Showing posts with label action adventure. Show all posts
Showing posts with label action adventure. Show all posts

Thursday, August 31, 2023

On Character Growth

There's an essay on the WRITER'S DIGEST website called "The Importance of Character Growth in Fiction," by bestselling author Annie Rains:

Importance of Character Growth

She lists and discusses vital elements in showing the transformation of a character over the course of a story: Goal and motivation; backstory and the character's weakness or fatal flaw, arising from features of the backstory; the plot and how its events force the protagonist to struggle, plus the importance of pacing so that growth doesn't "happen in clumpy phases"; the "ah-ha" moment when the character realizes the necessity of taking a different path; importance of showing through action how the character has changed to be able to do "something that they never would have been able to do at the book’s start."

As vital as all these factors are, and as much as I love character-driven fiction myself, I have slight reservations about Rains's opening thesis: "If your character is stagnant, there is no story. . . . Your character should not come out of your plot as the same person they were before their journey began." Doesn't good fiction exist to which this premise doesn't apply? Classic detective series, for example. What about Sherlock Holmes? Hercule Poirot? Miss Marple? What about action-thriller heroes such as James Bond? Through most of the series, Bond survives harrowing adventures that would kill ordinary men many times over, with no discernible change in his essential character. (In the last few books, he does begin to change.) Even in stand-alone novels, as mentioned in the WRITER'S DIGEST essay to which I linked in my blog post on July 20, static characters (as opposed to the negative term "stagnant") have their place. In A TALE OF TWO CITIES, Charles Darnay doesn't change, whereas Sidney Carton does. In THE HUNT FOR RED OCTOBER, the Russian submarine captain has already made his life-changing decision before the story begins and never veers from his goal. In A CHRISTMAS CAROL, Scrooge transforms, while Bob Cratchit is a static character. So, arguably, is Romeo, who's still the same impulsive, emotion-driven youth at the end of the play as at the beginning, thereby possibly triggering his own tragic end.

I'd maintain that, while Rains is self-evidently correct that a character's circumstances have to change in the course of a narrative, he or she doesn't necessarily have to undergo a transformation, depending on the genre. The character must either attain the plot's stated goal or fail in an interesting, appropriate way. Without a change in his or her situation, whether external, internal, or both, there's no story. But an internal transformation isn't a necessary feature without which "there is no story."

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Sunday, April 08, 2007

If I had to... could I?



Before I write about my sometimes alien heroines, I research the Earthly equivalent of the situations into which I dump them, and I like to think that if I were their age, in the shape they are in, and in similar circumstances, I could do almost as well.

But could I?

Could I purify and filter water without a commercial tablet or a store-bought gadget on my plumbing as Djetth (Jeth) does in Insufficient Mating Material? I know how in theory, and what I wrote passed muster with my survival consultant.

If global warming reduced my neighborhood to something close to a dust bowl, could I find water by making a solar still? Could I follow my own survival advice that I dish up in Insufficient Mating Material?

If I decided that I no longer trusted prepared, packaged foods from the supermarket, could I make pizza from scratch... on a hot rock?

Well, could I?

Maybe not pizza, if I didn't have yeast, but I might surprise myself. We women may be tougher than we think.

Actually, I used to make pizza when I lived in Dorset. I had a coal fired oven, which meant that I had to shovel coal into the fire box, wait for it to get really hot, and then bake. My paternal grandmother didn't have a refrigerator. She had a slab of marble in a cupboard under the stairs!

But as for doing some of the things Survivorman does.... I'm not sure, and I hope I never find out, but I pay attention, and I'm thinking of buying some of the best fire making tools I've seen him use on his show, and keeping them in my handbag. It won't do much for the shape of my bag, but a bit of extra weight-lifting should keep my arms and my bones in shape.

Insufficient Mating Material contains quite a lot of information from various survival sources and the consultative wisdom of Survivorman, Les Stroud. Like the alien hero, Djetth (Jeth), I took part in competitive life-saving at school. I still have all the badges that I earned. However, when I think back to all the mushrooms we used to gather in the local cow pastures at dawn, and the berries we picked from hedgerows in Autumn: hips and haws, elderberry, crabapples, blackberries, I wonder whether I'd dare to today, if I weren't desperate.

The problem is (for everyday people), practising making shelters by cutting down vegetation is not environmentally responsible, and experimenting with strange berries when I don't have to seems to be asking for trouble... and I don't mean experimenting in the way that Djetth and Martia-Djulia experiment once their alien romance heats up.

Best wishes,

Rowena

Saturday, March 31, 2007

Strange Brews

I think my aural memory is very good, but sometimes it isn't.

For instance, I was absolutely certain that I knew the opening lines to The Eagles quintessentially seventies song "Life in the Fast Lane."

Mea culpa. I thought the heroine was terminally vain.

I listened to that song a lot while writing about Insufficient Mating Material's fashionista heroine who was so pampered, she could not even undress without the hero's help, and the slightly brutal Djetth (Jeth).

It wasn't my imaginary theme song for the book, but I felt an affinity.

A couple of days ago, I learned that the heroine was "terminally pretty" (to rhyme with "the hard cold city"). How devastating to know that I have been mistaken for more than two decades!

OK. I will admit it. I loved The Cream song, Strange Brew but I never have been clear what it is about. When I was a giddy youth, I didn't read the transcripts on the backs of LPs.

