Tuesday, November 06, 2018

Theme-Dialogue Integration Part 4 Theme Stated

Theme-Dialogue Integration
Part 4
Theme Stated 

Previous posts in this series:

What's Eating Him?
http://aliendjinnromances.blogspot.com/2013/09/theme-dialogue-integration-part-1-whats.html

What's Eating Her ?
http://aliendjinnromances.blogspot.com/2013/09/theme-dialogue-integration-part-2-whats.html

Romantic Emotional Intelligence
https://aliendjinnromances.blogspot.com/2018/10/theme-dialogue-integration-part-3.html

What's Eating Them and the knowledge of it brought to articulation is the THEME STATED moment.

There is no right way to write.

You can start finding, chasing, constructing or spinning your story at any point or with any element we've discussed. Sometimes novels surface in your mind as a single line of dialogue, sometimes as a visual scene, or sometimes a bit of music.  Anything can be the first inkling you have an idea for a story.  Start anywhere.  But by the time you're done, you will have all the elements we've discussed in place.

The trick is to know when to END the story.  How do you tell you've finished the writer's job?  How do you know when to leave the rest up to the reader?

It's easy. And clarifying the theme avoids the worst criticisms of readers.           

Within a few pages of the impending ending, one of the Characters will blurt out the THEME and state it baldly, in words, as a way of restating the thematic statement on page 5 or so of Chapter 1.

You first symbolize the theme to cut out the material that you will sew together into a statement about life, reality and everything.  Then you unfold the story, like a flower opening, revealing the heart of the matter.

Then, you reassure the readers that they've understood what you've been saying by a Character saying it -- just straight out, boldly, in-your-face, and with finality and emphasis.

That's difficult, and often takes many rewrites to get the correct line of dialogue from the correct character in the correct place in the narrative.  But you can see it done in the most popular novels, and you will know when you've done it yourself.

It is your finale, and then just a few loose ends to tie up and let the readers cool off gently into a view of the long, happy ever after ending.

The story is over, but life isn't.  This THEME (whatever you've chosen) will continue to embroider, decorate and elaborate your Character's life.  It is a truth the reader will now notice in their own life, eternal truth.

That is theme.  It might be the last thing you bring to the surface of the novel in final rewrite, because you don't know it yourself, but you are not DONE writing until you have the theme-thread pulled through every scene, every character and every plot event -- culminating in the lesson learned.

Learn to view theme as the core of story, and conflict as the core of plot.  Integrate theme into every element, Character, Story, Plot, Description, Dialogue, etc etc.  It is most important in Worldbuilding.  Make your world make sense to your reader by stating the theme in every aspect and element of your World.

Make it match, like a decorator pulling together a room, with carpets, drapes, upholstery, and just the right flower vase to hold just the right flower.  That color shading that gives the "matched" look to a room is the equivalent of the theme of a novel. Find the theme after you write the first draft, then on rewrite, delete anything that clashes with the theme that turns up everywhere.

Create a palette of theme, and lay your story on top of it.  Make all the "colors" of the emotions and settings match - no false notes, no stray threads, everything neatly arranged in a set.  Once you know the theme, you will see what doesn't belong.  Snip it and save it for the sequel.

For further clues about how to structure Theme into your Plot, see the SAVE THE CAT! Series.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Sunday, November 04, 2018

Red Flag Knowledge, Copyright FAQs, And Can STMs Save Copyright?


The DMCA was intended by Congress to be a cutting edge tool to combat piracy. It has turned out to be a blunt tool indeed, given that ISPs have used it as a shield to avoid liability for copyright infringement, even to turn a blind eye to rampant (but highly profitable) piracy.

Activist judges on the Ninth and Second Circuits have also weighed heavily on the scales of justice and tipped what should have been a "balance" in favor of the piratically inclined, and of stiffing the photographers, musicians, authors and artists of the world.

Terrica Carrington explains the highs and lows of Red Flag Knowledge.
https://copyrightalliance.org/ca_post/twenty-years-dmca-notice-and-takedown/

She also suggests that STMs, if only "we" could agree on them, could save copyright. (Standard Technical Measures. How much more exotic and dangerous-sounding is the acronym!)

For anyone who has purchased an ISBN from the MyIdentifiers site of Bowker, there are apparently confirmed suspicions that that site has been hacked relatively recently (in 2018), and credit card information has been compromised.

