Showing posts with label Generation. Show all posts
Showing posts with label Generation. Show all posts

Tuesday, December 16, 2014

Theme-Symbolism Integration Part 1: You Can't Fight City Hall by Jacqueline Lichtenberg

Theme-Symbolism Integration
Part 1
You Can't Fight City Hall
by
Jacqueline Lichtenberg

Previous post on Symbolism:
http://aliendjinnromances.blogspot.com/2009/03/communicating-in-symbols.html

Is fighting City Hall romantic?  You bet it is! 

But first I want to point you to a short post by Margaret L. Carter here on Alien Romance.  She surveys the effect of going back in Time by watching very old TV Series and how those series depict characters.

The dissonance she refers to measures the sudden change in social norms.  It's too sudden for humans to adjust without psychological stress, according to Alvin Toffler in FUTURE SHOCK change in social norms.  I think we are still in the midst of that change, and therefore Romance Writers can leverage the chaos into massive commercial success bigger than mere destruction-derby, action, raw sex, or violence.

http://aliendjinnromances.blogspot.com/2014/08/values-dissonance.html

So let's journey back in time, then apply what we can learn.

One of the hottest hunks of an era was the guy who brought down the mob-corruption in Chicago when the mob had total control of "City Hall."  And the actor who portrayed that sexiest guy was likewise a heart stealing, larger than life, ultimate target for any woman worth her salt.

Here is an Amazon Video page with some of the titles available for a refresher course in that era.


The Untouchables Instant Video

And here is a Kevin Costner remake of that story:


The background theme in the mob story is "corruption."  Corruption is the way to "do business" and/or "Corruption is Dishonorable" and/or "Corruption is a figment of the imagination of those who want to control you."

The themes of Corruption are a theme-bundle, a set of independent but related themes that can be used to drive the stories of a whole set of characters who are in external conflict (plot), but each learning different lessons from being opposed.

Outside of a mere dictionary, the term "corruption" will be defined in a myriad different ways.  "This is corrupt."  No, nonono! "THAT is corrupt!"  "No actually neither is corruption at all." 

"Corruption" is a term with a huge, negative semantic loading (like EVIL, and we all admire the kickass Heroine who fights EVIL and protects our world from invasion and domination by Evil), but unlike Evil Corruption doesn't doesn't come in "Black" vs. "White." 

So with the shift of Generations, as time marches on, we see our very language morphing, words taking on new connotations, new definitions, and being used in new ways. 

Compare that Kevin Costner remake of The Untouchables with the earlier version from 1959 and watch that difference:




Now, consider "Corruption" in the abstract.  The concept lends itself handily to Thematic Statement -- what particular action in which situation actually equals "corruption" and what action does not qualify.  This is potent stuff, and crazy-sexy stuff, too because it makes or breaks Relationships. 

A woman looks for a "strong" man, a man who will stand for what she believes in, fight to the death to protect her and his children, never break his promises. 

Marriages founder on such broken promises, even if "Oh, that's not what I meant" comes into play when accused of breaking a marriage vow.

You see this argument unfolding in today's headlines, all the dodging and weaving to redefine what an oath actually means, what the US Constitution actually means (nevermind meant long ago) and what that has to do with "reality." 

Nobody knows how to resolve such an argument.  The internal parameters are fuzzy, foggy, blurred, and there's no concrete definition of what's right and what's wrong, nevermind what's legal and what's illegal.

This befuddlement affects people of different ages differently and thus your Target Audience is divided by age group.  To capture more than one age-group, you need characters of different ages bespeaking the attitudes and values of their own generation.

Remember how we broke down the Generations among your target audience according to what Sign of the Zodiac Pluto was in at their birth? 
http://aliendjinnromances.blogspot.com/2009/10/astrology-just-for-writers-pt-6.html

---------quote from that Part 6-----------
Gen Y came of age just as the possibility of video games emerged, and the home computer became financially feasible.

PLUTO IN SCORPIO kids -- only 10 years worth of kids -- grew up with computers in GRAMMAR SCHOOL classrooms and at home and became the market for the most violent video games. Pluto rules Scorpio, the Natural 8th House - when Pluto was in Scorpio it was its most POWERFUL. For the 1/12th of those kids born with Pluto in Scorpio in their own 8th House, Pluto issues are likely to rule the whole life.

There was a huge baby boom in the 1990's. Though it's only a 10 year span, 1985-1995 saw an unusual increase in the demographic significance of that generation who are now entering college and the lesser educated workforce.

That Pluto in Scorpio generation turned out the most young voters ever in this previous Presidential election, and you've all seen their vehemence (power) in political rallies (both sides of the issues!)