These songs recapture my happiest memories -- well... I should modify that, but the late sixties, seventies and eighties were fabulous, and that's when I had time to listen to the radio, and when I judged potential boyfriends by their record collections.

Did anyone else do that? Or am I truly weird?

LP-Harmony
!!!!

I've also been polling my internet acquaintances about their opinions of Newsletters put out by authors, because I am on a panel speaking about the virtues of Newsletters on behalf of the EPIC organization (for electronically published authors) at the upcoming Romantic Times convention.

More than once as my questionnaires came back to me, I heard that readers love recipes in authors' newsletters. Good grief, people are interested in what I eat, whether I cook it, and what ingredients I use! Who knew?

Music, recipes... now add Linnea Sinclair's barman, Sin.

When you write do you follow the What's In Your Wallet? line of characterization?

Some characterization pundits advise authors to make lists of what is in their heroes' pockets.

(I tried that in Insufficient Mating Material, with good reason. My survival consultant, Les Stroud, aka Survivorman always tells the Science Channel viewer what, apart from his multi-tool, is in his pocket when he is stranded on a deserted island or other hostile-to-life spot.)

How about, What's In Your Drink? (I have paranoid, intergalactic superspy heroes who wonder that, too.)

Let's take world-building to an appropriate level. What do your inter-stellar characters drink for survival, for sustenance, for pleasure, and for a buzz?

Is it basically a gin and tonic with dye in it? Is it green small beer? (That's a fraction deeper than you think). Is it Blue Curacao with vodka? Is water the champagne of the future? Or serum?

Who saw Antz? The Bar Scene? Drinking from the aphids' butts (not that I recommend it, but does it have potential for an alien lifestyle)? There was another bar scene in An Ant's Life. Cartoons can be highly creative.

Well, here's the kicker.

Tonight (Sunday 9 -11 pm Eastern), April Fools' Night, with the moon all but full, Linnea, Susan, Colby and Rowena are going to be appearing in character on the Passionate Internet Voices Radio in order to put the lot together.

We'll be in Linnea's Intergalactic Bar and Grille (a franchise thereof) with Sin the bartender making otherwordly drinks. And we'll be planning a big surprise for Earth.

Best wishes,

Rowena

Sunday, March 18, 2007

A picture is worth a thousand words



Cover art is supposed to do the job, and we've talked about that on this blog.

But what happens when your cover art doesn't communicate what the author thinks it should communicate? Can you compensate? Should you?

Notice the caveat. I'm talking about what I think, and I concede that I may not be right. An aurora borealis and a naked couple rolling about in the sea does not communicate "alien romance" or even "survival romance" to me.

It probably says "Sex!" Maybe even "Fallible, unreliable, all-too-human sex!" given my title, which is actually a chess term for a "No-win situation" but not a lot of people realize that.

So, when I set off on a booksigning (drive-by) tour down I-75, I took my poster with me. If an author has a visual aid with her, I think she has a better shot at making an impression.

I felt a little self-conscious thrusting my custom poster under busy romance experts' noses, but even a picture of a naked man is more interesting than much else I can think of, and self-promotion is not a game for the shrinking violet.

On the left are scenes from my "novel trailer" (done by Edward Traxler) showing planets and spaceships (for space), a couple of aviation dogfights (action), parachutes and exploding stars (space and action), a naked man (ah, well, if you've got one, flaunt him), a conflagration.

On the right were jpgs given to me personally by Survivorman, who was my survival consultant to make sure I translated all my research into plausible action, and who also gave me some really cool survival tips... not to mention the cover quote. The slides show a conch, which is a handy container for boiling water on the campfire, a fishing technique using whittled sticks, a shelter.

In my opinion, if you are making a book trailer, you should consider what other uses you could make of custom artwork stills!

Signed copies of Insufficient Mating Material are at:

KY

Barnes & Noble Booksellers
1932 Pavilion Way
Lexington, KY 40509
859-543-8518


TN

Barnes & Noble Booksellers
8029 Kingston Pike
Knoxville, TN 37919
865-670-0773


GA

Barnes & Noble Booksellers
50 Barrett Pkwy Suite 1100
Marietta, GA 30066
770-422-2261

Barnes & Noble Booksellers
3625 Dallas Hwy SW
Marietta, GA 30064
770-424-0511

Barnes & Noble Booksellers
2952 Cobb Pkwy
Atlanta, GA 30339
770-953-0966

FL

B.Dalton Booksellers
Regency Square Mall
9501 Arlington Expressway #250
Jacksonville, FL 32225
904-721-2446

Barnes & Noble Booksellers
9282 Atlantic Blvd
Jacksonville, FL 3225
904-721-2446

Barnes & Noble Booksellers
10280 Midtown Parkway
Jacksonville, FL 32225
904-928-2027

(Also, Barnes & Noble Booksellers

The Streets of Westchester
9455 Civic Centre Blvd
West Chester, OH 45069
513-755-2258)


see the Insufficient Mating Material video:
http://www.youtube.com/watch?v=zLuEtY7oP7A


INSUFFICIENT MATING MATERIAL takes up where FORCED MATE ended, with Djetthro-Jason (Jethro-Jason) severely beaten, about to undergo surgery to change his face and identity before his shotgun wedding to the frivolous Princess Martia-Djulia (Marsha-Julia).