Nate Hoffelder reveals:
https://the-digital-reader.com/2018/11/02/bowkers-isbn-site-has-been-hacked-and-credit-card-numbers-have-been-stolen/

For the time being, it is a little more complicated to purchase ISBNs.
https://www.isbn-us.com/shop/publisher-programs/bowker-single-isbn-package/

Does one need an ISBN? They are certainly not inexpensive, costing up to $125 for an ISBN plus barcode.
A bar code is needed for paperbacks and hardbacks, as is explained here:
https://www.isbn-us.com/importance-isbn-barcode-2/

The last word is that an ebook does not need a bar code, because it will never be scanned, but it ought to have an ISBN... for every format, according to those selling ISBNs.

For all sorts of FAQs and the answers about all aspects of copyright registration, the copyrightalliance.org has a wonderful resource:
https://copyrightalliance.org/education/faqs/copyright-registration/

For anyone thoroughly spooked by all the credit card hacks and other lawlessness on the wild west web, at least three major credit card services --Bank of America, Citi, and Capital One-- offer virtual numbers that one might use, for instance, only on the Bowker or MyIdentifiers site for buying ISBNs.

The process is a little slower and more complicated, so author Beth Braverman suggests that  it might also be a good idea to use a virtual number at one's favorite impulse-buy online site.

https://www.creditcards.com/credit-card-news/credit-card-virtual-account-numbers.php

PS For anyone who pays a subscription to a music site, and who is not exhausted by surveys already, Editor Baker of Music Tech Policy would very much like music fan feedback. There's probably a good reason for it. Thank you for helping out with their research.
https://www.surveymonkey.com/r/LQDMD5J

All the best,
Rowena Cherry

Thursday, November 01, 2018

Reflections on Alien Visitors

The November-December issue of SKEPTICAL INQUIRER contains three articles about UFOs and extraterrestrials.

"UFO Identification Process," by Joe Nickell and James McGaha, offers an overview of the many different phenomena that can be mistaken for alien spaceships. The authors provide a list of common "UFOs" with their most likely explanations, broken down into multiple categories with several items under each. For instance, they cite five different classifications, with examples, under "Daylight Objects/Lights" and five under "Nocturnal Lights/Objects." It's interesting to discover how many common objects and events can fool the untrained observer and even some trained observers such as pilots. This kind of material could enhance the realism of a story about a UFO sighting. If a character rules out all the typical sources of mistaken identification, his or her conclusion that an actual spaceship has appeared will seem more credible.

Eric Wojciechowski, in "UFOs: Humanoid Aliens? Why So Varied?", advances the position that the widely varied descriptions of alleged alien visitors, diverse in appearance yet strangely all anthropomorphic, make a "psychological explanation" for the reported contacts more likely than "an alien intelligence interacting with human beings." Where the previous article evaluates sightings of apparent flying objects, this one deals with "close encounters" reported by people who claim to have actually seen extraterrestrials. The author maintains that the odds are overwhelmingly against the probability that diverse intelligent species have visited Earth, that almost all of them happen to be humanoid, and that they've managed to remain hidden from mainstream attention yet have revealed themselves to random individuals. He places heavy emphasis on the "anthropomorphic yet varied" factor. Although I don't believe the alleged alien encounters actually happened (not that I've made a formal study of the topic, but those I've read about look like attempts at writing science fiction by people who know very little about SF), I don't find this author's arguments totally convincing. Diversity rather than uniformity could just as well be offered as an argument FOR the truth of the reports, suggesting that they're not merely imitations of other witnesses' accounts. Also, I can easily think of explanations for the phenomena he considers unlikely. An interstellar organization composed of multiple species from various planets might be observing us, for instance, and the reason we meet only humanoids is that humanoid species are assigned to observe worlds inhabited by races similar to themselves. The reason they're often glimpsed, yet no solid proof of their presence has turned up, might be that they want to observe us without interfering but don't mind being noticed, like Jane Goodall with the chimpanzees.

