Before we discuss a possible format for an Alien Romance complete with HEA, here's my speaking schedule for Westercon ( http://www.westercon.org/ fiestacon this year in Tempe, AZ.)
LIT/MED-What Universe Are You In? Fri 10a-11a, Palm E room
w/ Jacqueline Lichtenberg (moderator), Dani Kollin, Etyan Kollin, Janice Tuerff
LIT-How Are Small Presses Fri 11a-noon, Palm E room
w/ Jacqueline Lichtenberg (moderator), Adam Niswander, Michael D’Ambrosio
MED-Star Trek Movie Review Fri 2p-3p, Palm F room
w/David A. Williams (moderator), Alan Dean Foster
LIT-It Was A Dark & Stormy Night Fri 4p-5p, Abbey South
w/ Jacqueline Lichtenberg (moderator), Kevin Andrew Murphy, Moira Greyland,
Shirley Runyon
AUTOGRAPHING Fri 5p-6p, Dealers Room
LIT-Writer’s Support Groups Sun 11a-noon, Boardroom
w/ Jacqueline Lichtenberg (moderator), Rick Novy, Dennis McKiernan
FAN-Effect of Web on Fanzines Sun noon-1p, Jokake room
w/John Hertz (moderator)
FAN-SF/F Websites Sun 2p-3p, Augustine
w/ Jacqueline Lichtenberg (moderator), Lee Gilliland, Lee Whiteside
-----------------
And on another note which is actually in the same key:
I picked up on Twitter and "Re-tweeted" (relayed to my followers)
LIKE SO: RT @victoriastrauss Should bookstores be publishers? http://tinyurl.com/mrdatl
Twitter makes these tiny-urls for you when you post a long url and there are several companies now that make condensed URLs.
So Victoria Strauss found an article by Literary Agent Richard Curtis on whether bookstores SHOULD be publishers. Here's a quote from the article she found.
QUOTE
As if all that were not enough, Amazon has now become a publisher, too. First, there's its Encore program "whereby Amazon will use information such as customer reviews on Amazon.com to identify exceptional, overlooked books and authors with more potential than their sales may indicate. Amazon will then partner with the authors to re-introduce their books to readers through marketing support and distribution into multiple channels and formats, such as the Amazon.com Books Store, Amazon Kindle Store, Audible.com, and national and independent bookstores via third-party wholesalers."
ENDQUOTE
http://www.ereads.com/2009/06/should-bookstores-be-publishers-too.html is the blog.
Victoria Strauss also found announcements of other closings in publishing, and coincidentally I'm on a panel at Westercon about small "presses" (which is today a misnomer; it's small publishers, and I suspect one day every blogger will be considered a small publisher.)
To keep up on interesting developments I come across this way, just "follow" me on twitter. http://twitter.com/JLichtenberg look at my profile to find all my tweets.
----------------
OK, so back to researching the future of Romance on page and screen by scrutinizing and analyzing old movies.
I saw a 2002 Disney movie titled SNOW DOGS and just couldn't resist transposing it into an Alien Romance as I watched it. It is soooo SF-Romance!
Snow Dogs with Comedy, Drama, a clean family style, Nichelle Nichols for a treat, and starring: Cuba Gooding Jr., James Coburn Director: Brian Levant. You can still get the DVD on Amazon.
If you've been following how I've been developing the Alien Romance potential for TV and film, and you happen to have seen this "family" movie, you'll know what's coming here. It's really irresistible.
Here's the IMDB link to all about this movie.
http://www.imdb.com/title/tt0281373/
Here's the Product Description from Amazon:
-----------quoted from Amazon---------------
Make no bones about it -- Disney's SNOW DOGS is a hilarious action-packed comedy your whole family will love. Eight adorable but mischievous dogs get the best of dog hater Ted Brooks (Cuba Gooding Jr.) when he leaves his successful Miami Beach dental practice for the wilds of Alaska to claim his inheritance -- seven Siberian huskies and a border collie -- and discover his roots. As Ted's life goes to the dogs, he rises to the occasion and vows to learn to mush with his inheritance. Totally out of his element, he faces challenges he's never dreamed of. There's a blizzard, thin ice, an intimidating crusty old mountain man named Thunder Jack (James Coburn), the Arctic Challenge Sled Dog Race that's only two weeks away, and a life-and-death rescue. This fish-out-of water, tail-wagging comedy is nothing but doggone good fun and a celebration of family -- both human and canine!
-------------end Amazon Quote---------------
Compare that description to SAVE THE CAT GOES TO THE MOVIES and find the category it belongs to. (more on that later -- think it out for yourself first.)
Now substitute "Earth" for Miami Beach and "Alien Planet" for Alaska.
Notice the description has left out the ROMANCE which is the B-story in this film as written.
That's a lesson for all writers -- THIS is how you generate and pitch a Concept. THIS is how you "outline" a story you're going to write. Watch the movie, then read that description again. It hits the exact plot-points you need to put in your outline before you write and be sure that you build up to each plot point. All the B-story is support for the A-story and does not belong in the initial outline or Concept, but is generated by that concept.
Novel writers don't learn to do the sequence in this direction, or haven't until recently. Read that blog post by Agent Richard Curtis, think about how marketing has changed.
http://aliendjinnromances.blogspot.com/2009/05/marketing-fiction-in-changing-world.html is a blog where I discussed modern marketing.
The novels that get the promotion, the novels that you as an author would find easiest TO PROMOTE, the novels that sell, the novels that attract busy reader's attention -- those novels today resemble games, films, and TV shows more and more.
Market structures have always been morphing, and every generation puts its own stamp on what's popular. But I suspect never in all human history have "markets" (for everything) changed and changed again, 100% replaced in shorter and shorter intervals. This was predicted by Alvin Toffler in Future Shock which I discussed in that blog entry on marketing fiction in a changing world.
