Review: HALF A KING by Joe Abercrombie

Joe Abercrombie was one of the panelists... one of the best and most interesting panelists... at a Science Fiction and Fantasy convention that I attended this year. After hearing him, I bought HALF A KING, and finally it got to the top of my TBR pile on August 1st, so I took it by train to California where I read it on the outward trip, and --although I had read it-- I brought it back. It's a keeper.

HALF A KING is a page turner, expertly crafted, with a story arc that comes a full circle except that the plot thickens with every degree of curvature. Meanwhile, there are so many reviews that it is not easy to say something original about HALF A KING.

One of its qualities is the amazing, incredibly satisfying, utterly enjoyable "thusness" of the book. That's something a reader may not notice until the very end, which is as it should be. It would be a spoiler to say more, so I won't.

It is a intelligently written book, with nuances that may or may not have been intended to intrigue the thoughtful reader. For instance....

Fourteen- (or possibly fifteen-) year-old Prince Yarvi is the great-grandson of Angulf Clovenfoot, a mighty king known as the "Hammer of the Vanstermen" and is the bullied and scorned, younger son of the great warrior king Uthrik, who was the middle son of Brevaer.

Joe Abercrombie mentions Angulf Clovenfoot three times in "Half A King" by my count. First, from Yarvi's POV during a funeral--a dark moment and a turning point in his life of which he had no control--, second from Yarvi's POV during another dark passage, and finally at a turning point that he discerns and seizes upon, and through the voice of Yarvi's treacherous uncle Odem when Yarvi's ragtag army is massively outnumbered and a turning point is imminent.

Why "Clovenfoot"? Could it be that deformity runs in the family? Is Yarvi's birth defect a congenital abnormality.... perhaps hypophalangism (the congenital absence of one or more phalanges of a digit) ?

http://medical-dictionary.thefreedictionary.com/hypophalangism 

If kings in this Viking-like world were respected for winning in hand-to-hand combat, I infer that Angulf could fight very well with "half a foot", but his great grandson could not wield two-handed weapons with "half a hand" and that made all the difference.

It's grossly unfair, of course. 

But, which family? Perhaps his mother's? Joe builds his worlds with a masterfully light touch, but it is suggested that first-cousin marriage is not uncommon in this royal family, and other forms of consanguinuity also, so either or both families may harbor a recessive gene. 

Interesting link about consanguinuity 

http://www.larasig.com/node/2020 

Moreover, if the genes are awry in one manifestation, why not in another, such as in defective reasoning? It's a very convenient explanation for pathological behavior... and thus a seeming hero can become a villain, a friend can become a mortal enemy.

Is this an "Underdog" plot? I wonder. Certainly, the hardships and difficulties and rank unfairnesses are piled on to the young and physically handicapped principle character at every stage of his saga and his journey. For those who enjoy categorizing other authors' works (grinning), I recommend Ronald Tobias's "Master Plots" book.

Additionally, as a reader of every word, I was never irritated by repetition. Most authors repeat themselves too much, because they are writing for readers with feeble attention spans, I suspect. I've mentioned that Angulf Clovenfoot was mentioned approximately three times. Another important ingredient in Yarvi's arsenal is mentioned three times, and no more (as I recollect) and I almost missed the second mention.

Finally, since I am an admirer of Survivorman, Les Stroud, and also of the Fat Guys In The Woods.... and wrote a survival-inspired novel of my own (Insufficient Mating Material)... I particularly enjoyed the winter wildeness survival chapter.

Highly recommended:  HALF A KING by Joe Abercrombie.

Rowena Cherry  

SPACE SNARK™ http://www.spacesnark.com/ 

Online references:

Joe Abercrombie | An Extract from Half a King

www.joeabercrombie.com/.../half-a-king/an-extract-fro...

Joe Abercrombie

Or half a king, at least. ... tall beside that of Yarvi's uncle Uthil, swallowed in a storm, and his grandfather Brevaer, and his great-grandfather Angulf Clovenfoot.

Half a King by Joe Abercrombie- Free Books Online

www.free-booksonline.com/Half_a_King/41.html

Half a King(41) .... longer within sight of the howes of my brothers Uthrik and Uthil, the howe of my grandfather Angulf Clovenfoot, hammer of the Vanstermen?”

