Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Friday, February 09, 2024

Karen S. Wiesner: {Put This One on Your TBR List} Book Review: Fractal Noise, A Fractalverse Novel by Christopher Paolini


{Put This One on Your TBR List}

Book Review: Fractal Noise, A Fractalverse Novel

by Christopher Paolini

by Karen S. Wiesner


In the previous two weeks, I reviewed Christopher Paolini's previous Fractalverse novel, To Sleep in a Sea of Stars, in an article called "Combating Big Book Overwhelm with Audiobooks"; I also reviewed "Unity", An Interactive Fractalverse Story. The Fractalverse Universe encompasses all known space and time, binding everyone everywhere as fellow travelers.

Before we get started, a word of explanation about the order of this series is necessary. Here's what's currently available in the order the stories were published:

1.     To Sleep in a Sea of Stars (2020)

2.     "Unity" (2021)

3.     Fractal Noise (2023)

Influenced by an intense nightmare he'd had while writing Inheritance, the fourth in his Inheritance Cycle, Paolini wrote an initial draft of Fractal Noise (originally a novella) but wasn't happy with it and set it aside. Eventually, he moved on to To Sleep…, also set in the Fractalverse Universe. This project took him much longer than he intended to finish--years--and only after he completed that did he go back to Fractal Noise. With new ideas and direction, he did a major revision and it became a 300+ page novel. It's unclear when "Unity" was written but I'm going to guess soon after To Sleep… was completed, probably before he revised Fractal Noise into a novel. In any case, the chronological sequence of the three stories is the exact opposite of the publication order:

1.     Fractal Noise

2.     To Sleep in a Sea of Stars

3.     "Unity"

According to the timeline included on the fractalverse.net website, the Great Beacon on Talos VII, which is the focus of Fractal Noise, was discovered between 2234 and 2237. It was the first alien artifact discovered in the universe. Twenty-three years later, between 2257 and 2258, the events of To Sleep… took place, starting on the moon Adrasteia. "Unity" follows To Sleep… chronologically, and within the "Unity" story, on a doctor's report, the date is listed as "2335" so it's been just over 75 years.

As for suggested reading order, I would have to say either Fractal Noise or To Sleep… should come first; it doesn't actually matter which. "Unity" should follow the reading of To Sleep… regardless of what order you read the two novels. I prefer following chronology as a general rule for all series, but the author felt that To Sleep… "would be a better introduction to the Fractalverse". I read To Sleep… first because it was published first. I followed that with Fractal Noise because it was published second. I only found out about "Unity" after going to the author's website. If I'd had a choice, I would have read Fractal Noise first, then To Sleep… and finally "Unity". Make of that what you will.

I have to comment on the fact that I didn't understand the connection between the two novels published in the series beyond that they shared the same world. I wasn't sure if there were characters in common, a plot, place, or something else. It wasn't until after I read both books (and the short story) and then listened to the audiobook version of To Sleep… that I finally figured out the connection between the two novels: Alien artifacts. That's what ties the two books together, other than the shared universe. The first alien artifact was discovered in Fractal Noise, the second in To Sleep… The question whether the same alien species created both artifacts is much tougher to answer, and I couldn't find a definitive answer to that anywhere online and it's lost in the combined 1,184 pages of the two books. But at least I discovered that there really wasn't any other connection between the two novels beyond the shared universe and ancient alien relics. Sounds simple, but it was frustrating not knowing that. I always feel like crucial information that most readers will wonder about needs to be included in the series blurb. Saves on wear and tear of reader nerves to know something unifying like that upfront.

So, the focus of Fractal Noise is the anomaly found on Talos VII, an otherwise uninhabited planet. From space, the stellar survey crew onboard the SLV Adamura sees a pit fifty kilometers wide, definitely not natural. This giant abyss is broadcasting a signal, to whom or what, is unknown. Eventually (in To Sleep…), this hole is called the Great Beacon. A small team is sent out to check it out, and most of their journey has to take place on foot with limited supplies and protection. The group of four consists of (to be blunt):

1)    A stereotypical religious fanatic who believes no one and nothing matters other than divine will. This woman is one crack away from becoming the next Interstellar Psycho. Bad luck for everyone involved: She's made the team leader.

2)    An opinionated tough guy with a chip on his shoulder who starts out as fun and personable, but then becomes the religious fanatic's archenemy as he vies for control of the team and the mission.

3)    A spineless weakling who will cave to whoever's strongest at the moment, incapable of doing anything but flying into the wind from one moment to the next, especially after he's injured so badly, he has to be carried the rest of the way.

4)    A scarred-from-childhood man so immersed in his grief from losing the woman he loved--the woman he's only realized in retrospect that he mistreated before her violent death by a tigermaul--that he doesn't really care about anyone or anything except in reflex. This person is Dr. Alex Crichton, a xenobiologist.

Alex is the main character. None of the other three major characters are really given more than a brief sketch in terms of fleshing out. We learn very little about them, beyond what's absolutely needed to tell the story, and so the book always felt a little lopsided to me. I might have learned too much about Alex, who became a little sickening since he was a train wreck personality, and not nearly enough about the other three pivotal characters. The loss of personal information became harder to take especially as the first two characters disintegrated in their escalating conflict with each other, the third became less and less useful to the team as he cringed away from their ongoing battle, with only Alex trying to keep the peace--mainly by staying out of the argument altogether. Alex is also the one who ended up picking up the pieces in the fallout and kept them moving forward steadily toward their goal. Clearly, he should have been team leader, but until someone is under duress in the field, I guess it's hard to know who might crack first. I suspect the captain of the ship believed he'd chosen the last person who seemed capable of falling apart as the team leader. Bad call leads to big mistake.

