Showing posts with label Conservative. Show all posts
Showing posts with label Conservative. Show all posts

Tuesday, June 05, 2018

Theme Element Giving And Receiving Part 2 Science of Science Fiction by Jacqueline Lichtenberg

Theme Element Giving And Receiving
Part 2
Science of Science Fiction
by
Jacqueline Lichtenberg

Part 1 is here: http://aliendjinnromances.blogspot.com/2012/05/theme-element-giving-and-receiving.html

Scroll down through Part 1 (which doe not have a "part" label) and you will find a list of previous posts discussing Giving and Receiving -- which is the subject of the Science Article published in 2018 that we will study in this post. 

We shall have to discuss "Strong Characters" in greater depth in future posts, but the source of Character strength in story, especially Romance, is Theme so we will analyze this science article in terms of science fictional themes it can be used to generate, giving your Romance Couple-to-be an obstacle to conflict with and conquer. 

The obstacles you can generate from this science article are genuinely "ripped from the headlines."  People are grappling with these problems, groping in a fog, trying to chart a life-path for themselves in spite of living in a world in turmoil.  Propose a useful analysis and they will memorize your byline and Tweet about your novel.

Where a Character stands on an issue (a theme) makes that Character a memorable individual whose name readers remember, and even make symbolic (like the strong and memorable Character,  MacGyver).

MacGyver refused to carry or use guns, so when he needed a weapon, he created one out of whatever innocuous bits and pieces were in reach.  This clearly demonstrates:

THEME: tools do not cause behavior.  Anything can be a weapon. 

The Strong Character's stance on a specific Headline Issue generates the Conflict for your story.  Your story opens when the Character takes up his stance on that issue to fling him/herself against some opposing Force or Obstacle, in order to achieve a Goal.

The Duke's Daughter fleeing an Arranged Marriage is one cliche that illustrates how a Strong Character can be depicted "taking a stance."

The segment of a Character's life that is "His Story" is the segment where the Character leaps (willingly or willfully) toward the bottom rung of the karmic ladder dangling from the Divine Helicopter come to the rescue. 

It is that vision of "this is what I must do in this life" -- this is what I will achieve that is worth my life -- that sends a Character into "his story" in do-or-die mode.  That is this individual's reason for living.  All else is commentary or gravy, or just noise (Red Herring) to distract.

Note how all of this is about Character, about people (human or not-so-much).  It can be about an AI - an artificial intelligence, a robot.  You could have a strong Character who is not biological.

The opposing Character also has a goal.  The nature of that Goal is what gives the reader a clue about whether the opposition is a Villain or just a different sort of Hero who can be won over.

But it is not just the nature of the Goal that defines a Villain.  Generally speaking, we view those who "want to rule the world" as Villains.  It is the methods the Characters are willing to use that distinguishes Hero from Villain.  Generally speaking "the end justifies the means" defines the Villain.

Thus MacGyver is viewed as a Hero because he finds other means to thwart his opposition rather than guns and killing.  He hurls himself into danger, takes insane chances, depends on his physical strength and agility - but never neglects to protect and rescue. 

So is MacGyver a Republican or a Democrat?  Is MacGyver a Conservative or a Liberal?

When the TV Series first came on the air in 1985 (keeping in mind "development" would have been 1980-1984)
https://www.amazon.com/MacGyver-Pilot/dp/B000HL2J0G/
the definitions of "Conservative" and "Liberal" were totally different than they are in 2018.

In fact, the two-party system in the USA causes the parties to redefine themselves continuously after each election.  So the definition of "Republican" and "Democrat" changes, as do those who "register" with one or the other party.  Most people probably don't bother to change registration as they change their minds and the Party changes definition. 

Few vote in Primaries which is all Registration matters for, so bottom line for a Science Fiction Romance Writer (even writing contemporaries) is that there is no definition of Conservative or Liberal -- you have to make up your own.

That means you have to know more about the philosophy behind "Conservative" and "Liberal" than your readers do. 

The stances on issues reverse rapidly between Conservatives and Liberals. 