Biologist David Zeigler's ingenious article, "Those Supposed Aliens Might Be Worms," speculates on what life-forms might turn out to be most common on other planets and answers (you guessed it) "worms." He considers intelligent humanoids highly unlikely and the popular expectation of such to be a case of a "limited line of imagination." Whereas the humanoid body shape has evolved only once on our planet (all the examples we know of being closely related), wormlike creatures have developed independently multiple times and inhabit almost every available ecosystem. He lists eight different categories of worms, and this catalog isn't exhaustive.

If we found worms of some type on another planet, what are the chances of their being intelligent? It's hard to imagine them with any kind of material technology in the absence of hands, tentacles, or other manipulative organs. But are such organs essential to the evolution of intelligence as we know it? It's widely believed that dolphins have near-human intelligence, and they don't possess manipulative appendages.

Tangentially, speaking of imagination, a two-page essay in this issue titled "Why We're Susceptible to Fake News—and How to Defend Against It," by one of the magazine's editors, conflates confirmation bias and the tendency to rationalize away evidence that might disprove one's entrenched beliefs with the mind-set of childhood make-believe scenarios. According to two psychologists quoted in the essay, Mark Whitmore and Eve Whitmore (there's no mention of whether they're related to each other), childhood beliefs absorbed from one's parents are said to be reinforced "as rationalization piles on top of rationalization over the years." This unfortunate outcome is allegedly made worse by the supposed fact that "Children's learning about make-believe and mastery of it becomes the basis for more complex forms of self-deception and illusion into adulthood." Parents unwittingly teach children "that sometimes it's okay to make believe things are true, even though they know they are not." It's hard to read this egregious misconception about the nature and value of imagination without screaming in outrage. From a fairly early age, children know the difference between fantasy "pretend play" and lies. Furthermore, fans of fantasy and other kinds of speculative fiction are less vulnerable to "self-deception" in relation to their preferred reading material than fans of "realistic" fiction. Readers of novels about extravagant success or exotic romance may indulge in (usually harmless) daydreams about the prospects of such events happening in their own lives. Fans of stories about supernatural beings, alternate worlds, distant planets, or the remote future aren't likely to expect to encounter such things firsthand. In AN EXPERIMENT IN CRITICISM, C. S. Lewis labels this kind of reading "disinterested castle-building" as distinct from the normal "egoistic castle-building" of imagining one's real-life self in the position of the hero or heroine of a "realistic" novel and the pathological version of the latter, where the subject obsessively fantasizes about becoming a millionaire or winning the ideal romantic partner without making the slightest real-life effort to achieve those goals. The authorities quoted in that SKEPTICAL INQUIRER article seem to compare all fantasy play to the third category.

One more item of interest: The Romance Reviews website is holding a month-long promotional event throughout November. I'll be giving away a PDF of my story collection DAME ONYX TREASURES (fantasy and paranormal romance):

The Romance Reviews

Margaret L. Carter

Carter's Crypt

Tuesday, October 30, 2018

Theme-Dialogue Integration - Part 3 - Romantic Emotional Intelligence

Theme-Dialogue Integration
Part 3
Romantic Emotional Intelligence

Previous Parts in Theme-Dialogue Integration

What's Eating Him?
http://aliendjinnromances.blogspot.com/2013/09/theme-dialogue-integration-part-1-whats.html

What's Eating Her ?
http://aliendjinnromances.blogspot.com/2013/09/theme-dialogue-integration-part-2-whats.html

One big complaint men and women in a maturing Relationship have about each other is conversational style.  Anthropologists have long identified differences in the way women talk from the way men talk, over and above what they talk about.

Today's world is trying to make men and women THE SAME (not equal, but rather identical).  Apparently, women have changed as much as they collectively are willing to, and are now doing #metoo memes on men who refuse to change how they speak, and behave (hands-on, hands-off, threats of "sleep with me or you're fired).

So the Battle of the Sexes is now Headline News, ripping careers nurtured over decades to shreds of humiliation.

The birth rate is down -- and reports show intelligence tests for I.Q. are averaging down scale, too.

Legislation is the tool of social engineering.

None of these trends is making for peaceful conversation between or among the genders.

So any dialogue between male and female Characters, even in the hottest Romance, or perhaps especially in the hottest Romance, is going to involve some kind of "off the nose" agenda on each side, leading to misunderstandings and open hostility.

We have discussed off the nose dialogue in many posts -- dialogue that doesn't say overtly what it actually means.