The conflicts with each other, the conflicts of their individual pasts that are motivating and driving each of them, and the conflict with the relic they're moving toward steadily despite all that's preventing them from reaching it are intriguing. The tension culminated, small outbursts becoming bigger and bigger, the results of the team’s in-fighting and bad luck making the journey even more stressful. I truly enjoyed the trek across the planet to the beacon, providing constant suspense with the internal conflicts of the team, physical injuries, the mission in jeopardy nearly from the beginning, and the things thrown in their way, like the growing, deafening noise, "turtles"--creatures that were obviously guarding the broken beacon's equipment, and numerous equipment failures.

Earlier, I said that the *focus* of Fractal Noise is the beacon. However, it's in no way the *purpose* of the story. If you don't want spoilers, don't read the next two paragraphs bracketed with asterisks:

**Within the pages of this book, you don't ever learn what the beacon is, who put it there, why it was constructed, what it was supposed to do or supposed to contact. You learn nothing important about the Great Beacon by the end. It's simply a relic that might have been covered over by the sands of time if not for the signal it was sending out that unfortunately captured attention from this crew and later the world. By the time the story To Sleep in a Sea of Stars rolls out, humans still don't know anything solid about that ancient artifact. In that book, it's revealed that they're called whirlpools by the Wranaui and that there are many of them around the universe. The Wranaui allies believe the Vanished created them but even they don't know for sure. But none of the species can even venture a guess what they're for.

Anyone reading this would have found it frustrating not to learn anything worthwhile about the relic. Initially, it seemed like the point of the story, though the back cover blurb did make it clear that the "ghosts of the past" following the members of the team were the true focus. In the end, Alex came to grips with his past and his grief. That's the best thing that happened--the only bit of closure provided. I presume he made it back to the ship, maybe with the weakling still alive, and that's how Kira and the other characters in the time period of To Sleep… know the beacon even exists.**

Despite a bit of annoyance about not getting any part of what I felt the story was building toward, I did find the story worthwhile reading. I savored the journey, weathering the disappointment in the end, yes, but I remained excited about where this series could be leading. Of the three Fractalverse stories I've read thus far, Fractal Noise was my favorite. Maybe in subsequent books, we'll learn what the beacon in Fractal Noise was intended for. At the end of To Sleep…, Kira learned that the Maw had left seven other parts of itself in different locations within the universe, and she intended to track them down alone. Perhaps we'll learn more about the rest of her journey to either kill or convert those seven fragments, as she did before.

As a reader, I look for closure in a story and series, and I felt both Fractalverse novels left a lot of the opposite, though not in a way that could be described as a deal breaker. I accepted the loose ends, though I'm not sure all readers would be as forgiving, because I'm eager to know more about this world. I suspect the author will produce many other stories that are connected to the universe but not tied closely to them, leaving even more fragments littered around the Fractal galaxy. Eventually, there may be a way to tie them all together--what I'm ultimately hoping for. In the meantime, there has been talk about either a film or TV series adaptation of To Sleep… with the author and his sister already writing scripts and presumably too occupied for Paolini to work on the next installment in the series. I look forward to hearing more about whether the visual adaptation goes forward, assuming that, in some way, the events of Fractal Noise and "Unity" will be included in that. At this point, until the author gives us a clue, who knows what might happen next in the Fractalverse? If you have any conjecture, leave a comment.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/


Friday, February 02, 2024

Karen S. Wiesner: {Put This One on Your TBR List} Book Review: "Unity", An Interactive Fractalverse Story by Christopher Paolini


{Put This One on Your TBR List}

Book Review: "Unity", An Interactive Fractalverse Story

by Christopher Paolini

by Karen S. Wiesner

Last week, I reviewed Christopher Paolini's previous Fractalverse novel, To Sleep in a Sea of Stars, in an article called "Combating Big Book Overwhelm with Audiobooks". The Fractalverse Universe encompasses all known space and time, binding everyone everywhere as fellow travelers. In order to really understand "Unity", you had to have read and understood To Sleep in a Sea of Stars, so this review is filled with spoilers. If you haven't read To Sleep… and want to before learning all the basic details, you might want to come back to this review later.

Here's a very concise summary of that nearly 900-page book:

On an alien world, the heroine, a xenobiologist, Kira blunders into an underground hole where an artifact was left by an alien culture long, long ago. An ancient xeno seed left there resurrects enough to infiltrate Kira's body, inside and out, so she and the alien become one. This thing is called the Soft Blade. After Kira's taken into military quarantine, the ship they're on is attacked by Wranaui, aliens that worship the Vanished--the beings that originally hid the Soft Blade in the underground reliquary. In her attempt to escape, Kira causes an explosion that joins a piece of the Soft Blade to the doctor in charge of testing Kira and to one of the Wranaui. What's created from this is a corrupted being called the Maw. Floating in space, it grows and spreads malevolently. It converts a planet into interstellar ships that are used by the Maw's corrupted warriors. There's a whole plotline about a lesser bad guy that takes up hundreds of pages. But the Maw is the real enemy in the universe. A faction of the Wranaui join humans in the fight. Long story short, the Maw and the Soft Blade merge so their minds are joined. The Maw is subdued, the Corrupted unmade, and the Maw's mass is converted into a space station--Unity--intended to serve as an embassy so humanity and its new alien friends, the Wranaui, can hammer out a peace treaty.

I only discovered "Unity" when I went to the fractalverse.net website to find out what else Paolini had to offer in this universe. There, I came upon an interactive short story that was laid out in a similar fashion (though much less complex) to the Choose Your Own Adventure "gamebooks" that were published from 1979-1998. I devoured these as a kid, even if the stories weren't always fantastic. The concept was what captured me. They were a precursor to the videogames I would soon come to embrace as an adult, making them my most favored hobby in lieu of watching TV. In a Choose Your Own Adventure story, the reader is the protagonist who makes decisions about how the story will proceed and end. Frequently, a wrong choice leads to a bad ending--in other words, "Story Over", and the reader has to choose another path to try to reach a good ending. The number of endings included in each adventure varied--Wikipedia's write-up talks about as many as forty-four in the early titles to as few as seven in the later ones.