This means that never before in human history has there been such an opportunity to overthrow the existing order because the walls between genres are melting and morphing.
Instability like that is a threat in the areas where we have actually got it right -- but in the area of Relationships, I doubt any expert would say that humanity has optimized our ability to establish and hold relationships.
Love is all about relationship -- and it's very hard to get to love without going through Romance (one day we should discuss the astrology behind that).
So let's see what we can do with the example of Snow Dogs to create a template for Alien Romance with broad appeal. A "template" would be a pattern that, if all of us on this blog used to create a screenplay or novel, would generate 7 or more totally original, completely different stories. They wouldn't compete, they would expand a genre.
It would be easy to make the Romance the A-story and transform this movie into an Alien Romance.
So here's a description of Snow Dogs based on the assumption that you know or remember this movie.
In Snow Dogs, the very successful and popular Miami Dentist Ted Brooks (whose mother is played by Nichelle Nichols, the woman who raised him, not his deceased biological mother) is served with a legal notice that he's inherited something in Alaska from his MOTHER and Nichelle Nichols confesses that he was adopted (oh, she's GOOD in this film!).
For more on Nichelle Nichols see my blog post on High Concept:
http://aliendjinnromances.blogspot.com/2009/05/medium-is-message_19.html
Thus stressed, Ted Brooks flies to Alaska to be present at the reading of the Will in a tiny out-back town, complete with Bush Pilot who turns out to be his real father.
That's the A-story. Ted, his Miami Beach mother Nichelle Nichols, his Alaskan father who is a white man, his dead biological mother's photo (she was black as Ted is) and her heritage of dogsled racing.
The B-story goes like this: as soon as Ted gets to Alaska, flown into the little town by the Bush Pilot he doesn't know is his father, he meets a WOMAN HIS AGE who takes him out to the house he inherited. He insists he go in alone, so she leaves him. He goes in and meets the friendly Border Collie, then gets attacked by the Alaskan Huskies his deceased mother owned.
Between the Bush Pilot (James Coburn was FANTASTIC in this role!) and the young woman, Ted learns to "mush" and learns the words to command the dogs from his father. She teaches him how to harness the dogs so they'll cooperate.
Then Ted discovers he loves dogsledding, and just as he's really enjoying it, he drives off a cliff and has a (very comic book) slide down a mountainside, gets rescued by the Bush Pilot who takes him to a refuge cave where he confesses Ted was conceived during a dog sled race, but that there was nothing at all between his real mother and the Bush Pilot, and tries to convince Ted that he doesn't care that Ted is his son. (Oh, Coburn is good, but what would you expect?)
Ted goes home to Miami. On TV in Miami, he sees the local annual dogsled race. Nichelle Nichols drops the photo he kept from his biological mother's things which is of Ted's biological mother with her dogsled trophy. The frame breaks revealing a photo tucked behind the trophy photo. This older photo shows his mother with the Bush pilot and newborn Ted. Ted realizes his real father, the Bush Pilot, lied, and he was indeed present at his birth and he did care for his mother, and he cares for Ted too. His real father lied.
So Ted goes back to Alaska and arrives during the race, as a storm is blowing in, just as it did during the dogsled race when he was conceived.
The young woman tells him that his father is lost out on the race course in the storm -- that just as he did that first time, his father has passed by the camp where the racers would wait out the storm, and driven on into the blizzard. After the storm, Ted's father has failed to show up at the finish line with the others.
That kicks off the Act 3 action where Ted takes his sled, his mother's dog team (sans the lead dog which his father took for his team), and finds and rescues his father who has taken refuge in that same cave where Ted was conceived. Bt this time his father has a broken leg. Ted's a Dentist, but he splints the leg nicely. Then it turns out that his mother's lead-dog Demon was in a bad temper because he had a rotten tooth, so Ted pulls the tooth, justifying the whole "Miami Dentist" part of his characterization.
Meanwhile, Ted's Miami mother, Nichelle Nichols, flies to Alaska and the young woman takes gentle care of her as they wait to see if Ted will make it back to town alive.
Of course (this being a Disney movie) Ted and his father make it back to town, Ted almost kisses the young woman in public (being Disney, only almost) and then there's a very quick but moving wrap-up sequence where Ted marries her, establishes his Dental practice in Alaska with his wife as receptionist (now very pregnant), and two of the dogs arrive with puppies following them, and Ted's Dental Assistant from Miami is helping him with patients. And there's a great scene with Coburn and Nichols -- the end-note is TOTAL HEA!!! But the bulk of the plot is comedy-action.
Frankly, the tag-ending providing the HEA (a real tear-jerker) would make a fine novel, all by itself. One part of this story is seen through a magnifying glass (Notice of his biological mother's death all the way through to rescuing his biological father), and the much larger and more complicated part is seen through the wrong end of a telescope. But it works.
Now, if instead of dogsledding there was some non-human skill-set that a human talent would be adaptable to and that talent was substituted for Dentistry, it would work perfectly as an Alien Romance.
Let's say the human is female, and the reason she is pulled off Earth is that tests show she has a gene for being SOMETHING (immune to alien diseases? learning languages? Telepathy?) that makes her valuable on Earth's first-contact team. But she's no astronaut and never dreamed of ever going "out there" just as Ted was happy and successful as a Miami dentist and had no intention of going dog sledding in Alaska.
So Our Heroine goes out there, and has to learn to (SOMETHING ALIEN), and does, and in the process establishes a Relationship with an alien male, just as Ted established a relationship with the Alaskan young woman.
Our Heroine and the Alien Male are the A-story here, and the B-story is her winning some sort of respect from the Earth-Team that has been ordered to take her out-there in spite of her ineptitude because of her talent.
The team returns her to Earth safe and sound but changed by the experience. Something happens on the alien planet, and she muscles her way back to the alien planet (possible only because the B-story characters help) to deal with unfinished business with the Alien Male.