As noted in previous posts, humans tend to subjugate themselves to a Group in order to "fit in."  This process is painful and what makes High School sheer hell for most. 

Culture-clashes are the meat and potatoes of science fiction -- the very definition of "Alien From Outer Space" is "From A Non-Human-Culture."  If the alien's culture complements the human's, it can work out peacefully.

But most humans, of any culture, are not so accepting.  What exactly does it take for a Strong Character to set aside preconceptions and explore the Alien?  Here are a few posts nibbling at the edges of that topic.

https://aliendjinnromances.blogspot.com/2018/05/defining-and-using-theme-part-2-love-vs.html

https://aliendjinnromances.blogspot.com/2018/03/theme-plot-character-worldbuilding.html

Currently, a number of scientific studies of human brains vs political leaning are trying to show a scientific basis for the right-ness or wrong-ness of certain views of what government is, what it is for, what it must not be used for, and why humans keep inventing government.

The "we have to get organized" chant that erupts whenever a random group of humans comes together to pursue a common goal (we must get Federal funds to fix this bridge -- we must attract a company to build a hospital in our town -- we must elect this fellow to get better funding to Community Colleges.  Whatever the community goal, "we" have to get organized.

Throughout human history, it has been shown that the better organized groups "win" or prevail in some way.  A single human really can't do much until or unless he/she attracts a following that "gets organized" to support him/her.

In other words, humans choose "leaders" and the followers get organized.

Labor Unions are a good example.  Mobs yelling and throwing bricks didn't do much good until they got organized.  Now they can hold huge companies hostage during a strike because the individuals all move together.

So science has been studying the difference between Good and Evil using "liberal" and "conservative" as proxies, trying to peg the brain configuration that defines the difference.

http://www.businessinsider.com/psychological-differences-between-conservatives-and-liberals-2018-2

There have been a lot of studies on brain development which I've mentioned in passing, showing how experiences rewire the brain, how learning develops different brain regions, how sensory deprivation shrivels other brain regions, and how traumatic experiences change the brain and even genetic expression.

Human beings are among the weakest animals on this planet - no shell, no pelt, poor hearing, so-so eyesight, not very fast runners, very tasty eating.  Many have concluded that our main survival trait is our brains.

The idea is that the ability to think, to theorize, to make and use tools and language, to create records and teach the young, is our survival trait. 

At the moment, our tools and technology seem to be killing us (pollution, global warming, species extinctions among our food supply, over-hunting/fishing). 

So maybe our brains are not our biggest survival advantage.

Perhaps it is our adaptability that will get us through this?

The blows hammering our children from the environment reshape the children so that the resulting adult thinks differently.

Cyberbullying, tackled in...

http://aliendjinnromances.blogspot.com/2017/09/depiction-part-32-depicting-brain-to.html

...will, no doubt, produce a generation more adapted to the larger social structures forming online -- utterly alien to Middle Ages Villagers.

But as Science Fiction Romance writers, we are futurologists.  It's not enough to look back and find trends rooted in the 1980's like MacGyver (now revived).

We have to look deeply at the present and project what trends will become visible to the public 30 to 50 years from now.

One big trend is the movement to substitute Science for Religion.  Since it is "Settled Science" that humans caused Global Warming, anyone who doesn't believe that human activity is causing human extinction is a) stupid, b) evil, c) The Enemy of Civilization -- or d) worse.

If you think Global Warming is caused by human activity, you are excluded from the group.  If your conclusion is the result of thinking from facts, you might change your mind.  Those desperately dedicated to stopping Global Warming and saving humanity from itself can not risk that.

You must believe because Science says so -- just as Galileo was required to believe because someone said the Bible said so (which it didn't, and he knew it.)

Believing means taking someone else's word as truth, replacing what you think with what they believe.  Humans urgently desire this kind of agreement with their Group -- survival depends on being integrated into a Group (e.g.
getting organized).

Suppose that is the trait your Aliens do not share with humans.  What kind of Strength of Character will your Main Character (MC) need to Love across a gap like that? 