Читать онлайн "Half a King" автора Аберкромби Джо ...

www.rulit.me/books/half-a-king-read-359923-17.html

Читать онлайн Half a King автора Аберкромби Джо - RuLit - Страница 17. ... He sang of Angulf Clovenfoot, Hammer of the Vanstermen, and did not mention ...p100 that the man was his great grandfather.

 

Thusness (and the importance of a jolly good ending)

I don't see "Thusness" being talked about very much. One of my English professors at Homerton College, Cambridge, taught me the expression and the concept, and I've never forgotten it.

At the time, I believe we were studying Alfred, Lord Tennyson's Idylls of the King. Epic poetry. Medieval Fantasy SpecRom opera with never-ending quests for the Holy Grail, swords, sorcery, treachery, maidens being surprised in their bathtubs by horny rotters. Inspiring stuff, really! That's what I remember. But it could have been Browning, or Coleridge.

Maybe someone will want to tell me that the Arthurian legends aren't SpecRom. I might answer that it all depends who is retelling them, and how.

The bottom line with "Thusness" --as I internalized it-- is that all the interwoven story threads are tied up so neatly by the end of the story that the reader is left with a feeling of great satisfaction and justice. Not only is everything explained (that needs to be explained), but there is harmony, balance, and maybe that forehead-slap of enlightenment.

"Thusness" makes a story memorable and thought-provoking (in a pleasurable way) after the last word has been read, and the book has been put away... or returned to the library. The ending is "right" and has a quality of inevitability. Of course, in a romance, it is generally accepted that, inevitably, the hero and the heroine will live happily ever after together.

That's not quite what I mean by "inevitability."

Perhaps "thusness" is like the old definition of obscenity. "...I know it when I see it."

If that is the case, how does a writer achieve "Thusness"? Some of us are plotters, outliners, linear writers. Others are pantsers, channellers. Some do both. Some put a book together like a jigsaw (I do). Some plan it like dinner... you know, it has a beginning (starter), a middle (main course), and an ending (the pudding).

"Pudding" might not be entirely felicitous. Some end with a Bombe Surprise, or cheesecake, others with a swiggable yoghurt or quick coffee. It's all good, but probably it's most satisfying if it is a balanced meal.

I try for thusness. If I have three prologues (of course, they cannot be called that), I need three epilogues. This might mean that a lot has to be cut from the middle to meet the publisher's page limit (about 400 double spaced pages at 250 wpp).

Once the ending is written --and not all authors know the details of how their heroes' stories will end when they begin-- well, then you have the linear warp, but not the weft (weaving imagery). Then, knowing how your story ends, you go back to the beginning and weave in the almost-invisible details at regular intervals.

Perhaps your editor wants the villain to be badder. (Given that badder is good English). For "Thusness" as I see it, it isn't enough to put super bad thoughts into his point of view one scene before he gets his come-uppance, though that would be the quickest and easy edit... and on a deadline, quick and easy is very tempting! In my opinion, the first time the reader sees this villain he has to be doing something bad, although it could be stealth wickedness. We may not recognize his evil for what it is, after all, he hasn't been caught.

And so it goes. A hint is woven in, and it has to be repeated, not necessarily every seventy pages, but that's a reasonable rough guide. The Imperial March was a pretty cool tune. They say the devil gets all the best tunes. It took a while before we realized that it meant that the bad guy was up to no good. Same with the Jaws horn riff. (If horns can riff).

Because Jolly Good Endings and striving for "Thusness" is important to me, I was thrilled with a recent review by "Bookmaedin" posted at http://www.ibookdb.net/review/58607

Excerpt
"This book also has one of the best ending sequences. Everyone in the story pulls together against a common enemy. Ms. Cherry has created a seriously evil villain. What goes around comes around, and it definitely came back on this villainous specimen.

Trust me, INSUFFICIENT MATING MATERIAL is a book you don’t want to miss. Be sure to check out the back-story in Rowena Cherry’s previous book, Forced Mate.

~Review by bookmaedin for iBookDB Review: Insufficient Mating Material"

INSUFFICIENT MATING MATERIAL will be in bookstores on January 30th.