishes,
Rowena

Sexy, Paranormal Romances

Hi Everyone,

I write futuristic romances because I love to tell stories about how people react to unusal situations. In THE CHALLENGE my hero used sexual frustration to teach the heroine to use her psi powers and win a challenge for Earth. In THE DARE, the heroine is a 300-yer-old computer who wants to build a body to make love and discovers what being human is all about. In The ULTIMATUM a scientist works to free women from their biology--if they don't make love to regenerate their cells, they die. And in July 06 Tor will release the 4th book in my series, THE QUEST. Kirek's story started when he was a baby with extraordinary psi powers. At age 4 he's proclaimed an Oracle, at 18 he's a sex slave and in THE QUEST he falls in love and must defeat the Federation's most powerful enemy.

See you around the net and please visit at www.susankearney.com if you'd like to watch my books. That's right, you can WATCH them on my site. :)

Susan Kearney

Conception of a hero (and shark self gratification)

Most of my May was spent either in Florida (at the Romantic Times Booklovers Convention) or driving to/from it.

As I drove South and East through the Smokey Mountains, taking in the dramatic scenery, and also the aquarium at Gatlinburg, I thought of alien heroes, and also about a shark's sex life.

I am incorrigible that way! Not just about fish, of course. Any animal with interesting or excessive reproductive habits or equipment may serve to inspire an alien romance.

The concept of a shark's claspers (which look like labia when not deployed) fascinates me. However, I am not about to give alien males claspers in their groins. A penile bone and a tattoo is about as far as I'm willing to deviate from the conventional wisdom of what is romantic and "normal" in a hero's wedding tackle.

The Gatlinburg aquarium has a very long viewing tunnel of three inch thick glass (it might be perspex), through which visitors progress majestically on a travelator.

Sharks lie on it. One hears how sharks have to keep swimming. Not these boys. Their bellies and genitals were pressed to the glass above the gaping tourists. I wonder whether the tunnel vibrated pleasurably --because of the travelator-- or whether it was warm, or whether the sharks are exhibitionists.

That thought led to musings about figuratively cold blooded heroes, which is unfortunate for me. As I mentioned earlier, I went to the RomanticTimes convention to promote myself, Mating Net, Forced Mate, and the February 2007 release of Insufficient Mating Material.

Insufficient Mating Material takes up where FORCED MATE left off. Now it is written, I am conjuring up the book that should follow it.

The logical choice for the next Great Djinn to fall in love and live happily ever after ought to be Rhett. He's the elegant, calculating, slightly anachronistic swordsman, inspired more by Adam Adamant than any of George Lucas's knights.

Adam Adamant was Rip Van Winkle with a sword.

However, I'm beginning to think that Rhett is too shark-like to fall in love.

No matter! Today I chanced upon a photograph that put a face to a much younger hero. The only problem --the challenge-- is that in FORCED MATE he was a bit of a "Beavis" (if I can say such a thing) !

I shall think on....

OF STARSHIPS, SORCERERS, AND SEXY HEROES

I'm on that panel at the Romantic Times conference, sorry if the title misled you! I shall be talking about characterization when your hero is not human.

Also, my May/June newsletter is out and can be enjoyed at www.rowenacherry.com/newsletter

There's an interview with a sexy hero there, who jousts for a living! Also two (it's a double issue) sensual scenes by other authors.

Best wishes,
Rowena Cherry

ALIEN DJINN ROMANCES

My name is Rowena Cherry, and I write alien djinn romances.

Why alien djinn?

I wanted a legendary or mythological breed with strange powers, whose existence is immortalized in human tales. They had to be dark, dangerous and complex...

I wanted them to be mistakable for godlike beings, but I did not want them to be identified with any region of Earth--as are Norse gods, Greek gods, Egyptian gods etc.

And, I did not want to offend anyone!

I hope it won't just be about me and my alien djinn romances. I hope lots of alien authors will blog here with me.

One of my creative friends writes about vampires who are descended from aliens. I think that's brilliant. I intend to invite her to blog here occasionally. Some of the gargoyle romances have aliens who are not only turned to stone but exiled on Earth!

Best wishes,
Rowena Cherry

www.rowenacherry.com
www.rowenacherry.blogspot.com
www.ncpauthors.blogspot.com
www.outdamnedstory.blogspot.com

Hello everyone. I'm Colby Hodge and I write what I like to call Futuristic Action Romance. Which means I have a great balance of action and romance in the future. I guess that was self explanatory. The first book in my exciting Star series was released last April and was a Pearl Finalist this year.

So what happens when a convicted criminal suddenly develops telepathic abilities when he meets a princess traveling incognito on a star ship that's under attack? Can Shaun and Lilly defeat the power hungry Circe and save Lilly's beloved home planet?

Guess you'll have to read to find out.

Thanks for inviting me here Rowena. Looks like this will be a great place to hang out.

Colby
aka Cindy Holby
www.cindyholby.com

Eppie Finalist FORCED MATE

Aliens and Fantasy Knights in shining armour

The May-and-June issue of the Rowena Cherry newsletter is coming together. One of the regular features is my Interview with a cover model, and my next interviewee is David Deslandes, who is Canadian... not much of a claim to alien status... and a Knight in shining armour at Toronto's Medieval Times.

www.rowenacherry.com/newsletter

I've been invited to speak briefly about CHARACTERIZATION WHEN YOUR HERO IS NON-HUMAN as part of Linnea Sinclair's SFR and Fantasy panel at the Romantic Times BOOKclub convention in Daytona. I'm honored and excited. Since I'm also appearing there as a misfit faery, I suppose it ties in well to mix Fantasy and Science Fiction.

Best wishes,
Rowena Cherry