To discoverer where to find such traits in human nature, examine this research on the human Brain and political leanings.

http://www.businessinsider.com/psychological-differences-between-conservatives-and-liberals-2018-2

-------quote-------
Scientists have discovered the key psychological differences that can make you liberal or conservative by 
Hilary Brueck  Feb. 26, 2018, 10:50 AM

... Being scared can make you more conservative.
Being scared can make you more conservative.
Decades of research has shown that people get more conservative when they feel threatened and afraid

....A conservative brain is more active in different areas than a liberal one.
Brain scans show that people who self-identify as conservative have larger and more active right amygdalas, an area of the brain that's associated with expressing and processing fear. This aligns with the idea that feeling afraid makes people lean more to the right.

...On the other hand, feeling safe and endowed with strength might make you lean a little more liberal than you otherwise would.
Groundbreaking research that Yale psychologists published in 2017 revealed that helping people imagine they're completely safe from harm can make them (temporarily) hold more liberal views.

...Liberals are less squeamish about looking at yucky stuff like vomit, feces, and blood.

A 2018 study of college students showed that those with more socially conservative views were quicker to physically look away from disgusting images — like pictures of blood, feces, or vomit — than their liberal peers.

...Conservatives tend to display more ordered thinking patterns, whereas liberals have more "aha" moments.

A 2016 study at Northwestern University found that when conservative and liberal college students were given word problems to solve, both groups managed to arrive at some correct answers through gradual, analytical analysis. But when feeling stuck on a problem, liberals were much more likely to draw upon a sudden burst of insight — an 'aha' moment, like a lightbulb turning on in the brain.

...Liberals tend to follow the wandering gaze of others more often, while conservative eyes stay more focused on the original subject they're looking at.

In 2010, researchers at the University of Nebraska tested whether conservatives and liberals physically see the world in different ways. They found that when it comes to matching the gaze of other people, the two groups differ.

...Holding conservative views seems to make people more resistant to change and help them explain inequality.

A 2003 review of decades of research on conservative people suggested that their social views can help satisfy "psychological needs" to make sense of the world and manage uncertainty and fear.

...Liberal and conservative tastes in music and art are different, too.

Studies from the 1980s showed that conservatives preferred more simple paintings, familiar music, and unambiguous texts and poems, while liberals enjoy more cubist and abstract art.

...Liberals are more likely to describe themselves as compassionate and optimistic, while conservatives are more likely to say they're people of honor and religion.

A 1980 study of high school students found conservative students at that time were more likely to describe themselves as "responsible," "organized," "successful," and "ambitious," while liberal students might describe themselves as "loving," "tender," or "mellow."

...Conservatives believe they have more self-control.

One 2015 study found that conservative students were often better at focusing their attention on a cognitive task called the Stroop color and word test. The common psychological study tool asks participants to quickly name the correct color of a word that's written on a different color background.

...Liberals and conservatives extend feelings of compassion to different people.

New research shows that conservatives tend to express compassion to smaller social circles than liberals.

--------end quote------

I just cropped some headlines from that article.  If you can find it, read it all, or just read up on the studies cited, and more recent follow-up studies.

All these studies suffer from the same flaws - A) assuming that statistics works both ways (if a Group has a Characteristic, all members of that Group have that Characteristic), B) Recruiting College Students to study, who are typically young and still being "formed" by "life" then applying results to 60-somethings.

But those flaws can be used, in fact leveraged, by Fiction Writers to great advantage.

A novel needs a target audience, and audiences are defined most easily by studies such as these listed in the quotes above.

College age students are most likely to be the readers for Science Fiction and for Romance, and Science Fiction Romance.  They love Fatansy, Paranormal Romance and all the mixed genres.  It was college dorm TV's that were turned to Star Trek on first run -- thus missed by the Nielsen rating service.  Studying college students tells you more about what will happen 20 years from now than about what is happening now.

If you are writing Science Fiction Romance that will be a "Classic" -- you should aim at what current college age people want to read.