No one gives a thought to what Martia-Djulia might do when she realizes that it’s not her unsuitable lover, Commander Jason, but a stranger being frog-marched up the aisle to become her Mate.

Her surprising reaction sets off a firestorm of rumor… and rattles a murderer who thought he’d gotten away with an ancient crime.

INSUFFICIENT MATING MATERIAL EXCERPT

A Tricky Experiment

“Maybe, sweetheart, we should have sex to prove to you that you can and will enjoy it.”
“I enjoyed it once. I am very happy with my memories. I don’t need you or your experiment to prove anything,” she said stiffly.
“Once?” He raised an eyebrow. His lips twitched. Too late, Martia-Djulia realized that she had just contradicted one of her earlier statements.
“The Aim of the Experiment is to discover whether or not we are sexually compatible,” Djetth said loftily. She suspected that he was amusing himself by parodying a formal checklist. “Method: to have mind-blowing recreational sex using positions and techniques that mitigate or avoid unfortunate consequences. Expected result--”
“What unfortunate consequences?”
“Insects in your hair?” he teased. “Sand in your baby box. A baby. Infection. Injury. Legal consummation of a Mating we might not want.”
His gaze flickered. Martia-Djulia had the impression that his list was deliberately ordered.
“Injury to whom?” she asked, ignoring the glossed over “baby.”
“I’ve wondered why you haven’t blasted me backward onto my butt since our Mating Day. I’ve certainly deserved it.”
“Yes you have!” she agreed heatedly.

ISBN 0-505-52711-1

Best wishes,
Rowena Cherry

Sunday, February 18, 2007

Insufficient Mating Material... Excerpt



I encourage anyone thinking of buying one of my books to read a free sample chapter from my website or barnes and noble.com, or just stand in the romance aisle of your favorite local bookstore and check out a few pages.

These might be some good pages to scope out for a fair idea of whether or not this book is your cup of tea.

Royal wedding: page 33
Sexually frustrated swearing: page 199
A fish bit my ... : page 244
Battle scene: page 253
Cover scene : page 264
Grievous explains "the trots" to an alien: page 273


Here is a short excerpt with genuine survival advice.
------
In this scene, the hero, Djetth (pronounced Jeth) and the squeamish fashionista Princess Martia-Djulia (Marsha-Julia) are marooned on a Costa-Rica-like island. They have been shot down, landed in the sea, and Martia's elaborate gown is wet, and she will not remove it.

She is embarrassed about the corset she wears underneath her preposterous Court dress. She doesn't know that Djetth has already seen her corset and more, before his plastic surgery, when he had a wild one-night-stand with her.

Djetth has decided that their first priority should be to get a fire going.

-----

"There are a lot of things we could do without for one night." Dinner came to mind. Sex… Djetth grunted and rose to his feet.

The most natural thing in the world would have been to hook an arm around Martia-Djulia's tightly cinched waist, and point to the campsite he'd chosen. Instead, he put his left hand on his hip and pointed with his right hand.

"You see that little stand of trees -- the ones with twisted trunks, which fork into three or four branches at about the height of my hip? Those two, there, will make good supports for the entrance to a shelter. I'll thrust a long, straight branch between their crotches as a ridgepole."

She looked doubtful, but Djetth was on good ground with his woodmanship.

"A 'crotch' is where a tree bifurcates," he explained, simply so she'd think about crotches, and long, straight objects being thrust into them. "They're a good choice because their canopies lean inland, away from what becomes the obvious spot to clear for a fire pit. Do you agree?"

He took her silence for consent.

"Right. I'll start by digging the fire pit. Do you think you could find something we can burn? There are three types of fuel needed for a fire. Tinder is the most important."

Chivalrously, he assigned the greatest importance to the easiest, lightest, most enjoyable, most feminine task.

"I can't start a fire without tinder," he added with strategic disregard for the fact that he was a Great Djinn in possession of three Rings of Imperial Authority, one of which was the laser-like Fire Stone.

"What is tinder?" she asked, sounding suspicious.

"Ahhhh," he drawled, overcome by a mischievous instinct. "Look here."

With his left hand he lifted his T-shirt, with his right forefinger and thumb he reached into his navel, confident that after eight weeks of hard exercise he had well defined abs and a very deep and attractive "inny" of a tummy button.

He withdrew lint.

"Oh, slurrid!" his squeamish Princess exclaimed, predictably, but she stared at his lower abdomen and perhaps at the bulge in his trunk briefs with flattering interest.

"This fluff--" He placed it in the palm of his left hand as reverently as a scientist explaining an important specimen, "is created from the action of hard work. Friction attracts filaments of fabric from my cotton T-shirt, and works them into a flat, fluffy mat."

He moved his cupped hand closer to her.

"Good tinder needs to have irregular edges, plenty of airspaces." He teased his tummy button fluff into a looser wad. "It must be dry. Would you like to touch it?"
----

Best wishes,

Rowena Cherry

PS
Some readers might be interested to recall that in one episode of Survivorman, Les Stroud plucked lint from his socks to use as tinder to start a fire. When I saw Les do that, I sensed that he and I shared a sense of humor, and that he would be the perfect "survival details" expert for Insufficient Mating Material.

Another tip... besides surprising things that are flammable, is that it is better to be naked and dry rather than clothed and wet.