This index has more than 4 parts listed. There is much to say on dialogue.
http://aliendjinnromances.blogspot.com/2012/10/dialogue-parts-1-4-listed.html

Sarcasm is only one example of off the nose dialogue.  Changing the subject is another way of saying "I don't want to talk about that" or "That isn't important" or "You jerk! What do I  need you in my life for?"  The possibilities are as endless as the situations in which people speak to, or past, one another.

Today, however, the self-help and academic journals are full of the idea that "I.Q." is not the only kind of intelligence.

Historically, it is noted that I.Q. was invented as a racial divide, a way of keeping some kinds of people out of certain decision making positions.

The tests have been revised many times to eliminate the bias and single out individuals who can do certain types of intellectual tasks.

And that didn't work well enough to suit some people who took another look into the whole idea of "I.Q." or mathematically measuring future potential of a young person.

We all feel, as we meet dozens of other kids our own age, that there is a real difference between this one and that one, and there are those "like me" and those "not like me" -- even when everyone in the class looks like me!

Many studies have been done showing how the female of the species seeks males who are not so very "like me."  Females are exogamous.

But Relationships function -- somehow they do function because not all children are the result of rape -- along some OTHER axis than I.Q.

Researches are now focusing world attention on E.Q. or Emotional Intelligence.

I think this is interesting because in the 1950's, anyone who showed any emotion at all in support or refutation of any topic, anyone moved to fury, or laughter, or tears was considered a lesser being and obviously incompetent.

Women were kept out of managerial positions (and officer rank in the military, and university, too) because women CRY when challenged - they "get emotional" a couple weeks of the month.  This proves incompetence at all tasks.

The world has changed.   

So now there is a social competence score called Emotional Intelligence that is supposed to be independent of gender.

Dialogue in Romance Novels has to reflect this -- and it is now considered proper to "become offended" and as a result to "raise your voice" or even use words which would have gotten you banished from the workplace (fired) in the 1950's.

Which cultural attitude is "correct" or even preferable?

Answer that question and you have a THEME.

You need a Conflict to illustrate the theme, and a Resolution of the Conflict that will satisfy your target audience, and maybe leave them chewing on a New Idea.

Once you have nailed those two elements, you can work out both sides of the argument in dialogue.  It is in dialogue that "emotional intelligence" is most clearly depicted.

The current culture is arguing about what phrasing soothes another person's emotions and what phrasings insult or rile up negative emotions -- and how damaging negative emotions might be. None of this is settled, so it is an opportunity for Romance Writers to explore cultural aspects previously ignored.

Different academics have imposed different definitions of Emotional Intelligence on the words, and then proceeded to support their definition with science.  So you, as a writer, have to pick out a theory to discuss.

So let's just take, for example, a dialogue where one Character pours out his or her heart in a gush of angst (maybe a bereavement, or getting fired, or being passed over for promotion, or losing a driver's license).

Should Character 2 say, "I feel your pain."  To commiserate.  Suppose Character 2 wants to make Character 1 feel less pain -- what words should you write? What would an "Emotionally Intelligent" person write for that dialogue?  What would make the hurting person's heart open and embrace Character 2 as a Soul Mate?

Think through the theme.  Is Emotional Intelligence real or a figment of academic imagination having nothing to do with real humans?  Is it possible for one HUMAN to feel another HUMAN'S pain (really?).

In Magic and ESP worlds, you can have telepaths and empaths who collapse when others feel strong emotion.

But those without Talent would grope in the dark as we all do in our reality.  We have to theorize.  Writers of Romance fiction have to DEBATE the theories ripped from the Headlines.

So, Character 2 might espouse the idea that it is not only possible but laudable for one person to FEEL YOUR PAIN (i.e. have true emotional intelligence) and to say so out loud.  Character 1, who is feeling the pain, might consider this non-sense, and be convinced that Character 2 is feeling Character 2's own pain not Character 1's pain at all.

It is well established that we empathize by resonating with the pain of others, projecting ourselves into their position and feeling not what they are feeling but rather what we would feel in that position.

If you have been in that position (say, your mother recently died, too), you might assume that the other person is feeling exactly what you felt in that position.  But that is never true, because humans are such diverse individuals, distinctive and distinguished by unique relationships.

On the other hand, the similarities pretty much define what it means to be human.