So consider how the definitions of Conservative and Liberal have morphed over decades.  Then consider how both Republican and Democrat Parties have both Liberal and Conservative members, and how they agree or disagree on different issues.

A given Character can be Liberal on Gun Control and Conservative on Federal Reserve Policy -- and not see a contradiction.

Is there a contradiction?  Can you find a pair of issues which do contradict?

Where would your sexy-hunk Alien From Outer Space stand on Video Game Violence causes children to grow up violent?

A number of studies have shown that kids are more prone to solve social problems with force after playing a Video Game that uses force as the solution, not the problem.

That is solid, settled science -- but is it true?  Maybe it's true of humans but not your Aliens? 

Maybe it is true of 21st Century American kids but not of 21st Century human kids raised on an Alien Planet among Aliens (or in the far future or a parallel Earth?) 

We have science measuring the effect of violent video games on children -- but not a lot of research on anti-violent video games played by children.  Are there any? 

Now consider how "threatened" the kids growing up in the war-hammered Middle East (Syria and so on) -- the terrorist threatened European cities flooded with migrants -- will Syria and Europe (the bastion of modern Liberalism) suddenly turn Conservative 20 years from now?

Or will the threat be over and all those people who grew up under danger and threat suddenly turn Liberal because they feel safe at last?

These issues reflect the Theme Element of Giving and Receiving. 

People "feel safe" when they are "given protection." 

One goal of parenting is to give your children a good childhood, free of the life-or-death concerns of adulthood, 

So feeling "safe" is defined as the psychological condition of childhood - of being "innocent" and not knowing how dangerous the world is, or how easy one mistake can destroy your life.

People "feel powerful" when they are "giving protection."

One of the sexiest bits of dialogue in Romance is, "I will protect you."  We write a lot about rescuing.  We love the scene where the big, strong, muscled Hunk places himself between the slender, near-naked Princess and takes the bullet for her.

Our culture regards being protected as the female goal in life, while doing the protecting is the male goal.

That cultural assumption is under attack, and is morphing before our eyes, faster than 40-something parents can adjust (adapt, changing their brains).

The most important element in Romance is RISK.  We write about "bearing the Soul" in the lead-up to the "I love you" scene.  Saying it first is the biggest risk most people take in a lifetime.

We write about the muscled Hunk who vanquishes amazingly horrible threats but can't take the risk of saying, "I love you." 

Which is the stronger Character, the one who says it first, or the one who says it second? 

Who is the Hero - the one who feels safe and thus freely gives compassion at no risk, or the one who feels threatened and thus freely gives safety at great risk? 

Which brain is the lover, and which brain is the beloved?

We talked about how people consider Political affiliation as a deal-breaker element on Dating Sites in this post: 

https://aliendjinnromances.blogspot.com/2018/05/defining-and-using-theme-part-2-love-vs.html

The THEME element of giving and receiving, and how it functions (male to female) in a Relationship is vitally important to the HEA ending of your Romance, but it comes into even greater importance when the Couple is raising children.

https://amazon.com/Shooting-Sports-Women-Shotgunning-Outdoorswoman/dp/0312147333/
Children, we hold in our culture, must be "protected" -- and they must "feel safe" (i.e. have their brains configured for Liberalism).  Thus we explode at each other over issues related to School Shootings, School Safety and even "what" may be taught in the curriculum.  (can a High School host ROTC? Riflery Team?) 

Who has Power -- someone must because we can't have civilization without someone holding Power to force others to behave properly.  Left to themselves, humans just won't behave properly. 

Ponder that quote from the article saying that "Conservatives" (defined by those with a more active amygdala ) believe they have more self-control.  It does not say, but seems to follow that Conservatives expect OTHERS to have more self-control.

Conservatives may discipline their children to develop self-discipline and thus admire and strive for self-control.

If you read Romance novels from pre-MacGyver 1970's and then read on by year, you will likely find the preponderance of Romance novels shifting to the "irresistible" model of human nature.

Lust, sex, and the intense attraction to the Soul Mate is "irresistible" -- and the excuse for having inappropriate sex is "I could not resist." 

