False Flags

This week, the Authors Guild exposed a gob-smacking abuse of the public trust and of the concept of law order and copyright. Kudos to Authors Guild for that!

https://www.authorsguild.org/industry-advocacy/internet-archives-uncontrolled-digital-lending/

There are many Covid-19 scammers pretending to be helpful, while actually ripping off the public or writers, artists, musicians and film makers, or pursuing a political agenda, and  IA appears to be one of them. Authors and bookstores cannot survive if society tolerates digital looting.

Andy Chatterly, co-founder of the for-profit anti-piracy business MUSO (which will send out take down notices on behalf of its paying subscribers) has published a white paper on the rise and rise of digital piracy... which is discouraging reading for creative individuals and small businesses.

https://www.muso.com/covid-19-protect-landing-page?utm_campaign=COVID-19%20Protect%20&utm_source=hs_email&utm_medium=email&utm_content=85294752&_hsenc=p2ANqtz---AbBRnta68KyCYlaKrM5_YKblGvUx6eYDT2G47U_bcAf9KhL_7hYzXL6oPcDBa_qaMEY2cOK1jNogFEsi-FuSI2PWwg&_hsmi=85294752

Recently testifying to the United States Senate subcommittee on Intellectual Property under an apparent false flag were members of The Pirate Party, as discussed by the Chris Castle, guest of the editors of thetrichordist.

It's kind of like bank robbers testifying on how bank vaults could be made more transparent and accessible to the public.

Particularly dispiriting are Chris Castle's revelations (or not) about the part played by academics and lawyers (and sometimes by members of the legislature under the influence of lobbyists) in weakening copyright and exploiting and enlarging loopholes in already Gruyere-like IP laws.

Thanks to MusicTechPolicy for a lively report on what Jonathan Yunger had to say to Chairman Thom Tillis's and Ranking Member Christopher Coons's committee about the functioning and effectiveness (or not) of the DMCA.

https://musictechpolicy.com/2020/03/12/you-cant-call-911-jyunger-of-millenniumfilms-tells-senate-why-piracy-is-still-a-problem-and-how-u-s-has-failed-to-lead/

That's four lengthy links. Enjoy!

All the best,

Rowena Cherry 

SPACE SNARK™ http://www.spacesnark.com

EPIC Award winner, Friend of ePublishing for Crazy Tuesday   

Guest Post: "The First Pirate Hurts Most" by Addison Brae

Today, Addison Brae shares a debut author's rude awakening.

The first pirate hurts most

July 8, 2018
By Addison Brae

Digital piracy is rarely discussed in the publishing world, so seeing an unauthorized PDF of my book for the first time for free download was a shocker. Then add the extra punch that the site owner invites people to pay to join, and the first month is free. How did this jerk get the PDF? And what nerve to sell something that isn’t theirs.

The even bigger bombshell is how many authors have given up on chasing down pirated copies of their books. Last time best-selling crime writer Sue Coletta (http://suecoletta.com/) checked the pirate sites, her books neared 1,000. “If I wasted time trying to get every book off these sites, I’d be sending copyright notices full-time, with no time to write another book, never mind market my existing ones,” Sue said. “Sometimes we need to pick our battles.”

Piracy is cybercrime. It drastically changed the music, movie, and book publishing industries, and it’s spawned other industries to help stop it. But why does piracy continue?

My theory? No one’s looking. People do it thinking no one will notice or care.

A June 6, 2018 Digital Music News (https://www.digitalmusicnews.com/2018/06/06/muso-global-piracy-study/)  article says 53% of UK adults surveyed felt accessing media content illegally is wrong, but did it anyway.

It takes two. One steals the file and makes it available. You have a say in whether pirates are successful. Don’t download from shady sites. Besides, if they steal what they’re selling, they’ll steal and sell the personal information you provide.

Someone I know recently captured an unauthorized version of my book trailer (https://youtu.be/Mf-GlfxPzdY) from the web to play for a group. The intention was good, but the video quality suffered since it was pirated.

I found the first copyright violation instance with a simple Google alert on the book title and author name. I spent about an hour contacting the company that owns the site, and they disabled the link three days later, but hundreds of other titles remain. It was time I should have spent writing or doing something else productive.

Authors overwhelmingly use Blasty (https://www.blasty.co/) to monitor for copyright infringement. Monitoring is free, but the company charges $156 per year to blast the violator with automated notices about DMCA—the Digital Millennium Copyright Act. It took me about a minute to set up a free monitoring account. Another author recently shared with an author email group, “They have taken down over 4k pirates offering my work in the last year.”

Wow. I’m not endorsing the service, but speechless at the number of people who will steal content for their own profit.

Please consider carefully before you swipe a book, piece of art, video, song, or anything without paying.

Think twice before you download!

A version of this post first appeared on Addison Brae’s blog (http://addisonbrae.com/piracy). Addison’s first novel is Becker Circle (Tirgearr Publishing, March 2018). Read more on her website (http://addisonbrae.com/).

Thank you, Addison!