As I said, the "Unity" interactive adventure was much less complex. There were never more than three choices as to which direction to go, and most didn't end badly. Only occasionally did a bad choice lead to a "You're dead" ending. So you had to go back a page and choose another path, or simply do the opposite of what you did last time. Fairly uncomplicated. I did die once or twice, lol, but I enjoyed it nevertheless.

In the time since the events of To Sleep in a Sea of Stars concluded, Unity has become an advanced space station where both humans and Wranaui abide in peace. It's the last place anyone would expect a murder to take place. You play the investigator trying to piece together what happened. The story is fun and well-written, especially with some backtracking involved if you choose a wrong path. It won't take you longer than a half hour, possibly much less if you're faster running through it and don't die. If you want to partake, you can start your adventure here: https://www.paolini.net/works/unity/ or here: https://fractalverse.net/works/unity/.

A print version was in the works, as Paolini explains in a Twitter post (you can access it from the fractalverse.net link I posted in the last paragraph). He actually shows in a video the print edition that was designed with gorgeous, original, custom artwork. The cost with print on demand was apparently prohibitive, so unless there's a "Kickstarter" (global crowdfunding platform initiative), the online version that's available free on Paolini's website is all there is or ever will be available for "Unity". I say, enjoy it for what it is. This is the kind of thing that's intended to be interactive and doing it online just streamlines the process. All the artwork is also free on the website for you to enjoy.

Next week, I'll talk about the publication, chronological, and optimal reading order of all the installments in the Fractalverse series as well as review Paolini's newest offering in the Fractalverse. Finally, I'll extrapolate about where he might go from here in the series.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/


Friday, January 26, 2024

Karen S. Wiesner: Combating Big Book Overwhelm with Audiobooks or {Put This One on Your TBR List} Book Review: To Sleep in a Sea of Stars, A Fractalverse Novel by Christopher Paolini


Combating Big Book Overwhelm with Audiobooks or

{Put This One on Your TBR List} Book Review:

To Sleep in a Sea of Stars, A Fractalverse Novel

by Christopher Paolini

by Karen S. Wiesner


Within an extensive article I wrote called "Presentation is King", previously published on the Alien Romances Blog, I talked about Christopher Paolini's first science fiction mega-novel, To Sleep in a Sea of Stars, which was the first offering in his Fractalverse series, and provided a review for it. While I thought the novel was well-written, I complained about the obscene length that overwhelmed my basic enjoyment of the story. You can read the article here:

               Part 1: https://aliendjinnromances.blogspot.com/2022/12/karen-s-wiesner-presentation-is-king.html

               Part 2: https://aliendjinnromances.blogspot.com/2022/12/karen-s-wiesner-presentation-is-king_01963401706.html

               Part 3: https://aliendjinnromances.blogspot.com/2022/12/karen-s-wiesner-presentation-is-king_02089261396.html

The weird thing is, I wanted to love that book wholeheartedly instead of just liking it but fervently wished it'd been published as three, manageable, separate stories (which it could so easily have been, given the way the book was conveniently divided into several parts) instead of a massive one. That way my overwhelmed brain could have enjoyed it more.

Within my three-part article, I also talked about Paolini's other series, The Inheritance Cycle, which suffered from the same problem. His stories are too big to allow true immersion and would be so much better presented in multiple parts, allowing the reader time between to recover from the page-overloaded, detail-heavy material. This brings to my mind my favorite fantasy series. Most people who love this genre know that J.R.R. Tolkien intended The Lord of the Rings to be one, exceptionally long novel. Wisely, I think, his publisher thought one book would be cost prohibitive and also they wanted to get the material to eager readers faster, so they turned one book into a trilogy. I might never have read that book--my all-time favorite fantasy--if not for the brilliant presentation. As one volume, I would have been instantly intimidated and deterred from even starting it. Instead, we now have three installments, presented in a way that allows readers to enjoy segments of the story without becoming overwhelmed by the sheer size of the material and ponderous details that need to be absorbed to follow it.

I wondered in the time since I wrote the article/review for To Sleep in a Sea of Stars what other people thought of the book. I found a review by Lotte on The Escape Velocity Collection website, which amused me, though it was a bit too harsh in my opinion--however, I didn't fully disagree with the conclusions drawn. You can read Lotte's review here, if you want: https://escapevelocitycollection.com/fiction-fix-to-sleep-in-a-sea-of-stars/.

Two things stood out for me in that review. First, that the reviewer felt Paolini was a good writer and wanted to love To Sleep… just like I did but didn't quite get there. The second thing that stood out was in the very first sentence of the review: "…I've been listening to the audiobook of To Sleep in a Sea of Stars…" This is how the reviewer managed to get through the enormous amount of material without giving up out of exhaustion. I think one of the biggest reasons people prefer to watch a movie over reading the book is because it's just so much easier to grasp the concepts in that visual form. What may be hard to wade through and grasp in a dense, overloaded read is simpler to see and comprehend playing out on a screen. The brain pulls everything together in a different way that doesn't lead to fatigue, the way it might in reading. I think audiobooks may also provide another means of making sense of a tremendous amount of material--not quite as visual as a film, but I was hopeful this was an avenue that could help my brain fatigue with some large books that I genuinely wanted to love.

I thought about it for months and finally decided to start 2024 with a new willingness to listen to audiobooks, which I confess I tend to think of as cheating for a true reader. But if the sole reason I'm avoiding certain books I know I'd enjoy if they were presented in a different way is because the size overwhelms me, why not try?