She wins a permanent place on the Alien Planet (as Ted opened his Dentistry office in Alaska) doing what makes her happy with her talent, not necessarily what Earth-gov would prefer her to do.
I'm thinking that a really good setup would be that the Aliens are the "flying saucer" aliens who have been kidnapping kids, and now she has to go there to be the psychological counsellor to those kids and ease them back into Earth society, but proves that's impossible for the kids (they'd be miserable and a disruptive influence). Then she goes back and settles down to take care of the kids who can't be repatriated.
The Alien guy would be someone in charge of settling the matter of the kidnapped Earth kids, maybe someone from a new alien government that ousted the aliens that believed in "studying" humans by kidnapping kids. The new gov't thinks this deed was an attrocity.
That would make a feature film -- and the foundation for a TV series like maybe THE WALTONS IN SPACE? THE KING AND I IN SPACE?
If you get a chance, grab the DVD of Snow Dogs (it's also being rerun on TV) (maybe netflicks has it, or it can be viewed online?) and watch the whole film with the Alien Romance possibilities in mind.
In Blake Snyder's SAVE THE CAT GOES TO THE MOVIES, check out the category that SNOW DOGS belongs to on the free pdf file:
http://www.blakesnyder.com/downloads/STCGTTM_AtGlnceFnlRev2.pdf
Snow Dogs is not listed, but I would place it under FOOL TRIUMPHANT in the sub-category FOOL OUT OF WATER (a variant of Fish Out Of Water), which is the category headed by LEGALLY BLONDE. What do you think of that placement? And would that category and its formula lend itself to a platform for an Alien Romance that would have an appeal outside Romance fandom as Star Trek had an appeal outside of SF fandom (mainly to women who wouldn't crack an SF novel if their life depended on it -- those very women who INVENTED Alien Romance in ST 'zines!) ?
Blake Snyder's category depends on the MAIN CHARACTER being a CHARACTER (as in USA CHARACTERS WELCOME) who responds to a challenge with zest, joi de vivre, and the flexibility to learn, making "a fool of herself" in public in the process, and yet triumphing over the learning process in the end.
Note that Crocadile Dundee also belongs to this category. Scrumptious alien male, a fish out of water in Manhattan.
It seems to me that the category lends itself to Alien Romance so smoothly that I think we could see our breakthrough using this type of vehicle.
And as I pointed out, all of us could write the screenplay or novel structured like a screenplay from this template, and not compete with each other for shelf-space.
Jacqueline Lichtenberg
http://www.slantedconcept.com/
http://facebook.com/jacqueline.lichtenberg
http://twitter.com/jlichtenberg
Showing posts with label Nichelle Nichols. Show all posts
Showing posts with label Nichelle Nichols. Show all posts
Tuesday, June 23, 2009
Tuesday, May 19, 2009
The Medium Is The Message
This is a writing lesson in the effect of SETTING on story, plot and character -- i.e. the place of SETTING in storytelling. And this lesson is from a Hollywood producer.
J. Neil Schulman, http://en.wikipedia.org/wiki/J._Neil_Schulman
the SF writer and producer of the (incredible!!) movie (starring Nichelle Nichols) LADY MAGDELENE'S, sent me an email advertisement with an itinerary for a Cruise titled PSYCHICS AT SEA.
Yes, this is a real ad from a real company, Carnival Cruise.
Schulman's comment on this ad was: Does this sound like a perfect setting for an episode of Monk, Murder She Wrote, Matlock, or what? (for our non-USA residents, these TV shows are cultural icons here. I wish I could give the equivalent in your own culture).
Thus primed, almost salivating, I scrolled down to read the advertisement (I mean, I KNOW Neil and he's really sharp about this stuff) and as I read, INSTANTLY stories began scrolling behind my eyeballs.
This is the effect Blake Snyder (and other screenwriters) label "High Concept." One sentence and you're seeing whole stories. But no two people necessarily see the same stories! It's all ideosyncratic and internal. Novelists must (these days) hit for the highest possible concept for a novel because it's only the high concept novels that get advertising push from publishers! So this is a lesson for all writers.
If you don't have a complete grasp of High Concept, see http://www.blakesnyder.com/2006/02/the-death-of-high-concept/
and read the comment on Blake's post by Sarah Beach which she posted on Feb 9th (not the earlier comment).
Keep the concept of High Concept firmly in mind while you read about this SETTING and note what stories scroll behind your eyeballs.
Your stories might not be Romance, per se. Neil suggested a number of detective mystery characters who would explode into a plot set here. Your character could be from international intrigue, or the Dirty Dozen, a politician, a Pathologist. The setting could include Grand Opera or retired Western actors or any other group with a common interest thematically related to your main character.
Before you open your imagination and read on to see what I thought of, jot down what you think of as you read about this setting. This is a writing exercise, and it's not "just for fun." You could find yourself with a real, genuine, sellable HIGH CONCEPT. Relax and read this.
Here's the advertisement sans graphics:
----------------------
PSYCHICS AT SEA
Cruise on the Carnival Triumph to Canada
Sept 3-7 Labor Day weekend
Presented by Susan Duval Seminars and Utopia Travel
Thursday, Sept 3: Departure mid-morning by private bus from the Doylestown area to the port in NYC. Refreshments will be provided, compliments of Utopia Travel. Upon boarding, get settled in your cabin (complimentary chocolates and wine for everyone!) and have fun exploring the ship. A Meet and Greet Reception with the Psychics will be held in the early evening. Our group will be seated together for dinner, and our wonderful Guest Psychics will join different tables each night, so that you can get to know them personally.