If you've put Aliens into your mix, you have to rethink all of this from scratch.

So here are two sources to contrast/compare to begin building a world where your two Characters can illustrate the validity or non-sense perpetrated by the academics studying Emotional Intelligence.

First read this NBC News item on Conversational Narcissism and ask if such a concept has any validity at all.  Is this a discovery about the nature of humanity, or a ploy to perpetuate an old con game essentially giving academic support to grifters?

https://www.nbcnews.com/better/health/why-conversational-narcissism-can-ruin-your-relationships-ncna825676

------quote--------
We love to talk about ourselves. It’s what journalist and author Celeste Headlee calls “conversational narcissism.” Not only can it ruin conversations, she warns, it can also destroy relationships.

“Talking about ourselves is very pleasurable and conversational narcissism is what results,” Headlee tells NBC News BETTER. “It’s this tendency to turn conversations back towards ourselves and things that we’re interested in …sometimes consciously, but even subconsciously.”

The “We Need to Talk" author learned about conversational narcissism — a term originally coined by sociologist Charles Derber — the hard way. She once tried to comfort a friend whose father had died, she recalled, by talking about the loss of her own dad.
------end quote----

And later in the same article :  How to tell if you're a 'conversational narcissist'
The one thing you should never say to a grieving person — or anyone going through a rough time.
by Julie Compton / Dec.02.2017 / 2:59 PM ET / Updated Dec.04.2017 / 7:59 AM ET

-----quote------
WHEN PEOPLE TRUST YOU TO BE EMPATHETIC, THEY WANT TO TALK TO YOU MORE
Headlee says that using support responses in conversations has made her relationships better.

“People trust me more, and so they tell me stuff they may not have told me before,” she says.

Finding balance is conversations isn’t solely about helping others, Headlee explains: It’s also something you do for yourself.

“By doing this, you’re more likely to create an empathic bond,” she says.

“It’s a gift you can give to others at the same time that you bestow it on yourself,” says Headlee.

Want more tips like these? NBC News BETTER is obsessed with finding easier, healthier and smarter ways to live. Sign up for our newsletter and follow us on Facebook, Twitter and Instagram.
------end quote--------

Now, ponder all that advancement against the backdrop of Ancient Wisdom.

Here's an item about a World Renowned personal advisor commonly known as The Rebbe, the leader of a huge, popular and growing "movement."

-------quote--------

StorySunday at Chabad.org

This coming Shabbat, the third of Tammuz marks the 24th Yartzeit of The Lubavitcher Rebbe, of righteous memory. We share with you a small yet beautiful story of the Rebbe.

💧 Empathy

A teenage girl once wrote a letter of several pages to the Rebbe, in which she described her inner turmoil and anguish. The Rebbe responded to her letter and wrote, among other things, that he feels her pain.

She wrote back a letter and said, "Rebbe, I don't believe you. How can you feel my pain? You're not going through what I'm going through. What do you mean that you feel my pain?"

Within two hours the Rebbe answered. This was the gist of his response:

"When you will merit growing up and marrying, and will, G‑d willing, be blessed with a child, the nature of things is that during the child's first year, he or she will begins to teethe. The teething is painful and the child cries. And a mother feels that pain as if it were her own."

The Rebbe concluded: "This is how I feel your pain."

Read some heartwarming encounters, selected from over 1000 interviews of those who had a personal experience with the Rebbe, by JEM.
👉🏻 http://Chabad.org/lxprgw

-------quote----

The response is a grand example of "off the nose" dialogue that communicates more precisely than any "on the nose" explanation could have.

Saying, on-the-nose, "I feel your pain" does not convey the intended message.  Finding the way to say "I feel your pain" off-the-nose, encoded into the experiences Character 1 and Character 2 share is what the writer of a Soul Mate Romance has to do.

Readers don't "believe" what you TELL.  They believe what they FIGURE OUT FOR THEMSELVES from the Events.

So finding that one, exemplary, CLASSIC ONE-LINER expression that represents "I feel your pain" is the main job of getting the book written.  That line is not the opening of your story -- it is buried deep within, very possibly at the MIDDLE.

It is the experiences you carry the reader through, getting to know each Character, that allows the reader to decode the off-the-nose utterance that establishes the rapport to kick off the Romance.