My Favorite Earthling (instalment 5)




Excerpted from MY FAVORITE EARTHLING
by SUSAN GRANT
copyright Susan Grant 2006


MARCH 2007
ISBN 0373771924; HQN books


This uncorrected excerpt may contain errors and other text not found in the final printed novel and is not for sale. Please don’t share the text with anyone without first receiving permission from the author to do so.
------

Keira was still shaking as she addressed the leaders she’d summoned from their ridiculous emergency meeting. This was the emergency! “The prince of Earth insulted me. Challenged me. Me—the queen!”

She’d bathed and changed into an exquisite bright yellow ceremonial gown. It constricted her ribs to the point where she couldn’t inhale fully, which contributed to her swimming head. But it helped constrain her temper as well. “He’s a frontiersman, a barbarian, and yet he broke every level of security we have, forcing his image onto my personal view screen.” Searing it into her mind.

Gods, he’d affected her, and in more ways than she cared to admit. She’d thought herself immune from sexy, good-looking, arrogant, supremely confident men and their charms. Particularly those well beneath her social standing.

“How could you let this happen? He taunted me. Your monarch. Your goddess. I’m humiliated and disgusted. I’m...I’m furious!”

Lightheaded, she gripped her rustling skirts in shaking hands. The fabric blotted her sweaty palms, effectively hiding the roiling fear she tried to hard to suppress and hide. You are strong. A warrior. “I want an explanation, and I want it now, or I’ll have every last one of you fools executed.”

“We have put the entire planet on full alert,” the new Minister of Intelligence, Ismae Vemekk, offered. “No craft can get in or out.”

Keira glared at the unfamiliar women with contempt. What were they doing, alternating boy-girl-boy-girl as they replaced Intelligence ministers? Spicing it up for variety? Usually the cronies stayed on in their posts for life. “Who cares about spacecraft when an Earthling can invade my privacy and taunt me at his convenience? No, it isn’t a physical invasion, but is that not the next step?”

“Earth does not have the power to invade the heart of the Coalition,” Neppal said.

“How do we know this? You yourself said that if they align with the Drakken...” She couldn’t finish the thought. “How are we to make an impression on Earth when they so easily make fools of us? Damn you, Neppal. Where were your troops when that signal came in? I was alone. Alone!”

Alone...
A memory ripped through her mind in dark, violent snatches. The smell of her mother’s skin. The sound of her fear-filled voice. They were on a ship and something had happened to it. Her mother stuffed Keira in a dark pipe barely large enough to fit her. Stay here, Keira. Do not move. Do you understand me? No matter what you hear, do not come out. And, oh, what Keira had heard. Awful things. Unforgettable things.

Keira realized she’d brought her flattened hand to her chest to quell her thumping heart. Ashamed, she made a fist. “If I cannot be safe in my own home, then where can I be safe?” She detected a slight thickening in her voice and cleared her throat. They mustn’t see her fear, they mustn’t. She picked up a wine glass Taye had filled with snowberry liqueur, knowing that it calmed her. In one gulp, she emptied it and was about to slam the glass on the table when something more appropriate came to mind. Perhaps not appropriate, but satisfying at least. Sneering, she hurled the glass at the supreme commander. Years of training with weapons had given her dead-on accuracy.

The officer blocked the glass with his arms, fists pressed together. The heavy goblet crashed to the floor and shattered. “The next one will hit the target, I swear it,” she hissed, glowering at Neppal.

Carefully, the prime minister broke in once more. “Perhaps we can see the offending visual ourselves?”

She actually felt a quickening of her heartbeat at the prospect of watching the recording again. Was the prince as proactive and forceful in the other, more personal areas of his life? He’d mentioned a harem. An image of him making love to several women threatened to take her breath away—one: because she didn’t like the thought of other women touching him, and two: no man should look that good naked. Trying to act as coolly as possible, she sashayed to her throne and sat in it with a whoosh of yellow skirts. “Show visual,” she commanded from the enormous, bejeweled chair when the leaders gathered in a half circle around the huge screen.

The recorded image was stopped and brought back to the beginning. Every one of the palace leaders present focused on the display—and the Earthling prince. It grew very quiet in the chamber. All were sizing up the man, seeing if concern was justified, and if so, to what level.

Keira sat rigidly, her hands clasped demurely on her lap, until she noticed her fingers digging into her flesh and slipped her hands under her thighs.
The Earthling’s voice filtered through the translator. His surprise slid into interest, male interest, when he first laid eyes upon her. He finds you attractive.
It took everything she had not to let his appraisal of her matter.

“How dare you?” Keira stiffened at the indignation and shock in her recorded voice. And the anger—anger at herself. That was new. Usually she was angry at other people. Another reason to despise the Earthling prince.

“Trespasser. Barbarian!”

He laughed at her then, called her the barbarian. How dare he treat her with such disrespect?

Onscreen, the Earthling prince leaned forward, his mouth formed in that half-smile that so unsettled her. She couldn’t be further than naked dressed to her chin in the layered and laced traditional gown, but every time the man’s eyes swept passed her body, she felt exposed. She shivered as she always did when hit with a sense of vulnerability, but this time the trembling was different. Quite...different.

She imagined his muscled body sweaty and naked as he struggled to free himself from the cuffs with which she’d bound him. He’d be hers, all hers, and at her mercy. She imagined tasting his skin, touching him wherever she pleased. “By the gods and goddesses,” she whispered.