Friday, Sept 4: Fun Day at Sea. Get a private reading and attend a seminar given by one of our outstanding psychics, and enjoy the camaraderie of new friends with similar interests from our area. In addition, you'll be able to get luxurious spa services, sit outside on the deck, go to an art auction, visit the duty-free shops, see a first class stage show, try your luck at the casino, sing karaoke at the piano bar, play mini-golf, take a yoga class, work out at the gym, soak in the whirlpool, get pampered at the hair salon, dine on fabulous gourmet meals in beautiful settings, and dance the night away. There are tons of activities for children and teenagers as well. Bring the family!
Saturday, Sept 5: Stay on-board and relax, or choose one or more shore excursions in charming St John, New Brunswick. Some of the options are: lobster cookout, kayaking on the St. John River, harbor cruise, Bay of Fundy coastal photography class, golfing at Rockwood Country Club, discover the picturesque fishing village of St Martins, St John River cruise, visit a rural farm, or explore Hopewell Rocks (a designated UNESCO biosphere reserve). You may register for your excursion when full payment is made or while you're on board. Another psychic seminar or gallery will be offered in the evening.
Sunday, Sept 6: Another Fun Day at Sea to relax, enjoy the amenities of the cruise ship, receive private readings, and get to know your new friends. A seminar or gallery will be held during the day.
Monday, Sept 7: disembark at 9:30am and take the bus back to the Doylestown area. You'll be back in time for your neighborhood Labor Day picnics in the afternoon!! Brag about your cruise!!
-----------------------------
Schulman is a FILM PRODUCER (and an SF writer). He saw this advertisement and his mind produced stories in PICTURES.
Jot down what pictures you see.
Here's what came to my mind, just instantly off the top of my head, that I wrote back to Schulman.
---------------
Oh, yeahhhh. Among the showman psychics is of course a REAL one.
A showman psychic wants to murder the real one for being too good, but the real one strikes first and throws the showman psychic-murderer overboard into the icy water, or better if it's a Monk ep then the real psychic innoculates the showman psychic with whatever virus is killing people aboard ship, but they're stuck at sea because of a storm that tosses the ship around and makes everyone vomit.
I can just see Jessica Fletcher making friends with a real psychic. Jessica would be very protective, but then find she's protecting the murderer -- but then find it was self-defense.
Monk would catch whatever virus is killing people and solve the crime anyway.
Or better yet, let Monk be onboard under cover posing as a psychic. He's good enough to make the showmen think he's the real thing. But the really REAL psychic catches him and thinks Monk is the murderer because he isn't who he says he is.
Oh, the SETTING can become THE STORY. Nice.
---------------
And Schulman wrote back:
Practically writes itself, doesn't it? :-)
-----------------
And yes, stories that arise from a High Concept do indeed "write themselves."
When you find a story you are writing dies in your hands, it's very possible the real problem lies in the Concept itself.
Or possibly in the Setting.
If you change the setting of your story, you might find everything about the story morphing before your eyes into something that could attract serious advertising money.
You can also refresh a story you're writing by changing the SETTING of only one scene. See Blake Snyder's technique he calls POPE IN THE POOL in SAVE THE CAT! (http://www.blakesnyder.com/ )
"Pope in the Pool" is the technique of setting an expository lump in a place fraught with suspense and cognitive dissonance due to the setting is a very old trick. In writing for the stage, they teach you to sit your main character in a chair centerstage, a chair with a BOMB planted under it.
Blake Snyder names the technique after a scene where two people in an office in the Vatican dialogue at each other about the exposition while the viewer sees through the window that the Pope is swimming in his private pool. And you can't take your eyes off the Pope because you're wondering what he's wearing, or not wearing and whether someone else will notice. Meanwhile, you learn all this important stuff about the story. A "Pope In The Pool" technique can be worked into almost any story, including narrative.
The bomb and fuse gimmick is the suspense image and it can work if done literally, but stands for any EVENT the viewer will anticipate while watching a clock (fuse) tick off the seconds until the event HITS the characters who will be surprised and have to react.
Notice both the bomb and the pool are SUSPENSE techniques, but they are VISUAL. Even in narrative, go for the VISUAL. Use the reader's imagination to evoke the image by reference to the SETTING. (Pope = Vatican)
What the bomb is and what the fuse is can be derived from the SETTING, either the setting for this whole story, or the setting for this particular scene.
The artistically appropriate suspense mechanism will leap out at you once you've selected the correct SETTING for your story.
Note how Schulman was thinking (not what he thought, but HOW he arrived at the thought).
Here's a setting, PSYCHIC CRUISE. What interesting character do we know who would have an adventure on a Cruise? And he thought of a couple of well known TV "characters" who have done shows on cruise boats (BUT THIS IS A PSYCHIC CRUISE).
But you should think of the characters who've been floating around in your own mind for a while. Characters you know well. Then think of a theme for the Cruise (or Dude Ranch expedition, safari, whatever) that would be the last place on earth you'd ever be able to drag that character (conflict is the essence of story!) Go for high contrast here.
Neither Monk nor Fletcher would normally choose to go on a psychic cruise. So immediately, I thought of what would bring each of these characters to this cruise and added my usual SF twist (the unthinkable is in fact true - lump it - that's SF's prime mechanism).
You know the "formula" of the Monk Episode, and the Murder She Wrote Episode. If you've seen 5 or so episodes of either show, you KNOW that formula. Some of those episodes may be available online.
So given the SETTING, and a CHARACTER, and given a plot-structure, the whole story unreels before your eyes. That's what Concept does.
Now, take that SETTING of the Psychic Cruise, pick a character you've got bouncing around in your head or about whom you've been writing and choose a plot-structure you've mastered.
Put them all together and write an OUTLINE of a story (or 3 stories).
Can anyone provide the URL of the posts where I've discussed outlining?
Now do the exercise again with another specialized group on a Theme Cruise (there was once a Star Trek Cruise with the stars of the show -- pick a theme of your own.) Note you can also do this in space, cruising across the galaxy with various species in confined quarters.
Some scriptwriting books call this a BOTTLE -- you bottle-up the characters, confining them. That creates CONFLICT that must RESOLVE within the bottle, a conflict that wouldn't exist were it not for the bottle.