The best time for me to listen to an audiobook is while getting ready for the day in the morning as well as while I'm doing household chores at various points throughout the day. Normally, I listen to music during those times, which I'd miss, but it seemed like a worthwhile, temporary swap. I'm not a fan of downloaded audio files, in part because I want something tangible for my money that can be utilized even when technology changes, as it inevitably does and would. Finding cd audiobooks wasn't easy (Amazon doesn't seem to carry them, that I found anyway--only offers Audible.com files, and Barnes and Noble has the same issue) but I did manage to purchase audio cds elsewhere for To Sleep in a Sea of Stars as well as all of Paolini's Inheritance Cycle titles, including the brand new offering in that series, Murtagh, Book 5. I started with Eragon, Book 1, since I received that first. I enjoyed listening each day and looked forward to progressing in the story. As soon as I got the audio cds of To Sleep…, though, I switched to that.

This is a much, much better way of digesting Paolini's brilliant Fractalverse, a way that doesn't strain my brain and make me share in Lotte's hilarious, wearied weeping for reprieve: "Please save me. This book is legitimately 900 pages long and I don't deserve this." Thus far, incorporating audiobooks into my "reading" is a revelation for this diehard, traditional bibliophile. I never would have realized what a difference it would make in dealing with what could otherwise be considered an agonizing endeavor in reading a book too big to be believed.

To Sleep in a Sea of Stars was well-written with exciting and compelling, well-developed characters and plot conflicts, with plenty of universe and contextual detail to make everything logical. I love science fiction, and, when combined with horror…forget about it. Win-win. I do admit with To Sleep…, I wanted more Alien, less Enemy Mine (Dennis Quaid). Regardless, the bottom line is that I highly recommend not just To Sleep… but the whole Fractalverse series to any fantasy and sci-fi lover. I especially enjoyed listening to Jennifer Hale read To Sleep… with the audiobook. Like Paolini, I'm a huge fan of Mass Effect, and Jennifer Hale was the voice actress for fem Shep in that videogame series. I also learned that Hale, with music producer Todd Herfindal, wrote and performed some beautiful music for To Sleep… Find out more here: https://fractalverse.net/works/music-to-sleep/. If you want to dig deeper into anything in the Fractalverse Universe, Paolini's website has a ton of visuals and explanations for anything from lifeforms to star systems, organizations and religions, as well as a fairly detailed timeline.

There's also talk about a film adaptation or possibly a TV series of To Sleep… I strongly believe either of these would make the most of an incredible story that almost can't be enjoyed in its original format.

Over the next two weeks, I'll review Paolini's other two, subsequent offerings in his Fractalverse.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/ 


Friday, November 10, 2023

Karen S Wiesner: {Put This One on Your TBR List} Book Review: Dune by Frank Herbert



 {Put This One on Your TBR List}

Book Review: Dune by Frank Herbert

by Karen S. Wiesner



In previous books I’ve reviewed for my “Put This One on Your TBR List” series, I included a summary and background details for the book I spotlighted. However, Dune (or the Dune Chronicles) is touted as the bestselling science fiction novel in history, has become a franchise in its own right, and a book description and premise is probably unnecessary here, given the sheer amount that’s been written about this saga already. So this is strictly a review (as much as I’m capable of making it anyway) of the first book.

I first heard about Dune in association with the 1984 movie that starred Sting, the rock star, and all the movie posters I’d seen looked about as hokey, cheesy, and downright silly as it got. I assumed this was some overblown space opera not to be taken seriously. However, when I saw the preview of the 2021 remake starring Timothee Chalamet and Oscar Isaac (among other worthy actors), I started to get curious about this series. Anything that’s been around as long as this has (first published in 1965—nearly 60 years) and has this huge of a following seems like it might actually have endured as something beloved for good reason.

I found a beautiful, like-new trade paperback copy for only $6 at a used bookstore. I won’t lie, the size of it was intimidating. 689 pages! I looked through it before I started reading the story. The first thing I noticed was that there were no chapters, per se. Each section was prefaced by epigraphic excerpts offered up from a fictional character within the series universe (which is called, hilariously, the Duniverse by diehard fans). I love the idea of making a series and a setting so insular, it becomes like something real that has historical and cultural significance. These types of commentaries, biographies, quotations or philosophies serve to ground the story in almost archival weight.

Inside this trade paperback, I found three “books” which made up the first Dune. There were also four appendices—the stuff lore lovers devour. I was amazed at the author’s thoroughness. This is the kind of world building you can only stand and marvel at the scope covered. The first appendix was like a fictionalized account of the ecology of Dune as told by Pardot Kynes, the first (fictional) planetologist of the main setting in the story. Next, the religion of the series was covered along with space travel. Most science fiction avoids the idea of religion as if science will eventually become the religion of the future. Although a lot of the religion in Dune does come off as superstitions or ways to manipulate the masses, I appreciated that it was included at all. Like it or not, humans are spiritual creatures, even if that doesn’t always imply morality. The third appendix was presented from the point of view of the fictional character Jessica, a member of the Bene Gesserit, a kind of religious organization that could be a cross between witchcraft and the stealthiest spies that employ voice control as one of their weapons. The next appendix gave information about the noble houses featured in the series. There were also sections with a dictionary of terms and cartographic notes along with a detailed map (I love this!!!). Finally, there’s an afterword provided by the author’s son Brian, which was very enlightening.