We can't resist the urges of the flesh.  The body has power over us.  If it feels good, do it. 

These are themes rooted in the philosophical context of the "Self" that has "Control" being the animal body.

"Irresistible" is a word that depicts the entire philosophy behind the World the writer has built.  Sex, lust, CAN NOT BE resisted.  The "self" that has all the power is the animal flesh.  If there is a Soul, it is powerless.

If, on the other hand, the author uses the wording, "I could not resist" - there is the admission of guilt, of not having developed a Strong Character.

And here we come to the definition of Strong Character in the fictional sense.

What is Character -- not the fictional representation of a person, but in real life, the attribute of a complete human called Character?

Here is an idea to ponder until it becomes a THEME in your mind.

Character is the Relationship between body/flesh and soul/identity.

A Strong Character is a Soul that has made a strong ally of the Body -- so the Soul feels safe and the Body feels safe.  Neither needs to bully or be armed against the other -- Inner Peace reigns.

A Weak Character is a Body that dominates and bullies the Soul, seizing any opportunity for instant gratification of bodily lusts (for food, sex, money, power). 

Delayed gratification is the sign of a Body/Soul on the path to being a Strong Character.

A truly Strong Character, completely matured, has no inner conflict.

Remember, External Conflict is a reflection of Inner Conflict in the Character who will "Arc" (or morph or change or grow or learn) during the story.

The truly Strong Character has no internal conflict, and thus is way past where his/her story happens do him/her.

So Main Characters who are "Strong" are not strong in every trait.  They have lessons to learn, chiefly the lesson "I love you." 

But perhaps, in Science Fiction Romance, the biggest and hardest lesson to learn is never to believe in science.  Science is about thinking, so new evidence can change your thinking.  There can be no believing in Science.  In Romance, the biggest and hardest lesson is to Believe in the Beloved -- through thick and thin, in sickness and in health, never waver in belief in that beloved Soul's innate spirit. 

Can "belief" span the political gap?  Can Love conquer Politics?

Jacqueline Lichtenberg
http://jacquelinelichtenberg

Tuesday, October 23, 2012

Worldbuilding With Fire And Ice Part 9: POLITICS AND PERSPECTIVE

This is Part 9 of a scattered series of writing lessons on applying observations of the world around you and your reader to creating a fictional world in which to embed your own story.

Here is Part 8 of this Series
http://www.aliendjinnromances.blogspot.com/2012/10/worldbuilding-with-fire-and-ice-part-8.html

Part 8 has a link to Part 7 which has a list of links to previous parts.

Last week I brought you a Guest Post by Deborah Macgillivray whose real life produced Events requiring the kind of heroism we mostly think of as purely fictional.

http://www.aliendjinnromances.blogspot.com/2012/10/guest-post-by-deborah-macgillivray-wolf.html

Now I'm going to require a bit of heroism of that caliber from you, the aspiring or even established professional writer looking to up your game.

Your assignment, should you decide to accept it, is to set aside all your very personal politics, all your current events opinions (as writers, you certainly have many, and not all of them on the same side of any issue!).  This is an exercise in BEING NOT HUMAN, in living in the skin of a different order of being -- the kind of being we want our heroine to fall in love with and somehow manage to Bond with and live happily ever after.

One of the cardinal principles of a Good Marriage is Peace In The House - leaving the "real" world outside, entering a private space where the agenda is Soul to Soul, and all else is just noise and irrelevant. 

The easiest route to that condition is what we normally term ROMANCE.  As I've noted here in my posts on Astrology, that mental condition is usually signified by some high-impact transit of Neptune which is about Idealism -- which is the mundane way of trying to identify the ability to perceive the World via the underlying vibration of Love. 

Those who master that perspective of Love are often considered WISE -- which is what it takes to keep Peace in the House.

So you see, life is really all about mastering Romance.  That's my thesis for the following discussion -- and I'm betting you'll lose track of that as I hammer away at your personal BUTTONS -- things which get you steamed up to rage, the very RAGE that can not be allowed into the House. 