Then do it again, trying to inject all the potential for VISUALS that Schulman saw in this advertisement for a Psychic Cruise.
Perhaps you want to start by writing the galactic advertisement.
That's the exercise, but it could produce something that's actually sellable. In that case, don't post it anywhere. Develope it yourself. But if you spin off useless material as I did, show us what you produced on editingcircle.blogspot.com in the comments section.
Jacqueline Lichtenberg
http://www.slantedconcept.com/
http://www.simegen.com/jl/
http://twitter.com/JLichtenberg
J. Neil Schulman, http://en.wikipedia.org/wiki/J._Neil_Schulman
the SF writer and producer of the (incredible!!) movie (starring Nichelle Nichols) LADY MAGDELENE'S, sent me an email advertisement with an itinerary for a Cruise titled PSYCHICS AT SEA.
Yes, this is a real ad from a real company, Carnival Cruise.
Schulman's comment on this ad was: Does this sound like a perfect setting for an episode of Monk, Murder She Wrote, Matlock, or what? (for our non-USA residents, these TV shows are cultural icons here. I wish I could give the equivalent in your own culture).
Thus primed, almost salivating, I scrolled down to read the advertisement (I mean, I KNOW Neil and he's really sharp about this stuff) and as I read, INSTANTLY stories began scrolling behind my eyeballs.
This is the effect Blake Snyder (and other screenwriters) label "High Concept." One sentence and you're seeing whole stories. But no two people necessarily see the same stories! It's all ideosyncratic and internal. Novelists must (these days) hit for the highest possible concept for a novel because it's only the high concept novels that get advertising push from publishers! So this is a lesson for all writers.
If you don't have a complete grasp of High Concept, see http://www.blakesnyder.com/2006/02/the-death-of-high-concept/
and read the comment on Blake's post by Sarah Beach which she posted on Feb 9th (not the earlier comment).
Keep the concept of High Concept firmly in mind while you read about this SETTING and note what stories scroll behind your eyeballs.
Your stories might not be Romance, per se. Neil suggested a number of detective mystery characters who would explode into a plot set here. Your character could be from international intrigue, or the Dirty Dozen, a politician, a Pathologist. The setting could include Grand Opera or retired Western actors or any other group with a common interest thematically related to your main character.
Before you open your imagination and read on to see what I thought of, jot down what you think of as you read about this setting. This is a writing exercise, and it's not "just for fun." You could find yourself with a real, genuine, sellable HIGH CONCEPT. Relax and read this.
Here's the advertisement sans graphics:
----------------------
PSYCHICS AT SEA
Cruise on the Carnival Triumph to Canada
Sept 3-7 Labor Day weekend
Presented by Susan Duval Seminars and Utopia Travel
Thursday, Sept 3: Departure mid-morning by private bus from the Doylestown area to the port in NYC. Refreshments will be provided, compliments of Utopia Travel. Upon boarding, get settled in your cabin (complimentary chocolates and wine for everyone!) and have fun exploring the ship. A Meet and Greet Reception with the Psychics will be held in the early evening. Our group will be seated together for dinner, and our wonderful Guest Psychics will join different tables each night, so that you can get to know them personally.
Friday, Sept 4: Fun Day at Sea. Get a private reading and attend a seminar given by one of our outstanding psychics, and enjoy the camaraderie of new friends with similar interests from our area. In addition, you'll be able to get luxurious spa services, sit outside on the deck, go to an art auction, visit the duty-free shops, see a first class stage show, try your luck at the casino, sing karaoke at the piano bar, play mini-golf, take a yoga class, work out at the gym, soak in the whirlpool, get pampered at the hair salon, dine on fabulous gourmet meals in beautiful settings, and dance the night away. There are tons of activities for children and teenagers as well. Bring the family!
Saturday, Sept 5: Stay on-board and relax, or choose one or more shore excursions in charming St John, New Brunswick. Some of the options are: lobster cookout, kayaking on the St. John River, harbor cruise, Bay of Fundy coastal photography class, golfing at Rockwood Country Club, discover the picturesque fishing village of St Martins, St John River cruise, visit a rural farm, or explore Hopewell Rocks (a designated UNESCO biosphere reserve). You may register for your excursion when full payment is made or while you're on board. Another psychic seminar or gallery will be offered in the evening.
Sunday, Sept 6: Another Fun Day at Sea to relax, enjoy the amenities of the cruise ship, receive private readings, and get to know your new friends. A seminar or gallery will be held during the day.
Monday, Sept 7: disembark at 9:30am and take the bus back to the Doylestown area. You'll be back in time for your neighborhood Labor Day picnics in the afternoon!! Brag about your cruise!!
-----------------------------
Schulman is a FILM PRODUCER (and an SF writer). He saw this advertisement and his mind produced stories in PICTURES.
Jot down what pictures you see.
Here's what came to my mind, just instantly off the top of my head, that I wrote back to Schulman.
---------------
Oh, yeahhhh. Among the showman psychics is of course a REAL one.
A showman psychic wants to murder the real one for being too good, but the real one strikes first and throws the showman psychic-murderer overboard into the icy water, or better if it's a Monk ep then the real psychic innoculates the showman psychic with whatever virus is killing people aboard ship, but they're stuck at sea because of a storm that tosses the ship around and makes everyone vomit.
I can just see Jessica Fletcher making friends with a real psychic. Jessica would be very protective, but then find she's protecting the murderer -- but then find it was self-defense.
Monk would catch whatever virus is killing people and solve the crime anyway.
Or better yet, let Monk be onboard under cover posing as a psychic. He's good enough to make the showmen think he's the real thing. But the really REAL psychic catches him and thinks Monk is the murderer because he isn't who he says he is.
Oh, the SETTING can become THE STORY. Nice.