I was duly impressed by all this, so I started reading. It’s a slow-moving story, but I was instantly confronted with the inaccuracies of my presumptions about the story. This was no mere space opera, and there was nothing hokey about it. It’s a science fiction saga, yes, set far, far, far in the future (smart!), but the tone of the story (when it eventually settles into the main setting Arrakis, a barren desert planet with a merciless climate) conveyed a classical fantasy feel to me. The society of Arrakis is populated with scattered bands of native Fremen who are the only ones who really know how to survive in such a desolate, harsh place. They live like nomads without much by way of technology. Their religion and unique philosophy rule their lives. Water, as you might expect, is their most precious resource and it’s their currency. However, the irony is that the place they call home is the only place where melange spice can be mined—but only at great peril…for multiple reasons (ranging from giant sandworms to weather instability to the ban on “thinking machines” to intergalactic feudalism that fuels the political in-fighting that overshadows the universe). Melange holds dominion over everyone and everything. This drug extends life and expands the consciousness. Additionally, it allows for the folding of space, which has made interstellar travel possible. I admit, as a major plot in this series, I was bothered that something that could be considered a hallucinogenic drug could hold such sway over the entire universe. But I suppose that isn’t unrealistic, considering how popular drugs are these days.

As for “overblown drama”, I found no suggestion of it. I was compelled to keep reading all through the three books of the first Dune story. I was so impressed, in fact, that before I was half done reading it, I bought the entire boxed set of the first six novels written by Frank Herbert. After his father’s death in 1986, his son Brian teamed up with sci-fi author Kevin J. Anderson (I’ve read some his Star Wars books) to co-author other Dune installments which include prequels that fill in the gaps of what happened previous to the events of the first Dune book, as well as those that fit into the middle and end of things and finish the entire series.

Dune is extremely well written and authentic in every aspect. The worldbuilding is impeccable. The author left nothing out. That said, I think the drawback of this saga is the same that tends to plague many larger-than-life sagas. The world is so big, there’s no way an author could possibly give every character in it, even the main characters, the space needed for true, deep development. One of the signs that depth is lacking, in my opinion, is the over-the-top head-hopping that takes place in this novel. I’ve never witnessed any author do it with such unabashed boldness. Usually, an author will yank the reader out of one character’s head, into another’s, but that’s as far as it goes. Herbert knew no boundaries in this story. Every scene contains head-hopping all around the room. Every character included in a scene is given “head space” within that same scene.

Those who have read my writing reference titles know that this is my foremost pet peeve. In Dune, it’s true that some of the main characters are given more “head space” than others, and you get to know them slightly better as a result, but I didn’t feel I came to know any of the characters in Dune even remotely as well as I would have liked. As I said, I’m not sure it’s possible to get in-depth in a saga this vast. What happens when the scope of a story is too large is that readers are only selectively shown what the author wants them to know about the main characters. We don’t know what they really feel and think about so many things, nor do we get more than a skewed taste of their past, present, and future dimensions (those who’ve read Dune will truly understand the irony of that statement, given what the spice drug does to the minds it enslaves). We only get one-dimensional characters, including the main ones. This makes it very hard to root for or even like most of the people populating this world. I think the only character I truly liked in this book was Duke Leto Atreides. The rest filled the roles the author gave them—no more, no less. Even Paul, the duke’s son, and what most would consider the main character of Dune, wasn’t someone I continued to be compelled and sympathetic toward. By the middle and at the end of the first book, he became little more than a monster, driven (contradictorily) calmly and ruthlessly insane by the drug spice.

I was also bothered by the strange character growth in Dune. They changed so much in this first book. It’s divided into three parts, I think, so the writer could skip over the character growth that changed characters from one thing to another. In this way, a lot of the development felt convenient to the plot. The author needed them to do something in a certain way. Yes, Herbert built in strong religions and philosophies, training rigors, etc., but in part because none of the characters are developed deeply, the alterations in their personalities are stretched almost beyond belief, are logical but mildly distorted, and ultimately brush against the dreaded deus ex machina as close as it gets without actually entering it.

All these things said, I enjoyed the story enough to be intrigued and interested in continuing to learn more. I’m glad I decided to read it, despite my earlier presumptions. I’ve also watched about a third of the 2021 remake movie, and I’m finding it follows the novel very closely (as closely as it can and still make sense of the scope). I also intend to watch the sequel when it comes out in 2024. Both of these encompass the first and second parts of the first novel. There are a lot of other media associated with this franchise. I’m not sure how far I’ll delve into this universe (the sheer breadth of it feels intimidating to me), but for now I’m determined to at least read the author’s original stories and watch these two film adaptations.

In the afterword provided by the author’s son, Brian Herbert talks about having asked his father if his magnum opus would endure and hearing the modest assessment that only time would tell. Given its popularity for nearly 60 years, I’d have to say endure it has—endured and flourished! If you haven’t already wandered into the Duniverse and been captured by its distinctive spice, Dune is definitely worth a try.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog 

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Thursday, September 07, 2023

SF Terminology Goofs

I've started watching the second season of MY DAD THE BOUNTY HUNTER, a cartoon series on Netflix. Some dialogue passages reminded me of a few of my "pet peeves" concerning language too often found in science fiction print and film stories.

The most annoying and most common: "Intergalactic" for "interstellar." There's no indication in the Netflix series that the characters ever leave this galaxy. Careless writers commit this mistake in far too many works I've read or watched. In J. D. Robb's "In Death" series, "intergalactic" sometimes appears even when "interplanetary" is clearly meant. Maybe those books should be pardoned, however, because they're narrated mainly in the viewpoint of homicide detective Eve Dallas. She seems to take the same attitude toward scientific facts as Sherlock Holmes, who famously says he doesn't know whether the Earth revolves around the Sun or vice versa and doesn't want his brain cluttered with that knowledge.

The kids in MY DAD THE BOUNTY HUNTER get all excited to discover their mother is not only an alien but an "alien space princess," and she doesn't correct their terminology. Her family lives on a planet. Her parents don't rule a sector of space; they rule part of a planet. She's no more a "space princess" than Queen Elizabeth II was a "space queen." Moreover, there's a tendency for the dialogue to refer to anyone not from Earth as an "alien" even in contexts where that usage makes it sound as if they think of THEMSELVES as aliens.