Yes, the Romance starts with their first meeting, on page one, but that is just the spark.  The conflagration unites the two Souls when the MESSAGE is received and "I feel your pain" is a shared experience.

Most important to remember is that "I FEEL YOUR LOVE" is conveyed in the same way -- not by "I love you" but by deeds that acknowledge previously shared feelings.

Study this Emotional Intelligence headline issue, and especially the way people bandy about the term Narcissist (which has a technical psychological definition at odds with the redefining going on in 2018), and consider it in terms of the Art of the Grifter we studied in the TV Series, Leverage.

Are is a Post from the Believing In The Happily Ever After series.  It is Part 4 about Nesting Huge Themes Inside Each Other -- for the purpose of later unfolding them as you continue a long series of long and complex books.

http://aliendjinnromances.blogspot.com/2011/10/believing-in-happily-ever-after-part-4.html

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com

Saturday, October 27, 2018

The Law And Unintended Consequences

This weekend is the twentieth anniversary  (china!) of the signing of the Digital Millenium Copyright Act (DMCA).  As for me, I mentally awarded the DMCA its rightful wooden spoon five years ago, on its fifteenth anniversary.

Would you say that "china" is appropriate?  The DMCA is certainly broken.  Of course, it was intended to encourage cooperation between copyright owners and internet service providers to protect copyright and to reduce piracy.  Unfortunately, when the DMCA was written, most people used dial up to access the internet, downloading a file took all afternoon, and using the internet meant that the phone line was tied up for the duration of one person's internet "surfing" time.

Nowadays, it takes less time to make a good cup of tea than it does to scan a book and "share" it with potentially thousands of people.  A generation has grown up expecting that anything they can find online is theirs for the taking, free, covered by their cost in purchasing a computer and internet service (a false perception), and the big tech companies have taught everyone to believe that copyrighted works of all kinds are "content".

There's power in words.

In honor of the DMCA, the Copyright Alliance's Copyright Counsel, Terrica Carrington has penned an important, two-part retrospective article about the lofty aims and mixed success of the DMCA.

https://copyrightalliance.org/ca_post/dmca-notice-and-takedown/


All the best,

Rowena Cherry

Thursday, October 25, 2018

Cosmic Times and Distances

This video compresses the total history of the universe and Earth into a single monologue of less than twenty minutes:

History of the Entire World

The summary is heavily weighted toward human history, of course. If the timing of events were in proper proportion, the existence of life on this planet would take up only a tiny interval at the end, and humanity probably wouldn't even be mentioned on that scale. It's quite entertaining if you can tolerate its being peppered with repetitions of two words that used to be classified as "unprintable." My first thought, after watching the podcast, was how infinitesimally short, on a cosmic scale, the history of our civilization is.

Here's a visualization of planetary sizes and distances compared to the Sun if the radius of the solar system equaled the length of a football field:

NASA Solar System Scale

The Sun would be about the diameter of a dime. The four inner planets—Mercury, Venus, Earth, Mars—are the size of grains of sand, and Earth sits on the two-yard line. Even Jupiter has a diameter equal to only the thickness (not the diameter) of a quarter. By the time we get to Pluto, we're on the 79-yard line. It boggles the mind to consider how much of our solar system consists of empty space. Imagine how empty actual interstellar space is!

In one of his late writings, Mark Twain compares the time span of life on Earth to the Eiffel Tower. On that scale, human history would correspond to the layer of paint on the very top. Twain says something like, "Maybe it's obvious that the whole tower was built for the sake of that little skin of paint on the top, but I have my doubts."

As a believer in a Creator, I do believe that the universe was made for humanity. BUT—it was made for all the other creatures in existence, too. C. S. Lewis writes somewhere that each of us can truthfully say the entire world was made for us, as long as we remember that every other being can truthfully make the same claim. "All is done for each." As he puts it in the "great dance" scene of his novel PERELANDRA, "There seems no center because it is all center." Which harmonizes with the astronomical observation that no matter where we stand in our expanding universe, space seems to be moving away from us uniformly in all directions, because no matter what our position, from our viewpoint we're at the center.

In that respect, we'll probably have something fundamentally in common with any other intelligent entities we may meet.