---------------
And Schulman wrote back:
Practically writes itself, doesn't it? :-)
-----------------
And yes, stories that arise from a High Concept do indeed "write themselves."
When you find a story you are writing dies in your hands, it's very possible the real problem lies in the Concept itself.
Or possibly in the Setting.
If you change the setting of your story, you might find everything about the story morphing before your eyes into something that could attract serious advertising money.
You can also refresh a story you're writing by changing the SETTING of only one scene. See Blake Snyder's technique he calls POPE IN THE POOL in SAVE THE CAT! (http://www.blakesnyder.com/ )
"Pope in the Pool" is the technique of setting an expository lump in a place fraught with suspense and cognitive dissonance due to the setting is a very old trick. In writing for the stage, they teach you to sit your main character in a chair centerstage, a chair with a BOMB planted under it.
Blake Snyder names the technique after a scene where two people in an office in the Vatican dialogue at each other about the exposition while the viewer sees through the window that the Pope is swimming in his private pool. And you can't take your eyes off the Pope because you're wondering what he's wearing, or not wearing and whether someone else will notice. Meanwhile, you learn all this important stuff about the story. A "Pope In The Pool" technique can be worked into almost any story, including narrative.
The bomb and fuse gimmick is the suspense image and it can work if done literally, but stands for any EVENT the viewer will anticipate while watching a clock (fuse) tick off the seconds until the event HITS the characters who will be surprised and have to react.
Notice both the bomb and the pool are SUSPENSE techniques, but they are VISUAL. Even in narrative, go for the VISUAL. Use the reader's imagination to evoke the image by reference to the SETTING. (Pope = Vatican)
What the bomb is and what the fuse is can be derived from the SETTING, either the setting for this whole story, or the setting for this particular scene.
The artistically appropriate suspense mechanism will leap out at you once you've selected the correct SETTING for your story.
Note how Schulman was thinking (not what he thought, but HOW he arrived at the thought).
Here's a setting, PSYCHIC CRUISE. What interesting character do we know who would have an adventure on a Cruise? And he thought of a couple of well known TV "characters" who have done shows on cruise boats (BUT THIS IS A PSYCHIC CRUISE).
But you should think of the characters who've been floating around in your own mind for a while. Characters you know well. Then think of a theme for the Cruise (or Dude Ranch expedition, safari, whatever) that would be the last place on earth you'd ever be able to drag that character (conflict is the essence of story!) Go for high contrast here.
Neither Monk nor Fletcher would normally choose to go on a psychic cruise. So immediately, I thought of what would bring each of these characters to this cruise and added my usual SF twist (the unthinkable is in fact true - lump it - that's SF's prime mechanism).
You know the "formula" of the Monk Episode, and the Murder She Wrote Episode. If you've seen 5 or so episodes of either show, you KNOW that formula. Some of those episodes may be available online.
So given the SETTING, and a CHARACTER, and given a plot-structure, the whole story unreels before your eyes. That's what Concept does.
Now, take that SETTING of the Psychic Cruise, pick a character you've got bouncing around in your head or about whom you've been writing and choose a plot-structure you've mastered.
Put them all together and write an OUTLINE of a story (or 3 stories).
Can anyone provide the URL of the posts where I've discussed outlining?
Now do the exercise again with another specialized group on a Theme Cruise (there was once a Star Trek Cruise with the stars of the show -- pick a theme of your own.) Note you can also do this in space, cruising across the galaxy with various species in confined quarters.
Some scriptwriting books call this a BOTTLE -- you bottle-up the characters, confining them. That creates CONFLICT that must RESOLVE within the bottle, a conflict that wouldn't exist were it not for the bottle.
Then do it again, trying to inject all the potential for VISUALS that Schulman saw in this advertisement for a Psychic Cruise.
Perhaps you want to start by writing the galactic advertisement.
That's the exercise, but it could produce something that's actually sellable. In that case, don't post it anywhere. Develope it yourself. But if you spin off useless material as I did, show us what you produced on editingcircle.blogspot.com in the comments section.
Jacqueline Lichtenberg
http://www.slantedconcept.com/
http://www.simegen.com/jl/
http://twitter.com/JLichtenberg
Tuesday, August 07, 2007
Nasfic 2007
Folks:
I have emerged unscathed from another flying excursion, and have many tales to tell.
Jean Lorrah and I arrived in Collinsville, IL (near St. Louis, MO) the day before Nasfic ( check nasfic.org for current and future nasfics) where we both had jammed panel schedules.
So before the con we spent a good ten hours discussing the framework for one of our projects in terms of what is going on in this world right now.
This time, Nasfic was held in a Holliday Inn near (but not very near) a convention center surrounded by motels clustered at a big Interstate intersection.
In early August in Illinois it was not fun to be walking from hotel to convention center. (triple digit daytime temps, heavy humidity)
To get from Convention center to Holliday Inn (which also had programming in it) you had to use a set of stairs up to a foot bridge over a dry wash, then down more stairs down. The con website hadn't mentioned the stairs, nor did the online info about our Hotel mention there were no ground floor rooms -- and no elevator to bring suitcases up to the room.
All the hotels were booked solid -- there were no alternatives. We ended up in a smoking room (my clothes came home STINKING-REEKING) because that was half the number of stairs than the room we thought we'd booked (the kind of motel room you back your car up to the door!) But it was actually closer to the convention center than the Holliday Inn!
If you couldn't climb the stairs to go from Convention Center to Holiday Inn, you had to circle around on the service roads connecting the hotels -- no sidewalks and much farther.
Failing that, you had to use a car (Jean had driven in, so we could!). There were no restaurants that were easy access for someone in a wheel chair or scooter. These details were not evident in the convention materials.
Fortunately, both Jean and I made our way around without too much real trouble, but others weren't so lucky. This was not a good place to hold a Nasfic, but the convention workers were energetic whirlwinds getting everything done.