Keira closed her eyes and prayed to get through this session with her dignity intact. Sometimes, it felt as if her dignity was all she had. In the frightening lonely days after losing her family, dignity served well as a protective wall, one as high and as wide as those surrounding this palace.

She fought to build that wall around her now, listening to the prince rage, “My message to you is this: if your people come back for another try at landing on Earth, we’ll be waiting. A billion more guys like me, waiting.”

The visual ended soon after. Everyone was briefly silent. No one questioned her rage now. They appeared as invaded as she felt.

The new minister of intelligence was the first of the leaders to find her voice. “I am deeply sorry at the distress this invasion caused you, Your Highness. I do not know why the transmission appeared on your screen and no one else’s, bypassing all our security. You have my word we will work ceaselessly on this until we have an answer.”

Keira nodded her thanks yet regarded the tall woman with pity. If the fates of her predecessors were any indication, Ismae Vemekk’s life span would not be noted for its longevity.

Supreme-second Fair Cirrus frowned, rubbing his knuckles across his chin. “Indeed this proves Earth’s cleverness. That cleverness could very well lead them to be reluctant choosing sides in a war they know little about.”

The age-old war with the Drakken.

“There is one way to avoid uncertainty as to their loyalties,” Rissallen said. “A failsafe way.”

“Nothing is failsafe,” Neppal barked.

“This is nearly so. A treaty to take precedence over all treaties.” The prime minister’s mouth slid into a winning smile, revealing perfect, if a little large, teeth. Rissallen could be so oily. What did he have up his sleeve this time? That they simply cut off the power to her visual communications screen? That they eavesdrop on all her private conversations for now on?

Keira slammed her hands onto the armrests of her throne. The jewels on her fingers clattered against the jeweled precious metal on the armrests. “I’ll have you know, Kellen, that I will not be coddled, talked down from my concerns.”

But the leaders seemed not to hear her. “I wonder,” Fair Cirrus said to Rissallen, “is the prince unmarried?”

Rissallen waved at the blank screen. “He did not have a wrist tattoo indicating he was married.”

“Earth tradition may differ.”

“Nor did I see any such jewelry that could possibly signify his marital status.”
“He mentioned a harem,” Fair Cirrus noted.

Keira bounced her gaze from man to man. She expected them to be counting Earth’s warships, not counting the prince’s wives.

“That’s not unusual for a man of power, no matter what his marriage status,” Neppal said. “If single, he’d maintain a harem for sport and for variety. If married, he’d certainly be entitled to additional females to ease the boredom.”

Keira snorted. “The only one bored in your bed, Commander, is the woman you take to it.”

Finally, Neppal met her gaze. A glint of malice glinted in his eyes. “I do not like the idea of bringing in an outsider to be the queen’s consort, but the more I ponder it the better it sounds,” he told the group.

“Consort?” she croaked.

Rissallen dipped in a small bow. “A treaty of marriage would put all our fears to rest because it would link Earth to the Coalition. Permanently.”

“At least until death do they part,” Neppal said smugly.

“Gods,” Vemekk said. “Tell me you’re not considering mating them.”

Mating? Her and the Earthling prince? Keira gave a little squeak. By now, her pulse was making a strange whooshing noise in her ears. “I thought plans were being made for my betrothal to a high-ranking military officer.” Not Neppal, but someone as easily dismissed. “Where is he? Why have I not met him yet?”

The group shuffled their feet and cleared their throats. “Prime Major Far Star is missing,” several admitted at once.

“What happened? Did he run away? Was he too terrified to marry me? Did he hear the rumor about my skill with a sword?” Of course, it wasn’t a rumor, but it served her well as a man deterrent.

Rissallen smiled. “We simply don’t know, My Queen. But he’s old news now. Now we have a new and better man for you to consider.”

The Earthling prince, she thought, struggling to breathe in the constricting dress. Although she wouldn’t truly be allowed to consider him, would she? They’d pretend to include her in the process but ultimately, they’d make the decisions as they always did, as they had ever since she took the throne as a child-queen, a frightened little girl lost in a sea of what she didn’t understand. You’re still that girl. Wasn’t she supposed to hold absolute and holy power? Some goddess she was. She had no free will, no control over her destiny, no choices. Not since childhood had she ventured off this world or mingled with the people who worshipped her daily in their temples. She was a prisoner in this castle, born and bred to breed, and nothing more. She’d never really matter, not like she longed to matter.

Keira strode to the huge window that looked out onto a glacial landscape which held about as much warmth as her blood did in that moment. Her breath formed mist on the glass, obscuring the dramatic views. “I wish it were summer,” she whispered, dragging a finger through the circle of vapor. For those few fleeting weeks out of the year she felt alive. She spent the glorious weeks outside and especially the nights that never grew dark. Sometimes, she even evaded the guards, if only for a few moments.

Her mood darkened. She’d evade her future husband, too. And as often as possible. Once he’d planted a baby in her belly, there was no further need to be with him.
What if he didn’t agree to the treaty of marriage?

Of course, he would. For him, it would be a huge step up. She was a goddess. The blood of Sakkara flowed in her veins. She could trace her ancestors back to the beginning of recorded time. Her family was revered as gods by trillions of Coalition citizens and billions more undocumented believers who lived across the border in Drakken space. She was the goddess they worshipped.

A goddess who felt very human most of the time.