Margaret L. Carter

Carter's Crypt

Tuesday, October 23, 2018

Theme-Character Integration Part 15 - Building A Bully Character From Theme

Theme-Character Integration
Part 15
Building A Bully Character From Theme

Previous Parts of the Theme-Character Integration Series are indexed here:

http://aliendjinnromances.blogspot.com/2014/07/index-to-theme-character-integration.html

To create a compelling narrative, a writer has to have something to say on a topic of vital interest to the target readership.

In Romance, we generally focus on what happens before "will you marry me?" -- or the pitfalls between that and the wedding.

The envelope theme of all Romance, science fiction Romance, Fantasy or Paranormal Romance, is "Love Conquers All."

But how does Love conquer a Bully?

One of the burning issues of 2018 is seen as bullying.  Usually, bullying is a development of Middle School or High School, and many out-grow the tendency when real life engrosses them.  But some people have their life shaped or reshaped by adults who have kept on bullying because, for them, it is a successful tactic.

We find bullying in the workplace, and especially targeting women who really need the job.  Sleep with me or you're fired -- is bullying when done by someone who can fire you (or arrange enough disgrace that your career is ruined).

Bullying is one of the life experiences that it always seems Love can not conquer.  Most people don't even try to return the use of excruciating force with "love" of some kind.  We just hit back, hopefully harder.

One of the most successful tools of the adult bully is reputation.  Just start a rumor and down come the mightiest figures.  Think of Bill O'Reilly, for example, most viewed commentary show on Cable and he's gone for loss of reputation -- we don't even know if he did what he's accused of.  Was that fake news?  Several other figures (all along the political spectrum) have been brought down by accusations -- not proof, just accusations - and been deemed guilty until proven innocent.

But there is no extant way for a man to prove his innocence when accused of unwanted sexual advances -- or beyond that bullying.

Under the law, there is no need to prove innocence because it is logically impossible to prove a negative.  It is up to the accuser to prove guilt -- and in the case of sexual bullying, only the accuser actually knows.  There is no proof on either side.

So it is now up to the Science Fiction Romance writer to invent a way to prove "wanted/unwanted" emotional tone of the moment, deep subconscious motives, and screeching fear of being fired, etc.

How do you prove emotions of the past?

If you look at 2016-2018 evolution of mainstream news, you see the trend toward including more and more emotional language in headlines, and in conclusions.  Headlines saying "He Bashed SoAndSo" and other violence based words (clickbait for sure) such as trashed, blasted, etc.

Note rarely do you see "excoriated" or any multi-syllable word in such headlines.

If you listen to the clips being referenced, you note the total lack of verbal violence by the speaker being described in the headline.

Read the articles, and you see ever increasing reliance on the essential truth being revealed by the emotions of the people involved, and most especially by the news media and/or just the reporter.

Reporters who avoid emotion-based wording are being accused of sexual misconduct and taken off the air, while reporters who rely totally on emotion based phrasing are elevated to top positions.

It is a trend that has just  barely begun to appear, but science fiction writers have to grab emerging trends and extrapolate them to an extreme.  Writing courses teach how to do this.

So to build a Bully Character from a Theme about Bullying - and create a conflict, you need a non-Bully Character who is not a wimp.  You need a Kick-Ass Heroine who has zero inclination to kick ass.

Then you take that Good Character and shove her nose into a situation where it is Bully vs. Bully and winner-take-all.  Both those Bullies come after her, and she kicks ass because ... well, the reason she kicks ass and wins is your theme.

THEME: she kicks ass because God is on her side

THEME: she kicks ass because she's been bullied once too often

THEME: she kicks ass because she's grown up at last

THEME: she kicks ass because she is just better than they are

THEME: she kicks ass because Bullies Are Always Cowards

You can generate any number of reasons a single woman would prevail over professional bullies.  She might kick ass because returns their verbal violence with love.

In today's world, it is easy to lure readers into believing a knock-down-drag-out fight can occur over political stances.  In the USA, it is Republican vs. Democrat.  In other countries, the lines of division are different.  In Europe "Conservative" means totalitarian Nazi, and in the USA "Conservative" means what Europe means by Liberal.  So you can't insult your reader's intelligence by flinging labels around - and using labels as the motive for violence.

So let's take the issue of FAKE NEWS as an example of how to Characterize a Bully and the issue that triggers the use of force.