So here I'm going to present an email I got from a WRITING STUDENT of mine, and I can't tell you how unutterably proud I am to have been one of his teachers! 

This fellow is an Engineer (he like designs and builds things like oil refineries).  That's not just his job, it's a perfect description of the wiring inside his mind.  He's Canadian, but he's worked in remote places all over the world.  He's even worked in Texas.  He knows CULTURES from all kinds of angles.  And what he gives us below is a Canadian perspective you really need to consider when worldbuilding for a Romance.  

Years ago, he brought me one of his early novel manuscripts, a book he thought he'd "written" (but had actually barely started thinking about).  This was at a Writing Workshop at a World Science Fiction Convention. 

See my post on Denvention here for an idea what a Worldcon is like:
http://aliendjinnromances.blogspot.com/2008/08/denvention-3-walk-con.html 

This workshop design is the best I've ever participated in.

Three selling professional writers read Manuscripts by 3 beginning or almost selling writers.  The three students also read each other's manuscripts.

The 6 meet with a Moderator - 7 people around a table - who has also read all 3 manuscripts.

Each manuscript is discussed in turn.  First the fellow-students give their comments, then the 3 professionals discuss what issues they see in the manuscript.  Usually, these comments are written, typed on a page, or scribbled in margins of the reading copy.  The free-flowing discussion is really the learning experience.  The writer whose Manuscript is being discussed is required to remain absolutely silent.

Very often the student listens and cries or freezes trying not to cry.  But you can tell they don't believe a word they're hearing, at least at first.

After a round, there's a free discussion where the student can ask questions.  No trying to explain what the readers didn't understand, just try to understand what the readers were saying.

Usually, the 2 other students fumble around trying to express "I liked this" and "I didn't like that" -- all kinds of comments having to do with their taste as readers and nothing at all to do with the publishability or marketability of the manuscript.

Then the 3 professionals bore down to the underlying errors the writer has made in formulating their story. 

Almost without exception, all 3 professionals agree on each manuscript's flaws, often though by pointing to different sources for that flaw or different ways to fix it.

Almost without exception, the flaw each of these hopeful writers demonstrate beyond all doubt is that their piece has no conflict and therefore no plot, and/or it has no conflict or no plot because they started in the wrong place or took the wrong point of view  character as the Main Character.  Most often, there's plenty of story in these pieces, but no structure.

VERY OFTEN those trying to write science fiction or fantasy produce a piece with no conflict, no plot, and no properly chosen main character with an internal conflict -- a person to whom the plot happens -- BECAUSE THEY FAILED ON WORLDBUILDING.

The core of worldbulding, as I've been dinning into you, is THEME, and the hottest Romance is based on a theme that is a philosophical statement about current reality the reader is living in.

A list of my posts on THEME is on the post here dated Tuesday August 28, 2012. 

Theme ript from the headlines is why fiction written 50 years ago doesn't seem interesting today -- our THEMES are different so our conflicts are different.  The exception is science fiction and fantasy (my field) where futurology is the core of the worldbuilding, plot, story, and characters.  That's why Sime~Gen is a classic -- it's conflicts are about life in 2020, not 1970.

See my blog post on writing classics:

http://aliendjinnromances.blogspot.com/2012/02/how-do-you-know-if-youve-written.html

Romance, too, produces timeless classics because the themes are stable through generations, but look at Romances written in 1890 and contrast to those of today to see what I mean about worldbuilding being the core of the conflict which must be expressed in theme.

So, in this writing workshop where I met Ed Wilson for the first time, it came my turn to comment on his work (it was a long novel, but they could only submit a sample as one does to an editor), and I looked him in the eye and told him point blank it was unpublishable.  He took notes and nodded. 

I told him how incredibly talented he is (he actually is, that's the truth) at spinning a yarn, at creating memorable characters, at a profusion of detail.  This man is a veritable FOUNTAIN of IDEAS.  But he was absolutely clueless about the need for STRUCTURE behind the fiction -- a structure readers can not see or percieve.  To be effective all fictional structure has to be invisible to the reader, but it absolutely has to be there. 