Although it's not in this series, there's a glaring error I've noticed in some speculative fiction by writers not trained in science, I hope a result of carelessness rather than ignorance, but still: Referring to light-years as a unit of time rather than distance. Even C. S. Lewis does this, in THE SCREWTAPE LETTERS.

Not an error, but an example that strikes me as lazy worldbuilding, is the widespread habit of labeling units of currency "credits." Sure, because it's so commonplace, it's immediately recognizable as a convenient shorthand for money. But don't creators of alien societies have any more imagination than that? Or do they think civilizations on other worlds don't have enough imagination to give their monetary units a non-generic name? Nations on Earth have words for their money grounded in tradition, history, and politics; extraterrestrial societies should follow similar patterns.

The new QUANTUM LEAP series explains how the leaper sort-of-replaces the past-time individual as a function of "quantum entanglement." That hypothesis deals with subatomic particles, however, and has only the most tenuous resemblance, if any, to what the leaper experiences. But I feel justified in giving the QUANTUM LEAP writers a pass on this point, even if they have no idea what they're talking about. Most likely, even if they do, they don't expect more than a tiny fraction of the audience to know what "quantum entanglement" means; they probably just chose a science-y sounding term. Like the STAR TREK "doubletalk generator," as author David Gerrold calls it (as in, "Captain, that last photon torpedo destroyed the doubletalk generator, and the Enterprise will explode in nineteen minutes!"), the phenomenon might as well be labeled "magic."

Margaret L. Carter

Please explore love among the monsters at Carter's Crypt.

Friday, July 28, 2023

Karen S. Wiesner {Put This One on Your TBR List} Book Reviews: The Martian, Artemis, and Project Hail Mary by Andy Weir


{Put This One on Your TBR List}

Book Reviews: The Martian, Artemis, and Project Hail Mary by Andy Weir

by Karen S. Wiesner


After I watched The Martian movie with Matt Damon, I immediately bought and devoured the 2014 book from start to finish. I honestly believed the author must work for NASA. But, no, Any Weir was a computer programmer and software engineer before he made it big with his first title. He didn't even finish college, which doesn't really mean anything other than I'm pretty sure most people who work for NASA do. Not surprisingly, his parents were a physicist and an electrical engineer. His website describes him as "a lifelong space nerd and a devoted hobbyist of such subjects as relativistic physics, orbital mechanics, and the history of manned spaceflight". Everything in Weir's first bestseller felt so authentic and believable to me.

The concept for this science fiction story is simple: A team of astronauts is on Mars exploring, mega bad weather hits, so the part of the team that's still alive bugs out and heads home. Turns out, though, that the guy they left for dead isn't, and he has to survive until NASA (and later, the Ares III team of astronauts he came with) can figure out how the heck to rescue him…if they even can.

The actor Damon's performance was so phenomenal as Dr. Mark Watney, a botanist and mechanical engineer, I couldn't help seeing the character that way while I read the book. Watney had a sense of humor at nearly all times and a brain that just wouldn't quit as he faced every seemingly insurmountable hurdle that could possibly be thrown his way. Resourceful is a mild word for this dude. He just kept going and going even when most people would have reached the point of defeat long ago.

I binge read this book each time I pull it down from my keeper shelf. The only downside of reading it is the swearing. The four-letter word that starts with an 'f" is used so often, I'm convinced it accounts for at least 20,000 words (or 40 pages) of the book. If the author had only done a search for that word and seen just how much it's overused, I think he might have cut out most of them. If he'd just started the first few chapters with the character using the word often, we would have gotten the hint that Watney didn't actually stop using it after that point--the author just stop beating us over the head with the word. But that is honestly the only negative.

Weir initially self-published the book as a free serial on his website, then, at the request of his fans, made it a Kindle book on Amazon, where it became a bestseller. After a literary agent approached him, the book was sold to Crown Publishing Group. Andy Weir, the bestselling author, became a household word.

Interesting tidbits: The authors of The Expanse Series (which I reviewed a few weeks back in this column) were so influenced by The Martian, they gave a nod to it in that series, where the Mark Watney is a long-haul freighter used as a colony transport. Additionally, a species of bush tomato from Australia was named after the fictional botanist. In October 2015, along with announcing its next steps for a real-world human journey to Mars, NASA presented a web tool that tracked Watney's fictional trek across the planet.


  

The Martian was so good, I knew I wouldn't be able to wait for the paperback before purchasing Weir's next release in hardcover, the 2017 published Artemis. This science fiction thriller novel is set in the 2080s-2090s on the moon's first city of Artemis, populated with some 2000 people comprised mainly of tourists but a good share of criminals as well. The heroine of the book is no exception. Jasmine "Jazz" Bashara is a porter who dabbles in smuggling to not only make ends meet but to pay back a debt she owes. When the biggest score of her life comes along, she can't turn it down, even when things turn ugly and what appeared to be a mere smuggling job becomes all-out war for control of the city.

Jazz is very similar to the character of Mark Watney. She's smart, resourceful, always fighting when life throws the worst it has at her, and none of it defeats her. Instead, it hones her, bringing out the best, most innovative aspects of her.

I wanted to dislike Artemis. Jazz makes one stupid decision after the other, not 'fessing up to her own initial crime that caused her to become a criminal in order to pay back the very personal and still tender "debt" she owes. When the truth is finally revealed, I couldn't help feeling for Jazz and even believing the best of her. I rooted for her to win and overcome the demons hounding her for bad choices in the past that led her where she ends up in this novel.

I read Artemis very fast, unable to put it down, just as I do each time I read The Martian. It's an irresistible story of a good girl in a bad situation that she brought about herself with poor choices. Though it's been optioned and reports of the script being written have cropped up, the movie prospects are a bit uncertain. It may be renamed Project Artemis and might star Scarlet Johansson and Chris Evans--yeah, you read that right. Black Widow and Captain America...in space. Weird. No release date has been set.