She heard a throat being cleared, and the shuffling of feet as the leaders waited for her to turn around. They’d make the decision for her if she didn’t, citing reasons of national security. She might as well hold onto as much control as she could. She took a breath, her hands fisted at her sides. Then, with dignity holding her smoldering rage in check, she turned around and squared her shoulders. Her ornate dress rustled, the bodice squeezing her ribs. “It must be done. For the sake of my people, I will take the Earthling as my royal consort.” She wasn’t very convincing at altruism but nonetheless, she tried. Luckily, no one snickered.

Unlike the others, who seemed relieved, Vemekk and Neppal continued to act unhappy: the minister quite shocked and dismayed, and the supreme commander simply angry. The commander’s reaction Keira could explain away as sullenness over not having had the chance to go to battle against Earth with his army, but the minister’s reaction was more puzzling.

“Find out the prince’s status,” Keira said. “And if he is free”—her hands opened and closed, itching to throw daggers—“strike a deal with Earth. Tell them they may offer their prince as the price for peace and the opportunity to keep their planet.”
Rissallen slapped his hands together in delight. “Together the Coalition and Earth will present a united front to the Drakken Hoard.”

As for her united front with the Earthling, it need not exist. He’d be given a life of comfort and riches in the galaxy’s most luxurious palace. All he ever needed to sate his appetites would be available to him, so he need not look to her for his satisfaction. And if he were to persist, well, her skill with a plasma sword was legendary.
~~~*~~~



Susan Grant's sensational My Favorite Enemy is available for pre-order on Amazon.com
This excerpt is the last of five, which have been posted on this blog.

Susan will be sharing a workship with Linnea Sinclair on Action Adventure at the April 25-29 2007 Romantic Times convention in Houston, Texas.

REVIEW OF:


MY FAVORITE EARTHLING
By SUSAN GRANT
Futuristic
ISBN 0373771924
Harlequin
March 2007

Reviewed by Rowena Cherry, author of INSUFFICIENT MATING MATERIAL

I love it! Susan Grant pumps up the adrenaline with another jolting good adventure!

Earth is in danger of being invaded. Assassins’ knives –and more advanced weapons-- are out for the alien Cavin Far Star (hero of YOUR PLANET OR MINE), who has gone awol on Earth with the love of his life, Senator Jana Jasper. A plasma-sword wielding Queen who is known to castrate over-enthusiastic suitors, is looking for a mate…Cavin Far Star! But, a ruthless someone else is determined to be the Queen’s consort, and he will stop at nothing to have his way. High ranking, alien Ministerial co-conspirators are killing each other… and that’s just the Prologue.

Real estate developer and ace National Guard fighter pilot, Jared Jasper is off-roading across his ranch when he T-bones an invisible, crashed, alien assassin’s space ship. What he unleashes when he sits in the interactive pilot seat and fires off sexually creative, ultra macho “trash talk” at a hot ‘n haughty alien beauty could imperil or save our world as we know it.

Susan Grant is one of today’s best authors of action-packed alien romance, owing to the page-turner quality of her writing, her flair for the dramatic, the romantic, and the absolute authority of her worldbuilding, not least because Susan Grant knows her way around cockpits.

MY FAVORITE EARTHLING is a glorious, sexy, breathtaking romp across the solar systems and beyond. Ride the shockwave. If highly sexually motivated aliens float your boat (or your space fleet) this romance could be for you! I couldn’t put it down.


Rowena Cherry, author of INSUFFICIENT MATING MATERIAL

Saturday, February 17, 2007

Insufficient Mating Material --survivorman with sex... food allergies, assassins



When a Royal shotgun wedding goes wrong,
When the bride blasts the reluctant groom onto his butt...
What's a god-Prince to do?

Maroon the politically embarrassing couple in a secret location?
Shower them often with rain laced with aphrodisiacs?
Keep them wild and wet until they come together!

But what if they are not alone on their island?
What if someone very powerful is determined to kill them?

Insufficient Mating Material--Hidden Image contest






There's an image hidden on the covers (either the front, back or spine) of Insufficient Mating Material. Find it, enter at www.rowenacherry.com/hiddenimage/ or by writing to
Rowena Cherry
PO Box 554
Bloomfield Hills
MI 48303-0554

One entrant will win $500-worth of books!
No purchase necessary.
Void where prohibited.

Monday, February 05, 2007

Whose World Is This Anyway?

I just found out that along with RITA winning author Robin D "HeartMate" Owens, I’ll be teaching a world building workshop at RWA National in Dallas this summer. The title of the workshop is above and I hope, based on how I’ve constructed the blurb, to bring in more than just SFF writers. Not that I don’t love SFF writers. I do. But I think SFF writers are more attuned to world building than those that write in other genres and…as those who attend the workshop will find out—world building isn’t solely an SFF disease.

Good world building should be as integral part of your story as good dialogue and good characterization. This is true if you write chick lit, cozies, westerns or space opera or any other genre. If your characters exist and interact in a setting, then the setting is important.
It’s even more important you learn how to use that setting to improve your characterization and dialogue.

Just as we are affected by our environment, our social system, our culture, our religious upbringing, so are your characters. This kind of influence doesn’t stop at the outer orbit of Moabar. It’s equally important in Michigan.

Let’s say you write romantic suspense. Your male protagonist is a cop from Newark, NJ—a pretty tough place with a large ethnic population. Let’s say for reasons you—writer—invent, that NJ cop finds himself in Pensacola, Florida. Or some tiny town in Idaho. Trust me, it would be as if he had been beamed to Moabar or some other place on the outer reaches of the universe. Even though he’s in the same country, there will be language differences: accent and slang will differ. What was soda in Newark will be pop in Idaho.