Jean and I had talked ourselves nearly hoarse by the time the convention opened on Thursday.
Then we discovered almost none of the panel rooms had microphones, but they did have good sound deadening walls and very cold air. After every panel, we could hardly wait to get outside to warm up.
One of the most well known of the Sime~Gen fans, Kaires, who runs the simegen.com/simecenter/ section as well as simegen.com/sgfandom/ called us when Registration opened on Thursday. We were sitting in our room -- plotting, of course.
Kaires turned up at most of our panels, too, but she was everywhere wearing the starred-cross and our S~G T-shirts.
Thursday evening, we went to dinner with Linnea Sinclair (I finally got to meet her!) and two of her friends who are also writers and in the mundane world, extremely formidable individuals. Linnea is as impressive in person as she is when writing. We traded life stories, and I learned a lot about how to live well.
By early Friday, there were about 2,000 people at the con. The halls seemed much, much fuller on Saturday and Sunday but I didn't get a final total of those in attendance. There was a large gaming track, too.
Most panels were sparsely attended, but I always counted more in the audience than on the panel, and the audiences were alert and involved in the topics.
A memorable highlight was being on panels with Linnea. She has the knack of expressing things in a way that student writers can understand.
When we had time between panels and waiting for the next panel we were on, Jean and I visited the video room.
One time we sat in on part of an Anime showing of a thing called Lucky Star (which has nothing to do with the novel series). It was about several young Japanese girls suffering through the summer and dragging themselves through English courses. Their real passion in life was anime songs, not school. That room was almost empty.
I accidentally ran into Marc Zicree whom I've known for years (he and I were on several panels at Lunacons -- at that time he had worked on Sliders and other Sci Fi Channel projects). So he told me about his screening at this convention of a unique project, a new Star Trek episode done as a STAR TREK NEW VOYAGES (see http://www.startreknewvoyages.com/ -- they have all about the new episode at the top of their page)
So Jean and I made a point of finding the right video room to see Marc Zicree's new Star Trek episode, "World Enough, And Time," starring GEORGE TAKEI.
THAT time, the video room was standing-room-only. They brought in extra chairs, and still there were people sitting on the floor against the walls. When it was over, the room had to empty kinda the way an airplane does!
This episdoe is made with the group of actors who have been putting up the ongoing voyages of the Enterprise on the web for years. Marc connected them with a script that would have been an episode of the broadcast Original series, an episode that would have added dimension to the Sulu character, and so Marc got George Takei connected to the project.
Marc used his production facilities and enlisted lots of volunteer labor while he sent the actors to actor camp where they sweated to master new skill levels. The result is this ultra-low budget production that has polish and style gallore. (you gotta see this thing!)
August 28th, there will be a big premier and breaking news for this Star Trek project. Meanwhile, watch zicree.com and http://www.startreknewvoyages.com/ for updates.
Later, we saw a trailer created by Richard Hatch -- a lot of famous Battlestar Galactica (the re-imagined one) scenes but with behind-the-scene glimpses showing how the music was created and added. Richard Hatch spoke at length about how this and other TV shows are put together. See http://www.richardhatch.com/ for more about who he is and what he's been doing lately.
We dropped buttons, flyers, and temporary tattoos related to Sime~Gen at the EPIC table (the organization of professional e-book writers) -- and later, when I checked back, I found that some people had been asking for me. Later, we met Linnea at the broaduniverse.com table and she asked us to join.
When Jean picked up the left-over flyers and buttons -- there weren't many left!
I spoke to several authors who had been with the now closed Meisha Merlin publishing company. We all have such similar stories to tell!
Jean Lorrah and I did a short podcast for "Fear The Boot" RPG podcasters who were doing a special series on Nasfic more than for gamers though gaming was big at this convention. We talked about the various things people can find on simegen.com, from Intimate Adventure to writing lessons, and more about the future of the fiction delivery system. ( http://www.feartheboot.com/ )
I found a table where they were selling NEW Blakes' Seven episodes made for RADIO broadcast - sound only. Wow. It is unbelievable what is being done with all these media. I gave them a flyer of my vampire story that was broadcast as a radio episode.
Jean had driven in, so she brought her laptop with video player in it.
I brought a DVD of Lady Magdalene's (a very low budget film starring Nichelle Nichols) (which I like a lot, but that doesn't make me uncritcal) a film just finishing lab work and now seeking theater release. See more on that at the bottom of the index page for 2007 in my review column -- http://www.simegen.com/reviews/rereadablebooks/
So Wednesday night, before the con, we watched Lady Magdalene's.
Jean and I discussed that film, contrasted and compared it to the Lucky Star Anime episode, and a DVD film which was low-budget and made by and for gamers which Jean found at another sales table at the con.
So our discussions toward the end were contrasting and comparing a host of low budget video projects with widely varying production values and script qualities.
For us, this was a weekend of heavy immersion in the visual side of story-telling. For others, this convention was all about books -- and very interestingly, was less hostile to SF-Romance than I've ever seen before.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
I have emerged unscathed from another flying excursion, and have many tales to tell.
Jean Lorrah and I arrived in Collinsville, IL (near St. Louis, MO) the day before Nasfic ( check nasfic.org for current and future nasfics) where we both had jammed panel schedules.
So before the con we spent a good ten hours discussing the framework for one of our projects in terms of what is going on in this world right now.
This time, Nasfic was held in a Holliday Inn near (but not very near) a convention center surrounded by motels clustered at a big Interstate intersection.
In early August in Illinois it was not fun to be walking from hotel to convention center. (triple digit daytime temps, heavy humidity)
To get from Convention center to Holliday Inn (which also had programming in it) you had to use a set of stairs up to a foot bridge over a dry wash, then down more stairs down. The con website hadn't mentioned the stairs, nor did the online info about our Hotel mention there were no ground floor rooms -- and no elevator to bring suitcases up to the room.
