Guest Blog. Magical Beings

MAGICAL BEINGS

Courting the Craft of Paranormal Romance

We’re a multi-cultural society, a global community of varying histories and legends. And yet, somehow, we all share a fascination with the supernatural … with the idea that the things unseen are not inactive. The concept of myths and legends shared through storytelling is as old as the spoken word. Among the cultures of the world, there is no shortage of fantastic tales and captivating creatures that haunt the psyches and dreams of a village’s or nation’s inhabitants. A further binding feature in every culture is the pursuit of romance and love. Combine the two, and you have a formula for a riveting story. It is not unexpected, therefore, that tales of magical beings in paranormal romance continue to explode as a popular fiction genre.

The area of romance fiction generated $1.375 billion in U.S. sales in 2007, a five percent increase over 2006, making it the biggest fiction publishing category for that year, according to Business of Consumer Book Publishing. The next largest market is sci-fi & fantasy, generating $495 million in revenue for the same year. A recent article in The New York Times reported that Harlequin Enterprises had fourth-quarter earnings in 2008 that were up 32 percent over the same period a year ago.

The paranormal romance formula seems simple: magical being meets normal, or latently magical, potential mate →withholding of secrets or self →conflict → third party interference → challenge of skills →new awareness → resolution. Or something along those lines. However, there are certain standards of storytelling that must be in place for the concept to work. The most successful paranormal authors have figured out certain aspects of the storytelling that ring most true with readers.

Following are some general guidelines as to why some supernatural romances work so well:

• The magical skills and idiosyncracies of the hero or heroine are established early on and closely followed. This is sometimes called world building, but it’s also personality building. A reader wants to get the sense that the character could be a real person, someone they can understand. The only way for that to happen would be if the author knows their character as well as or better than she knows herself. So if, for instance, our hero Shazam has a fiery temper that can erupt without warning, the reader needs to be given glimpses of that before the actual eruption. It builds tension, as well as an affinity for what Shazam is thinking and feeling.

• Supernatural skills have to be super. A reader doesn’t want a hero who can read really fast or jog backward. Exceptional abilities make for exceptional characters. One single ability that is carried out with unusual panache and an understanding that very few can do what he or she can do makes for riveting reading. As an example, Stephenie Meyer’s Twilight Series focused on a family of vampires, unusual in itself. Yet, additionally, each vampire had a unique gift that gave him increased value to his family, and to the story: e.g. the ability to read minds; the ability to influence thought; the ability to heal; the gift of foresight.

• Despite characters being in possession of such tremendous skills, the reader wants to be able to identify in some way with those characters. These are the all-too-human traits. Does she love dogs? Does he notice the way she never wants to be alone? Does an abiding anger or vengeance keep him from recognizing the feelings another has for him? Does she want to break free from her tribe or pack or past to forge a new life, but doesn’t know how? These very human dilemmas will make even a superstrong, shapeshifting vampire sympathetic in some way. Without it, the reader won’t care and won’t read on.

• Finally, the atmosphere of the story sets the tone for the story itself. Yes, this is world building; it is also world decorating. Whether it’s regency time travel or urban fantasy, the reader wants to be submerged in the very air that surrounds the characters. What are the smells and temperature of the wind that blows in from the past, or the breeze that shuffles over the ripe fruits of the souk? The successful paranormal author structures an environment that, though supernatural, is believable because it is consistently on display through the use of vivid description. This is where research on the author’s part is most apparent. A story told among the sidhe (shee) of Ireland must convey the essence of Ireland like a well-written travel article would. Travels among the djinn of the Middle East must evoke the exotic scents and textures of locales that most Western readers will never have visited. Research, imagination, and lush narrative combine for the successful setting.

Once these building blocks are in place, it’s up to the author to carry the story through. An unpredictable plot is a sure way to hold the attention of the reader, and that really does depend upon the skill of the author. In today’s rapidly evolving storytelling industry, one thing that is predictable, however, is that romance fiction is here to stay.


 K. F. Zuzulo
Author of A Genie in the House of Saud: Zubis Rises, from Mystical Publishing
and The Third Wish, from Sapphire Blue Publishing
www.zubisrises.com

Shield Magic! Is That Why Darth Maul's Face Was Red?

It was Beltane two days ago. I've done enough research to carry off an intelligent interview with a Wiccan, but not enough to write about Beltane with any degree of originality.

Here are two fabulous links for anyone interested:

Beltane -- Holiday Details and History

Author: Christina Aubin [a WitchVox Sponsor]
http://www.witchvox.com/va/dt_va.html?a=usma&c=holidays&id=2765


Pagan Celebrations of Beltane and May Day
http://blog.beliefnet.com/apagansblog/2009/04/pagan-celebrations-of-beltane-and-may-day-1.html

There's another very cool link I followed from one of these sites: "In Praise Of Pagan Men" with a discussion of The Green Man.

In Praise Of Pagan Men

However, The Red-Faced Man interests me a great deal more!

(Pun, by the way, very much intended.)

I watch television, often alone in the kitchen, while I am cooking, and some meal or other was just about at critical mass when I glimpsed The History Channel, which was discussing a great native American warrior named Roman Nose, also his warpaint, also his vision quest, and the fatal mishap that befell him because a squaw (not knowing of one component of his shield magic) used a metal kitchen implement in preparing his final meal before battle.

I'd seen warpaint in Westerns, and I've seen it used by modern warriors... did Donald Sutherland use it, or just frighteningly loud music, from his hippie tank in Kelly's Heroes?

However, I'd never thought much about the designs. Roman Nose's vision quest (I think it was Roman Nose, but I was multi-tasking) was inspired by red jagged lightning, and white blobs of large hail.

War paint seems to have something in common with the Viking Berserkers bearskin shirts: frighteningly recognizable to the enemy, fearsome brand character, part of getting a warrior "into the zone" and motivated.

Having --reluctantly-- missed the rest of the show, I came back later to my computer and looked up a word that the narrator had used to describe the warriors' beliefs in the power of his rituals and in the application of his war paint.

Shield Magic.

"Shield Magic. Shield makes you turn red and halves the damage you take (I think) until you leave the room. I always use it whenever I see a hard enemy..."

The top Shield Magic searches lead me to a popular game or six. Dragonquest. Warhammer. Nero.... Also, I found a few literary references, and mentions of the Uruk-hai who wore the white hand of Saruman as warpaint.

Giving the impression of being blood-soaked, maybe with bits of white bone showing through cut skin, and still fighting ferociously... well, that would be daunting to the enemy.

Hence, Darth Maul would have two powerful reasons for his red complexion, although I assume it was natural, along with his horns, and was --presumably-- deliberately supplemented by his rune-like tattoos.

My own Viz-Igerd from "Knight's Fork" turned red on occasion, and his enemy, The Saurian Dragon, mockingly compared the effect to the Red Uakari (unfortunately, my copy editor made it "red uakari").

Did you perceive Darth Maul as a potential love interest? How about a sex interest? If so, why?

What about a Native American warrior in his war bonnet and war paint?

What about a Knight of old, mounted on his huge destrier (the computer tells me I've misspelled that), with a jupon over his chainmail, and his face completely hidden by his helmet?

What about Darth Vader?


Footnote:
On Tuesday May 5th 2009, my CRAZY TUESDAY radio show will be about "MAGICAL BEINGS" and I will be taking a two-hour long whirlwind tour of the Magical World, discussing World-building and magical characterization with Kellyann Zuzulo, and Joy Nash, with a flyby appearance from L.S. Cauldwell.