So I explained there would have to be many rewrites, and first do this, then that, and that'll show you what to do next.  He took notes.

During the discussion he told me he had read my first published novel, House of Zeor, and so had been eager to get into my section at the Workshop.  We talked.  He has become a dogged, persistent, and attentive student, producing works of increasingly well structured design.  He hasn't sold anything yet, but I know he will.

This email comment that he wrote me demonstrates WHY he will sell, and when he does it will likely be a case of "exploding onto the scene with overnight success" and people will think he came from nowhere and got lucky for no reason.

He does not write Romance, and his work is very action oriented, but he demonstrates with this commentary that he's finally caught onto the worldbuilding trick used by the best selling authors -- OBSERVATION OF CURRENT REALITY.

It is upon observations such as this one here below that the most explosive best sellers are built. 

Reading it, though, will be a challenge for you -- and my response may be an even bigger challenge.  This entire exchange should have smoke coming out of your ears before you finish reading the links provided. 

If, however, you can take notes on the emotional reactions as you have them, peg them to the bits of information, and chart that into a structured set of themes as I described in my previous posts on THEME, you will have the hottest, best selling romance of the decade, a classic that could out-last your lifetime.

The important thing about Ed is that he muttered a bit, then went away, and came back with BETTER material, got clobbered for making the same mistakes in different guise, went away uncomplaining, came back with BETTER YET material, and so on.  That is the mark of the professional writer.  "Uhuh. OK."  and a bit later, "Try this."  In other words, pretty much like a professional Engineer whose lab bench model fell apart or blew up.  "Uhuh. OK, I can fix that."  And again. 

So, now watch the INSIDE OF A WRITER'S MIND work just the way I've been trying to show you so you can teach yourself to think like this.  This thinking pattern is subject independent.  That's why it's so powerful for worldbuilding.   


--------Ed Wilson Wrote To Me Privately (posting here with permission) -----------
Between job interviews today I went for lunch and via the really good magazine store in down town Calgary. While there an article titled: Why Republicans Don’t Trust Science in the Skeptical Inquirer caught my eye and I read it. It is largely summarized in:
http://www.motherjones.com/blue-marble/2012/03/its-not-your-imagination-republicans-really-dont-science

It resonated with Richard Landes: Romney Is Right on Culture and the Wealth of Nations that I read last week. 
http://online.wsj.com/article/SB10000872396390443866404577566770697427382.html

In on Culture & Wealth of Nations we hear of: attitudes—that everyone strives to get to "yes," to positive-sum, win-win, voluntary relations; that everyone holds productive work in high respect and prizes the principles of fairness embodied in the meritocratic principle of "equality before the law"; that everyone encourages criticism, treasures intellectual capital, promotes risk-taking, prizes transparency and fosters innovation

And those where: the favored mode is not voluntary but coerced and zero-sum relations, where the principle of "rule or be ruled" dominates political and economic life. The elites in such cultures hold hard work in contempt, and they distrust intellectual openness and uncontrolled innovation as subversive. They emphasize rote learning and unquestioning respect for those in authority.

My Empire stories are at a time when some people are trying to move from the former to the latter.  Again Science Fiction acting as ‘Other’ shows as future what is currently happening.

As a Canadian these two articles are very very disturbing, there are many things Canada can afford, but what these suggest, and what is current in my writing we can not afford on our southern border.

------------END COMMENT FROM ED WILSON--------
My reply: (I left out all my excited praise for his observation and thinking!)
------------QUOTE JACQUELINE LICHTENBERG TO ED WILSON----------
I haven't read the article links you site -- but I'm brewing up some blogs going in that direction -- re-drawing the "dichotomy" between philosophies and looking for the next NEW philosophy, one based on the culture that will grow out of the new internet connectivity life-model. 