All the hotels were booked solid -- there were no alternatives. We ended up in a smoking room (my clothes came home STINKING-REEKING) because that was half the number of stairs than the room we thought we'd booked (the kind of motel room you back your car up to the door!) But it was actually closer to the convention center than the Holliday Inn!
If you couldn't climb the stairs to go from Convention Center to Holiday Inn, you had to circle around on the service roads connecting the hotels -- no sidewalks and much farther.
Failing that, you had to use a car (Jean had driven in, so we could!). There were no restaurants that were easy access for someone in a wheel chair or scooter. These details were not evident in the convention materials.
Fortunately, both Jean and I made our way around without too much real trouble, but others weren't so lucky. This was not a good place to hold a Nasfic, but the convention workers were energetic whirlwinds getting everything done.
Jean and I had talked ourselves nearly hoarse by the time the convention opened on Thursday.
Then we discovered almost none of the panel rooms had microphones, but they did have good sound deadening walls and very cold air. After every panel, we could hardly wait to get outside to warm up.
One of the most well known of the Sime~Gen fans, Kaires, who runs the simegen.com/simecenter/ section as well as simegen.com/sgfandom/ called us when Registration opened on Thursday. We were sitting in our room -- plotting, of course.
Kaires turned up at most of our panels, too, but she was everywhere wearing the starred-cross and our S~G T-shirts.
Thursday evening, we went to dinner with Linnea Sinclair (I finally got to meet her!) and two of her friends who are also writers and in the mundane world, extremely formidable individuals. Linnea is as impressive in person as she is when writing. We traded life stories, and I learned a lot about how to live well.
By early Friday, there were about 2,000 people at the con. The halls seemed much, much fuller on Saturday and Sunday but I didn't get a final total of those in attendance. There was a large gaming track, too.
Most panels were sparsely attended, but I always counted more in the audience than on the panel, and the audiences were alert and involved in the topics.
A memorable highlight was being on panels with Linnea. She has the knack of expressing things in a way that student writers can understand.
When we had time between panels and waiting for the next panel we were on, Jean and I visited the video room.
One time we sat in on part of an Anime showing of a thing called Lucky Star (which has nothing to do with the novel series). It was about several young Japanese girls suffering through the summer and dragging themselves through English courses. Their real passion in life was anime songs, not school. That room was almost empty.
I accidentally ran into Marc Zicree whom I've known for years (he and I were on several panels at Lunacons -- at that time he had worked on Sliders and other Sci Fi Channel projects). So he told me about his screening at this convention of a unique project, a new Star Trek episode done as a STAR TREK NEW VOYAGES (see http://www.startreknewvoyages.com/ -- they have all about the new episode at the top of their page)
So Jean and I made a point of finding the right video room to see Marc Zicree's new Star Trek episode, "World Enough, And Time," starring GEORGE TAKEI.
THAT time, the video room was standing-room-only. They brought in extra chairs, and still there were people sitting on the floor against the walls. When it was over, the room had to empty kinda the way an airplane does!
This episdoe is made with the group of actors who have been putting up the ongoing voyages of the Enterprise on the web for years. Marc connected them with a script that would have been an episode of the broadcast Original series, an episode that would have added dimension to the Sulu character, and so Marc got George Takei connected to the project.
Marc used his production facilities and enlisted lots of volunteer labor while he sent the actors to actor camp where they sweated to master new skill levels. The result is this ultra-low budget production that has polish and style gallore. (you gotta see this thing!)
August 28th, there will be a big premier and breaking news for this Star Trek project. Meanwhile, watch zicree.com and http://www.startreknewvoyages.com/ for updates.
Later, we saw a trailer created by Richard Hatch -- a lot of famous Battlestar Galactica (the re-imagined one) scenes but with behind-the-scene glimpses showing how the music was created and added. Richard Hatch spoke at length about how this and other TV shows are put together. See http://www.richardhatch.com/ for more about who he is and what he's been doing lately.
We dropped buttons, flyers, and temporary tattoos related to Sime~Gen at the EPIC table (the organization of professional e-book writers) -- and later, when I checked back, I found that some people had been asking for me. Later, we met Linnea at the broaduniverse.com table and she asked us to join.
When Jean picked up the left-over flyers and buttons -- there weren't many left!
I spoke to several authors who had been with the now closed Meisha Merlin publishing company. We all have such similar stories to tell!
Jean Lorrah and I did a short podcast for "Fear The Boot" RPG podcasters who were doing a special series on Nasfic more than for gamers though gaming was big at this convention. We talked about the various things people can find on simegen.com, from Intimate Adventure to writing lessons, and more about the future of the fiction delivery system. ( http://www.feartheboot.com/ )
I found a table where they were selling NEW Blakes' Seven episodes made for RADIO broadcast - sound only. Wow. It is unbelievable what is being done with all these media. I gave them a flyer of my vampire story that was broadcast as a radio episode.
Jean had driven in, so she brought her laptop with video player in it.
I brought a DVD of Lady Magdalene's (a very low budget film starring Nichelle Nichols) (which I like a lot, but that doesn't make me uncritcal) a film just finishing lab work and now seeking theater release. See more on that at the bottom of the index page for 2007 in my review column -- http://www.simegen.com/reviews/rereadablebooks/
So Wednesday night, before the con, we watched Lady Magdalene's.
Jean and I discussed that film, contrasted and compared it to the Lucky Star Anime episode, and a DVD film which was low-budget and made by and for gamers which Jean found at another sales table at the con.
So our discussions toward the end were contrasting and comparing a host of low budget video projects with widely varying production values and script qualities.
For us, this was a weekend of heavy immersion in the visual side of story-telling. For others, this convention was all about books -- and very interestingly, was less hostile to SF-Romance than I've ever seen before.
Live Long and Prosper,
Jacqueline Lichtenberg
http://www.simegen.com/jl/
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