  

The title of Weir's third science fiction, published in 2021, threw me for a loop. I couldn't imagine, based on the name, what it could be about, thought religious, spacy connotations were at the forefront. But, no, not at all. In fact, Project Hail Mary goes back to Weir's roots with The Martian.

Set in the near future, a global dimming event with the potential to bring about the extinction of the human race is what forces the world's first cooperative government to try to solve the problem. They make Ryland Grace, a high school teacher and former molecular biologist, into an astronaut and send him to study alien microbes that consume all forms of electromagnetic radiation, using radiant energy to move. Because it consumes energy from the sun and also feeds on Venus' carbon dioxide, this organism is named "Astrophage" (star eater). Astrophage has also infected and dimmed nearby stars. Only Tau Ceti, which is 12 lightyears from Earth, resists. Scientists figure out how to use Astrophage as rocket fuel, they build a starship, the Hail Mary, and send Grace off on a suicide mission to figure out why Tau Ceti is resistant so they can reproduce the effect. Unmanned mini ships will return his findings to Earth.

The book opens with Grace waking in the Hail Mary from a coma, initially afflicted with amnesia. As his memory comes back, all the intelligence and resourcefulness in the face of extreme challenges that motivated Weir's previous main characters Mark and Jazz are evident in Grace. His spaceship reaches Tau Ceti, where Grace meets "Rocky", an alien with a stone-like exoskeleton from 40 Eridani, a planet also plagued by the Astrophage infection. Rocky is a skilled engineer and the last survivor of his crew, sent for the same reason Grace was.

What follows in the story after that is a much more sophisticated and emotionally compelling version of Enemy Mine, best known from the 1985 sci-fi action drama featuring Dennis Quaid and Louis Gossett Jr. but originating from the Barry B. Longyear novella of the same name published in the September 1979 issue of Isaac Asimov's Science Fiction Magazine.

I was engrossed in Project Hail Mary until Rocky's introduction, at which point I became full-on, single-mindedly absorbed. Even as I saw the silly connections the book had with that sappy old movie Enemy Mine, I couldn't help falling for Rocky. Grace was a compellingly drawn character, but Rocky was the star of this show. I rooted for both of them in the face of absolutely impossible challenges. Two guys from separate planets had to design a language they could both understand before they could even communicate were somehow supposed to save the entire universe? Come on! But I desperately wanted them to succeed, and the thought that they might not (and, wow, did it look bleak and black right up until the final moment!) was devastating. I'd be hard-pressed to remember a time I wanted a happy ending more for both these main characters. For sci-fi fans, this one is a must-read. With Ryan Gosling signed on to star in and produce Project Hail Mary, it was announced in May 2023 that the film would begin production in early 2024. Fingers crossed the movie comes to fruition. Until such a time, if any, I'll just have to re-read the book.

Andy Weir has a lot of works available (which used to be available on his website but not currently even mentioned on it now https://andyweirauthor.com/), and I confess I haven't been as interested in the ones that aren't science fiction and aren't published by a major conglomerate like Crown Publishing. That could be a failure on my part, as well as short-sighted. Even the tie-prequel to The Martian, "Diary of an AssCan", has me hesitating in no small part by the title.

I will say that Weir found a winning type and stuck to it. It's very true that this trio of books stars very similar lead characters and they're all placed in impossible, no win situations. There's a theme that's haunting familiar from one book to the next. I don't doubt it. I doubt the author could refute the claim. But the bottom line is, it ain't broke and there's no need to fix this. So what if these stories are all variations on the same theme? I like that theme, and I want more of it.

I'll also add that all three of these bestselling science fiction novels would make my Top 50--maybe even 25--Favorite Books list, and I'm in good company with Bill Gates and Barack Obama over recommending them--along with the movie counterparts, if the latter two ever get their own adaptations. These are all read-in-one-sitting (if you can) novels, and they're definite keepers you'll want to re-read at least every couple years.

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor 

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/

Friday, July 14, 2023

Karen S. Wiesner {Put This One on Your TBR List} Book Review: The Expanse Series by James S. A. Corey


{Put This One on Your TBR List}

Book Review: The Expanse Series by James S. A. Corey

by Karen S. Wiesner


I started reading The Expanse Series when I found the boxed set with the first three novels in Orbit Books newsletter. I love science fiction, especially when it's combined with horror, similar to the Ridley Scott Alien franchise, which, not surprisingly, was a major influence for this particular series. The short story, "Drive", is the prequel to the entire series, and James S. A. Corey (authors Daniel Abraham and Ty Franck, using the joint pen name) offered a free download of it from their website, which I printed and read after I'd finished the first three novels. From that point on, I purchased each novel and short story/novella as it was released. In the years the authors actively worked on this series, I followed it, purchasing each book in hardcover, since that was the fastest way to get it ASAP after release.

The premise of The Expanse Series is that future humanity has colonized most of "The Solar System", but they don't yet have interstellar travel. Mankind has settled in the asteroid belt (Ceres and Eros), Mars and the moon with domed settlements; and some outer planets (several Jupiter moons including Ganymede and Europa; Saturn's Phoebe; and Uranus's Titania). In the time the series is set, tensions are rising. Earth's United Nations and Mars' Congressional Republic are the superpowers that exert their combined hegemony over Belters--those who populate the asteroid belt. Because of the low-gravity environments they live, their bodies tend to be longer and thinner than other humans. Belters (who use a form of modified Creole speech) are the blue collar workers of the galaxy, working to provide the system with the natural resources needed by all, and, as such, they're disrespected by other humans in the galaxy. In order to fight exploitation at the "Inners" hands, Belters have formed loose military groupings within the Outer Planets Alliance (OPA). The OPA is considered a terrorist organization by other humans.