Let’s take another slant: you’re writing a chick lit set in Palm Beach, Florida. You throw in a few palm trees, half a dozen BMWs, a couple of Rolls Royces. That’ll do it, right?

Wrong. For one thing, Palm Beach is a lot more than that.

For another, your reader might be from Small Town, Idaho and to him or her, Palm Beach is the same as Moabar or the outer reaches of the universe.

You, writer, have to make Palm Beach or Pensacola as real and vibrant and memorable as you would Port Rumor or Marker Station. You have to write those locales through fresh eyes—your readers’ eyes and your characters’ eyes.

Because I am a science fiction author and am more attuned to world building, I see many contemporary (or non-speculative fiction) novels that fall flat in the area of world building. I see many lost chances where the writer could give the reader a much deeper insight into a character by utilizing world building—and they don’t.

Your character is a product of his/her environment and affected by his/her environment. Never forget that.

Let’s go back to that contemporary romantic suspense where our tough guy cop from Newark, NJ finds himself in Small Town, Idaho. The cop is probably a helluva lot more crude than the Idaho farmers are used to (not saying farmers can’t get raucous—they’re just different than a Newark beat cop). He’d be used to interacting with people more abruptly with probably more personal space. The farmer’s daughter—a nice church-going gal—who runs the local Ma and Pa restaurant, is used to hugging her customers and inquiring about every aspect of their personal life. She’s more easy-going and trusting because of the world she grew up in. If you plop that cop down into that setting and DON’T make him uncomfortable and a fish out of water, than you have no understanding of how environment affects characters.

And you need to.

If you’re getting comments from crit partners or notes in rejection letters from agents and editors to the tune that your characters are flat, take a look at whether or not you’ve included good world building in your story—and in your characters’ lives. Pensacola isn’t a cookie-cutter beach/military town and Palm Beach isn’t a cookie-cutter rich town. Cookie-cutter towns make for boring reading. Flat world building.

And we all know the world isn’t flat. So don’t let your world—or your world building—fall off that edge into the abyss. For every major setting in your story, know that locales climate, religions, educational level, economic level, politics, social strata and mixture of cultures (if any). And then look at your characters and contrast each one’s world building elements—personal religion, education, economic level, etc.—with where you’ve placed them and see how that impinges on their place and progress in the story.

Whose world is this? It’s one you’ve created. Use it fully.

~Linnea

www.linneasinclair.com


Saturday, February 03, 2007

Insufficient Mating Material




I apologize for our silence since Thursday.
Blogger forced us to change to new accounts, and I --at least-- have had some difficulty with the technology.
Normal service will resume as soon as possible.

Meantime, please watch my book promo!

Best wishes,

Rowena Cherry

Sunday, January 14, 2007

Time Wasting, The Twin Paradox (and SFWA and MySpace)

I need to start with this humble caveat:

I got a B grade in Biology Ordinary Level examinations --which was a pretty good grade in my day--, but the chemistry teacher competed with the music teacher to dump me (ie. both encouraged me to elect to study with the other).

The chemistry teacher lost out, in that I elected to inflict my youthful self upon her class for another year. She had what might now be described as a "snarky" streak, and I enjoyed her barbed wit, even when it was directed at me, more than I enjoyed sitting in the front row of the music class watching the music mistress's bare toes jerk in time with Beethoven's Fifth.

As you may infer, I've been a "Manwatcher" most of my life.

I write futuristic romance with a strongish bias towards character (over events, ideas, milieu). I've got my own under-the-stairs research library with fabulous resources such as The Physics of Star Trek, The Science of Star Wars, NASA handbooks about mining on the Moon, about a dozen Writers' Digest reference books on aliens, classes of stars, and worldbuilding...

In Insufficient Mating Material (out January 30th 2007) there's plenty of biology --after all, a significant portion of the story takes place on a deserted island-- and only a few NASA-inspired tidbits.

Shameful though it is to admit, I have a hard time with some aspects of science, like relativity. It doesn't help that "what is known" changes from time to time. Occasionally scientific theorists are discredited... or reinstated. It's not easy for layperson to keep up!

Actually, I occasionally have trouble with the deeper meaning of putting clocks forward and back, and the small examples of time travel in our everyday lives.

Last week, I did a bit of TimeWasting.

I googled NASA and Ask An Astronaut, to see what I could find out. What a wealth of fascinating insights, including definitive proof that projectile-firing weapons are not currently smiled upon in spaceships! (Great news for those who find sabers cool!)

My Search skills may be lacking. I had difficulty honing my search and only reading facts of immediate relevance to an alien hero revisiting Earth, who needs to know if his childhood friends will still be "the same age" as he is. I should have gone straight for The Twin Paradox (only I didn't know what it was called) or Einstein's Theory of Relativity.

That could be a useful tip, if anyone else at the moment is contemplating their own fictional heroes and heroines leaving Earth at light speed or faster, and coming home again after some time has elapsed.

I happen to be a member of SFWA -- www.sfwa.org -- and I should have asked a question on their message boards first. In fact, I asked on the MySpace Bulletin boards.