I've berated and pounded on Jean's head (I'm often very cruel to Jean as I just won't STOP when something bugs me) about my theory that every one of these NEW PHILOSOPHIES that takes root and lives beyond it's propounder (from Jesus's 40 days in the desert, or before to the Jews 40 years in the desert, to Mao to Marx to Lenin -- Thomas Paine too -- and the fellow who founded the Moslem Brotherhood

http://www.nytimes.com/2003/03/23/magazine/the-philosopher-of-islamic-terror.html

which is so counter to basic Islam, and The Rebbe who popularized Kaballah) ALL OF THE IMPORTANT DEVELOPMENTS that steered future societies came from someone PUT IN JAIL who wrote a BOOK IN JAIL.  Find an exception!!!  Jean's muttered about a few exceptions and no doubt we'll be thinking about who to put in jail in Sime~Gen at the con. 

But the dichotomy you finger between these two articles is VERY REAL.  It's obscured by the stew of criss-crossing communications (shouted lies) on the internet, blogging etc.  They actually hire and pay people to spew obscenities and vilification at anyone who ventures to express a NON-LIBERAL idea on a news blog.  PAY!!!  "Speech is free as long as you agree with me!" is the new standard.

So out of this murky PAIN I'm seeing, I expect someone to be jailed for saying something -- write a book -- get released (remember Nelson Mandella?) and change the world.

Meanwhile, it's up to science fiction to explore different ways of arranging these old philosophies.  Well, and fantasy too.

My problem with the "Liberal" standard being raised in the USA is that it smacks of totalitarianism, socialism, and at the extreme of the spectrum communism -- all archaic isms.

My problem with the "Conservative" standard being raised in the USA is that it smacks of the Inquisition, or this new radical Islam Sharia Law thing, where one religion forces people to behave according to it's idea of what God said we should do -- likewise all archaic isms founded on superstition. 

"They" are using the relatively new science behind Advertising (Public Relations -- a very statistics based mathematical way to control the behavior of crowds).

Human populations are vulnerable to that science of advertising only insofar as they understand how it shunts the critical faculties aside and plants ideas in your subconscious where they pre-empt your cultural values.  (buy this candy bar and you'll have lots of friends.)

Therefore, my solution is to teach kids to be immune to commercials. 

Instead, they've removed teaching "proofs" in HS Geometry which is the basis of critical thinking which is the basis of science.

Then the Liberals are teaching the young (whom they've conditioned never to think critically) that the word "science" means "Absolute Truth." 

The "Conservatives" then out-shout the Liberals, saying "Bible=Absolute Truth" but you must not QUESTION!!!  (Judaism is all about asking questions -- but really ASKING, not using the question syntax to express an opinion, which is the cultural signature of conversational Yiddish.)

A shouting match is no way to guide policy -- and no way to determine what concepts you need to use to generate a profitable policy direction. 

I don't think we're ready yet to put this whole discussion on the Facebook Group -- it's too explosive.  But once the element we need to add to Sime~Gen (the philosopher put in jail who writes a book) is created, (likely a henchman or sidekick of Zelerod), then we can present it and kick it around.

Meanwhile, I'd like to post your comment with links and what I wrote above as a blog post on alienjinnromances.blogspot.com because it's actually a writing lesson. (he wrote back with permission).

Like a portrait artist, a fiction writer must VIEW the world around them in order to portray that world in a way that the art consumer will find meaningful.  This issue you've raised gives a perspective from which various writers can VIEW -- and then create various portraits of reality which could be Science Fiction or Fantasy or Romance, or any combination.

Romance across that dichotomy described in your comment is the hottest thing going.

-------END QUOTE FROM JACQUELINE LICHTENBERG TO ED WILSON------


I am certain we will re-visit this topic.  Just remember, it's not about POLITICS but about OBSERVING THE WORLD so you can use politics in worldbuilding with Fire And Ice.

Comments on writing technique are welcome here.  Comments on specifics of modern day politics belong elsewhere (but yes, they should be written about and disseminated far and wide, just not HERE.)  Comments on the archetypes underlying the origin of human politics do belong on this blog. 

Jacqueline Lichtenberg
http://jacquelinelichtenberg.com