In Leviathan Wakes, Book 1, readers are introduced to several of the core characters in this series. James "Jim" Holden, a former UN Navy officer from Earth, is XO of an ice hauling ship called Canterbury along with chief engineer Naomi Nagata, a Belter; pilot Alex Kamal, who's a Martian navy (MCRN) veteran; and engineer Amos Burton with a background that, let's just say, grows more interesting with each installment. These four become the original members of the Rocinate or Roci, a state of the art Martian frigate they claim as their own. A distress signal leads them to a derelict transport vessel, the Scopuli, and from there to Julie Mao, the rebellious daughter of a wealthy magnate.

At the same time, a washed-up detective named Josephus "Joe" Miller, a Belter from Ceres Station's Star Helix Security, is also searching for Julie Mao.

The investigation of Jim and his crew and Miller converges on Eros, where Julie is found…afflicted with an alien organic biohazard growth that quickly spreads across the entire station. Life as anyone knows it will change from this moment forward when humanity gains access to thousands of new worlds via the use of an artificially constructed ring network created by a long-dead race of aliens. The number of directions that this series goes as it explores all of this potential boggled my mind as the saga became bigger and bigger with each book.

While the characters mentioned above comprise the major players, there were so many fascinating, richly embellished, unique cast members. While Jim Holden always came across as a good, incorruptible man and, as such, was my favorite, so many of the characters were so complex, it was hard to pin short-sighted labels like "good" or "evil" on any of them. They were each completely human with all the moments of cringe-worthy regret and heroic larger-than-life altruism. Amos was another favorite who compelled me to think deeply as he evolved into the person he became at the end.

Some other intriguing players that make frequent appearances throughout the books are Bobbi Draper, a Martian gunnery sergeant in the MCRN; the foul-mouthed Chrisjen Avasarala, UN Assistant Undersecretary of Executive Administration on Earth; Fred Johnson, the leader of the OPA, who's a former UN marine (and the subject of the short story "The Butcher of Anderson Station"); Marco and Filip Inaros, father and son with Marco commanding a radical OPA branch called the Free Navy; Camina Drummer, chief security of Tycho Station; and Clarissa Moa, another daughter of the magnate that Amos calls Peaches.

The first installment in the series is the one that I binged-read in a matter of days because the biohazard aspect utterly fascinated me, as did pretty much anything Jim Holden did from start to finish in every story he was in. But several other stand-out offerings were "The Churn" novella and the eighth novel in the series, Tiamat's Wrath.

At the announcement of the last one, Leviathan Falls, I know I wasn't the only obsessed reader who felt we'd only touched the tip of the iceberg in exploring all the saga had to offer. The series left me wanting more while at the same time satisfying all my main requirements. I simply wasn't ready for it to end, though I suspect the main crew of the Roci might have, given what they went through in the countless years that encompass the whole of this exciting sequence.

As most probably already know because many sci-fi readers prefer a more visual medium over book format, The Expanse became a TV series that went through countless upheavals and ended far too soon, not covering as much ground as the book series did. The perfectly chosen cast gave it their all, and I applaud the show for how well they portrayed something so big, it was hard to contain it the way they had to. Both the novel and TV series are well-worth your time, and they've got a permanent place on my keeper shelves. Comic versions, board and roleplaying games are also available for the series.

One of the most defining factors about The Expanse was just how realistic it all seemed. I was sold completely on the premise, and I can easily imagine so many aspects of the "science" and politics to this series happening in the near future just as they're portrayed in this saga.

I do have to comment that the titles of the novels are annoying obscure and really have nothing whatsoever to do with the stories within them. Whenever I try to remember which story belonged in which novel, I'm completely lost--and that's a direct result of the fact that the titles that were saddled on the novels in the series seem arbitrary and not clearly defined. If there was a trick to understanding why they were named as they were, the authors should have given readers a clue what it was to prevent us from becoming lost and confused. That is the sum total of my complaint with this series. Incidentally, the shorts all had titles that made sense and described the stories contained within.

A quick word about the book order, which is a bit of an issue since short stories and novellas were published between the main novels that don't necessarily follow the main storyline chronologically. Frequently, the shorts covered past events as well as pivotal character backgrounds. The publisher suggests reading them in the order they were published since that way characters first introduced in the novels gain further background characterization through the shorts. With prior knowledge and familiarity, the novellas can be enjoyed and understood in context. Also, the shorts may contain spoilers to the novels, which could be a deal-breaker to some. That said, the suggested reading order is this:

1.     Leviathan Wakes, Book 1

2.     "The Butcher of Anderson Station" (set before Leviathan Wakes)

3.     Caliban's War, Book 2

4.     "Gods of Risk"

5.     "Drive" (set before Leviathan Wakes)

6.     Abaddon's Gate, Book 3

7.     "The Churn" (set before Leviathan Wakes)

8.     Cibola Burn, Book 4

9.     Nemesis Games, Book 5

10.  "The Vital Abyss" (set between Abaddon's Gate and Cibola Burn)

11.  Babylon's Ashes, Book 6

12.  "Strange Dogs"

13.  Persepolis Rising, Book 7

14.  Tiamat's Wrath, Book 8

15.  "The Last Flight of the Cassandra" (set during Leviathan Wakes)

16.  "Auberon" (set between Persepolis Rising and Tiamat's Wrath)

17.   Leviathan Falls, Book 9

Note that all of the shorts are all published in a compilation called Memory's Legion that's well worth investing in for collectors.

 

Karen Wiesner is an award-winning, multi-genre author of over 150 titles and 16 series.

Visit her website here: https://karenwiesner.weebly.com/

and https://karenwiesner.weebly.com/karens-quill-blog

Find out more about her books and see her art here: http://www.facebook.com/KarenWiesnerAuthor

Visit her publisher here: https://www.writers-exchange.com/Karen-Wiesner/