"...as the traveler approaches the speed of light, according to Einstein's theory of relativity, time would begin to slow until stopping soon after reaching the speed of light."

Helpful links that were suggested to me:

http://www.npl.co.uk/publications/metromnia/issue18/#article2

http://science.nasa.gov/headlines/y2006/22mar_telomeres.htm

http://www.pbs.org/wgbh/nova/einstein/hotsciencetwin/

where you'll find a "game" to plug in the velocities and so on to find
out how much a traveler would age compared to his/her twin on earth.

After all this research, I may end up giving my hero a Swiss bank account!

Best wishes,

Rowena Cherry

Sunday, January 07, 2007

Grandmothers and Insufficient Mating Material

It wouldn't be true to say that I cannot imagine a world without grandmothers.
I can. However, a world without grandmothers doesn't interest me, and it has been done before.

How dysfunctional were the "futuristic" societies of the sort of fiction we studied as "The Moderns" in the 1960's? I remember a rather bleak world view, when infants were incubated outside their mothers' wombs, and brought up in institutions, and segregated according to where on a Greek alphabetical scale their were judged to be in intelligence, physical ability, and career potential.

A bit like ants, really!

I like grandmothers, and family trees, and primogeniture because I think those are great ingredients for a good story, even if it is set in an alien world. When building a new world, I heartily recommend spending the time to draw up a family tree at least going back as far as the great-grandparents.

(But, don't publish dates!)

As it happens, my alien Empire is a little bit dysfunctional... and I can account for that if I wish, by claiming it is because all the protagonists' grandmothers seem to be exiles or fugitives or else they were not emotionally cut out to be our ideal of motherly when motherhood or grandmotherhood was thrust upon them.

When FORCED MATE came out, some readers were uncomfortable with Grandmama Helispeta's formal --ever so formal!-- speech. She never used contractions or abbreviations, and she always addressed other people, even her grandchildren, by their proper given names.


One of my grandmothers used to have a kind way of calling a halt to my childish dramatic, poetic, or vocal performances.

"I think that you have delighted us sufficiently..."
she would say.

Another grandmother used similar phraseology to announce that we had eaten enough of her expensive Sunday roast.

"We have had an adequate sufficiency..."

That probably influenced my "Voice" when I attempted to bring Grandmama Helispeta to life. MATING NET was the story of the biggest mistake of her youthful life. It was a short story. One day, maybe there'll be another chapter. Her role is much expanded in Insufficient Mating Material, as she considers it her duty to interfere in her grandson's life.


Have a good week.

Rowena Cherry

Sunday, December 31, 2006

New Year's Eve - Time... ticking away

Timing-wise, I really lucked out this year, if having (alien romance) blogging rights to Christmas Eve and New Year's Eve counts as luck. My wrist watch also stopped for Christmas, which is an inconvenience.

When I was a virgin (there's superstition for you), I used to stop watches regularly. I had to wear them pinned to my breast, like a matron (in the medical sense). Now, it's probably a matter of battery life!

Happy New Year!

I don't consider myself an astronomical heavyweight, intellectually speaking.

My natural, romantic bent is to consider Pink Floyd rather than Cepheid Variables,
a man's reaction to the passing of his life (Time) rather than the fact that a light year is a measure of distance (nearly six trillion miles). The coolness and romance of the idea of The Dark Side of the Moon rather than the possibility of habitable worlds (moons) in tidal lock around a Gas Giant.

Not so long ago, I was seated at a dinner party next to a member of the Pink Floyd, and --naturally-- I asked about the thinking behind The Dark Side of the Moon, which is why I feel free to mention coolness and romance.

Time is rather interesting as part of world building. How would a civilization tell time if they spent generations aboard a space ark? What method would remain relevant? I chose the female reproductive cycle when writing Forced Mate... No doubt it had something to do with my inconvenient effect on wearable timepieces when I was younger.

Looking back, I'm immensely amused by the spoilsports who all said that we all celebrated Y2K on the wrong date (wrong year). I must have spent at least twelve hours watching televised celebrations from around the world: rock stars and sopranos atop magnificent buildings, paper lanterns rising into the sky like miniature hot air balloons, ballet on beaches, fireworks along major rivers...

Obvious as it is to say, tonight, different nations --and different states-- will mark the arrival of 2007 at different times. I'm especially aware of this for a really silly reason. Not because my mother lives in England and will be celebrating five or six hours earlier than I will, but because my publisher's forums are on Central time and I'm on Eastern, and I'm determined to log in at midnight, and help break an attendance record. (forums@dorchesterpub.com, midnight Central).

Greenwich Mean Time is very useful, but we don't all set our clocks by that. Not everyone follows the same calendar. Take the Chinese New Year.

Suppose there were an Antichthon

Would that world measure time in the same way that we do? Would Antichthon have a moon? How likely is that?

Too complicated for me, this morning, is the idea that someone leaving Earth, traveling into outer space, and returning years later would experience the passage of time differently, and may return as a time traveller (not the same age as the friends and colleagues who remained on Earth). It is an issue I must look into before I get much further with my next book, though.

The Sparrow was interesting on time. I know Star Trek measured time in Star Dates, but I don't know how that was calculated. I never noticed time being measured in Star Wars...

Any astronomers want to help me?

Happy New Year.

Rowena Cherry