The generation reared on the most violent video games is determined to assert their right to their inheritance, their rightful possession by dint of the fact that they exist.

Employers have already noted that the current 18-20 year olds they hire are mortally offended by any workplace rule that prohibits texting during work hours. Employers have no right to restrict behavior or communication during work hours. (I saw a study about that posted online, and saw several interviews about it on TV, but didn't save any references, sorry. I may have referred to it in a previous post here.)

The Pluto in Scorpio generation (only 10 years long) has passed on their taste for video games to the Pluto in Sagittarius generation.

PLUTO IN SAGITTARIUS, 1995 - 2008, are still just babies, and their buying power is still mostly controlled by Gen Y parents.

But for us, it's interesting to note the success of TWILIGHT with the Pluto in Sagittarius teens.

Gen X acquired a real taste for the teen-vampire novel. The sex appeal of Vampires with the edgy connotations of risking death is soooo PLUTO!

YA shelves filled with vampires in the 1980's, which naturally gave rise to BUFFY THE VAMPIRE SLAYER a little later, and all sorts of vampire spinoffs for older people.

TWILIGHT and the urban-fantasy vision of reality as a thin film over a seething cauldron of evil is intensely popular with Pluto in Scorpio AND Pluto in Sagittarius.

Noel Tyl, an astrologer's astrologer, has identified the axis in the natal chart that describes one's deepest anxieties, fears, nightmares, repressed fears -- the kind of deep, inarticulate fears that rule our behavior and which we rationalize.

That axis is the 3rd House/ 9th House axis.

The Natural 3rd House is Gemini, ruled by Mercury (thought, communication, short trips, fast moves, and also indecisiveness and restlessness).

The Natural 9th House is Sagittarius, ruled by Jupiter, and all about Philosophy, Courts, Social Justice, the generous and magnanimous King, the kindness of the world, success by expansion, growth. Sagittarius is all about open-honesty as the adjacent sign of Scorpio is all about hidden realities. Sag is long trips, foreign countries, PUBLISHING!!!

Kids with Pluto in Sagittarius are the teens who gobbled up Harry Potter (foreign published) when they were 9 years old, TWILIGHT etc, in their teens. TWILIGHT treats the darker (Pluto is "dark") aspects of the vampire as "out there" and mostly ignorable, while the vampires that are "in here" are trustworthy and above all that dark stuff - probably. In TWILIGHT the nasty part is "hidden" (Pluto).

Marketers have noted a leveling off of the growth of computer games sales (not shrinking, just not growing as fast as there are no more Pluto in Scorpio kids coming to buying age)

The trend in films toward ever more exaggerated violence and destruction, spectacle for its own sake, (TRANSFORMERS?) pleasures and amuses Pluto in Scorpio folks in some way that mystifies the Pluto in Leo folks. And I don't think it's just because the Pluto in Leo folks are older. I think it's because the Pluto in Leo folks have an Amusement Button that's configured differently.

When the Pluto in Sagittarius kids are 18-25, what films will they be taking their girlfriends to? What games will they spend their money on? What will amuse them life-long? What songs will they popularize? (already, I see lyrics changing)

The dark, ugly subject matter of the first wave of popularized rap is giving way to something else, but it's gradual.

If the Pluto in Scorpio generation pushed the violence in video games beyond all previous taboos, what taboo will the Pluto in Sagittarius generation (the obese kid generation -- Jupiter, ruler of Sagittarius is famous for obesity, the JOLLY FAT WOMAN image is usually Jupiter on the Ascendant) what taboo will this new generation expand out of all sense and reason? What will obsess them as violence and destruction obsesses Pluto in Scorpio?
----------end quote-------

Yes, it's a long post, and that is a tiny slice out of the middle.  It was posted in 2009.

I still think understanding the generations, and the attitudes they have toward Government (what it should be used for, what it can do effectively, what it must never do, etc) is a vital key for writers who are aiming at a particular Demographic which is seen by publishers or producers as currently gobbling up a certain type of fiction.

The full effect of a generational obsession is not seen until that generation has a) money they earned, and b) power over others (e.g. getting promotions to management positions).  The effect is not seen in politics unless there is a significant portion of the total population born in that time-span.

For commercial purposes, industry (Public Relations Firms mostly) have named the generations and assigned them boundaries in years, then attempted to parse the statistics of the mass-behavior of these people.

Forbes Magazine did an article in July 2014 examining the breakdown of generations, and highlighting individual biographies to illustrate a point.

http://www.forbes.com/sites/samanthasharf/2014/07/30/the-recession-generation-how-millennials-are-changing-money-management-forever/

And it contains the key graphic writers can gain from, a chart defining the generations in percent of population, and their behavior at different life-stages.