We are now seeing political stances dividing people in non-political venues -- Sarah Huckabee-Sanders being rejected at a restaurant, elected officials calling for attacks and flash-mob "crowding" (in High School, one form of bullying is to invade personal space) of those who express certain opinions.

The Supreme Court is ruling 5-4 again and again -- the USA is a nation divided 45-45% with a slosh-wave of 10% fleeing from one side of the boat to the other.

Fake News may actually not be "fake" on either side of the issue, but rather colored, slanted, selected and reported through emotion-based filters.  But right now, each side thinks the other side is lying.

Here is an article on statistics - which I haven't checked, but some might believe.  Pew Research center has been the gold standard in statistics -- is it still reliable?

This article is from May 2017:

http://www.journalism.org/2017/05/10/americans-attitudes-about-the-news-media-deeply-divided-along-partisan-lines/

The article says that in 2017 most Republicans distrusted major news networks -- in 2018, it seems that distrust has grown.

Meanwhile, statistical studies on Bullying are being done and reported -- and there is distrust about whether these reports on the rise and prevalence of Bullying are actually lies told on purpose to manipulate public sentiment.

Here is a blog article from June 2018 about school bullying statistics and reporting.

https://jaypgreene.com/2018/06/27/more-fake-statistics-hide-prevalence-of-bullying-in-district-schools/

It says comparing New York to New Hampshire:

-----quote------
Yet again, it appears that school officials are working harder to hide incidents of bullying than address them:

The rate at which schools investigate students’ claims and find actual incidents of bullying has also dropped dramatically at the high school level. In 2010-2011, high schools confirmed bullying in 58 percent of reported incidents. Seven years later, it has dropped to 29 percent.

Some schools have put a lot of effort into stopping bullying, advocates say, but they believe the discrepancies in the data are evidence that some schools are exploiting weaknesses in the state’s law to under-report and underinvestigate claims of bullying.

---end quote---

Now, suppose you are writing a "Second Time Around" Romance where your female lead has a kid in school, and a cover-up policy keeps the kid from attaining justice against the clique doing the bullying.

Her Romantic Interest is say, the Principal, and he is a bully in a fight with another bully (maybe School Board?), and her daughter is caught in between because of -- oh, say her estranged father is a Republican who is running for some local non-partisan office (maybe Justice of the Peace).

Would an adult who is a successful Bully all their life and is now in charge of a school be invested emotionally in evicting bullying kids from his school?

Bullying in schools is not only in-person -- intimidation can happen online, and be carried into the face-to-face hallway situations.  An online bully you never have to see with your eyes (or compete with for grades), is one you can ignore.

Here are some previous posts discussing aspects of the bullying issue:

http://aliendjinnromances.blogspot.com/2017/09/depiction-part-32-depicting-brain-to.html

http://aliendjinnromances.blogspot.com/2014/12/depiction-part-4-depicting-power-in.html

http://aliendjinnromances.blogspot.com/2012/10/theme-worldbuilding-integration-part-5.html

So, would an adult who has mastered the fine art of subtle intimidation, sexual harassment, and other forms of bullying want to stamp out bullying among the children he is responsible for grooming for success in life?

Or would he want to evict the kid who was the target of the bullies?

Create two adult bullies, on opposite sides of the current political divide, and show how both the acceptance and rejection of Fake News -- or say, a photoshopped YouTube Video of an incident reversing the apparent instigator -- brings these two Bullies into direct conflict.

Show how the mother of the girl having her reputation destroyed can use the insights attainable only through Love to bring down both bullies and teach the town a lesson they will never forget.

What you have to say about Bullying (even how you define bullying) will be the theme.  The Character(s) who bully will be examples of what you have to say.  The Character who resolves the situation, perhaps teaching her kid how to handle Bullies by showing rather than telling, will be the one your readers will love - because love conquers even bullies.

Alternatively, you might take the point of view of the parent of the worst Bully who teaches the Bully why bullying is a bad life strategy.  The Principal of the school who bullies teachers, for example, may get a resounding lesson from his or her father.

Bullying is often a generational behavior.  It has been shown that children who are "ruled" by parental force often resort to "taking it out on" other kids at school.  It is a social infection, and once clearly successful, will be copied and passed on.

Now is the time for the imaginative writers of the world to invent new solutions to this age-old behavior.

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com